Here are 100 books that The Odyssey of Phillis Wheatley fans have personally recommended if you like
The Odyssey of Phillis Wheatley.
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As a historian with expertise in the early church, Middle Ages, and Reformation, I am obsessed with finding the writings and stories of women of the past. Whenever we discover works written by an unknown or forgotten woman in an archive or historical record, my co-author Marion Taylor and I excitedly email one another: âWe rescued another woman!â I study the history of biblical interpretation and the history of women in religion. In most of my books, these two interests intersectâas I write about men throughout history who viewed stories of biblical women through patriarchal lenses and how women themselves have been biblical interpreters, often challenging menâs prevailing views.
Barred from university education and ministerial roles, most women in the 1700s did not have opportunities to write commentaries or sermons. Instead, some female authors turned to poetry and devotional writing as a vehicle for biblical interpretation. According to literary scholar Natasha Duquette, female poets such as Phillis Wheatley, an enslaved African American servant, âveiledâ their dissenting viewpoints in religious verse. By âclothingâ their calls for social justice in genres considered acceptable for female authors, these poets and devotional writers ensured a wider readership for their provocative perspectives on the Bible and society.Â
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptablyâŚ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŚ
I was an angry girl, railing against the difference between the expectations and restrictions on me and my younger brother. I was also the child of survivors and victims of the Armenian genocide, and I grew up in 1950 when my immigrant family didnât fit the representations of âAmericansâ as they were then depicted. And I was white. I wanted to change myself, the world and learn why there was so much injustice in the U.S. I went back to school at UMass, got connected to faculty in the Afro-American Studies Department, and joined the group that was creating the Womenâs Studies Program. I am still learning and trying to change the world.
A poet, playwright, essayist, teacher, and activist, Jordan had more than 25 published works, including seven books of essays.Â
As a feminist and womenâs studies teacher and scholar who was focused on bringing race into the center of my activism and analysis, I learned so much from June Jordan. On Call, includes essays that explored intersectionality years before KimberlĂŠ Crenshaw coined the term and theorized the overlapping social constructions of race, class, and gender.Â
The topics of the 18 essays are wide-ranging, from patriarchy, to Black English, to the enslaved 18th-century poet Phillis Wheatley, and a hilarious short essay on the election of Ronald Reagan written in Black English. I taught âReport from the Bahamasâ in almost all of my courses.Â
Like all of her essays, it is written with a poetâs sensibility. Every word matters. Â
According to the eight generations of my familyâs oral historians, I am a descendant of an enslaved cook and her enslaver, and half-brother, President James Madison. I am also a writer and a retired pediatrician. My essays, personal narrative, and commentaries have appeared in the Boston Herald, River Teeth, TIME, and the New York Times Magazine.
In 1761, the slave ship Phillis departed from Africa and headed toward America. Among the human cargo was a young girl. Judging by her missing incisors, she was seven or eight years old. Soon after the shipâs arrival in Boston, John and Susann Wheatley purchased the girl and named her after the ship that had delivered her to them. Mrs. Wheatley taught their servant to read and write and introduced her to classical and English literature, including revered poets. Around 1765, Phillis began writing poetry, and her first poem, âOn Messrs. Hussey and Coffin,â published in 1767, when she was only about fourteen years old, rendered her the first black person in America to publish a poem. Carrettaâs collection of Wheatleyâs work includes a fascinating, thoroughly researched introduction.
The extraordinary writings of Phillis Wheatley, a slave girl turned published poet
In 1761, a young girl arrived in Boston on a slave ship, sold to the Wheatley family, and given the name Phillis Wheatley. Struck by Phillis' extraordinary precociousness, the Wheatleys provided her with an education that was unusual for a woman of the time and astonishing for a slave. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected anâŚ
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart RowdyâŚ
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
That enslaved people were considered commodities is no secret. But in this book, Daina Ramey Berry demonstrates how enslaved people were attached to monetary prices throughout their entire lives. Indeed, enslaved people were in the market even before they were born, and they remained in the market even after they had died. But Berry reminds us that enslaved people themselves understood that their âsoul value,â and not their supposed economic value, defined who they really were.
