Here are 70 books that Kantika fans have personally recommended if you like
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I spent ten years uncovering hidden histories consulting with historians, conducting interviews, sourcing archival records, and visiting Poland and Germany to determine how my mother and grandparents survived the Holocaust. And how, as refugees starting again in new countries after the war, they dammed in their traumas with silence. I became fascinated by how repressing war traumas affects relationships and families—for example, in my family, a father who gave his daughter away, my mother’s loveless childhood with parents who turned out not to be hers, and the lies told that both protected and harmed her.
Anne Berest embarks on a detective journey after an anonymous postcard arrives at her family home listing the names of her maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Anne and her mother are determined to find out who sent the postcard and why. For sixteen years, Anne pursues her quest to uncover the sender’s identity and her family’s hidden past while grappling with her own identity—what it means to be Jewish and how she embodies the legacy of her murdered family members.
Although Berest wrote her family’s Holocaust history as a novel, she describes it as a ‘true novel.’ She changed the name of the village where family members were arrested in order to protect the people living there now. She also changed the names of perpetrators to protect descendants who did not get to choose their parents but had to…
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I spent ten years uncovering hidden histories consulting with historians, conducting interviews, sourcing archival records, and visiting Poland and Germany to determine how my mother and grandparents survived the Holocaust. And how, as refugees starting again in new countries after the war, they dammed in their traumas with silence. I became fascinated by how repressing war traumas affects relationships and families—for example, in my family, a father who gave his daughter away, my mother’s loveless childhood with parents who turned out not to be hers, and the lies told that both protected and harmed her.
Winner of the Baillie Gifford Prize for nonfiction, this magnificent book begins as a memoir with Flannagan visiting the site of the POW camp in Japan where his father was subjected to slave labor during WWII, was starved, and faced certain death, saved only by the atomic bomb dropping on nearby Hiroshima. Throughout this book, Flanagan grapples with the fact he exists only because of this tragedy (as I grapple in Irena’s Gift with the fact I exist only because a Nazi SS officer who tortured and killed women saved my mother.)
Often, in families of war survivors, one son or daughter becomes curious—obsessed even—with how their parent survived, perhaps not realizing they are also seeking to understand their own identity given they inherited their parent’s trauma. Frustrated by a Japanese museum’s omission of his father’s slave labor experience, Flanagan poses his dilemma: “Sometimes I wonder…
I spent ten years uncovering hidden histories consulting with historians, conducting interviews, sourcing archival records, and visiting Poland and Germany to determine how my mother and grandparents survived the Holocaust. And how, as refugees starting again in new countries after the war, they dammed in their traumas with silence. I became fascinated by how repressing war traumas affects relationships and families—for example, in my family, a father who gave his daughter away, my mother’s loveless childhood with parents who turned out not to be hers, and the lies told that both protected and harmed her.
This book is a sweeping, multigenerational, cinematic memoir spanning from the Chinese silk trade to WWII Japanese-occupied Hong Kong and, finally, suburban Australia. I love true stories where we learn about history and cultures through fascinating characters. In House of Kwa, Mimi’s eccentric father, Francis, may have put the war behind him, but Mimi certainly bears his scars.
Imagine what it’s like to receive a legal letter notifying you that your father is suing you. That’s what turned Mimi’s hair gray overnight. Francis sued his daughter over the distribution of his sister’s estate, Mimi’s doting, nurturing, globe-trotting Aunt Theresa.
It’s remarkable how Mimi overcame her abusive childhood in 1970s Western Australia and later became a renowned journalist and TV presenter. Mimi is the hero of this story for learning how to stand up for herself and her mother, and when she is older, for helping her mother obtain a…
Wild Swans meets Educated in this riveting true story spanning four generations
'Revelatory and remarkable' - TRENT DALTON
'Memorable and vivid' - RICHARD GLOVER
'Lands with a thump in your heart' - LISA MILLAR
'Heartbreaking and uplifting' - MEAGHAN WILSON ANASTASIOS
'An heroic saga' - MIKE MUNRO
The dragon circles and swoops ... a tiger running alone in the night ...
Mimi Kwa ignored the letter for days. When she finally opened it, the news was so shocking her hair turned grey. Why would a father sue his own daughter?
