Here are 100 books that The Old Regime and the French Revolution fans have personally recommended if you like
The Old Regime and the French Revolution.
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I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
There is a reason why this book, published during the darkest days of World War Two, is still in print eighty years later. It is a profound study, deeply informed by Palmer’s own experience of living through a time of war, crisis, and fear. It focuses on the twelve men who served on the Committee of Public Safety and together played a leading role in revolutionary government throughout the critical period of the Year II (1793-94).
This was the first book I ever read on the period of existential crisis known as ‘the Terror’, and it helped me make sense of what was happening and why. If you want to know what it was like to be leading a government during war and revolution. Palmer’s book is the place to start. Forty years since I read it, Palmer’s book still occupies a prime place on my bookshelf.
The Reign of Terror continues to fascinate scholars as one of the bloodiest periods in French history, when the Committee of Public Safety strove to defend the first Republic from its many enemies, creating a climate of fear and suspicion in revolutionary France. R. R. Palmer's fascinating narrative follows the Committee's deputies individually and collectively, recounting and assessing their tumultuous struggles in Paris and their repressive missions in the provinces. A foreword by Isser Woloch explains why this book remains an enduring classic in French revolutionary studies.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
Divided into “The Poetics of Power” and “The Sociology of Politics,” the better known first half explores rhetoric, symbolic forms of political practice, and imagery in novel ways that have influenced both my scholarship and my teaching.
But I was even more struck by the second part where Hunt considered the backgrounds, age, occupations, and experience of Revolutionary political actors in four French cities as a way to understand the political geography of the Revolution, networks, culture brokers, and the emergence of a new political class.
This approach shaped my dissertation and first book, but, more importantly it made me think about the link among and between cultural influences, socio-economic backgrounds, and the lived experience to understand the French Revolution.
When this book was published in 1984, it reframed the debate on the French Revolution, shifting the discussion from the Revolution's role in wider, extrinsic processes (such as modernization, capitalist development, and the rise of twentieth-century totalitarian regimes) to its central political significance: the discovery of the potential of political action to consciously transform society by molding character, culture, and social relations. In a new preface to this twentieth-anniversary edition, Hunt reconsiders her work in the light of the past twenty years' scholarship.
I have been fascinated by the history of the French Revolution ever since my father took me to visit Napoleon’s tomb in Paris when I was four years old and tried to explain to me who he was and what he had done. For more than forty years, I have been teaching and writing about this inexhaustible subject. The Revolution’s ideals of liberty and equality still speak to us, and the vivid personalities who clashed over them, ranging from Lafayette and Robespierre to the abolitionist priest Henri Grégoire and the ill-fated Marie Antoinette, bring the subject alive. Oh, and did I mention that one of the perks of being a historian of the French Revolution is that you get to make regular trips to Paris?
Half of the people who experienced the French Revolution were women, and the recognition of their role in these events is one of the biggest transformations in historians’ perspectives of the past half-century. Dominque Godineau’s thoroughly documented book depicts the everyday lives of women in the revolutionary era and the activists who paved the way for modern feminist movements.
During the French Revolution, hundreds of domestic and working-class women of Paris were interrogated, examined, accused, denounced, arrested, and imprisoned for their rebellious and often hostile behavior. Here, for the first time in English translation, Dominique Godineau offers an illuminating account of these female revolutionaries. As nurturing and tender as they are belligerent and contentious, these are not singular female heroines but the collective common women who struggled for bare subsistence by working in factories, in shops, on the streets, and on the home front while still finding time to participate in national assemblies, activist gatherings, and public demonstrations in…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
David Millett is a digital artist. He is an accomplished author, filmmaker, and producer of paper and eBooks. He loves writing, painting, filmmaking, composing, and performing music.
This book depicts the violence and devastation of the ‘Reign of Terror’ (a period of extreme violence during the French Revolution) with breathtaking power. It weaves into it a tale that grips, convinces, and profoundly moves the reader. If one is looking to understand human nature and its true depth of depravity, look to no other book.
