Here are 76 books that The Progressive Historians fans have personally recommended if you like
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An experienced historian who’s occupied both academic and public posts and written for popular as well as academic audiences, I’ve become absorbed by what’s behind the history so many of us read for all the reasons we read it: enlightenment, pleasure, and lessons about life in a fragile world. That’s taken me to write and teach about the professional lives of historians, about some fundamental realities of historical thought, and now about historians themselves: who they are, what they do, and why they do it. It’s often said that if you wish to understand books, know the people who write them. The books I’ve recommended help do that.
Historical thought, like everything else, has a history. But contrary to what you may think, such history doesn’t have to be dull, especially when told by a masterly writer who was also among the world’s most knowledgeable experts on the subject. So don’t think that this overview of what historians have written about the past since ancient Greece will be hard going. It isn’t. Sometimes it’s even fun. In fact, I know of no more enjoyable introductory guide to history’s history or a better place to start your journey within it than this book. Burrow canters through the major developments in historical writing and practices in the West over 2,500 years. His pages are peopled by pagan, Christian, Marxist, feminist, and many other kinds of thinkers and scholars. They’re a treat.
Treating the practice of history not as an isolated pursuit but as an aspect of human society and an essential part of the culture of the West, John Burrow magnificently brings to life and explains the distinctive qualities found in the work of historians from the ancient Egyptians and Greeks to the present. With a light step and graceful narrative, he gathers together over 2,500 years of the moments and decisions that have helped create Western identity. This unique approach is an incredible lens with which to view the past. Standing alone in its ambition, scale and fascination, Burrow's history…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
An experienced historian who’s occupied both academic and public posts and written for popular as well as academic audiences, I’ve become absorbed by what’s behind the history so many of us read for all the reasons we read it: enlightenment, pleasure, and lessons about life in a fragile world. That’s taken me to write and teach about the professional lives of historians, about some fundamental realities of historical thought, and now about historians themselves: who they are, what they do, and why they do it. It’s often said that if you wish to understand books, know the people who write them. The books I’ve recommended help do that.
This book is important, authoritative, and compelling because it demonstrates that a conservative historian can be comfortable with revisionist history. Kagan, a Yale historian noted as a leading academic traditionalist, terms Thucydides “the first revisionist historian” not because he was like today’s leftists but because he took issue with his pioneering predecessor, Herodotus. In his great history of the Peloponnesian War, Thucydides threw down the gauntlet over which was the “best” and “right” way to do history. He thought its subjects should be politics, warfare, the relation between states, and—a surprise?—men. His views held the field for centuries. The Framers of the Constitution were its legatees. So were we until the late 20th century, when social and cultural subjects gained attention. This wonderful book shows why.
A reconsideration of the first modern historian and his methods from a renowned scholar
The grandeur and power of Thucydides' The Peloponnesian War have enthralled readers, historians, and statesmen alike for two and a half millennia, and the work and its author have had an enduring influence on those who think about international relations and war, especially in our own time. In Thucydides, Donald Kagan, one of our foremost classics scholars, illuminates the great historian and his work both by examining him in the context of his time and by considering him as a revisionist historian.
I am a professor of history at Sarah Lawrence College and the author ofThe Plain and Noble Garb of Truth: Nationalism and Impartiality in American Historical Writing, 1784-1860. What has always fascinated me about history is how differently it can be interpreted by different people, even when looking at the exact same subject. While I write and teach on a variety of topics, ranging from the American Revolution to historiography, all of my courses and research deal in some way with the conflicts over how to represent the past that have divided both historians and the general public throughout the long history of history as a subject.
This masterful examination of the style of 4 classic historians – Gibbon, Ranke, Macaulay, and Burckhardt – shows how style was not just a matter of form for these historians but an expression of who they were and the world in which they lived. At the same time, as Gay emphasizes, style was also a tool these historians used to illuminate their subject, making it much more than simply a reflection of their time. Beautifully written, the book demonstrates that Gay was as much a master of style as the historians he discusses.
What does an historian's style reveal? In this original and lucid guide to the proper reading of Gibbon, Ranke, Macaulay, and Burckhardt-great historians who were also great stylists-Peter Gay demonstrates that, style is an invaluable clue to the historian's insight. Thus, for Peter Gay, style is the key to culture, and the "truth" of history-as it helps to define that culture-can only be fully understood through an objective and thorough analysis of all its elements.