The collision was over the estate of Mimi's beloved Aunt…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I spent ten years uncovering hidden histories consulting with historians, conducting interviews, sourcing archival records, and visiting Poland and Germany to determine how my mother and grandparents survived the Holocaust. And how, as refugees starting again in new countries after the war, they dammed in their traumas with silence. I became fascinated by how repressing war traumas affects relationships and families—for example, in my family, a father who gave his daughter away, my mother’s loveless childhood with parents who turned out not to be hers, and the lies told that both protected and harmed her.
As a journalist, teacher and Education Director for Israel’s Kids4Peace (now part of Seeds of Peace), Ittay Flescher has spent years bringing together youth across conflict lines. In this vital book for our times, he shows how recognizing our shared humanity can cultivate dialogue and trust, dismantle stereotypes, counter dehumanization, and foster empathy—demonstrating that in both groups, there are partners for peace. Flescher highlights young voices challenging the one-sided narratives they have inherited, and shows how, “two rooted and indigenous national identities” can engage in difficult conversations about historical events, identity, and coexistence.
Given how war has affected my own family, what resonated most is Flescher’s ability to humanize conflict. He reminds us that behind every headline are innocent mothers, fathers, daughters, and sons who deserve our compassion. He has learned that people with extreme opinions often carry deep traumas that shaped their beliefs: “I can understand someone’s pain and…
When dehumanisation and destruction become the norm, the cycle must be broken.
For over twenty years, Ittay Flescher has worked as an educator, journalist and peacebuilder in Melbourne and Jerusalem. When he woke up on the morning of October 7, 2023 to the sounds of rocket sirens over Jerusalem and later saw the devastation of Gaza in response, the grief and sadness that engulfed him - and so many others - compelled him to ask: how can we find a way forward?
Following years spent facilitating dialogue between Jews, Muslims and Christians, Ittay believes that peace can only be found…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
A big fat, fact-packed but readable history of the city as it changed from Constantinople into Byzantium and finally Istanbul. This is the book that places Viking immigrants alongside Romans, Goths, Moors, Ottomans, Venetians, and so many other races in a glorious cultural stew that makes the history of most other cities seem linear and dull by comparison.
Istanbul has always been a place where stories and histories collide and crackle, where the idea is as potent as the historical fact. From the Qu'ran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, and overspills its boundaries - real and imagined. Standing as the gateway between the East and West, it has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. For much of its history it was known simply as The City, but, as Bettany Hughes reveals, Istanbul is not just a city, but…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
I confess, I like food. I’m also keen to use cafes and restaurants where the emphasis is on cheap, tasty, and nutritious fare rather than forking out for establishments where a hefty bill is occasioned as much by expenditure on the decoration, linen, and silverware as the quality of the cooking. This is not a book about the westernised hotels and restaurants but about back street locantas serving lentil soup and stewed chicken with bottles of Turkish red wine or even just Coca-Cola and selling satisfying lunches for a pittance (thanks of course in part due to the impact of Turkish inflation on the exchange rate). This book is why even if you’re on a city break in Istanbul as a family you won’t need to rely on self-catering or standardised hotel dinners. There’s a wonderful English language bookshop near the Grand Bazaar that’ll sell you a copy of this…
A guide to the best food spots in Istanbul, now fully revised and expanded. Written by the acclaimed experts at Istanbul Eats, which was named Saveur's "Best Culinary Travel Blog" in 2012.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing.
I love books that start in the world we know and gently transport the reader into the supernatural. The magic in The Scribe is ancient and the war is underground, but everything feels so natural and real. And how the hero and heroine interact—the reluctance, the tension, the life-or-death alliance. This isn’t instalove, it’s the inescapable love that connects them soul to soul. And when it’s not just the hero who’s haunted but also the heroine, there’s an added dimension to the story that feeds what I crave. The dialogue feels true to life, and the characters come alive on the page. The blend of these elements—fantasy, adventure, and romance—is perfect here, and how they play off one another is like magic.
"Sexy, well-written, and suspenseful." Hidden at the crossroads of the world, an ancient race battles to protect humanity, even as it dies from within.
To the outside world, Ava Matheson is a successful travel photographer from a privileged background. But Ava's spent a lifetime battling voices in her mind she can't understand, and her fractured family has convinced her she'll never belong.
