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The Most Costly Journey.
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I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
When I first read this book, I couldn’t stop marveling over how much I didn’t know about this beautiful, complicated state that I call home—and how much I learned in just 200 pages. Now, I return every time I want to reinforce my understanding of why there are so many abandoned stone walls in the mountains, why there are no billboards, and what happened to the Peregrine falcons.
The authors are teachers and know how to keep it interesting, even when discussing tedious subjects like tectonic plates, highway commissioners, and population statistics. Noting that Vermont as we know it has only been around for about 225 years, they begin with a chapter about the continent’s formation more than a billion years ago and the centuries under an ice sheet before bringing us up to date with the mountains and rivers we know and love.
In this second edition of their classic text, Klyza and Trombulak use the lens of interconnectedness to examine the geological, ecological, and cultural forces that came together to produce contemporary Vermont. They assess the changing landscape and its inhabitants from its pre-human evolution up to the present, with special focus on forests, open terrestrial habitats, and the aquatic environment. This edition features a new chapter covering from 1995 to 2013 and a thoroughly revised chapter on the futures of Vermont, which include discussions of Tropical Storm Irene, climate change, eco-regional planning, and the resurgence of interest in local food and…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
I’ve been reading Castle Freeman’s stories and novels for many years, and I always go back for more of his small-town settings, his sheriffs and loggers, and the lingering sense of menace he brings to every situation. But most of all, I go back for the dialogue, which is particularly funny, absurd, and even sometimes wise in this short, propulsive novel.
There’s something of Beckett in how these characters’ talk goes nowhere and everywhere at once. In the closed-down mill of the Dead River Chair Company, a handful of retired or otherwise unemployed men provide commentary and insight on the fast-developing plot, in which a young woman comes to them for information about a man who’s been stalking her and eluding the law.
They set her up with a couple of seemingly hapless locals, who together track him down in an abandoned logging camp in the dark woods. Freeman grew…
The Vermont hill country is the stark, vivid setting for this gripping and entertaining story of bold determination. The local villain, Blackway, is making life hellish for Lillian, a young woman from parts elsewhere. Her boyfriend has fled the state in fear, and local law enforcement can do nothing to protect her. She resolves, however, to stand her ground, and to fight back. A pair of unlikely allies – Lester, a crafty old-timer, and Nate, a powerful but naive youth – join her cause, understanding that there is no point in taking up the challenge unless you’re willing to “go…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
I dream of one day walking the entire Long Trail, biking the back roads, and paddling a canoe across Lake Champlain, but in the meantime, Leath Tonino has done all that and more. He brings a friendly curiosity, scrounged-up equipment, and a high tolerance, or even yearning, for discomfort and solitude as he explores “the wilderness of home.”
And because he’s also always reading books—the title comes from Aristotle, and his literary heroes are many—his perspective is a little more philosophical than you might expect from a collection of reports about often-challenging outdoor adventures. Mainly written for the magazines that helped fund his modest expeditions, these short pieces explore defunct logging camps, slippery waterfalls, ice-kayaking societies, cormorant colonies, and the little-seen railroad tracks of Vermont.
In the title selection, the native Vermonter traverses the state in seven different ways: biking, walking, swimming, skiing, hitchhiking, flying, and paddling. For Tonino, it’s…
The phrase "an animal a thousand miles miles long," attributed to Aristotle, refers to a sprawling body that cannot be seen in its entirety from a single angle, a thing too vast and complicated to be knowable as a whole.
For Leath Tonino, the animal a thousand miles long is the landscape of his native Vermont. Tonino grew up along the shores of Lake Champlain, situated between Vermont's Green Mountains and New York's Adirondacks. His career as a nature and travel writer has taken him across the country, but he always turns his eye back on his home state. "All…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
Various poetry collections have become important to me throughout my life, but if I had to choose a favorite poet and favorite book right now, it would be Voigt and Headwaters. Something new reveals itself each time I read this collection, and it is a particular thrill that so many aspects of a place I know show up in poems of such fierce beauty—the groundhogs and winter snows, the larch and birch and owls.
Voigt moves from one line to the next with such smooth velocity—not slowed down by a single piece of punctuation—that the tumbling forth of images, moods, memories, questions, and quips can create a whiplash effect of the most pleasing kind. A poem that begins with heavy frost and hibernation moves through insomnia, deception, and the pleasure of smoking, and by the end, I find myself marveling, how did we get here?
