Books like The Philosophy of Design — picked by fans

Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales. 

Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales. 

Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales. 

Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales. 

There is a scene in the 1960 movie adaptation of The Time Traveler by HG Wells where the protagonist goes rapidly into the future as he watches a whole city spin into existence around him. That’s how I feel about my career. I started in 1994 and have watched UX grow into an incredible field! I’ve run my own business since 2008 focused exclusively on qualitative research consulting while also doing all sorts of exciting thought leadership activities – from writing to speaking to creating a number of courses on LinkedIn Learning – and I love to build my UX network too! I live in Silver Spring, Maryland.

After a career that took me from designer to design professor, I’ve spent the past decade leading user research practices for growing product organizations. I’m excited about user research because it positions us closer to the people we design for, and challenges us to capture and explain complex scenarios in service to them. Though there are many books that teach user research, my list of recommendations is meant to demonstrate why we research, how we make sense of what we learn, and where research might take us.

I am an English major turned magazine editor turned book author, with a longtime love of outbuildings. Sheds, carriage houses, studios, barns… I love them all. When I had the chance to do a book about she sheds I was thrilled. Now with two books about she sheds on the market, I’m busy running She Shed Living with my business partner. We design sheds for women throughout Southern California, sell our own line of exterior chalk-based paint, and offer resources and advice to women who want a room of their own.

Growing up, I was introduced to Japanese culture and history through anime. But I decided to dig a little deeper, reading history books and looking up more and more information. I was fascinated by what was presented of “Old Japan,” both the misconceptions that were spread by pop culture and by the surprising details that it gets right that no one would believe. This fascination is one of the most consistent things about me through the years, and the idea of delving into works of my own that merged samurai drama with lesbian relationships has been a recurring desire of mine for years.

Since I was a child I’ve been drawn to mystery plots, because I love the sense of there being an agreement between author and reader, which leads to an ability to play with expectations. My most recent books have been Sherlock Holmes novels in the style of the classic Arthur Conan Doyle tales, though I’ve also written mysteries set on an isolated island and even on Mars! With each new story, I’ve found the act of plotting deeply satisfying. Of course, the next best thing to writing my own stories is reading another author’s novel that has a satisfying mystery, with a solution that in retrospect seems totally fair, but that I didn’t see coming.

I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.