Here are 100 books that The Gods Will Have Blood fans have personally recommended if you like
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David Millett is a digital artist. He is an accomplished author, filmmaker, and producer of paper and eBooks. He loves writing, painting, filmmaking, composing, and performing music.
This book is a joyous exploration of the mind and its thrilling complexities. It will excite anyone interested in cutting-edge science and technology and the vast philosophical, personal, and ethical implications of finally quantifying what consciousness is. How does our brain generate conscious thoughts? And why does so much of our knowledge remain unconscious? Thanks to clever psychological and brain-imaging experiments, scientists are closer to cracking this mystery than ever before.
From the acclaimed author of Reading in the Brain and How We Learn, a breathtaking look at the new science that can track consciousness deep in the brain
How does our brain generate a conscious thought? And why does so much of our knowledge remain unconscious? Thanks to clever psychological and brain-imaging experiments, scientists are closer to cracking this mystery than ever before.
In this lively book, Stanislas Dehaene describes the pioneering work his lab and the labs of other cognitive neuroscientists worldwide have accomplished in defining, testing, and explaining the brain events behind…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I have been fascinated by the history of the French Revolution ever since my father took me to visit Napoleon’s tomb in Paris when I was four years old and tried to explain to me who he was and what he had done. For more than forty years, I have been teaching and writing about this inexhaustible subject. The Revolution’s ideals of liberty and equality still speak to us, and the vivid personalities who clashed over them, ranging from Lafayette and Robespierre to the abolitionist priest Henri Grégoire and the ill-fated Marie Antoinette, bring the subject alive. Oh, and did I mention that one of the perks of being a historian of the French Revolution is that you get to make regular trips to Paris?
Like his classic Democracy in America, 19th-century French author Alexis de Tocqueville’s analysis of the great movement for freedom in his own country raises profound questions about the difficult relationship between liberty and equality. Modern scholarship has challenged some of Tocqueville’s assertions, but his warning that events often turn out very differently from what the actors in them intended is as relevant today as it was when his book was first published in 1856.
I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
There is a reason why this book, published during the darkest days of World War Two, is still in print eighty years later. It is a profound study, deeply informed by Palmer’s own experience of living through a time of war, crisis, and fear. It focuses on the twelve men who served on the Committee of Public Safety and together played a leading role in revolutionary government throughout the critical period of the Year II (1793-94).
This was the first book I ever read on the period of existential crisis known as ‘the Terror’, and it helped me make sense of what was happening and why. If you want to know what it was like to be leading a government during war and revolution. Palmer’s book is the place to start. Forty years since I read it, Palmer’s book still occupies a prime place on my bookshelf.
The Reign of Terror continues to fascinate scholars as one of the bloodiest periods in French history, when the Committee of Public Safety strove to defend the first Republic from its many enemies, creating a climate of fear and suspicion in revolutionary France. R. R. Palmer's fascinating narrative follows the Committee's deputies individually and collectively, recounting and assessing their tumultuous struggles in Paris and their repressive missions in the provinces. A foreword by Isser Woloch explains why this book remains an enduring classic in French revolutionary studies.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
Divided into “The Poetics of Power” and “The Sociology of Politics,” the better known first half explores rhetoric, symbolic forms of political practice, and imagery in novel ways that have influenced both my scholarship and my teaching.
But I was even more struck by the second part where Hunt considered the backgrounds, age, occupations, and experience of Revolutionary political actors in four French cities as a way to understand the political geography of the Revolution, networks, culture brokers, and the emergence of a new political class.
This approach shaped my dissertation and first book, but, more importantly it made me think about the link among and between cultural influences, socio-economic backgrounds, and the lived experience to understand the French Revolution.
When this book was published in 1984, it reframed the debate on the French Revolution, shifting the discussion from the Revolution's role in wider, extrinsic processes (such as modernization, capitalist development, and the rise of twentieth-century totalitarian regimes) to its central political significance: the discovery of the potential of political action to consciously transform society by molding character, culture, and social relations. In a new preface to this twentieth-anniversary edition, Hunt reconsiders her work in the light of the past twenty years' scholarship.
I have been fascinated by the history of the French Revolution ever since my father took me to visit Napoleon’s tomb in Paris when I was four years old and tried to explain to me who he was and what he had done. For more than forty years, I have been teaching and writing about this inexhaustible subject. The Revolution’s ideals of liberty and equality still speak to us, and the vivid personalities who clashed over them, ranging from Lafayette and Robespierre to the abolitionist priest Henri Grégoire and the ill-fated Marie Antoinette, bring the subject alive. Oh, and did I mention that one of the perks of being a historian of the French Revolution is that you get to make regular trips to Paris?
Half of the people who experienced the French Revolution were women, and the recognition of their role in these events is one of the biggest transformations in historians’ perspectives of the past half-century. Dominque Godineau’s thoroughly documented book depicts the everyday lives of women in the revolutionary era and the activists who paved the way for modern feminist movements.
During the French Revolution, hundreds of domestic and working-class women of Paris were interrogated, examined, accused, denounced, arrested, and imprisoned for their rebellious and often hostile behavior. Here, for the first time in English translation, Dominique Godineau offers an illuminating account of these female revolutionaries. As nurturing and tender as they are belligerent and contentious, these are not singular female heroines but the collective common women who struggled for bare subsistence by working in factories, in shops, on the streets, and on the home front while still finding time to participate in national assemblies, activist gatherings, and public demonstrations in…
I was raised in a large family, and we were taught to be respectful, honest, and polite to everyone. I've never been able to understand the mind of a 'nasty' person or how a person can hurt another. When these people are brought to justice, how can we know they are telling the truth?
