Books like The Quattro Cento and Stones of Rimini — picked by fans

I was introduced to this at the end of my first year as an architecture student and it introduced me to looking at history through a designer’s eyes.

The original and best edition was in a small format, packed with postage-stamp-sized illustrations. Venturi’s target was the reductive, less-is-more strand of Modern architecture. ‘Less is a bore’, Venturi declared, and he opened my eyes to Mannerism and the Baroque and offered new insights into modern masters such as Aalto and Le Corbusier. 

I bought My Work when I was sixteen and it was the catalyst for a lifetime devoted to architecture.

Written shortly before he died, it is a passionate, personal account of Le Corbusier’s work. Profusely illustrated and beautifully designed, it covers his work as draughtsman and painter, sculptor and writer - and, of course, as - in my view - the greatest architect ever to pick up a tee-square.

At the opening of his exquisite pilgrimage chapel at Ronchamp, Le Corbusier was asked if he had to believe in God to create such a building. ‘No,’ he replied, ‘I had to believe in architecture.’ This is a book by a believer to convert newcomers to the greatest of the arts.

Extracted from Ruskin’s three-volume account of ‘The Stones of Venice’, this was published with an introduction by William Morris, Ruskin’s greatest disciple and founder of the Arts and Crafts movement.

Ruskin’s High Victorian writing style is a barrier to some, but he is the greatest English writer on architecture whose ideas about the importance of craftsmanship and moral value of authentic architecture are an antidote to our present condition.

Extolling the virtues of ‘Savageness’, ‘Changefulness’ and ‘Love of Nature’ his ideas are newly relevant as we address the environmental and social consequences of the Industrial Revolution he detested for its impact on our humanity.

This short book is not about architecture, but about the supremely ‘architectural’ painter, Paul Cézanne, who almost literally ‘built’ his paintings brushstroke by brushstroke.

The author, Rilke, was a great poet and the book consists of a series of letters he wrote home to his wife after almost daily visits to the great memorial exhibition of Cézanne’s work held in Paris 1907, the year after his death. At first he struggled to understand Cézanne’s work, but by the end he offers one of the most profound meditations on aesthetic values I know.

His discovery of Cézanne was, Rilke declared, the most important influence on his poetry and changed his life. These letters changed mine, and I cannot recommend them too highly. 

In modern-day England, a teenager, George (Georgia), has lost her mother. In Renaissance Italy, Francesco del Cossa, a young and talented fresco painter, is motherless as well. Smith gives us a choice: Read George’s half of the book first, or read Francesco’s. Whichever we choose, the lives of these two young people are intricately interlaced. Their sadness and joy; their way of looking at the world around them. George has been to see a fresco in Italy created by Francesco. She is in a complex, post-death conversation with her mother, filled with longing. Francesco (or should that be Francesca?) tells his/her own life story and observes George in hers. I loved the challenging, poetic, playful, and tender nature of this book.

Ada Boni's culinary bible, Il talismano della felicità, first saw the light of day in 1928, six years after Benito Mussolini had succeeded in uniting Italy's quarrelsome regions under the banner of fascism.

Specifically targeted at the nation's housewives - ordinary folk on whose support El Duce rose to power in 1922 - this collection of nearly a thousand simple, practical traditional recipes for regional dishes became the dictator's favourite cookbook, as it did for generations of Italian women (still does). 

I first came across it on an Italian friend's recommendation while researching European Peasant Cookery and attempting to unravel the complicated traditions of a land that remains as fiercely partisan in the kitchen now as then. 

No book exposes the tricks of the trade that smugglers and dealers use to launder looted artifacts like this one. Focusing on a wave of looting in southern Italy in the 1980s and ‘90s, the authors show how European and American millionaire collectors fueled the ransacking of ancient sites. It’s a substantive, entertaining read about crime and the contradictions of modern Italy by two brilliant writers.   

In her decades of work on Italy’s Fascist era, Marla Stone has shown an especially keen eye for the development of the regime’s policies and ideologies, whether in the sphere of art and culture, or that of political violence and imperialist aggression. Here Stone offers a succinct and penetrating overview of the origins, rise, consolidation, and eventual crash of Fascism in Italy, followed by a translation of some three dozen primary documents—about a third of which were otherwise unavailable in English—to illustrate her narrative. Particularly chilling are the propaganda texts from 1938 on, when Mussolini’s grandiose claims to the legacy of ancient Rome took a back seat to full-blown racial politics, “as Italians were declared ‘Aryans’ and biological anti-Semitism became part of official ideology.”

Migration is the great theme of the twenty-first century. Our experience has set historians on a quest to see how new the mass movement of peoples really is. Isayev’s book is one of the first full-length studies of migration in Roman times.

It is enormously wide-ranging, bringing together the evidence of archaeology and of Roman comedy and history with the insights of geographers and sociologists. We see populations transplanted against their will, enslaved prisoners, hostages, and refugees, but also settlers and traders trying to make their fortune, and explorers and travelling scholars. Best of all we explore the ways that Romans thought about this, sometimes encountering chillingly familiar hostility but more often positive views of new arrivals. Romans often thought of themselves as a city of immigrants, and saw their willingness to accept newcomers as one reason for their success. Isayev does a wonderful job of opening up this new… show more.

The first thing that drew me into this book is the feeling of “I could see that happening… what would I do if it were me?” The second really enticing element comes when McAllister introduces a future timeline where the three siblings have had a falling out and their cover-up plan seems to have not worked. There is then a constant question of how did they get from here to there? The book is further enriched by the interesting relationships between the two sisters and brother. They each have their role in the family dynamic, largely set by a traumatic event in their childhood, and these have a significant impact on how they respond – individually and collectively – to this new highly stressful event.