Here are 100 books that Ghost Planet fans have personally recommended if you like
Ghost Planet.
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I’ve read romance since I was teenager, and I’ve written all my professional life, first in journalism, then public relations, finally as an author. Being a sci-fi romance author is my dream job! There is nothing on this planet I’d rather do. I love the freedom and creativity of science fiction romance. There are new worlds to explore and fascinating characters to meet. The best books of any genre are those with “legs.” Years after reading them, you stillremember the story. My goal is to send my readers on an unforgettable emotional journey to an exciting new world filled with characters they can’t help but fall in love with.
What makes I Married a Naga stand out is the hero. He’s a half-humanoid, half-snakealien. The heroine is human.
I had hesitated to read I Married a Naga because it involved snake people. Snakes? No thanks! But I kept seeing the book and finally decided to give it a try. Thanks to author Regine Abel’s excellent storytelling, I got accustomed to the idea of a snake-man.
He’ll never be my favorite book boyfriend, but I warmed to him and thoroughly enjoyed the unforgettable characters and world-building.
When Serena comes to Trangor to participate in the First Hunt, the last thing she expects is to find herself forced to marry an Ordosian… or be executed. She knows nothing of his people, nothing of him, except that he’s got fangs, scales, and a crazy long tail. Serena only has to play the part of being a wife for six months, and then she’ll be free to leave. But Szaro seems to have other plans. He’s big, intimidating, and definitely not human. Yet, how can she remain indifferent when he does everything…
We are all surrounded by darkness. And we are all drawn to the light.
The Orkney Islands north of Scotland are steeped in stories of selkies, seal folk who swim in cold ocean waters and shed their skins to sing and dance on land.
I’ve read romance since I was teenager, and I’ve written all my professional life, first in journalism, then public relations, finally as an author. Being a sci-fi romance author is my dream job! There is nothing on this planet I’d rather do. I love the freedom and creativity of science fiction romance. There are new worlds to explore and fascinating characters to meet. The best books of any genre are those with “legs.” Years after reading them, you stillremember the story. My goal is to send my readers on an unforgettable emotional journey to an exciting new world filled with characters they can’t help but fall in love with.
What makes The Good, the Bad, and the Cyborg unforgettable is the genre mash-up and the story’s poignancy.
It combines two disparate genres--western historical fiction and futuristic sci-fi romance. Mars is being colonized. Tasked with providing law and order are cyborg rangers riding their sentient robotic horses. While cyborgs play critical roles in the settling of Mars, they are considered less than human and are denied the same rights as regular citizens. When they meet their human heroine and fall in love they rediscover their humanity.
So well written and crafted, this story leaves a lasting impression on the reader.
I’ve read romance since I was teenager, and I’ve written all my professional life, first in journalism, then public relations, finally as an author. Being a sci-fi romance author is my dream job! There is nothing on this planet I’d rather do. I love the freedom and creativity of science fiction romance. There are new worlds to explore and fascinating characters to meet. The best books of any genre are those with “legs.” Years after reading them, you stillremember the story. My goal is to send my readers on an unforgettable emotional journey to an exciting new world filled with characters they can’t help but fall in love with.
A young woman volunteers for a “research project” unaware she’ll be taking a one-way trip into past—40,000 years. She’s sent to provide companionship for Nathan, a modern man also trapped in the past.
The descriptions of primitive Earth and its dangers were so realistically portrayed the book put me right there with the Neanderthals and Cro-Magnon. I sympathized with Riley’s shock and betrayal and with Nathan’s crushing loneliness and despair.
The research project was only supposed to be for an "extended period." No one said anything about forever! So Riley's journey begins. Unknowingly sent back 40,000 years to be the mate of a man she had never before met, Riley struggles to understand and adjust. Her journey will take her into a world fraught with dangers - a world made more treacherous by savage beasts, primitive Neanderthals, and the incursion of the aggressive Cro-Magnon man. Surviving alone for five years in this vast wilderness, Nathan, along with his enormous dog, Demon, carve out a life in the perilous environment. Though…
We are all surrounded by darkness. And we are all drawn to the light.
The Orkney Islands north of Scotland are steeped in stories of selkies, seal folk who swim in cold ocean waters and shed their skins to sing and dance on land.
