100 Books Like Growing American Rubber

As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables. 

As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables. 

As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables. 

As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables. 

I spent more than five years researching and writing a book about the Japanese submarine force during World War II—a topic virtually untouched by western historians. My research took me to Japan where I interviewed surviving members of the Imperial Japanese Navy’s Sixth Fleet—its submarine branch. These men told incredible stories of what it was like to serve aboard a Japanese sub during World War II; stories filled with courage, fear, pathos, and humor revealing the universality of the human condition. I remained moved by them to this day.

My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.

Sarah Sundin’s love for the stories of World War II comes from family members who served during the war on the US Home Front and abroad. Her passion for research and travel has fueled her award-winning novels. The horrors of the war brought out the worst in humanity. Yet they also brought out the best in humanity, and those stories—of people who chose kindness and courage and right in trying times—are the stories that inspire us to choose kindness and courage and right in our own trying times.

I spent more than five years researching and writing a book about the Japanese submarine force during World War II—a topic virtually untouched by western historians. My research took me to Japan where I interviewed surviving members of the Imperial Japanese Navy’s Sixth Fleet—its submarine branch. These men told incredible stories of what it was like to serve aboard a Japanese sub during World War II; stories filled with courage, fear, pathos, and humor revealing the universality of the human condition. I remained moved by them to this day.

My family was divided by religion, leaving me skeptical about belief systems. After a background in science, I studied philosophy and became intrigued by Heidegger's ‘pitiless atheism.’ The power of his thought but his personal failings have long been an issue for academics. I have since been fascinated partly by powerful personalities but more by the struggle of their followers as they suspend critical thinking and make huge sacrifices to offer their support. This struggle and difficulty of turning back, particularly as the systems begin to collapse, are a feature of many of the works of fiction that intrigue me most, particularly in the books I have chosen.

Stewart Binns is a former academic, soldier, and documentary filmmaker, who became a writer quite late in life. He has since written a wide range of books in both fiction and non-fiction. His passions are history and sport. He has completed a medieval quartet called the Making of England Series, two books about the Great War and a novel set during Northern Ireland’s Troubles. His latest work of non-fiction, Barbarossa, tells the story of the Eastern Front (1945 to 1944) from the perspective of the peoples of Eastern Europe. He is now working on a history of modern Japan.