Anatole France's work "Les dieux ont soif" translates to "The Gods Will Have Blood" or "The Gods are Athirst." Both translations of the title accurately depict the nature of this novel set during the French Revolution. Young artist Évariste Gamelin is the right-hand man of Jacobin, Marat, and Robespierre and eventually becomes appointed as a juror on the Revolutionary Tribunal during the heinous Reign of Terror. Though Gamelin fully believes in the ideas of revolution and liberty, he uses his position of power to terrorize his friends and family who do not agree with his zealous ideals. Yet his bloodthirsty…
Henry Louis Gates Jr. is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. He is an award-winning filmmaker, literary scholar, journalist, cultural critic, and institution builder, and has authored or co-authored twenty-two books; he's also the host of PBS’s Finding Your Roots. Andrew Curran is a writer and the William Armstrong Professor of the Humanities at Wesleyan University. His writing on the Enlightenment and race has appeared in The New York Times, The Guardian, Newsweek, and more. Curran is also the author of the award-winning Diderot and the Art of Thinking Freely and The Anatomy of Blackness.
Sue Peabody’s book on the death of the “free soil principle” in France is a milestone in legal history. Beginning in 1315, when Louis X signed the letters patent that forever associated the words French and Francewith the eradication of slavery, anyone who was bonded or a serf was supposedly “free” when stepping foot in France. This tenet began to fall apart in 1716, when the then Regent created a loophole for slaveowners returning to France with their enslaved servants. Peabody takes us deep into the legality (and illegality) of slavery on French soil as well as several illustrative court cases. There are No Slaves in France is a model of how archive-extracted research can be woven into a riveting and revealing story. A must-read for anyone interested in the relationship between mercantilism, race, and the legal statutes that created and legislated different categories of people.
There Are No Slaves in France examines the paradoxical emergence of political antislavery and institutional racism in the century prior to the French Revolution. Sue Peabody shows how the political culture of late Bourbon France created ample opportunities for contestation over the meaning of freedom. Based on various archival sources, this work will be of interest not only to historians of slavery and France, but to scholars interested in the emergence of modern culture in the Atlantic world.
These books have defined my life, giving me focus, direction, and purpose through a career that embraced 25 years at the United States Senate at senior staff levels and then served as the inspiration to co-found four national charities, including the Heart of America Foundation (HOA). The resulting activities have touched the lives of millions of adults and children and blessed my life beyond belief. I am a voracious reader with an extensive backlist of favorite books I have read and, in some cases, re-read. They are interesting, informative, and entertaining, but these books are a step beyond. This is where I go when I need hope and inspiration.
De Tocqueville’s book is the first and probably still the best examination of the genius of America. At times like these, it's good to be reminded of what makes America work. Frankl would firmly understand and concur. The essence of America is our responsibility. Frankl would break it up into two words: “response-ability.”
I first read this book when I was in college. I have read it at least once in every subsequent year. It’s nice to be reminded of who we are. Ultimately, De Tocqueville teaches that this country will be whatever we make it. If we don’t like what’s going on, it’s our responsibility to change it.
When it was first published in 2000, Harvey Mansfield and Delba Winthrop's new translation of Democracy in America was lauded in all quarters as the finest and most definitive edition of Tocqueville's classic - complete with the most faithful and readable translation to date, impeccable annotations of unfamiliar references, and a substantial introduction placing the work and its author in the broader contexts of political philosophy and statesmanship. Mansfield and Winthrop's astonishing efforts have not only captured the elegance, subtlety, and profundity of Tocqueville's original, but they also offer proof of how very essential this masterpiece continues to be.
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I have always been fascinated by the Regency Period, and because of this fascination, I explored its historical context in full. That includes, of course, the French Revolution and its repercussions in England and globally. I am also obsessed with the literary concept of the heroine, and wanted to create characters who in some ways synthesized Moll Flanders andJane Eyre, bridging the gap between 18th and 19th Century expression.
