Here are 100 books that The Merchant of Venice fans have personally recommended if you like
The Merchant of Venice.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am drawn to stories that grip, teach, and hold power to account. Some of my favorite writers have the ability to do all of it in one go–Lawrence Wright, David Grann, Dan Fagin, etc. I just try to write stories I want to read. So, when I started looking into a pharmacist who made drugs in a dirty lab outside Boston and who shipped his fungus-plagued vials throughout the U.S., I saw an opportunity. As an investigative journalist, I seek stories that shine light on dark corners of government and industry, as well as those that have the chance to better things while entertaining and educating the reader.
This is a great blow-by-blow primer on how the best investigative journalism is done. As a journalist, I admired the bravery of the author taking on the powerful people who propped up Theranos and its wunderkind founder, Elizabeth Holmes.
It reminds me of why I love the work I do, which is often leads to dead ends because someone doesn’t want you to know the truth. Books like Bad Blood show that it’s important to have investigative journalists who don’t give up the fight and end up saving lives by exposing fraud.
The shocking true story behind The Dropout, starring the Emmy award-winning Amanda Seyfried, Naveen Andrews and Stephen Fry.
'I couldn't put down this thriller . . . a book so compelling that I couldn't turn away' - Bill Gates
Winner of the Financial Times/McKinsey Business Book of the Year Award 2018
The full inside story of the breathtaking rise and shocking collapse of Theranos, the multibillion-dollar biotech startup founded by Elizabeth Holmes, by the prize-winning journalist who first broke the story and pursued it to the end, despite pressure from its charismatic CEO and threats by her lawyers.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve always been fascinated by outsiders, people who don’t quite fit into societal expectations and exist on the fringes, just trying to get by or be left alone. I relate deeply to characters who are trapped between their own inner turmoil and the need to navigate a world full of contradictions and absurdities. I suppose one could argue that I’m comparing notes. Despite these books being dark and unsettling, they are also comforting. As a writer of psychological literary fiction, I can say it’s clear that these novels inspire me creatively and resonate deeply with me; they offer a window into the quiet chaos that resides in many of us.
I first read Josef K.'s haunting tale when I was a teenager. I hadn’t read anything by Kafka before and was initially quite frustrated because it wasn’t clear what the hell was going on, which, in retrospect, is rather the point.
I read this book again about five years ago and still found it a disturbing reflection on how society dehumanises the individual, often with no rhyme or reason, one might say Kafkaesque. Interestingly, I found it even more relatable as an adult.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
Success isn’t about money. It’s about character and personal experiences. I accept Viktor Frankl’s conclusion that fulfillment comes from having a purpose, caring for others, and living life with love. From my earliest movie heroes like Lash LaRue, Tom Mix, and Roy Rogers, to John Wayne, Cary Grant, and George Clooney, my favorite heroes have been modest and kind. Book heroes like Donna Leon’s Inspector Guido Brunetti, Louise Penny’s Armand Gamache, and John Le Carre’s George Smiley are modest and kind. This returns us to Lou Gehrig, my authentic, real-life hero. His early influence is clear in my heroic Duff Malone character.
He was the dad everyone wished they had. He was also a lot like my old high school football coach. There is authentic love and warmth when he and Scout are together. And there is honesty and spine when Atticus is in the courtroom, defending those who have been wrongly accused.
This beloved book has inspired generations of readers around the world. It is a morality tale about a rough and imperfect country, written in a way that has inspired idealists to stay the course in our fight for justice. We may be flawed, but we can still be strong.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have always been interested in stories about misplaced guilt, probably because my father died when I was very young and I grew up with a strong sense of survivor guilt. Miscarriages of justice for me dramatize the unjust verdicts passed against us in our hearts when we lose a loved one. Whether writing nonfiction for The New York Times Magazine and The Wall Street Journal or fiction for Penguin and Little Brown, this theme influences all my work.
If you want to know what Kafka’s The Trial would have been like without a sense of humor, try reading Aeschylus. Though this ancient Greek tragedian does not aim for laughs (and does not get any!) his depiction of the furies of conscience has an elemental power and purity like a Beethoven motif or a Picasso masterpiece. The Eumenides may well be the first-ever courtroom drama, with Orestes on trial for killing his mother Clytemnestra. Aeschylus goes straight at the most difficult of human emotions—guilt—and like Sophocles, he explores it specifically in a family context. Who, after all, makes us more guilty than our parents?