Groundbreaking look at slaves as commodities through every phase of life, from birth to death and beyond, in early America
In life and in death, slaves were commodities, their monetary value assigned based on their age, gender, health, and the demands of the market. The Price for Their Pound of Flesh is the first book to explore the economic value of enslaved people through every phase of their livesâincluding preconception, infancy, childhood, adolescence, adulthood, the senior years, and deathâin the early American domestic slave trade. Covering the full âlife cycle,â historian Daina Ramey Berry shows the lengths to which enslaversâŚ
I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldnât leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classicsâespecially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones Iâve featured here tell compelling stories about important topics that perhaps many traditional publishers wonât publish.
While this started a little slowly, I was soon completely invested in the life of its unlikely hero. Fletcher Sinclair is a meme personifiedâhe lives in his parentâs basement, plays video games all day, and consumes far too much of a particular sports drink. Then, a strange virus hits the world, eliminating all the menâexcept for Fletcher.
That the human raceâs potential extinction should rest upon Fletcherâs shoulders both horrified and fascinated me. It was filled with twists and turns, which even I, as an author, didnât see coming. No spoilers and no hyperbole, but Erik Dargitz invented the most brilliant post-apocalyptic cult Iâve ever read! Fans of Handmaidenâs Tale and Animal Farm will love this book.
âGive this book a peek. Itâs a fun ride.â - Edward Ashton, author of Mickey7
After a global virus seemingly wipes out the entire male population, a skinny, socially awkward, self-conscious video game junkie is somehow still kicking. And he's wildly unprepared for this new world. Out there waiting for him are physicians who want to study him, a cult of spiritual extremists who want to deify him and brutal gangs with far more nefarious intentions. Throughout his journey, Fletcher does his best to act like a real man, being that he's the only one around. Unfortunately, this only leadsâŚ
When I tell people I think about Greek myths for a living, they tend not to believe me. But Iâve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently Iâve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Once Troy was conquered, the Greeks had to get back home. Few heroes managed this without drama, but even on this benchmark, Odysseusâ ten-year (a-hem) odyssey was an outlier.
You can read this as the first great travellerâs tale: the Odyssey will immerse you in a giant, detailed story world of gods, heroes, and monsters traversed by a protagonist famous for his clever schemes and his stretching of the truth.
Emily Wilsonâs translation really canât be beaten: she brings before our eyes and ears again a fantasy world given weight by very human stories of loss and longing.
Papyrologist Lisa Emmer's world flips when the SĂťretĂŠ detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for herâŚ
I grew up all around historyâmy childhood home was across the street from where one of the signers of the Declaration of Independence used to liveâand have long been fascinated by the connections between American and other countriesâ histories, especially in the old ports and harbors where sailing ships connected America to the world. Iâve lived and taught for the past two decades in Hong Kong, one of the worldâs great ports and a place to think about the American Revolution not as âourâ history but as part of how to explain Americans to the world.
What do we know about the Revolution, and why do we think we know it? Sometimes, even canonical events we think we know are not nearly as well-documented as we might think, like the Boston Tea Party.
This book is about history and memory, the gap between what happened when colonists threw the East India Companyâs tea into Boston Harbor, and how that event was remembered decades later. Drawing on the as-told-to-reminiscences of Tea Party participant George Robert Twelve Hewes, which were written down over half a century after the Tea Party took place, Young plumbs the gap between the âdestruction of the tea,â as the event was known at the time, and the âBoston Tea Party,â a name which only emerged in the 19th century as Americans reimagining that revolt into the story of how America was made.Â
Young shows us that accounts like Hewesâs had as much toâŚ
George Robert Twelves Hewes, a Boston shoemaker who participated in such key events of the American Revolution as the Boston Massacre and the Tea Party, might have been lost to history if not for his longevity and the historical mood of the 1830's. When the Tea Party became a leading symbol of the Revolutionary ear fifty years after the actual event, this 'common man' in his nineties was 'discovered' and celebrated in Boston as a national hero. Young pieces together this extraordinary tale, adding new insights about the role that individual and collective memory play in shaping our understanding ofâŚ
I am a descendant of William Bradford and Myles Standish, of Pilgrim fame. I was raised in a Massachusetts farmhouse where the commission of James Churchill as a Captain in the militia still hangs, signed by John Hancock. I have lived and breathed this stuff since first opening my eyes. My wife, MaryLu, is a retired elementary teacher who helps bring life to the young characters. Together, through the medium of novels they would actually enjoy reading, we seek to inspire American youth with the principles of our founding, so that they may be more effective in preserving and defending them.