A total feeling for the pulse of the Revolution, and a focus on its core in that fatal year – the end of the Monarchy, the ushering-in of the Reign of terror. Its reverberations spread everywhere. It gave me such a strong sense of the decadence of the ancien régime, and the fury of the populace that aroused.
Ninety-Three (1874) is the final novel of Victor Hugo. As a work of historical fiction, the story is set during the period of conflict between the newly formed French Republic and the Royalists who sought to reverse the gains of the revolution. Praised for its morality and honest depiction of the horrors of war, Ninety-Three influenced such wide-ranging political thinkers as Joseph Stalin and Ayn Rand. "The soldiers forced cautiously. Everything was in full bloom; they were surrounded by a quivering wall of branches, whose leaves diffused a delicious freshness. Here and there sunbeams pierced these green shades." Advancing through…
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
This book blew me away when I read it in graduate school.
The depth of archival mastery is simply stunning, but what stands out about Cobb’s magnum opus is how he brought the intervention of the average militant, the men who made the Revolution work, to life.
He shows why and how people lived the Terror. Cobb also illustrates the Terror in the provinces, noting the unique elements of each place and region but also showing the commonalities of structure and practice.
Like many who read Cobb, I dreamed of writing something so poignant, so powerful, and so lasting.
Nobody has the time and financial support to do this kind of work anymore; it is a monument that helps everybody else illuminate different aspects of politics in 1793-94.
In this classic book, the famed historian Richard Cobb describes the Armees Revolutionnaires of eighteenth-century France and their clashes with the anti-revolutionary rural populace. In so doing, he provides important insights into the social and administrative history of the French Revolution. First published in France and now translated into English by Marianne Elliott, The People's Armies has had a profound influence on the study of the French Revolution and is still unsurpassed as a history of an important institution of the period of Revolutionary government in France.
My passion for 19th-century French art, literature, and social history was enkindled in academia, but when my doctoral research uncovered the remarkable story of a forgotten 19th-century courtesan, I set out on a career in biography. During the 19th century, the ‘woman question’ was marked by both radical change and fierce dispute. Based on careful research, my writing seeks to lift this history out of the dusty annals of academia and bring its characters and events vividly to life for the 21st-century reader. My books introduce real women, piecing their stories back together in intimate detail so that readers can really share their successes and frustrations.
A dusty bundle of 150-year-old letters found in a deserted house in rural France forms the premise of this intriguing literary hybrid. Author Gillian Tindall beckons us to follow her on an enthralling, real-life detective story, as she uncovers the life and loves of the letters’ addressee, an obscure provincial innkeeper’s daughter named Célestine Chaumettte. As she pieces Célestine’s story together, Tindall breathes life back into a whole slice of history and a community now vanished. A rich cast of forgotten characters springs from the pages as we see, taste, and smell the many textures of rural society in 19th-century France, along with the seasons and cycles that governed it. This evocative, haunting account of a country girl’s experience and place within this world really is social history at its best.
Seven marriage proposals written to Celestine in the early 1860s, and carefully preserved by her, offer a glimpse of rural nineteenth century French life
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I have been fascinated by Napoleon and the French Revolution since I was a teenager. Novels that capture the essence of the struggles of the French people – and especially those that feature Napoleon as a highly layered character – have always called to me. As a Jewish author, I am particularly drawn to a fair representation of Jewish characters in these tales – which frankly, Georgette Heyer does not, as she adheres to stereotypes in describing any Jewish characters. (I only forgive her because her books are so brilliant.)
A thrilling and fully immersive description of the French Revolution; I loved this book in particular for its moving description of how the Jews of Paris were affected.
I found Madame Tussand’s story to be a wonderful frame for the upheaval in France at the time – especially as a highly layered, wonderful character whose strong personality helped her to survive troubling times.
It’s definitely my favorite Michelle Moran book – and that’s tough, considering how many amazing historical novels she’s written.
