Here are 99 books that The Monk fans have personally recommended if you like
The Monk.
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I’ve loved character-focused stories long before I loved horror, which is saying something, because I’ve loved horror for a long time. It’s my belief horror is at its best when a storyteller focuses on the characters, as it adds a new dimension to the scare and forces the audience to worry about the characters. Anyone can do a jump scare; they’re not hard, but a well-crafted character that amplifies the horror is more difficult, and that’s why it’s so special when it works. It’s why authors like Stephen King and William Peter Blatty are timeless – their stories are character-first.
I love how the story isn’t a typical paint-by-numbers possession and doesn’t go straight into the belief of a demonic presence. The author focuses on building the varying characters up before the exorcism begins, and I enjoy how Reagan is treated by doctors first, worried she’s ill due to family stress.
My favourite part of The Exorcist is how much focus is given to the exorcism once it starts. Plenty of other exorcism stories may only use the exorcism as a quick fix in the third act, but William Peter Blatty made it an integral part of the story.
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.'
The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer...
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve loved character-focused stories long before I loved horror, which is saying something, because I’ve loved horror for a long time. It’s my belief horror is at its best when a storyteller focuses on the characters, as it adds a new dimension to the scare and forces the audience to worry about the characters. Anyone can do a jump scare; they’re not hard, but a well-crafted character that amplifies the horror is more difficult, and that’s why it’s so special when it works. It’s why authors like Stephen King and William Peter Blatty are timeless – their stories are character-first.
A chilling horror in a small fictional English village.
I love The Woman in Black because it’s more than a ghost story; it’s also a story about love and the connection between family. I’ve read it twice and what I love the most about it is the ambience Susan Hill creates with her well-crafted sentence structure.
There’s a lot of focus on Arthur Kipps, the protagonist, and his life before and after the haunting of Eel Marsh, but it’s not only him the story cares about. The Woman in Black herself is a mystery and has a tragic backstory that turns her from a full-on villain to a sympathetic one.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business…
I’ve loved character-focused stories long before I loved horror, which is saying something, because I’ve loved horror for a long time. It’s my belief horror is at its best when a storyteller focuses on the characters, as it adds a new dimension to the scare and forces the audience to worry about the characters. Anyone can do a jump scare; they’re not hard, but a well-crafted character that amplifies the horror is more difficult, and that’s why it’s so special when it works. It’s why authors like Stephen King and William Peter Blatty are timeless – their stories are character-first.
I own two physical copies – one paperback and a special edition hardback that released for a recent anniversary. It’s Stephen King’s debut, but you wouldn’t know it since he was already so comfortable with his writing and understanding his voice. I love that the story isn’t told through conventional means but using news reports and journals.
Carrie White is a character I can relate to, not because I secretly have powers – I don’t, I promise – but because she is the oddball, the type of person who doesn’t fit in. She’s the exaggerated poster child of why bullying is bad, but the book holds one very special message at its core – what does it cost to be nice?
Carrie is shown throughout as this sweet and simple girl who longs for connection, and we see the slow breakdown of her character…
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I’ve loved character-focused stories long before I loved horror, which is saying something, because I’ve loved horror for a long time. It’s my belief horror is at its best when a storyteller focuses on the characters, as it adds a new dimension to the scare and forces the audience to worry about the characters. Anyone can do a jump scare; they’re not hard, but a well-crafted character that amplifies the horror is more difficult, and that’s why it’s so special when it works. It’s why authors like Stephen King and William Peter Blatty are timeless – their stories are character-first.
He’s the type of protagonist to elicit an eyeroll and hope he gets his just desserts, and yet Jason Arnopp created such an exciting world that challenged the protagonist and reader alike. I remember wanting nothing but bad things to happen to Jack due to his attitude, but Jason’s writing also endeared him to me.
I soon found myself loving this ridiculous man with a skeleton or two in his closet that helped explain the man he became. It’s such a trippy book and not once did I understand where it was going – which I loved!
'MAGNIFICENT' Alan Moore 'I COULDN'T PUT THE BOOK DOWN' Ron Howard 'CHILLING AND UTTERLY IMMERSIVE' M. R. Carey
It was no secret that journalist Jack Sparks had been researching the occult for his new book. No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed.
Then there was that video: forty seconds of chilling footage that Jack repeatedly claimed was not of his making, yet was posted from his own YouTube account.
Nobody knew what happened to Jack in the days that followed - until now.
'Fascinating, hilarious, disturbing, exciting and surprising as…
I was always a bookworm, even reading the encyclopedia as a child. I was equally drawn to the sciences and literature and ended up getting a PhD in Chemistry. I visited Asia often for my chemistry work and gradually became interested in the philosophy and religion of Asian cultures. Today, I'm more likely to brag about what I’ve written or read about Chinese culture than I am to mention my technical patents.
