Books like The Public Image of Henry Ford — picked by fans

As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables. 

As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables. 

As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables. 

As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables. 

I spent more than five years researching and writing a book about the Japanese submarine force during World War II—a topic virtually untouched by western historians. My research took me to Japan where I interviewed surviving members of the Imperial Japanese Navy’s Sixth Fleet—its submarine branch. These men told incredible stories of what it was like to serve aboard a Japanese sub during World War II; stories filled with courage, fear, pathos, and humor revealing the universality of the human condition. I remained moved by them to this day.

I’ve lived across America and have become acutely aware that our country, for all its checkered history, is the greatest multicultural experiment in the history of the planet, with a military that is a huge force for good. These beliefs were the impetus for my book, a book that has brought me into contact with people of all ages whose love for our country expresses itself in selfless service and sacrifice. They inspire me to be of service, too. Love for a nation that exists by social contract is not automatic. It has to be nurtured. I hope this booklist inspires kids and adults alike to cultivate that love. 

Having been born two months before Pearl Harbor, as I grew older, I vaguely remember hearing my parents talking about the war. When I was able, I used to pull my little red wagon around the neighborhood to collect bacon grease I donated to the local butcher shop to support the war. After retiring from the technology industry, I tried my hand at writing books. After a few futile attempts, I finally started writing novels about WWII. I first wrote Return to La Roche-en-Ardenne, then Innocence Lost - A Childhood Stolen, and finally Thou Shall Do No Harm – Diary of an Auschwitz Physician which will be re-released in early 2023.

I heard a Jordan Peterson interview in which he boiled down my entire life’s struggle in a single phrase.  The interviewer was pushing Jordon on the subject of male toxicity. Jordon said something like, “If a man is entirely unwilling to fight under any circumstance, he is merely a weakling. Ask in martial arts trainer and they will tell you they teach two things – the ability to fight and self-control. A man who knows how and also knows how to control himself is a man.”

Like Thomas Jefferson, I cannot live without books. And, while I read in a variety of genres, from early childhood on, my favorite stories were the ones that began with “once upon a time.” My fascination with historicals started with one of my father’s few books from his childhood, The Cave Twins, which introduced me to a world far different from suburban America. For me, the appeal of historicals is the opportunity to learn about another era and to escape from the modern world. And so, if you want to escape from what seems like an endless pandemic, I invite you to explore the worlds six talented authors have created.

I fell in love with historical fiction when I was a child. Adventurous tales—especially if they had swordplay in them! And I was fascinated by young people having to choose whether to stand up for what they believed in or run away. Ordinary folk are forced by circumstances—and villains—to do the extraordinary. I empathized and felt like I could be one of them. So when I came to write, I wanted to tell those kinds of stories. I eventually realized what I wrote was 'the intimate epic'—showing how the minor historical players can have a major effect.