Malachi is an Irin scribe, descended from an angelic race and sworn by blood and magic to defend humanity from the Grigori, the sons of fallen angels who could ravage the world. A chance meeting in Istanbul will…
I never planned to be a spy thriller writer. One day an editor suggested I write genre fiction. “Pick a genre you read just for fun,” he said. For me, that was spy novels. I had some background (military intelligence, journalist in Europe, Africa, etc.) and John Le Carré had shown that spy novels could be serious fiction. An encounter in the Amazon jungle sparked my first spy thriller, Hour of the Assassins. Then came Scorpion, Homeland, and the rest. What’s the attraction? Intelligence agents lie better than most because their lives depend on it. But if you dig hard enough, you get small truths. Big ones too.
Eric Ambler was the first author to write with realism and authenticity about the world of spies. His work often features ordinary people who are not criminals or professional spies, but who suddenly find themselves caught up in that murky world. In this novel, while in Turkey, mystery writer Charles Latimer meets Colonel Haki, who shows him the body of a notorious criminal, Dimitrios, in the Istanbul morgue. Intrigued and sensing a story, Latimer investigates Dimitrios’ career, which will turn out to be a lot more intriguing and dangerous than anything he bargained for. Ambler’s thrillers keep you on the edge and this one, which includes a ride on the Orient Express, will have you furiously turning the pages. Dimitrios set the standard for every spy thriller that followed.
Although I didn’t start writing until my forties, I never had any doubts about my favorite genre. I’m a doctor and love thrillers. I’m fascinated by convoluted plots harboring mysteries that deepen and hook the reader, making it impossible to put the book down until an unexpected twist ties all the loose ends. It reminds me of my daily fight as a doctor against disease and death. In real life, I hate roller coasters, but I love entering a thrilling imaginary world and riding the sharp turns and shocking twists, holding my breath, clenching my book until the climax makes me gasp as I regret leaving the characters and the exhilarating experience.
I love this author, and this is one of my favorite books. I was delighted by the complex characters and the ingenious and breathtaking twists. At the same time, the incongruence of the situation fascinated me and made me smile.
At first, I thought, “Why would I want to read a story about a bunch of Martini-drinking, chicken-raising old fogies living in the middle of nowhere? I’m glad I did. It turned out like nothing I expected. As the book cover advertises: “Once a spy, always a spy.”
A retired CIA operative in small-town Maine tackles the ghosts of her past in this fresh take on the spy thriller from New York Times bestselling author Tess Gerritsen.
Former spy Maggie Bird came to the seaside village of Purity, Maine, eager to put the past behind her after a mission went tragically wrong. These days, she’s living quietly on her chicken farm, still wary of blowback from the events that forced her early retirement.
But when a body turns up in Maggie’s driveway, she knows it’s a message from former foes who haven’t forgotten her. Maggie turns to her…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Since I was a girl, I’ve had an enduring sense that women must work harder, be cleverer, think more creatively than men, both at work and sometimes at home. So I love a woman who stands up for herself, who doesn’t suffer fools gladly. At one time, when the series Spooks was popular on TV, I wanted to be Ros, the operator who, when a dodgy guy followed her, hid around a corner. She flattened him with some nifty moves, stole his car keys and said: “Never follow me again.” Brilliant! I hope you enjoy all the feisty females on my book list.
The protagonist of this beautifully written, heart-rending book is the wonderfully-named Tequila Leila, a sex worker from Istanbul who, as the book begins, is dying in a rubbish bin on the outskirts of the city.
As her brain begins to shut down, Leila goes back in time to trace her story, while her friends, who she remembers in those ‘in-between’ moments between life and death, desperately look for her.
Leila, for me, is ebullient, larger than life, and intensely lovable. Despite being brutalised and living much of her life in danger, her humanity shines through. Leila has heart and soul and her friends, a strange group of ‘undesirables,’ adore her. A life-affirming read.
'Expect vibrant, vivid and eye-opening descriptions of Middle Eastern life propelled by a tender storyline, all in Shafak's haunting, beautiful and considered prose' Vanity Fair
'Incredibly sensuous and poetic and evocative' Pandora Sykes
'In the first minute following her death, Tequila Leila's consciousness began to ebb, slowly and steadily, like a tide receding from the shore...'
For Leila, each minute after her death recalls a sensuous memory: spiced goat stew, sacrificed by her father to celebrate the birth of a yearned-for son; bubbling vats of lemon and…