Books like Célestine — picked by fans

Every biographer needs a reliable social history, an authority that distils the essential, orders the chronology, and acts as a framework on which to pin all those facts. In his assured style, James F. McMillan artfully weaves the myriad strands of history into a seamless and engaging narrative. From prostitutes to housewives and from workers to salonières, the author spans the whole social spectrum to pinpoint not just what French women did, but why, and crucially, how their actions were received. The scrupulous research, swift pace, and crisp style make this comprehensive study a bible to anyone interested in the history of French women during the long 19th century.

A male author describing the adulterous passions of an unhappy woman, Flaubert tears into Madame Bovary as superficial and ridiculously narcissistic. Yet Flaubert was a terrific writer and also shows how empty and purposeless the restricted life of a middle-class woman was in his time–not poor enough to be preoccupied with surviving, but not rich enough to lead a glamorous life. It’s not like Emma Bovary can go to law school!

Flaubert’s dissection of Emma’s forbidden love life is brilliant. It’s downright painful to see Emma’s hopes and fantasies when the men in her life take what they want from her, and she pours all she has into them. I can relate.

I love reading about women who had messy, complicated lives and Liane de Pougy certainly fits the bill.

Born in 1869, she was a chaos agent like no other. Soon after she got married as a teenager, she left her husband after he shot her when she was in bed with a lover. Then she went to Paris to become an actress and courtesan and became famous for her affairs with both men and women.

She was so captivating and so toxic that she inspired one lover to write multiple novels about her! After she made a fortune from her affairs, she married a prince and then, to top it all off, became a nun in the last years of her life.

Her diary is an intimate portrait of a woman who faced violence, exclusion, disappointment, but always with great bravery and an incredible zest for love, life, and adventure.

How Parisians survived Nazi Occupation—to what extent they resisted or collaborated—has been debated for decades but Sebba looks through a new lens: What did Parisiennes, specifically, do during these years? She was just in time to interview some key women who, having survived concentration camps, went on to live defiantly long lives. Others wouldn’t speak, still traumatised by their experiences. But Sebba has plenty to work with, and the pace at which she pulls it all together propels this book’s sense of importance. One can’t help but feel relieved that these stories have now been told. Some of it is shameful, sure, but you ultimately remember the tales of until-now-unsung heroines, whose fierce love for their city, above even their own welfare, makes them well deserving of a place in Paris history.

Essential historical background work for anyone wanting to read French Revolution-based fiction. I am especially attracted to this work because, although non-fiction, it has emotion, and a sense of first-person involvement. I was also very much grabbed by the legend of the first manuscript having been destroyed by fire, and the work having to be re-written – true literary heroism, and an example to us all. 

Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.

This is the one book on the history of terrorism that I wish I had written. Zamoyski spins out a great tale, one that reads like a spy thriller. It’s the story of how early 19th-century European politicians and statesmen overreacted to small, marginalized, underground revolutionary movements, turning them into existential threats to the civilized order.

In doing so, men like Austrian leader Klemens von Metternich created both our modern understanding of the terrorist boogeyman and the mechanisms and justification of the modern police state. Zamoyski is a great writer, and I eagerly followed him down his conspiratorial rabbit hole. I hesitate to say it, given the subject matter of the book, but this is one fun read.

No artist exists in a vacuum. Certainly, Vigée Le Brun had little interest in politics, but political events shaped her life and the world she inhabited. It is, therefore, essential to understand the times in which Vigée Le Brun lived.  

History and art history professor, documentarian, and cultural essayist, award-winning author Simon Schama’s Citizens: A Chronicle of the French Revolution presents Louis XVI’s France as vibrant, dynamic, and innovative, its people fascinated by novelty and technology. Schama’s gripping style combines entertainment and scholarship to make this book a convincing social, cultural, and narrative account of the French Revolution.

This book blew me away when I read it in graduate school. 

The depth of archival mastery is simply stunning, but what stands out about Cobb’s magnum opus is how he brought the intervention of the average militant, the men who made the Revolution work, to life. 

He shows why and how people lived the Terror. Cobb also illustrates the Terror in the provinces, noting the unique elements of each place and region but also showing the commonalities of structure and practice. 

Like many who read Cobb, I dreamed of writing something so poignant, so powerful, and so lasting. 

Nobody has the time and financial support to do this kind of work anymore; it is a monument that helps everybody else illuminate different aspects of politics in 1793-94.

Bill Doyle is the leading British interpreter of the French Revolution and this is a subtle account of its causes and course. Very good on the need to look for specific political causes rather than any supposedly inevitable pattern of socio-economic conflict.