Professor Sommerstein here presents a freshly constituted text, with introduction and commentary, of Eumenides, the climactic play of the only surviving complete Greek tragic trilogy, the Oresteia of Aeschylus. Eumenides is of all Athenian tragic dramas the one most consciously designed to be relevant to the situation of the Athenian state at the time of its performance (458 BC), and seems to have contained daring innovations both in technique and in ideas. The introduction and commentary to this edition seek to bring out how Aeschylus shaped to his purpose the legends he inherited, and ended the tragic story of Agamemnon's…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
This book holds a special place in my heart. I first read it in college, in a Russian Literature course where we analyzed the book’s characters and major themes. This experience trained me as both a writer and a reader.
This is a book concerned with Big Ideas: How can we reconcile the suffering of innocents with a benevolent God? How do we keep from falling into nihilism? These are the questions I come to literature for—questions that perhaps have no answers but whose contemplation is nevertheless worthwhile and transformative.
Winner of the Pen/Book-of-the-Month Club Translation Prize
The award-winning translation of Fyodor Dostoevsky's classic novel of psychological realism.
The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in…
After graduating from the University of Illinois in 1989 with an LAS degree in communications and a knack for artwork, I had no idea what I wanted to do. That was until my brother pulled me from my low-paid art job in Chicago to work as a clerk on the floor of the Chicago Mercantile Exchange. I eventually became a trader on that same floor, as well as an oil and gas dealer in New York. Screaming and yelling in the trading pits while money moved back and forth with a shout and a hand signal I learned more about investing, trading, and human nature through osmosis than I ever could in an MBA course.
Though not a book about trading per se, this chronicle of the craziness surrounding the 1986 leveraged buyout of RJR-Nabisco is certainly worth a read.
It centers around the machinations of RJR-Nabisco’s breezy CEO, F. Ross Johnson, and how, apparently, being the head of one of America’s great companies wasn’t enough. The book really is as much a study of greed and ego as it is about what was, at the time, the most expensive LBO in history.
One gets the feeling the company in play, and its employees wondering what would be the impact on their lives once the negotiations way up in the New York corporate high rises were completed, were ancillary concerns to the players involved—Ross Johnson, American Express CEO and power publicist Jim and Linda Robinson, Shearson-Lehman head Peter Cohen, buyout specialist and anti-junk bond crusader Ted Forstmann, and the coldly menacing Henry Kravis and…
“One of the finest, most compelling accounts of what happened to corporate America and Wall Street in the 1980’s.” —New York Times Book Review
A #1 New York Times bestseller and arguably the best business narrative ever written, Barbarians at the Gate is the classic account of the fall of RJR Nabisco. An enduring masterpiece of investigative journalism by Bryan Burrough and John Helyar, it includes a new afterword by the authors that brings this remarkable story of greed and double-dealings up to date twenty years after the famed deal. The Los Angeles Times calls Barbarians at the Gate, “Superlative.”…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
The financing of private firms is fascinating and a bit mysterious. It remains misunderstood and regularly gives birth to hype and excesses. I started my career working for a venture capital fund at the top of the Internet financial bubble, in 2000. This experience has imprinted my career and derailed my ambitions. It also fueled my thirst for knowledge. I started from essentially a virgin theoretical and academic land. I developed a body of practical and academic knowledge. Writing and publishing my books seemed to be the next logical step. I enjoy reading books on the sector and recommending them.
There is only one Silicon Valley – and there can only be one.
Harvard Professor Josh Lerner debunks enduring myths about replicating the success of this unique cluster dedicated to information technologies. He describes the different unsuccessful attempts of doing so by various public authorities and governments, and draws the lessons of such attempts.
He also identifies what are the conditions of successful local attempts to develop industrial clusters. In this context, this book provides a solid background to readers eager to understand the background of the emergence and development of private companies thanks to a complex web of interactions between public and private initiatives.
