Books like The Quattro Cento and Stones of Rimini — picked by fans

I was introduced to this at the end of my first year as an architecture student and it introduced me to looking at history through a designer’s eyes.

The original and best edition was in a small format, packed with postage-stamp-sized illustrations. Venturi’s target was the reductive, less-is-more strand of Modern architecture. ‘Less is a bore’, Venturi declared, and he opened my eyes to Mannerism and the Baroque and offered new insights into modern masters such as Aalto and Le Corbusier. 

I bought My Work when I was sixteen and it was the catalyst for a lifetime devoted to architecture.

Written shortly before he died, it is a passionate, personal account of Le Corbusier’s work. Profusely illustrated and beautifully designed, it covers his work as draughtsman and painter, sculptor and writer - and, of course, as - in my view - the greatest architect ever to pick up a tee-square.

At the opening of his exquisite pilgrimage chapel at Ronchamp, Le Corbusier was asked if he had to believe in God to create such a building. ‘No,’ he replied, ‘I had to believe in architecture.’ This is a book by a believer to convert newcomers to the greatest of the arts.

Extracted from Ruskin’s three-volume account of ‘The Stones of Venice’, this was published with an introduction by William Morris, Ruskin’s greatest disciple and founder of the Arts and Crafts movement.

Ruskin’s High Victorian writing style is a barrier to some, but he is the greatest English writer on architecture whose ideas about the importance of craftsmanship and moral value of authentic architecture are an antidote to our present condition.

Extolling the virtues of ‘Savageness’, ‘Changefulness’ and ‘Love of Nature’ his ideas are newly relevant as we address the environmental and social consequences of the Industrial Revolution he detested for its impact on our humanity.

This short book is not about architecture, but about the supremely ‘architectural’ painter, Paul Cézanne, who almost literally ‘built’ his paintings brushstroke by brushstroke.

The author, Rilke, was a great poet and the book consists of a series of letters he wrote home to his wife after almost daily visits to the great memorial exhibition of Cézanne’s work held in Paris 1907, the year after his death. At first he struggled to understand Cézanne’s work, but by the end he offers one of the most profound meditations on aesthetic values I know.

His discovery of Cézanne was, Rilke declared, the most important influence on his poetry and changed his life. These letters changed mine, and I cannot recommend them too highly. 

In modern-day England, a teenager, George (Georgia), has lost her mother. In Renaissance Italy, Francesco del Cossa, a young and talented fresco painter, is motherless as well. Smith gives us a choice: Read George’s half of the book first, or read Francesco’s. Whichever we choose, the lives of these two young people are intricately interlaced. Their sadness and joy; their way of looking at the world around them. George has been to see a fresco in Italy created by Francesco. She is in a complex, post-death conversation with her mother, filled with longing. Francesco (or should that be Francesca?) tells his/her own life story and observes George in hers. I loved the challenging, poetic, playful, and tender nature of this book.

Migration is the great theme of the twenty-first century. Our experience has set historians on a quest to see how new the mass movement of peoples really is. Isayev’s book is one of the first full-length studies of migration in Roman times.

It is enormously wide-ranging, bringing together the evidence of archaeology and of Roman comedy and history with the insights of geographers and sociologists. We see populations transplanted against their will, enslaved prisoners, hostages, and refugees, but also settlers and traders trying to make their fortune, and explorers and travelling scholars. Best of all we explore the ways that Romans thought about this, sometimes encountering chillingly familiar hostility but more often positive views of new arrivals. Romans often thought of themselves as a city of immigrants, and saw their willingness to accept newcomers as one reason for their success. Isayev does a wonderful job of opening up this new… show more.

It’s criminal that Celia Dale’s books are almost all out of print. 

Dale dwells in the world of people you wouldn’t look at twice – nice old ladies, sympathetic homemakers, slightly out-of-date romeos – who practice a kind of cruelty that isn’t necessarily obvious to the outside world, but that is nonetheless terrible.

Helping Hand deals with a couple who hurry old ladies to their deaths by means of kindness that’s actually cruel, and a young relative of one of those old ladies, who is herself grotesquely self-centered and uncaring. 

Fortunately, the book is saved by the presence of a decent young Italian woman, who provides hope in a black world.

Oh, this one? It is everything. The villain is a virgin! Which deep down we all want. Seraphena is promised to him since childhood, groomed into marrying him and killing him in order to save her country. When the wedding night comes – he rejects her, leaving her behind. People blame her. If she hated him before, she loathes him even more. Until he reappears into her life to save her and they both fight this attraction. She still has a mission, and this is her excuse to try to seduce him. He is a tough nut to crack. He is actually more in control of himself than she is. As she grows to know him in his supernatural surroundings, hatred is hard to keep and so is distance…

This is one of the funniest and truest books about Italy!

The English novelist Tim Parks captures modern-day Italy through the lens of life on a single street in Verona, where he lives with his wife. He brings the entire neighborhood to life with a cast of characters that are colorful to say the least.

He also captures what it’s like to be a foreigner in a country where you weren’t born and whose essence is constantly evading you. Nonetheless, he shows us that it’s possible to find a true sense of belonging and home among the ragtag parade of your neighbors.

I could have broken the rules and just listed five books by Caroline Moorehead here. I love her writing; her highly-researched biographies are a joy to read and utterly immersive. I chose A House in the Mountains because it shows me what it’s like to survive the hardscrabble blow-by-blow of daily life under an occupying army, and how you can defeat it. The five women whose lives in the Italian Resistance during WWII she chronicles here are models of courage and creative resistance to tyranny.