Here are 100 books that A Day No Pigs Would Die fans have personally recommended if you like
A Day No Pigs Would Die.
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I have been writing fiction since an early age, and I naturally create central female characters that I hope are warm, funny, and in some way flawed. Modules of my university degree dealt with psychology and sociology, and I automatically studied other people to inspire elements of my character. Lee Child is quoted as saying readers remember characters more than the plot, so when compiling my list, I recalled five female leads that have made me laugh, cringe, and relate to in equal measure. I hope you enjoy them as much as I do!
I’ve never read a book as quickly as I read this one. Our eponymous lead character is quirky and odd, but the story is written with so much empathy, depth, and humor that I was rooting for her from the start.
I loved how the relationship between Eleanor and Raymond plays out and avoids the predictable ‘boy meets girl’ ending. It doesn’t surprise me that the book is ‘in development’ as a movie, as the story plays out like a film when you read it. Definitely read this one first before you see the film! (It probably won’t take long as I couldn’t put this book down.)
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
The voice of the main character Will Tweedy pulled me right in. I was drawn into the world of rural Georgia in the turn of the century as if it was yesterday. I could see, smell, taste, and feel everything Olive Ann Burns described. The main character brought me along on his journey in a Huck Finn sort of way that made me feel like his best buddy.
The one thing you can depend on in Cold Sassy, Georgia, is that word gets around—fast. When Grandpa E. Rucker Blakeslee announces one July morning in 1906 that he's aiming to marry the young and freckledy milliner, Miss Love Simpson—a bare three weeks after Granny Blakeslee has gone to her reward—the news is served up all over town with that afternoon's dinner. And young Will Tweedy suddenly finds himself eyewitness to a major scandal. Boggled by the sheer audacity of it all, and not a little jealous of his grandpa's new wife, Will nevertheless approves of this May-December match and…
Requesting that I justify my credentials as a misfit, eh? Okay, then. I personally differ from almost everyone around me in many ways, but most notably with respect to faith, sexual arousal, and use of the intellect. I’ve always sought to cultivate and nourish my spiritual side, but faith-based Western religions never resonated with me—I instead cobbled together a discipline encompassing yoga, meditation, vegetarianism, and Ahimsa—which has served me for over half a century. From the earliest age, sexual arousal has involved scenarios where one person cedes power and the other wields it. And I have always obsessed about any bit of minutia my brain happened to seize upon.
This is a hugely ambitious and moving novel and one of my all-time favorite reads. The character, Owen Meany, is a tiny man with a shrill, piercing voice who believes he is God’s instrument.
For me as an author, one of the most striking and memorable aspects of this novel was the ingenious and perfectly executed plotting of the story’s grand finale—absolutely mind-boggling the way John Irving pulled it off.
'Marvellously funny . . . What better entertainment is there than a serious book which makes you laugh?' Spectator
'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Summer, 1953. In the small town of Gravesend, New Hampshire, eleven-year-old John Wheelwright and his best friend Owen Meany are playing in a Little League baseball game. When Owen hits a foul ball which kills John's mother, their lives are changed in an instant.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
I always love a strong voice. The fact that there was this horrific past in her family, and it hung like a dark cloud over them, gave such an interesting juxtaposition to the sweet, innocent voice of Sarah.
I felt the strain of the relationships with her brothers, her dad, and her mother. I felt her pain around her relationship with her brother, Cassie. I was filled with that sense of love and loss you can only have for a sibling that you’re fighting with one minute and having the best time of your life the next.
Winner of the 2018 The Australian/Vogel's Literary Award
Even before I knew anything about Granddad Les, Wally and me sometimes dared each other to see how close to the knackery we could get. It was way out in the bottom paddock, and Dad had banned us from going further than the dam. Wally said it was because the whole paddock was haunted. He said he could see ghosts wisping in the grass like sheets blown from the washing line. But even then I knew for sure that was a lie.
Ten-year-old Cub lives with her parents, older brother Cassie, and…
I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!
All of Robert Heinlein's YA novels are good (better, in my opinion, than his adult novels), but this one has special meaning for me because it was the first book I ever read about colonizing an uninhabited world. At the time it was published in 1950 I was sixteen and had been enthusiastic about the possibility of space travel for four years, since long before the general public was familiar with it; but all the space fiction I knew of was about mere adventure, usually adventure focused on fighting. The idea that families could someday settle a new planet--and, despite danger and hardship, accomplish something of immense importance to the future of humankind--made a strong impression on me and became one of my deepest convictions.
As a writer, I love watching people, imagining their worlds and lives. Aside from the outdoor cafés of Paris (which are hard to get to), one of the best places for people-watching is a good bar. All five of the characters I’ve listed would make wonderful conversation companions for a bar evening, because of their energy, quirkiness, intelligence, and/or observational skills. (Also, I’d just want to get to know them better.) And as a recovering alcoholic with enough sobriety that sitting at a bar all night, sipping seltzer would not be a problem, I could watch what these characters reveal about themselves once alcohol lowers their ordinary defenses.