I’ve read romance since I was teenager, and I’ve written all my professional life, first in journalism, then public relations, finally as an author. Being a sci-fi romance author is my dream job! There is nothing on this planet I’d rather do. I love the freedom and creativity of science fiction romance. There are new worlds to explore and fascinating characters to meet. The best books of any genre are those with “legs.” Years after reading them, you stillremember the story. My goal is to send my readers on an unforgettable emotional journey to an exciting new world filled with characters they can’t help but fall in love with.
Dustwalker is a poignant romance involving a sentient robot and a human woman.
Post-apocalyptic Earth has become a bleak wasteland of dust. Ronin wanders the wasteland in search of salvage to exchange for credits. His “life” is empty and meaningless. Then one day he enters a town ruled by warlords and catches a glimpse of a woman dancing.
Lara’s grace and movements make him feel. He offers her a deal. If she’ll dance for him, he promises to find her missing sister. Through the awakening emotions of a robot, the reader explores what it means to be alive.
Dustwalker is a romantic and beautiful story that leaves an indelible impression.
A robot searching for purpose. A woman who brings him to life. Can they learn to love in a broken world?
With his core programming lost to time, Ronin has wandered the Dust for nearly two centuries. Out in that unforgiving wasteland, his armored undercasing, advanced optics, and amped-up processors give him an advantage over other scavengers. He’s resigned himself to this unending trek until one night—until one human—makes him question everything.
Lara Brooks and her sister have spent their lives struggling to survive under the tyrannical rule of Cheyenne’s robotic master, Warlord. But when her sister goes missing, Lara…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.
Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect.
In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats…
I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing.
Actually, two novellas, it’s the first, "Morpho Eugenia," that’s always stayed in my mind. I loved how it handles discussions on such subjects as teleology, determinism/personal freedom, the nature of life after death, and so on, the post-On the Origin of the Species mindset.
I particularly like the ending, which, if you’re reasonably alert, you’ll work out well before our protagonist. I don’t think this is a weakness; observing the main character, Adamson (note the surname), flailing towards an inevitable ‘reveal’ is part of the book’s point, I think.
The prose imitates Victorian literature, very post-Modern, but don’t let that put you off. I found its style immersive, making me feel closer to the time.
In these two “astonishing” novellas (The New Yorker), the Booker Prize-winning author of Possession returns to the landscape of Victorian England, where science and spiritualism are popular manias, and domestic decorum coexists with brutality and perversion.
"At once quirky and deep, brimming with generosity, imagination, and intelligence." —The New Yorker
In Morpho Eugenia, an explorer realises that the behaviour of the people around him is alarmingly similar to that of the insects he studies. In The Conjugal Angel, curious individuals – some fictional, others drawn from history – gather to connect with the spirit world. Throughout both, Byatt examines the…
I’ve been in love with cozy, low-stakes fantasy ever since my mother first handed me a copy of The Hobbit—so for most of my life. I love the focus on place and small comforts, the humble (and often unwilling!) heroes, the slower pace that builds to an emotional crescendo (as well as an action-packed one!), and the way these stories always leave me feeling warm, like I’ve just shared a coffee with a loved one. It should come as no surprise, then, that these are the kinds of stories I love writing best.
I’ve spent much of my adult life searching for media that gives me the same feeling as sitting down to my favourite Halloween movies as a kid. The gorgeous, autumnal crunch of Hocus Pocus, the spooky-but-not-scary atmosphere of Tim Burton’s 90’s offerings, the magic and adventure of WillowandThe Dark Crystal. It was a big, specific ask, and yet I found it so perfectly in Frances Hardinge.
My favourite of her books (so far) is A Skinful of Shadows. A twisting, turning, spooky adventure about a girl harboring the spirit of an abused circus bear who must save herself, her doofus brother, and said bear from being hollowed out and used as hosts by their horde of ghoulish ancestors. It’s cozy, clever, spectral perfection.
