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I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
When I first read this book, I couldn’t stop marveling over how much I didn’t know about this beautiful, complicated state that I call home—and how much I learned in just 200 pages. Now, I return every time I want to reinforce my understanding of why there are so many abandoned stone walls in the mountains, why there are no billboards, and what happened to the Peregrine falcons.
The authors are teachers and know how to keep it interesting, even when discussing tedious subjects like tectonic plates, highway commissioners, and population statistics. Noting that Vermont as we know it has only been around for about 225 years, they begin with a chapter about the continent’s formation more than a billion years ago and the centuries under an ice sheet before bringing us up to date with the mountains and rivers we know and love.
In this second edition of their classic text, Klyza and Trombulak use the lens of interconnectedness to examine the geological, ecological, and cultural forces that came together to produce contemporary Vermont. They assess the changing landscape and its inhabitants from its pre-human evolution up to the present, with special focus on forests, open terrestrial habitats, and the aquatic environment. This edition features a new chapter covering from 1995 to 2013 and a thoroughly revised chapter on the futures of Vermont, which include discussions of Tropical Storm Irene, climate change, eco-regional planning, and the resurgence of interest in local food and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
I’ve often wondered about the lives of the migrant farmworkers who come to Vermont, most often from Mexico, Guatemala, and Jamaica, but whom I only ever see in the grocery store checkout line or waiting at the service desk for cash transfers.
While it’s easy to idealize the rolling hills dotted with Holsteins, perfect for postcards and Ben & Jerry’s ice cream cartons, dairy is big business in Vermont, and, like everywhere in the US, many of our farmworkers are immigrants without legal protection. Language and cultural barriers, and their very real fears of deportation, keep these workers’ lives hidden. This book, which brings together nineteen stories of personal witness, told by immigrant workers and illustrated, graphic-novel-style, by local comics artists, goes a long way to change that. While there are some common themes—the dangers of crossing the desert, longing for home, working endless shifts in all weather—the stories are…
This non-fiction comics anthology presents stories of survival and healing told by Latin American migrant farmworkers in Vermont, and drawn by New England cartoonists as part of the El Viaje Más Caro Project-a health care outreach effort of the Open Door Clinic and UVM Extension Bridges to Health aimed at addressing the overlooked mental health needs of these vulnerable immigrants. Originally distributed to farm workers as individual Spanish language comic books, this collected edition brings the lives and voices-as well as the challenges and hardships-of these workers to an English-language audience, granting insight into the experiences and lives of the…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
I dream of one day walking the entire Long Trail, biking the back roads, and paddling a canoe across Lake Champlain, but in the meantime, Leath Tonino has done all that and more. He brings a friendly curiosity, scrounged-up equipment, and a high tolerance, or even yearning, for discomfort and solitude as he explores “the wilderness of home.”
And because he’s also always reading books—the title comes from Aristotle, and his literary heroes are many—his perspective is a little more philosophical than you might expect from a collection of reports about often-challenging outdoor adventures. Mainly written for the magazines that helped fund his modest expeditions, these short pieces explore defunct logging camps, slippery waterfalls, ice-kayaking societies, cormorant colonies, and the little-seen railroad tracks of Vermont.
In the title selection, the native Vermonter traverses the state in seven different ways: biking, walking, swimming, skiing, hitchhiking, flying, and paddling. For Tonino, it’s…
The phrase "an animal a thousand miles miles long," attributed to Aristotle, refers to a sprawling body that cannot be seen in its entirety from a single angle, a thing too vast and complicated to be knowable as a whole.
For Leath Tonino, the animal a thousand miles long is the landscape of his native Vermont. Tonino grew up along the shores of Lake Champlain, situated between Vermont's Green Mountains and New York's Adirondacks. His career as a nature and travel writer has taken him across the country, but he always turns his eye back on his home state. "All…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
Various poetry collections have become important to me throughout my life, but if I had to choose a favorite poet and favorite book right now, it would be Voigt and Headwaters. Something new reveals itself each time I read this collection, and it is a particular thrill that so many aspects of a place I know show up in poems of such fierce beauty—the groundhogs and winter snows, the larch and birch and owls.