I aspire to be like Charlotte A. Cavatica, the highly intelligent spider and creative artist here. When she weaves the words “Some Pig” into her web to help save her friend Wilbur the pig from slaughter, and the farmer tells his wife, “[W]e have no ordinary pig,” the wife quite rightly corrects him: “It seems to me we have no ordinary spider.” I love Charlotte not only for her extraordinary loyalty as a friend (working all night and sacrificing meals by devoting her web to messages about Wilbur), but for her devotion to words (“terrific” and “radiant” are impressive vocabulary for a spider, and highly suitable adjectives for a pig-rescuing project).
Above all, I applaud Charlotte’s humility. After tirelessly creating her spun language masterpieces, she backs into a corner of the barn, allowing Wilbur to take the spotlight for her efforts. Even as she succeeds in garnering wide attention…
A gorgeous full-colour large format edition of Charlotte's Web, one of the best-loved animal stories of our time.
The unforgettable story of a girl called Fern who loves a little pig called Wilbur. It tells how Charlotte A. Cavatica, a beautiful grey spider, saves Wilbur from the usual fate of nice fat pigs, by a wonderfully clever plan - a plan so original that no one else could possibly have thought of it!
Most of my published titles are about animals or involve them in some fashion. My Cats in the Mirror alien rescue cat series has been winning awards for a decade, and the two dog companion books have won the hearts of middle-grade readers, with a third companion book due out in 2026. Even my science fiction books for adults are about half-tiger/half-human creatures. Cats are definitely my favorite, but give me a book about a cute animal, and I’m happy.
I mean, not sure how much I need to say about the delight this book has brought to children since 1952. After being asked to read it to a group of first graders recently, I dissolved into tears having to read the scene where Charlotte dies, alone. The students that day thought I was silly. Yeah, as a kid, that didn’t bother me much. As an adult, well.
There’s something in this tale of love, friendship, and courage for all ages. Excellent for read-aloud if you are willing to commit to using different voices and really hamming it up.
Puffin Classics: the definitive collection of timeless stories, for every child.
On foggy mornings, Charlotte's web was truly a thing of beauty . Even Lurvy, who wasn't particularly interested in beauty, noticed the web when he came with the pig's breakfast. And then he took another look and he saw something that made him set his pail down. There, in the centre of the web, neatly woven in block letters, was a message. It said: SOME PIG!
This is the story of a little girl named Fern, who loves a little pig named Wilbur - and of Wilbur's dear friend,…
I thought I was going to be a farmer, but some serious practical experience after I finished school put paid to that idea. I then focused my attention on conservation, before turning to travel writing. All of which led, eventually, to a growing interest in development issues and how people can make a living from the land. The result is over a dozen books, some of which are narrative-driven travelogues – many based on my experiences in Africa and elsewhere; and some of which focus on the nitty-gritty of agriculture, agroforestry, and related issues. My most recent book, Land of Plenty, provided a state of the nation account of British farming during the tumultuous year (for farmers, at least) when the UK voted to leave the EU.
We are blessed right now with an abundance of farmers who have good stories to tell. Three hill farmers stand out: John Lewis-Stempel, James Rebanks, and Patrick Laurie, whose Native is so lyrical that it reads at times like a prose poem by Seamus Heaney. Laurie’s book is an account, season by season, of his relationship with a roughish bit of land in southwest Scotland. It is part love affair with his small farm, and the curlews and native Galloway cattle in which he has an obsessional interest, and part critique of modern farming and the industrial timber production that threatens much of the open moorland. Native is worth reading just for the quality of the prose, even if you’re not remotely interested in countryside matters.
Shortlisted for the Wainwright Prize for UK Nature Writing 2020
'Remarkable, and so profoundly enjoyable to read ... Its importance is huge, setting down a vital marker in the 21st century debate about how we use and abuse the land' - Joyce McMillan, Scotsman
Desperate to connect with his native Galloway, Patrick Laurie plunges into work on his family farm in the hills of southwest Scotland. Investing in the oldest and most traditional breeds of Galloway cattle, the Riggit Galloway, he begins to discover how cows once shaped people, places and nature in this remote and half-hidden…
I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.
I love this timeless novel because it helps me picture, better than any book I have read, what it is like to struggle as the wife of a poor rice farmer in India.
Rukmani, the book’s main character, endures endless battles with nature, poverty, hunger, discrimination, and crime, yet remains optimistic about life and devoted to her husband until the end.
Reading this book in college was one factor that helped me decide to join the Peace Corps and devote much of my career to working with low-income farmers in developing countries.
The acclaimed million-copy bestselling novel about a woman’s struggle to find happiness in a changing India.
Married as a child bride to a tenant farmer she had never met, Rukmani works side by side in the field with her husband to wrest a living from a land ravaged by droughts, monsoons, and insects. With remarkable fortitude and courage, she meets changing times and fights poverty and disaster.
This beautiful and eloquent story tells of a simple peasant woman in a primitive village in India whose whole life is a gallant and persistent battle to care for those she loves—an unforgettable…
I’m a writer who grew up in the Midwest, moved away for a while, and has now raised my own kids here. I love reading other writers' takes on what kinds of stories they see unfolding here. As I get older, I realize that great stories can grow out of the ground anywhere, with the right amount of sunshine, darkness, and water.
I still remember reading this book, which takes place on a farm in Iowa. It was my first glimpse of the idea that something so epic could be set in a place that I thought of as so boring.
Smiley's retelling of King Lear is one for the ages and a good lesson that greatness is only limited by your imagination, not your geography.
This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.