100 Books Like Veiled Intent

In 2007, when Marion Ann Taylor, a pioneer researcher in the study of historical women biblical commentators, picked up a newly-published biographical encyclopedia of 200 “major biblical interpreters,” she was appalled to discover that it contained entries on only three women! This inspired her to edit a biographical dictionary dedicated solely to women who interpreted scripture. Taylor’s handbook contains 180 short articles, authored by expert historians and biblical scholars, about inspiring Jewish and Christian women who wrote about the Bible through the centuries. Readers learn biographical information about these women, as well as their approaches to scriptural interpretation, especially how they commented on the story of Eve and passages about other biblical women.

Drawing upon her expertise in African American literature, Katherine Clay Bassard writes about the ways Black women poets, novelists, preachers, and orators from the 1700s through the 1900s used biblical themes and images to challenge the dominant culture’s oppression of women and people of color. African American women used a variety of scriptural images, including the Queen of Sheba and the “black but comely” female speaker in the Song of Songs, to argue for Black women’s dignity. Bassard celebrates African American women’s creativity and their shrewd employment of scriptural passages to engage in resistance to racism and sexism.   

For centuries, Christian preachers and leaders held all women responsible for Eve’s sin. Since Eve ate forbidden fruit in the Garden of Eden, leaders called womankind “the devil’s gateway” and the source of all suffering and death. Men also used the Genesis account of Eve’s creation from Adam’s rib to argue that all women should hold a secondary status in church and society. However, as Amanda Benckhuysen shows, women through the centuries created a counter tradition. They reinterpreted Eve to argue for women’s dignity and their right to preach, teach, and receive an education. Made from superior substance (Adam’s flesh) rather than the dirt of the ground, Eve was God’s worthy creation. Eve sinned, but so did Adam. Thus, Eve’s “curse” did not bar her female descendants from ministerial roles.  

The Bible contains stories of unspeakable violence and brutality against women: the rape of Abraham and Sarah’s enslaved servant Hagar, the incestuous assault of David’s daughter Tamar, the human sacrifice of the warrior Jephthah’s unnamed daughter, and other horrifying accounts. Scripture also contains passages by the Apostle Paul and men writing in his name—passages that restrict women’s roles in churches and which subordinate women in households. In the late twentieth century, feminist scholars challenged these passages and critiqued the patriarchy found in the Bible. But women’s challenge to patriarchal biblical texts did not begin in the twentieth century, In this essay collection, authors identify women working in the 1600s, 1700s, and 1800s who had similar insights into the gendered problems found in the Bible. 

Faith and creativity come together in this gorgeous, colorful journal by Krystal Whitten. Filled with gorgeous illustrations, tutorials, and spaces for you to create, this journal will inspire you from start to finish. Whether you work in it daily or pick it up when you need some quiet time, you’ll find yourself feeling renewed creatively and spiritually.

The true identity of Diana Tutton remains uncertain. She published three idiosyncratic novels in England in the 1950s, all of which have now fallen into obscurity. Of those, Guard Your Daughters is the best: it describes a loving family dedicated to protecting the children’s mother, whose poor health has led to an insular, overly sheltered lifestyle for her many daughters. Each of the girls is distinct and vividly drawn by Tutton, who has a keen eye for the traditions, tensions, and excitement of siblings in their teenage years. Over the course of the novel, the sisters gradually forge more connections with the outside world and discover not only their own larger desires but also the hidden truth of their family life.

Using state-of-the-art scholarship and his own vast erudition, Calasso reveals the Hebrew Bible (or Old Testament)—the foundational text of Judaism and Christianity—in a whole new way.

You will time and again be shocked by this book, and swear that he must be making things up, that these wild tales can’t possibly be in the Bible… yet indeed, all of them are there. A revolutionary book on a revolutionary religion. 

I loved Miriam—one of many of Mesu Andrew’s novels of Old Testament women—because this aged woman brings a fresh perspective to the well-known story of the Exodus from Egypt. Her lived experience from slavery to freedom—and from despair to hope—as she searches for the God of her brother, Moses, is both familiar and utterly new. Mesu Andrews weaves a beautiful tapestry of a story that breathes new and fascinating life into a familiar story.

This commentary was developed by the faculty at the Moody Bible Institute. It is also easy to understand and provides comprehensive exposition of all passages and most verses. It should be noted that frequently there is commentary on a passage, or collection of verses, versus commentary on individual verses. This is helpful to understand the flow and context of a passage, but it can leave you recognizing you need to look elsewhere when you don’t feel like there is enough explanation of individual verses. There are also helpful maps and charts and bibliographies for further reading and study.

The Bible, by committee. Well, sure. Provided we can leave to others—or maybe just to each individual reader—the problem of deciding which parts are the history, which the myth, and which seem to be, let’s just say, imaginatively conceived (and which of these can claim the firmest purchase on the Truth we should probably also leave to the reader), the Good Book remains the deconstructed prototype for the kind of literary braid we’re talking about, the all-time album of mirrors, fashioned from pretty much all the same genres we still write in—poetry, philosophy, allegory, parable, vignette, epistolary, horror, and IKEA instruction manual.

Regarding the blend of the natural and supernatural, the moment I’ve been looking at with students recently—this for a class I’ve offered on the subject of mental health and literature—is the meeting of Jesus and the Gerasene Demoniac,… show more.