Voigt moves from one line to the next with such smooth velocity—not slowed down by a single piece of punctuation—that the tumbling forth of images, moods, memories, questions, and quips can create a whiplash effect of the most pleasing kind. A poem that begins with heavy frost and hibernation moves through insomnia, deception, and the pleasure of smoking, and by the end, I find myself marveling, how did we get here?
Rash yet tender, chastened yet lush, Headwaters is a book of opposites, a book of wild abandon by one of the most formally exacting poets of our time. Animals populate its pages-owl, groundhog, fox, each with its own inimitable survival skills-and the poet who so meticulously observes their behaviors has accumulated a lifetime's worth of skills herself: she too has survived. The power of these extraordinary poems lies in their recognition that all our experience is ultimately useless-that human beings are at every moment beginners, facing the earth as if for the first time. "Don't you think I'm doing better,"…
I’ve always thought that the most clear-eyed, unforgiving observers in literature are teenagers, not because adolescence is simple (it’s the opposite), but because young people haven’t yet learned to shrug and look away. The novels I've chosen here all have central characters who see the adult world's failures, hypocrisies, and prejudices with a directness that most of us gradually lose; and they all use coming of age as a way to confront a world that is already, in some fundamental way, broken – by grief, violence, or the gap between what adults promise and what they deliver. Those are exactly the themes I love to write about.
I’ve always been fascinated by strange social enclaves and secretive, sealed-off, private worlds, and this book has both.
But in fact, the thing I admire most here is the sense of place and atmosphere. Tartt writes with a lush, immersive style which I found is increasingly compelling as the book went on.
Using a murder as the gateway drug to what’s really a literary fiction character study is both sneaky and brilliant: I was hooked by the story in the first chapter, but once I’d finished the book, it was Richard’s voice, those eerie characters, their strange insular co-dependency, and the biting Vermont winter landscape that really stayed with me.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
I lost my mother unexpectedly when I was a young mother myself. Oh, how I missed the gentle wisdom that had guided me my whole life! As I journeyed through the various stages of life, there was so much I wanted to ask her. She would be in her eighties now, but in my mind, she is and will always be fifty-seven. Gone now, but I still feel the influence of her kindness, wisdom, and compassion in my life and decisions. I’m drawn to stories about families and the far-reaching influence a mother has on her daughters’ lives. Though I mostly write romance, many of my novels contain older women who've had such an influence.
This lovely story is one of loss, tragedy, hope, family, and new beginnings that come in the most unexpected ways.
Seventy-five-year-old Sarah has a good life. She’s been married to Charles, a man she adores, for fifty years. She assumes they will live out the rest of their lives together in the tranquil setting of their Vermont country home. But when Charles unexpectedly passes away, Sarah’s beautiful life is shattered.
With her children grown and raising families of their own, she finds herself alone in her big house, no one to nurture, no place to put her love. Until a collection of displaced characters begin to find shelter in her home. Working through her grief, Sarah discovers interests she never took the time to explore, and in pouring into others, soon finds her own cup overflowing.
This story provides perspective on what things are important, and what are not. So…
Sarah Lucas imagined the rest of her days would be spent living peacefully in her rural Vermont home in the steadfast company of her husband. But now, with Charles's sudden passing, seventy-five-year-old Sarah is left inconsolably alone.
As grief settles in, Sarah's mind lingers on her past: her imperfect but devoted fifty-year marriage to Charles; the years they spent raising their three very different children; and her childhood during the Great Depression, when her parents opened their home to countless relatives and neighbors. So, when a variety of wayward souls come seeking shelter in Sarah's own big, empty home, her…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I’ve heard stories of the 1918 Influenza pandemic, how the soldiers returning from WWI were infected and then spread the disease to every town throughout the United States, and that most who died were very young. The Twenties were exciting times and came immediately after the pandemic. With so much death among young people, those who survived wanted to live life recklessly.
This Picoult novel, written close to the time I began to shape my book, asks whether we can love across time. While the theme is much more grounded in practical and natural circumstances, the fact that the question is teased out in this novel helps shape the same question my character, Adelyn, finds herself embroiled in. Is Innis capable of breaking the barrier using the strength of a first love?
THE INTERNATIONAL BESTSELLER 'Compelling, surprising and entertaining' Heat
Since the death of his fiancee Aimee, Ross Wakeman has been unable to fill the hole she has left in his life. Seeking to end his pain, he becomes a ghost hunter, despite never having seen a ghost.