A Skinful of Shadows is a dark YA historical fantasy set in the early part of the English Civil War. Makepeace is an illegitimate daughter of the aristocratic Fellmotte family, and as such, she shares their unique hereditary gift: the capacity to be possessed by ghosts. Reluctant to accept her appointed destiny as vessel for a coterie of her ancestors, she escapes. As she flees the pursuing Fellmottes across war-torn England, she accumulates a motley crew of her own allies, including outcasts, misfits, criminals, and one extremely angry dead bear. From Costa Book of the Year winner Frances Hardinge comes…
Since I was a child, Halloween and Christmas have held equally hallowed positions in my heart. When I learned of Krampus folklore in my teens, I was immediately fascinated. Krampus offered the best of both worlds—a dose of Halloween creepiness to counterbalance the bright jubilation of the winter holidays. Krampus Confidential, a middle-grade mystery, and adaptation of The Maltese Falcon, is my second children’s book that aims to introduce this magnificent creature to children in a way that doesn’t inspire nightmares. My first, Goodnight Krampus, is a board book for young readers that reimagines the monster as a rambunctious toddler who gives Santa a hard time by refusing to go to sleep on Christmas Eve.
Though the stories in this collection aren’t likely to scare you silly, they will almost certainly give you the creeps. The Victorians loved spending their cold, dark winter evenings with eerie tales of the unsettling, the uncanny, and the unholy. And who could blame them? The 13 tales collected here are diverse in content and tone, but they all offer an ideal candlelit escape when the days grow dark and the cold wind wails.
The first-ever collection of Victorian Christmas ghost stories, culled from rare 19th-century periodicals
During the Victorian era, it became traditional for publishers of newspapers and magazines to print ghost stories during the Christmas season for chilling winter reading by the fireside or candlelight. Now for the first time thirteen of these tales are collected here, including a wide range of stories from a diverse group of authors, some well-known, others anonymous or forgotten. Readers whose only previous experience with Victorian Christmas ghost stories has been Charles Dickens’s “A Christmas Carol” will be surprised and delighted at the astonishing variety of…
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
This short story reminds me of a disused railway line that my siblings and I took to be a playground when we lived in a small village in North Wales. All that remained of the route was the track ballast. The route was some two miles long and at one point cut into the hillside before entering a long dark tunnel. It was easy to imagine a steam train from bygone years appearing in the mouth of the tunnel, much as the engine that brought the doom of the signalman in Dickens’s tale.
"This book is amazing." Halloween might seem like the spookiest time of year, but Charles Dickens felt otherwise. He was among the many authors who set their scariest stories during the dim and shivering days of--yes, Christmas. First published in 1866 for a special yuletide issue of All the Year Round, Dickens' "The Signalman" has since fallen into obscurity. An eerie story of isolation, dread, and supernatural visitation, this book is a small treasure, meant to be read aloud on a cold, dark winter night.
I write adventure and mystery stories for children aged 9 - 13, involving battles with mythical creatures, dangerous pacts with demons, and other supernatural chills. My first book, Ante’s Inferno, won the People’s Book Prize and a Silver Wishing Shelf Award. For The Fall of a Sparrow, I drew on my love of ghost stories, not just for their scariness but also for their emotional complexity: ghosts don’t haunt just for the sake of it. They need something only the main character can give. Friendship, perhaps, a companion in their loneliness… or something much darker. Here’s my choice of classic stories in which ghosts pursue a wide – and sometimes terrifying – variety of agendas.
More of a supernatural mystery than a ghost story perhaps, but since the sinister magic that besets 13-year-old Aveline arises from a witch long buried in the cold, dark side of the churchyard, this fast-paced, imaginative tale qualifies as both. Particularly striking is that you can read it as a simple, scary ghost story – or as an unnerving portrait of someone with a narcissistic personality, alternating charm, menaces, and pathos to unsettle Aveline and bring her under her spell. Brrrr.
Aveline is thrilled when she discovers that the holiday cottage her mum has rented for the summer is beside a stone circle. Thousands of years old, the local villagers refer to the ancient structure as the Witch Stones, and Aveline cannot wait to learn more about them.
Then Aveline meets Hazel. Impossibly cool, mysterious yet friendly, Aveline soon falls under Hazel's spell. In fact, Hazel is quite unlike anyone Aveline has ever met before, but she can't work out why. Will Aveline discover the truth about Hazel, before it's too late?