Rash yet tender, chastened yet lush, Headwaters is a book of opposites, a book of wild abandon by one of the most formally exacting poets of our time. Animals populate its pages-owl, groundhog, fox, each with its own inimitable survival skills-and the poet who so meticulously observes their behaviors has accumulated a lifetime's worth of skills herself: she too has survived. The power of these extraordinary poems lies in their recognition that all our experience is ultimately useless-that human beings are at every moment beginners, facing the earth as if for the first time. "Don't you think I'm doing better,"…
My name is Polly Schattel, and I’m a novelist, screenwriter, and film director. I wrote and directed the films Sinkhole, Alison, and Quiet River,and my written work includesThe Occultists, Shadowdays, and the novella 8:59:29.I grew up loving fantasy—Tolkien, Moorcock, Zelazny—but phased out of it somewhat when I discovered writers like Raymond Carver, EL Doctorow, and Denis Johnson. Their books seemed more adult and more complex, not to mention the prose itself was absolutely transporting. In comparison, the fantasy I’d read often felt quite rushed and thin, with get-it-done prose. I drifted away from genre fiction a bit, but dove back to it with my first novel, the historical dark fantasy The Occultists.
There’s a valid argument to be made that Shadowlandis perhaps more of a horror novel than fantasy, but it’s never really out-and-out scary.
It’s certainly more magical than bloody, concerning two friends in the 1950s who spend a hallucinatory summer at an uncle’s place in the Vermont woods. And man do things get weird.
After a long, lovely prelude at a boarding school, Tom and Del have to navigate their failing friendship and the strange happenings in the woods, but most of all they have to look out for Del’s uncle Cole, an old-school magician who, it turns out, is far from an avuncular old guardian.
Full of fairy tales and fables and wonderful digressions (with Straub, the digressions are often the point), Shadowlandfeels timeless in a way Stephen King never does. It might be the best book I’ve ever read.
A classic tale of supernatural horror from the acclaimed author of Koko, The Talisman and Mr X. Now part of the Voyager Classics collection.
IF YOUR SHADOW DOESN'T MOVE WHEN YOU DO, THEN YOU'RE IN SHADOWLAND
In a private school in New England, a friendship is forged between two boys that will change their lives for ever. As Del Nightingale and Tom Flanagan battle to survive the oppressive regime of bullying and terror overseen by the sadistic headmaster, Del introduces Tom to his world of magic tricks. But when they escape to spend the summer holiday together at Shadowland -…
Dogs make great supporting characters, adding drama or humor or pathos, and revealing so much about the humans in the story. I discovered this in writing my first novel: The narrator’s dog keeps her grounded when things go wrong and makes it possible for her to keep going through difficult times. For the reader, he provides levity and depth without turning it into a book about a dog. I had a great model – I used my own dog Boris, even appropriating his name. I think of the fictional Boris as real-life Boris’s best self.
This is a feel-good book with just enough punch to keep it from being cute.
It comes with a building project, some hurricane-induced drama, a bit of romance, and two dogs.
Cooper and Bubba are the canines who wind themselves around the main characters, as most dogs do in real life. Cooper is everyone’s friend, and he orchestrates introductions.
But he’s also a bolter who gets lost just as flooding begins and evacuation becomes unavoidable.
Catherine Drake’s books are always a respite between heavier reading, and this one is one of the best.
A young, determined woman figures out life and love while staying true to herself in this whip-smart and genuinely witty debut.
Twenty-eight-year-old Hannah Spencer wants nothing more than to change everything about her life. After ten years of living in cities, Nathan Wild has just moved back home to Vermont and doesn't want to change anything about his.
Recently laid off from her depressing job in Boston and ready for a challenge, Hannah heads to Vermont for the summer to take care of her sister's kids and do some serious soul searching. There, against the stunning landscape of the Green…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’ve heard stories of the 1918 Influenza pandemic, how the soldiers returning from WWI were infected and then spread the disease to every town throughout the United States, and that most who died were very young. The Twenties were exciting times and came immediately after the pandemic. With so much death among young people, those who survived wanted to live life recklessly.
This Picoult novel, written close to the time I began to shape my book, asks whether we can love across time. While the theme is much more grounded in practical and natural circumstances, the fact that the question is teased out in this novel helps shape the same question my character, Adelyn, finds herself embroiled in. Is Innis capable of breaking the barrier using the strength of a first love?
THE INTERNATIONAL BESTSELLER 'Compelling, surprising and entertaining' Heat
Since the death of his fiancee Aimee, Ross Wakeman has been unable to fill the hole she has left in his life. Seeking to end his pain, he becomes a ghost hunter, despite never having seen a ghost.