However, when his job leads him to the town of Comtosook, it becomes apparent that Ross isn't the only one haunted by the past. When he meets the mysterious Lia, who brings him to life for the first time in years, redemption seems around the corner.
I am a winegrower, farmer, writer, photographer, and pop-upeuse. I fell in love with food and wine while living and working in Italy, then returned stateside to create an homage to the people and place that embraced us and taught us so much. That endeavor--the restaurant osteria pane e salute opened with my chef husband Caleb Barber—was where I curated the wine program and became passionate about wines farmed artfully. I began working as a winegrower in 2007, a personal landscape experiment that led me down the rabbit hole of growing and making wine from hybrid varieties focused on regenerative viticulture and low intervention winemaking.
Pioneer Species is a book of poems by friend and farmer-poet Ross Thurber. A small vineyard I work with in southern Vermont, my own agricultural essay and investigation on a sense of place different than my own, is part of Ross’s Lilac Ridge Farm. Like Mary Oliver, Ross is intensely bound to the natural and cultivated world of his farm in which he lives and his poems capture a language that brings forward the light, the shadow, the fog, the till, the butterfly, the flower, the cow. I am constantly inspired by his poems to be out in my own fields and to contemplate and communicate my own place in them. A delicious collection about a deeply personal and lyrical view of farm life.
This collection of poems from Vermont farmer Ross Thurber is divided into four sections: "Green Popplewood," "Sunburnt Juniper," "Stag Horn Sumac," and "Snow Melt, Black Brook." Each section represents a seasonal form of succession that is both literal and abstract. Ultimately the poems in this manuscript have been winnowed to represent a narrative that echoes the idea that, like a lyric poem, stability is only a moment in time―one to be cherished.
If I'm honest, I became a gardener because I like getting dirty. Beatrix Potter's The Tale of Tom Kitten is the story of my childhood (and my adulthood too, only now I don't have to pretend I'm going to stay clean). Of course, high-quality soil leads to high-quality produce, and I deeply adore the flavors of strawberries growing in deep, dark soil. Biting into a juicy, homegrown tomato still warm from the summer sun is bliss.
This book has all of the same selling points as Carol Deppe's but is geared a bit more toward those with larger homesteads rather than a simple backyard plot. Even if you're an urban homesteader, though, the title is well worth a read to drum up outside-the-box ideas.
A practical, comprehensive, and essential how-to manual with information on growing perennial crops, soil fertility, water security, nutrient dense food, and more!
"Essential reading for the serious prepper as well as for everyone interested in creating a more resilient lifestyle."-Carol Deppe, author of The Resilient Gardener
The Resilient Farm and Homestead is for readers ready to not just survive, but thrive in changing, unpredictable times. It offers the tools to develop durable, beautiful, and highly functional human habitat systems anchored by preparation, regeneration, and resiliency.
Ben Falk is a land designer and site developer whose research farm…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I’m the Edgar and Barry Award nominated author of twenty novels, sixteen in my Joe DeMarco series, three in my Kay Hamilton Series, and my standalone, Redemption. Prior to becoming a writer, I was a senior civilian executive working in the U.S. Navy’s nuclear propulsion program. My books are mostly set in and involve characters in Washington, D.C., because Washington is a target-rich environment for a writer—and now more so than ever.
I’ve always been a Thomas Perry fan going all the way back to The Butcher’s Boy, and thoroughly enjoyed his Jane Whitefield series. His novel, The Old Man, was recently adapted for television, starring Jeff Bridges, who’s perfect as the protagonist. The thing I’ve always appreciated about Perry’s books is his careful plotting and attention to detail, which is particularly noticeable in the Jane Whitefield books. The other thing about his books is the way he can turn a villain —like the Butcher’s Boy—into a likable protagonist.
To all appearances, Dan Chase is a harmless retiree in Vermont with two big dogs and a grown daughter with a life of her own. But most sixty-year-old widowers don't have multiple drivers' licenses, savings stockpiled in banks across the country and two Beretta nanos stashed in the spare bedroom closet. Most have not spent decades on the run.
Now, the toppling of a Middle Eastern government suddenly makes Dan Chase, and the stunt he pulled thirty-five years ago as a young hotshot in army intelligence,…