Expanding on this, I started thinking about Artificial Intelligence—could this be the creation that gives us the way to see into a person's mind; to find out what crime they have committed? But then I thought, what if the actual creator was a criminal? How would anyone even know? That was the route of my research which led to i4Ni being written.
I bought this book because of the great write-ups about it. The author won the Nobel Prize in Literature, and this was his first book following that award, so for me, it was recommended as soon as the author won the award.
It's a great read and has filled me with a mixture of emotions, so it will be interesting to see how you feel after reading it. For me personally, it's a book to study and learn from, as there is always room for learning in any career you decide to do.
It fascinated me because Klara is an 'Artificial Friend', which ties in with my research and interests in Artificial Intelligence.
*The #1 Sunday Times Bestseller* *Longlisted for the Booker Prize 2021* *A Barack Obama Summer Reading Pick*
'A delicate, haunting story' The Washington Post 'This is a novel for fans of Never Let Me Go . . . tender, touching and true.' The Times
'The Sun always has ways to reach us.'
From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Loomis bases his account on the life and work of three principals in the Revolution: Jean-Paul Marat, the sanguinary demagogue, self-styled ‘People’s Friend’ and proponent of some of the grimmest excesses of the Terror; Danton, the moderate, whose increasing distaste for those excesses and his clash with Robespierre ultimately took him to the scaffold; Robespierre, the prissy, virginal, orphaned lawyer who had once argued passionately against the death penalty and then oversaw the herding of droves of citizens – mostly not aristocrats but largely what the French call the "menu peuple", humble artisans, shopgirls, social nobodies – to the guillotine. Inflexible as a Commandment, he became increasingly obsessed with ‘virtue’ in the twisted belief that legislation alone can enjoin decent behaviour or "civisme". Danton, the ebullient bon viveur rebuffed this nonsense cheerily: ‘Virtue,’ he said ‘is what I do with my wife every night.’
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Anouilh shapes his play in parallel reference to two of the most traumatic periods in French history: the immediate aftermath of the 1945 Liberation and the end of the Terror with the death of Robespierre. In post-war France, a group of friends hit on a plan to explore what twisted logic shapes the individual who gets caught up in the violence of oppression. They invite a local man, one Bitos, to attend a masked dinner where each of the guests will take on the role of a prominent figure of the Revolution, Bitos himself, who has greatly profited by collaboration with the occupiers, to take on that of Robespierre, whom Thomas Carlyle referred in his magisterial History of the French Revolution as the ‘sea-green incorruptible’, from the tinted spectacles he wore.
Carlyle’s prose is lush, baroque, strong meat but well worth dipping into. The idea is brilliant as a vehicle…
“Poor Bitos” is the strongest and most strikingly contemporary of Jean Anouilh’s plays. With freezing precision and extraordinary theatrical skill, Anouilh here exposes the evil at the heart of political extremism, with specific reference to the French people but with implications that are tragically universal. The principal character is one André Bitos, a thin-lipped, Eichmann-like public prosecutor with a fanatical sense of justice that outrages every normal feeling of compassion. Bitos since the close of World War II has made it his gruesome business to track down fellow countrymen suspected of collaborating with the Germans and to bring about their…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Blanc discovered in the National Archives in Paris a remarkable cache of letters kept in an old tin labelled as the property of Fouquier-Tinville, the Public Prosecutor of the French revolutionary Tribunal. He was a man who in sending off the last batch of victims to be beheaded, even after hearing that Robespierre was dead and with him, the Terror, said ‘justice must run its course’
The letters, written by prisoners on the eve of their own execution, to wife, family, plangent pleas to be remembered – some containing a little keepsake: a shirt stud, maybe – were never delivered, but, on Fouquier’s order, impounded as possible evidence. Post mortem? What was the point? The letters are heart-rending, sad, pathetic, drained of hope, but as poignant a souvenir of the effect of the vicious law which was sending their authors to the scaffold as any you will read. Fouquier, whose…
Drawing on a centuries-old file, this volume reproduces the last letters by prisoners of the French Revolution in the last few moments before their death, and sheds new light on this turbulent time
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a physician assistant and paramedic with ten brothers and sisters, an all-consuming love of the outdoors and adventure, and a fascination with history, particularly early US history. I love reading and writing the kind of books that I would like to read. My debut novel, Firefax, was written in large part as an escape from the horrors of serving in the hospital as a physician assistant during the delta wave of the COVID-19 pandemic. I hope it provides my readers with an escape from their own struggles as well.
Each of the heroes is a deep, fully realized person, plagued with flaws, some of them almost unforgiveable. Each character must face their own demons in this fast-paced, mysterious adventure. This book has espionage, swordplay, constant danger, friendship, even romance, everything you could wish for.
It is a swashbuckling tale following the impetuous and brave-to-a-fault D’Artagnan as he grows from an idealistic boy to a man, chasing his calling to fight among the hallowed ranks of the King’s musketeers.
"We read The Three Musketeers to experience a sense of romance and for the sheer excitement of the story," reflected Clifton Fadiman. "In these violent pages all is action, intrigue, suspense, surprise--an almost endless chain of duels, murders, love affairs, unmaskings, ambushes, hairbreadth escapes, wild rides. It is all impossible and it is all magnificent."
First published in 1844, Alexandre Dumas's swashbuckling epic chronicles the adventures of D'Artagnan, a gallant young nobleman who journeys to Paris in 1625 hoping to join the ranks of musketeers guarding Louis XIII. He soon finds himself fighting alongside three heroic comrades--Athos, Porthos, and Aramis--who…