However, when his job leads him to the town of Comtosook, it becomes apparent that Ross isn't the only one haunted by the past. When he meets the mysterious Lia, who brings him to life for the first time in years, redemption seems around the corner.
I lost my mother unexpectedly when I was a young mother myself. Oh, how I missed the gentle wisdom that had guided me my whole life! As I journeyed through the various stages of life, there was so much I wanted to ask her. She would be in her eighties now, but in my mind, she is and will always be fifty-seven. Gone now, but I still feel the influence of her kindness, wisdom, and compassion in my life and decisions. I’m drawn to stories about families and the far-reaching influence a mother has on her daughters’ lives. Though I mostly write romance, many of my novels contain older women who've had such an influence.
This lovely story is one of loss, tragedy, hope, family, and new beginnings that come in the most unexpected ways.
Seventy-five-year-old Sarah has a good life. She’s been married to Charles, a man she adores, for fifty years. She assumes they will live out the rest of their lives together in the tranquil setting of their Vermont country home. But when Charles unexpectedly passes away, Sarah’s beautiful life is shattered.
With her children grown and raising families of their own, she finds herself alone in her big house, no one to nurture, no place to put her love. Until a collection of displaced characters begin to find shelter in her home. Working through her grief, Sarah discovers interests she never took the time to explore, and in pouring into others, soon finds her own cup overflowing.
This story provides perspective on what things are important, and what are not. So…
Sarah Lucas imagined the rest of her days would be spent living peacefully in her rural Vermont home in the steadfast company of her husband. But now, with Charles's sudden passing, seventy-five-year-old Sarah is left inconsolably alone.
As grief settles in, Sarah's mind lingers on her past: her imperfect but devoted fifty-year marriage to Charles; the years they spent raising their three very different children; and her childhood during the Great Depression, when her parents opened their home to countless relatives and neighbors. So, when a variety of wayward souls come seeking shelter in Sarah's own big, empty home, her…
I grew up on a steady diet of Nancy Drew and Encyclopedia Brown. Then, in a plot twist that surprised exactly no one, I became an English teacher, a librarian (did you know you can recommend books for a LIVING???), and an author. I love books where the sleuth must not only solve the case at hand, but also wrestle with some sort of ongoing personal problem–bonus points if they can simultaneously pull the curtain back on societal issues and make me feel like I’m getting to experience life in a place where I don’t actually live (I’m looking at you, London and L.A.).
I can’t get enough of quirky, indefatigable teen sleuth Stevie Bell. She’s determined to solve a decades-old cold case, but must also navigate social awkwardness, anxiety, and people who literally want her dead.
I enjoyed how this book flip-flopped between the present-day narrative and the past. My friend and I got to see Maureen Johnson give a talk at a nearby bookstore, and we loved it; she’s basically a stand-up comedian.
From New York Times bestselling author Maureen Johnson comes the start of a new series about a sharp and funny young detective named Stevie Bell who begins school at an elite, yet peculiar, boarding school and finds herself entangled in a murder mystery; perfect for fans of 13 LITTLE BLUE ENVELOPES.
New York Times bestselling author Maureen Johnson weaves a delicate tale of murder and mystery in the first book of a striking new series, perfect for fans of Agatha Christie and E. Lockhart.
Ellingham Academy is a famous private school in Vermont for the brightest thinkers, inventors, and artists.…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.
Many YA novels set in a theatrical environment are heavily romance-focused. This book is the best I’ve found in that category. The hero, recent high school graduate Cass, has a super-strong voice that made me laugh out loud. She’s snarky, off-color, bold, and impatient. The theater plotline weaves throughout the story as Cass and cohorts perform The Taming of the Shrew at a summer theater. She steals ideas from Shakespeare’s play to torment her costar and nemesis, Drew.
Theater Quotient: High. Much of the plot revolves around rehearsals and elements of the play trickle into real life.
Cass McKay has been called stubborn, temperamental, difficult, and that word that rhymes with "witch" more times than she cares to count. But that's all about to pay off. She has finally landed the role she was born to play-Kate, in The Taming of the Shrew-in the summer apprentice program of a renowned Vermont Shakespeare theater company.
But Cass can barely lace up her corset before her troubles begin. The leading man, Drew, is a complete troll, and he's going to ruin Cass's summer. Even worse, Cass's bunkmate Amy has somehow fallen head over heels for Drew. Eww! Cass can't…