âTo the youth of the world in whose spirit and courage rest the hope of eventual freedom for all mankind.â Thus begins Disneyâs film version of this novel. Like Walt himself, this novel inspired a love of the history of our revolution in me at a young age.
Did you know that Liberty Square in the Magic Kingdom is from this story? Johnny learns early in the story that âpride cometh before a fall,â but his personal struggles become subsumed in a cause greater than himself.
The author comes from an old Yankee family with ties to the revolution, and so do I. The commission of James Churchill as a Captain in the Massachusetts militia, signed by John Hancock, still hangs in the farmhouse where I grew up. Itâs in her blood, and that comes through in this timeless classic.Â
This thrilling Newbery Medal-winning novel about the Revolutionary War is a classic of children's historical fiction.
Fourteen-year-old Johnny Tremain, an apprentice silversmith with a bright future ahead of him, injures his hand in a tragic accident, forcing him to look for other work. In his new job as a horse-boy, riding for the patriotic newspaper The Boston Observer and as a messenger for the Sons of Liberty, he encounters John Hancock, Samuel Adams, and Dr. Joseph Warren.
Soon Johnny is involved in the pivotal events of the American Revolution, from the Boston Tea Party to the first shots fired atâŚ
I have a passion for the topic because itâs so unlimited. Weâre all called to destiny inner/outer in so many ways. We see a lot of stories about those calls being massive adventures with global impactâbut sometimes the small stories, those inner calls with inner love answers are just as epic, just as magnificent. Love of family, community, country, lovers, nature⌠truly, it can be anything. These are just a few books off the older shelves to illustrate the many ways love answers the call. My challenge is to go back and re-read them with this list in mind. Re-visit books from a decade ago, reframe the story with love.
This is an obvious pick, I know. Still, itâs on record as the greatest adventure, the highest bar of duty and courageâand ultimately love.
Homerâs epic detailing Odysseusâ journey home from the Trojan War is fraught with peril and obstacles that would have made a lesser human give up and call it a day.Â
Destiny called him away, but it was love that brought him home from war. At each crossroad Odysseus was offered an alternative, he chose to return to his wife, his son, and his land. He could have been made immortal.
He was offered riches and greater glory, and all the dude wanted was to kiss his wife and sleep in his own bed at the end of the day. Is that so much to ask?
The reason The Odyssey is on my list is to reflect the scale of destiny, and the answering and equal callâŚ
Homer's great epic, The Odyssey, is perhaps Western literature's first adventure story, and certainly remains one of its finest. It describes King Odysseus of Ithaca's epic, ten-year quest to return home after the Trojan War. He encounters giants, sorceresses, sea-monsters and sirens, while his wife Penelope is forced to resist the suitors who besiege her on Ithaca. Both an enchanting fairy tale and a gripping drama, The Odyssey is immensely influential, not least for its rich complexity and the magnetism of its hero.
This Macmillan Collector's Library edition uses a translation by T. E. Lawrence, now remembered as 'Lawrence ofâŚ
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extortsâŚ
I have liked maps since childhood and remember them prompting all sorts of questions, like why was that city, mountain, or border there instead of someplace else, or I would imagine what it would be like to visit those places. I donât feel like I can truly understand or make sense of a place until I can see it from above, so I spend too much time on Google Earth. I have especially valued how maps or other cartographic representations can help illuminate the connections and interdependencies between peoples and places, between society and nature, and ultimately help us understand our place in the world.
After flipping through a few pages, I was immediately engrossed by this bookâs exquisite and thought-provoking illustrations. Mason and Miller showcase many cartographic techniques beyond what we commonly consider a map, ranging in scale from the globe to mountain ranges and river basins to cities and neighborhoods to factory floors.Â
I was struck by the blend of creativity and artistry that went into creating these maps and how well this book showcased the wide range of possibilities for representing almost anything visually and cartographically. Including approximately 300 illustrations, the book has the feel of a coffee-table book and can be easily broken down and read in short chunks, although I found it hard to put down.
Created for map lovers by map lovers, this book explores the intriguing stories behind maps across history and illuminates how the ancient art of cartography still thrives today.
In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps--some never before published. This diverse compendium includes ancient maps of dragon-filled seas, elaborateâŚ