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
An experienced historian who’s occupied both academic and public posts and written for popular as well as academic audiences, I’ve become absorbed by what’s behind the history so many of us read for all the reasons we read it: enlightenment, pleasure, and lessons about life in a fragile world. That’s taken me to write and teach about the professional lives of historians, about some fundamental realities of historical thought, and now about historians themselves: who they are, what they do, and why they do it. It’s often said that if you wish to understand books, know the people who write them. The books I’ve recommended help do that.
If you like dishy books, you’ll love this inside look at historians as they argue with each other and gossip behind other historians’ backs. While not offered as humor, Novick’s tale pulls back the curtain on academic historians’ ideological and often bitterly personal contests. In this case it’s over the central question of modern historical thought: whether or not history can achieve objectivity. Novick terms their arguments “essentially confused” and much like trying to nail jelly to the wall. Along the way, he reveals the altogether human elements behind all efforts to advance knowledge. The story is particularly relevant for a “post-modern” era in which it’s often argued that truth’s an illusion—it’s just fake. Novick’s story is of a very human world. He finds it fascinating. You will, too.
The aspiration to relate the past 'as it really happened' has been the central goal of American professional historians since the late nineteenth century. In this remarkable history of the profession, Peter Novick shows how the idea and ideal of objectivity were elaborated, challenged, modified, and defended over the last century. Drawing on the unpublished correspondence as well as the published writings of hundreds of American historians from J. Franklin Jameson and Charles Beard to Arthur Schlesinger, Jr., and Eugene Genovese, That Noble Dream is a richly textured account of what American historians have thought they were doing, or ought…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
There are many books about Herodotus, but John Gould’s book remains the best introduction even after thirty years. It appeared in the series Historians on Historians, and Gould approaches history with an eye for what is distinct and unique in Herodotus’s work.
There are excellent chapters on how Herodotus narrates his history, his views on religion and causation, and many other important aspects of the work. I like that, in contrast to earlier treatments of Herodotus (which often had a condescending attitude), Gould is sympathetic to what Herodotus was trying to accomplish, though, at the same time, he maintains a critical distance towards the author and his work.
This text brings new approaches to Herodotus' sources and to his methods of collecting information, to the logic of his narrative and to his understanding of human behaviour. Drawing on recent advances in the understanding or oral tradition, the author takes issue with a number of theories about Herodotus' historical thinking. Herodotus as a story teller, he argues, does not preclude Herodotus as a historian; reciprocity is central to his method; Herodotos' declared subject, the Persian Wars, is itself Herodotus' own construct, embodied in the form of continuous narrative derived from a mass of local and family traditions that reach…
As an author, I write both serious nonfiction and literary fiction. As a journalist, I have lifelong associations with The Atlanticand the Washington Monthly.I didn’t plan it, but four of my nonfiction books make an extended argument for the revival of optimism as intellectually respectable. A Moment on the Earth(1995) argued environmental trends other than greenhouse gases actually are positive, The Progress Paradox(2003) asserted material standards will keep rising but that won’t make people any happier, Sonic Boom (2009), published during the despair of the Great Recession, said the global economy would bounce back and It’s Better Than It Looks (2018) found the situation objectivity good on most major issues.
Finished in 1907, this famed book is worth rereading today for awareness that its pervasive pessimism proved totally wrong. Adams declared that western democracy was doomed, that freedom had no chance if forced into war versus dictatorship, that the pace change was overwhelming, that the U.S. educational system could not possibly teach science. A century later, democracy prevailed in both world wars, free nations out-produce dictatorships 10 to 1, and America has won more Nobel prizes in the sciences than the next five nations combined. Pessimism has long been with us – and almost always been wrong.
This classic autobiography includes accounts of Adams's residence in England and of his "diplomatic education" in the circle of Palmerston, Russell and Gladstone.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
Chibnall was a fantastic writer, and she was the authority on Orderic Vitalis, one of the most important historians of the early twelfth century.
I love this book because Chibnall uses Orderic’s history to explore the world he wrote in, a world in which monks mingled with knights and kings, and she examines the rapid social changes taking place in the early twelfth century. This book is at once an examination of Orderic’s work, a biography of a famous chronicler, and an exploration of Anglo-Norman society in the early twelfth century.