Silicon Valley, Singapore, and Tel Aviv - the global hubs of entrepreneurial activity all bear the marks of government investment. Yet, for every public intervention that spurs entrepreneurial activity, there are many failed efforts that waste untold billions in taxpayer dollars. When has governmental sponsorship succeeded in boosting growth, and when has it fallen terribly short? Should the government be involved in such undertakings at all? "Boulevard of Broken Dreams" is the first extensive look at the ways governments have supported entrepreneurs and venture capitalists across decades and continents. Josh Lerner, one of the foremost experts in the field, provides…
The financing of private firms is fascinating and a bit mysterious. It remains misunderstood and regularly gives birth to hype and excesses. I started my career working for a venture capital fund at the top of the Internet financial bubble, in 2000. This experience has imprinted my career and derailed my ambitions. It also fueled my thirst for knowledge. I started from essentially a virgin theoretical and academic land. I developed a body of practical and academic knowledge. Writing and publishing my books seemed to be the next logical step. I enjoy reading books on the sector and recommending them.
Private market fund managers are, along with hedge fund managers, the magnates of the 21st century.
Although many come from a privileged background, quite a few are self-made men such as the founder of what was once the largest private equity fund management firm in the Middle East: Abraaj Capital. The rags-to-riches story of Arif Naqvi, his drive from his childhood in Pakistan to high international society is simultaneously mesmerizing and frightening.
A headlong rush starts as his ambition outpaces his already high success. The fall is crushing, not only for him, but also for his partners, his employees, and everyone who trusted him. The book is a perfect combination of factual analyses and storytelling.
AS FEATURED IN BBC TWO'S BILLION DOLLAR DOWNFALL: THE DEALMAKER DOCUMENTARY
Two Wall Street reporters investigate the man entrusted with millions to make profits and end poverty but now stands accused of masterminding one of the biggest, most brazen frauds in history.
'Gripping' Guardian
***
Arif Naqvi was a man with an immeasurable dream: to end world suffering, poverty and disease. His vision? Capitalism used for good, progress and profit.
He persuaded politicians he could help stabilize the Middle East after 9/11 by providing jobs. He got Bill Gates to help him start a billion-dollar fund to improve health care…
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
I wanted to include this book because it focuses not only on women in the Renaissance but on the particular experience of a Jewish woman living and writing in seventeenth-century Venice.
Even though the Venetian republic proclaimed justice and equality, those ideals did not extend to women nor to the thousands of Jews and other non-Christians who made their home in the city. As a Jewish woman, Sarra Copia Sulam had to navigate prejudice and suspicion on two fronts, yet she courageously defended herself and her faith in print.
The book does a wonderful job of showing how Sulam used her dexterous pen to take on her critics, and Westwater’s account reveals new biographical information about Sulam, her family, and Jewish life in the Renaissance.
For nearly a decade at the height of the Counter-Reformation in Italy, the Jewish poet and polemicist Sarra Copia Sulam (ca. 1592-1641) hosted a literary salon at her house in the Venetian ghetto, providing one of the most public and enduring forums for Jewish-Christian interaction in early modern Venice. Though Copia Sulam built a powerful intellectual network, published a popular work on the immortality of the soul, and gained fame for her erudition, her literary career foundered under the weight of slanderous charges against her sexual, professional, and religious integrity.
This first biography of Copia Sulam examines the explosive relationship…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My goal as a writer is to revive lost women’s stories through historical fiction. After co-authoring several historical novels, our last mystery set in Renaissance Rome, we decided to set the sequel in Venice. When we decided to split amicably before finishing that novel, I had spent so much time researching Renaissance Venice that I instantly knew I wanted to set my first solo novel there and focus on girls and women whose stories are so frequently lost to history. So began a quest to learn everything I could about the females of 15th and 16th-century Venice, leading me toward both academic and fictional works of the era.
This accessible academic work brings to life the inner workings – and breakdowns – of marriages at a time when annulment was the only option. Through court and ecclesiastical proceedings and petitions written by both sexes, the lives of ordinary women – including sexual relations, domestic abuse, cheating, and financial problems – are made even more real by the voices of friends, neighbors, and in-laws.
Based on a fascinating body of previously unexamined archival material, this book brings to life the lost voices of ordinary Venetians during the age of Catholic revival. Looking at scripts that were brought to the city's ecclesiastical courts by spouses seeking to annul their marriage vows, this book opens up the emotional world of intimacy and conflict, sexuality, and living arrangments that did not fit normative models of marriage.
