100 Books Like Crossing to Safety

I cannot say enough about this book. I’m a huge fan of anything written by Buck, but this is probably my favorite, primarily for the empowering feminist themes. I love how Buck allows the characters in this story to interact with one another in ways that are subtle but powerful.

This book invites readers to come along with the main character, Madame Wu, as she challenges a rigid set of societal expectations with a clarity that is as unapologetic as it is downright refreshing. Humans are complex creatures, capable of a full range of desires and thinking, and I love it when writers explore this deeply.

Reading this book reminded me that understanding another person is a continuous struggle, and that we lose the most when we mistake appearances for truth. Even for someone like Genly, an emissary whose role is to bridge cultures, truly understanding Estraven proves painfully difficult.

What stayed with me was the tragedy of that gap: how insight often arrives too late.

Estraven’s sacrifice, made so that Genly could reach safety, and Genly’s decision to visit Estraven’s family afterward, left me with a lingering sense that remembrance itself carries moral weight. Sometimes understanding cannot undo loss, but memory—how the living choose to carry it—can still salvage a trace of good from tragedy.

Le Guin’s novel taught me that empathy is not a destination, but an act that must be fought for, again and again.

In 1953, a working-class Jewish couple from Brooklyn was executed for allegedly selling nuclear secrets to the Soviet Union. Their two young children were orphaned. E. L. Doctorow’s novel about the Rosenbergs is an excruciating examination of these events from the fictionalized perspective of one of those children. Daniel’s point of view—naïve, angry, traumatized—brilliantly illustrates the absurdity and cruelty of American culture when it turns against those who, for reasons of class, race, or religion, have never been fully included in it. I’ve read it a dozen times and still find myself sobbing at the realization of how all the country’s history, all its dreams and delusions about itself and its destiny, were stacked up against this poor pair of nobodies. Their real crime lay in demanding that the United States live up to its ideals, something it has never been able to do.

I’ve never read a book as quickly as I read this one. Our eponymous lead character is quirky and odd, but the story is written with so much empathy, depth, and humor that I was rooting for her from the start.

I loved how the relationship between Eleanor and Raymond plays out and avoids the predictable ‘boy meets girl’ ending. It doesn’t surprise me that the book is ‘in development’ as a movie, as the story plays out like a film when you read it. Definitely read this one first before you see the film! (It probably won’t take long as I couldn’t put this book down.)

I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.

What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.

I have always been fascinated with Russia, and love reading any book about Russia and Russians, whether the classic fiction of Dostoyevsky, or the absurdist work of Gary Shteyngart. But for insightful political analysis of Putin’s destruction of Russia’s democracy and society, written with a love for the people and country, and a keen eye toward their humanity, nothing beats this dead-eyed read from the great Masha Gessen. Her analysis of modern Russia under Putin’s grip came out a few years before the invasion of Ukraine, which is sort of a culmination of the ideas and stories here. This book is a portrait of individual tragedies woven together as a collective, where the historical resentments of one man (Putin) doom the future of an entire people. If you want to understand how Russia got here. Or what it might feel like to be a young Russian, caught up in this… show more.

This is actually just the first book of Ferrante’s four Neapolitan novels, which tell a single riveting story of two girls, Lila and Lenù, from a depressed Naples neighborhood. Lenù is the narrator, taking us through fifty years of friendship and the latter half of the 20th century. (Her actual name is Elena, like the author—another doubling, especially since she writes under a pseudonym.)

I am a sucker for event: a lot happens and we get to know a huge cast of characters from the neighborhood. But our anchors are these two friends and rivals, vibrant and injured, striving to transcend their origins.

The ‘crime’ in Animal Dreams is a legal technicality, and this is a literary contemporary novel rather than a crime one, but its narrative drive comes from the same need to untangle the past to set the characters free (or as free as they can be) in the present.

The writing is glorious – rich, deep, surprising, layered – reaching levels of technical mastery that few other writers even glimpse. There are several point-of-view characters and, unlike most books with this structure, Kingsolver wrings every last drop of drama and interest from the nuances this offers.

Instead of longing to get back to a preferred perspective, the reader revels in how vivid, how real, each character feels in turn. If you love LP Hartley’s The Go-Between, you’ll probably adore this.

This book made me fall in love with Puglia, the hot, dusty “heel of the boot” with its lemons, olives, and cactus, its boxy farmhouses. Not that the story, bouncing from Paris to New York to a long-gone Rome, doesn’t deliver—the narrator, Alina, talks about a family secret passed from woman to woman, disintegrating memories, a past she must understand before the movers arrive and the house with its mural of a naked woman painted on a patio wall is no longer theirs. Present and past, the known and the unknown combine, and all of it is tied to alluring, sensual Puglia. As a storyteller, Marciano demands your attention, painting the life story of a family whose Italy is unlike the one you think you know.

I just love this book, and frankly, everything Anne Tyler writes. Her stories are always driven by characters who are just delicious in their complexity.

Being drawn into these characters as their complex relationships evolve is what I find most satisfying about all of Tyler’s work. The characters are quirky, but believable; complicated, but lovable. Tyler is a master at character development.