It’s a fantastic place to start if you’ve never read anything on Anglo-Norman England, and it’s a great way to deepen your knowledge if you’re already familiar with this corner of the past.
I’m a mystery author from sunny California who moved to New England to be close to my dark roots. Places spark my imagination. As a child, I’d look at a house and wonder, “What would it be like to live there, in that town and that landscape?” On family road trips, my parents fueled my desire for knowledge about different places by reading from the WPA guides to the states. The books I enjoy the most have a strong sense of place. I want my readers to experience my settings as fully as I do. Setting is where a book begins. Characters and story spring from this fertile ground.
I was drawn to this book because it’s loaded with atmosphere, and features hill folk like I do, with the difference that McCrumb’s characters inhabit the hills of Tennessee, while mine live in the Berkshire Hills of Western Massachusetts. I especially like the way she weaves local lore and legends into the story, and how she reveals how the landscape appears to different characters, ranging from a long-ago woman, kidnapped by Indians who escapes and makes her way homeward, to a modern-day non-hillbilly who struggles to re-create her difficult journey. Then, there’s the way McCrumb adds a dash of the supernatural through a character with psychic powers—all of which have been grist to my fictional mill.
Katie Wyler still crosses Ashe Mountain, and although a few can see her, Deputy Sheriff Martha Ayers doesn't believe in ghosts. Hiram Sorley has escaped after 30 years in prison and he's on his way home to Ashe Mountain. Only Martha seems to understand that Sorley's wife and daughter are in danger.
I was raised in middle-class America by a strong woman and an alcoholic. I survived an abuser when I realized that I was the answer to my problems. I write about tough subjects but am an eternal optimist who believes a strong spirit will always ensure a happy ending.
A dual-timeline novel, about a family on the ‘Titanic of the South’, the Pulaski a paddlewheel steamer that sunk in 1838, and a historian today, who is creating a museum showing of the disaster.
She also has a huge decision to make—live in the past, in survivor’s guilt, or to grab an uncertain future she’s not sure she deserves.
"An atmospheric, compelling story of survival, tragedy, the enduring power of myth and memory, and the moments that change one's life." --Kristin Hannah, #1 New York Times bestselling author of The Four Winds
"[An] enthralling and emotional tale...A story about strength and fate."--Woman's World
“An epic novel that explores the metal of human spirit in crisis. It is an expertly told, fascinating story that runs fathoms deep on multiple levels.”—New York Journal of Books
It was called "The Titanic of the South." The luxury steamship sank in 1838 with Savannah's elite on board; through time, their fates were…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
As a historian at the University of Amsterdam, one of my concerns is to understand why so many Germans supported and participated in Adolf Hitler’s atrocious political project. I am equally interested in the other side: the Nazis’ political opponents and victims. In two decades of researching, writing, and teaching, I have read large numbers of official documents, newspapers, diaries, novels, and memoirs. These contemporary texts have made me vividly aware of how different people lived through the Nazi years, how they envisioned their lives, and how they remembered them after World War II. The questions they faced and the solutions they found continue to challenge and disconcert me.
How do people react when a dictatorship forces them to make choices? To learn more, read this brilliant memoir by a journalist looking back on his life in 1930s Berlin. Happily focused on his legal training and circle of friends, Sebastian Haffner at first showed little interest in politics and rejected the Nazis out of instinct rather than principle. Disgusted but powerless, he was content to keep a low profile under the new regime. To his own lasting shame, however, he one day answered “yes” when an SA stormtrooper demanded to know if he was “Aryan.” But Haffner’s friendships and liaisons with Jews, and his belief in the rule of law, ultimately made him realize that he couldn’t live in Nazi Germany. His final choice? Exile in Britain.
An absolute classic of autobiography and history - one of the few books to explore how and why the Germans were seduced by Hitler and Nazism.
'If you have never read a book about Nazi Germany before, or if you have already read a thousand, I would urge you to read DEFYING HITLER. It sings with wisdom and understanding' DAILY MAIL
Sebastian Haffner was a non-Jewish German who emigrated to England in 1938. This memoir (written in 1939 but only published now for the first time) begins in 1914 when the family summer holiday is cut short by the outbreak…