76 Books Like The Need

The book is better than the movie, and the movie is amazing. I love how the author manages to create a dense feeling of female suffocation, gaslighting, hallucination, panic, satanism, conspiracies, deception, and paranoia while simultaneously describing the ordered and neat lives of New York City's emerging glitterati through detailed descriptions of the housewife’s sphere of choosing the right material of towels and the right hue of wallpaper when nesting.

Rosemary’s personal limits and borders, both physical and psychological, are challenged as she becomes a vessel of something unknown, but only unknown to her. An amazingly dense yet easily accessible book.

Katya Apekina’s debut novel, The Deeper the Water the Uglier the Fish, compelled me to do something that I have not done in a very long time: read an entire book, cover to cover, in a single night.

There are certain writers who excel at meting out their prose with deceptive flatness, or muted lucidity (Raymond Carver and Marguerite Duras being two prime examples), and it is this “awesome simplicity,” of which the jazz musician Charles Mingus raved, which Apekina deftly demonstrates in her rendering of a searing family drama and modern American gothic.

Subtly weaving together a tapestry of voices and shifting perspectives, the novel centers on two teenage daughters—Edith, sixteen, and Mae, fourteen—who go to live with their dad in New York, after their mother has been hospitalized for a suicide attempt and breakdown.

Their dad, about whom Mae has no memories and Edith has a scattered scarcity… show more.

This book is not for the faint of heart, but I loved all its disturbing, cyclical layers. Wang’s debut is a darkly mythical tale about inherited madness and sexual obsession.

Spanning decades, from the forties to the seventies, it centers around the Nowaks: David, the schizophrenic heir to a piano maker’s fortune; Jia-Hui (later Daisy), his wife from Taiwan; their son William; and Gillian, David’s daughter from an affair with his former sweetheart, who gives up their child to him and Daisy.

Its complex themes of mental illness, misogyny, and incest are difficult and possibly unpalatable for some. But for me, no subject is taboo if I can glean the humanity within it, and Wang’s prose is so strong and suffused with compassion it kept pulling me in. 

How much do I love this hilarious, terrifying, completely bonkers carny show of a novel? Written and illustrated by Barry, a cartoonist, it opens with a suicide note by Roberta, a misfit teen with a busted-up face who’s left behind a rageful diaristic manifesto describing child abuse, theft, revenge, murder, and a cast of characters out of a circus nightmare.

I got whiplash, veering from stomach-cramping laughter to anxious dread, heartbreak, and complete wonder at the strange, freakish beauty of her prose, like finding chunks of gold in the trash. When I finished, I thought, WTF did I just read, and HOW TF did she do it? I really don’t know. But every few years, I re-read it to try and find out.

This novel’s protagonist, Pepper Rafferty was raised by two Lesbian mothers, who found her as a newborn on the doorstep of their vet practice.

But at 36, Pepper is still trying to find her footing in the world and understand things about herself, like her habit of imagining she’s living in different worlds, based on different choices she might have made.
Without being shown exactly why, the reader soon grasps that this has something to do with the fact that her birth mother is Ula Frost - a very famous portrait painter about whom fantastic claims are being made.

These come primarily from the models in her portraits, these are her clients, who say that her painting them brought forth their mirror selves from other universes, often with disastrous consequences. Outrageous as this claim seems, many in the art world believe it, and Ula's paintings sell for millions of dollars.… show more.

When Toronto bookstore owner Jean Mason hears she may have a doppelganger, it sets off a strange series of events that show how fragile our grip on reality really is. Equal parts psychological horror, ghost story, warm family drama, and literary look at mental illness, this dizzying and at times difficult novel asks if we genuinely know ourselves and the nature of our existence. It may leave you like its bewildered main character: full of questions about identity and struggling to distinguish between what’s real and what isn’t.

There are rules for living in the magical town of Aldermere, including the fact that the ravens must be fed. For Fin, it’s the first place she’s ever felt safe – especially since she can spend a memory for a cup of tea that will help her forget memories that feed her anxieties. But when a visit to the tea shop goes horribly wrong, Fin must confront the source of her fear before something sinister destroys the entire town. This is a heartwarming story about finding courage, facing your past, and trusting your friends. It’s a lovely, thoughtful, charming book steeped in unexpected magic (like doors that don’t always lead where you expect!) and deep truth. I think this could be a great book for families to read together because it offers the sort of comfort that readers of any age can appreciate. 

The stress of not knowing if someone is who they claim to be makes this book a fast, compelling read. I thoroughly enjoyed the way Finney introduced the problem as a possible medical or psychiatric condition. It’s stated so simply—Uncle Ira isn’t really Uncle Ira—and it turns into so much more.

I love the suspense of not knowing exactly what was going on and uncovering it along with the characters. Even better is the suspicion that increases throughout the book about who can be trusted. 

Larque is an unusual and sympathetic protagonist. She’s a wife, mother, and moderately successful businesswoman, but thinks of herself as a failed artist.

She also has the ability to create doppelgangers, temporary doubles of the people in her life. But this time, they’re a lot less temporary. Sky is her ten-year-old self, rebellious and contemptuous of the choices her adult self has made, and Lark is a young gay man dealing with life in the early 1990s.

And Larque is both of them, as well as herself and the menacing Virtuous Woman who lurks in the background, waiting for her chance to take over Larque’s life. It makes for a wild midlife crisis in which Larque has to decide who she wants to be and what she wants for her creations.

I loved Ghost Planet for its fascinating premise delivered with a zinger.

Colonists of a newly discovered planet are being stalked by doppelgängers of dead people they once knew. Psychologist Elizabeth Cole goes to the planet for a job and immediately bonds with her supervisor, the creator of the Ghost Protocol, which forbids acknowledging or interacting with the ghosts (in an attempt to get rid of them).

And then Elizabeth discovers she, too, is a ghost, having died on arrival to the planet when her ship crashed. It’s been seven years since I read this book, and the plot has stayed with me.