I first read the Canticle forty years ago, and yet, when asked to recommend five books, this was the first one that came to mind. It threw me into an insane world, yet one that seemed only too possible.
My favorite character is Abraham, a tent-dwelling timeless man who lives through the several generations that the book follows. I am not a fan of dystopia, but this is an exception. Now that I’ve recommended it- I’m going to go read it again.
In the depths of the Utah desert, long after the Flame Deluge has scoured the earth clean, a monk of the Order of Saint Leibowitz has made a miraculous discovery: holy relics from the life of the great saint himself, including the blessed blueprint, the sacred shopping list, and the hallowed shrine of the Fallout Shelter.
In a terrifying age of darkness and decay, these artifacts could be the keys to mankind's salvation. But as the mystery at the core of this groundbreaking novel unfolds, it is the search itself—for meaning, for truth, for love—that offers hope for humanity's rebirth…
I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I loved this book because it is an exploration of sexual temptation and religious faith.
One of the reasons I love gothic literature is that it is not horror in that it is not written solely to frighten. Instead, it is a vehicle to explore human psychology–the human condition–and so in addition to exploring things like fear of the unknown, it can delve into other areas like faith and temptation. That is exactly what this novel does and why I love it so much.
Matthew Lewis's Gothic masterpiece, depicting a holy man slowly becoming entangled in a web of sin, The Monk is edited with an introduction by Christopher MacLachlan in Penguin Classics.
Savaged by critics for its blasphemy and obscenity, particularly since the author was a Member of Parliament, The Monk soon attracted thousands of readers keen to see if this Gothic novel lived up to its lurid reputation. With acute psychological insight, Lewis shows the diabolical decline of Ambrosio, a worthy superior of the Capuchins of Madrid who is tempted by Matilda, a young girl who has entered his monastery disguised as…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
Bad things happen to good people every day, and it seems unfair. I’ve lost friends to cancer, heart disease, and accidents, and I always wonder why it had to be someone who was decent and good and kind. At the same time, other people get away with all sorts of crimes, including murder. I can’t change the way the world works. So, in my own books and the books I like to read, the good guys might have some tough times, but in the end, they win. And the bad guys get what they deserve.
I love learning how people lived in other times via historical fiction, and Cadfael, a Benedictine monk who practiced healing arts in England in the 1100s, is one of my favorite characters.
I like hearing his opinions about the civil war that raged at that time and the church’s role in it. I like the fact that he’s a bit of a maverick who pushes beyond the bounds of his role as a monk to solve mysteries.
In the gentle Shrewsbury spring of 1140 the midnight matins at the Benedictine abbey suddenly reverberates with an unholy sound - a hunt in full cry. Pursued by a drunken mob, the quarry is running for its life. When the frantic creature bursts into the nave to claim sanctuary, Brother Cadfael finds himself fighting off armed townsmen to save a terrified young man. Accused of robbery and murder is Liliwin, a wandering minstrel who performed at the wedding of the local goldsmith's son. But his supposed victim, the miserly craftsman, is still alive, although a strongbox lies empty. Brother Cadfael…
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This is a medieval history unlike any other you’ll read, literally bringing the past into the present. How do medieval thoughts and practices relate to modern life, from the usefulness of minimalism to church "vision boards" to the healing properties of green spaces?
Cybulskie is lightheartedly critical of certain practices of the past but is always respectful, never treating people as strange or backward.
Illustrated with images from medieval manuscripts, this book covers everything from Easter ball games to party saint Brigid to Benedict’s vision of a room for communal undies. We see medieval religious folks interested in science and innovation, as well as history and ritual, and connected to the world around them in ways we might not have imagined.
We know that they prayed, sang, and wore long robes, but what was it really like to be a monk? Though monastic living may seem unimaginable to us moderns, it has relevance for today. This book illuminates the day-to-day of medieval European monasticism, showing how you can apply the principles of monastic living, like finding balance and peace, to your life.
With wit and insight, medievalist and podcaster Daniele Cybulskie dives into the history of monasticism in each chapter and then reveals applications for today, such as the benefits of healthy eating, streamlining routines, gardening, and helping others. She…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.
It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page.
Awarded the CWA Diamond Dagger - the highest honor in British crime writing
From the bestselling author of Winter in Madrid and Dominion comes the exciting and elegantly written first novel in the Matthew Shardlake Tudor Mystery series
Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII's feared vicar general, summons…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I used to hate history, until I made the startling discovery that history wasn’t about dates and wars—the stuff we had to memorize in high school—but about people. And what can be more absorbing than people? When I started my first historical series, set in the very early 20th century in my hometown of South Bend, Indiana, I delved into the local newspaper and learned that the people of the time and their problems were very much like today’s. That pulled me in, and never let go. Now, researching the 1920s, I’m meeting people who might live next door. It’s so much fun!
I love all of Ellis Peters’ Brother Cadfael books for so many reasons.
One is the crisp excellence of writing, one is her illuminating description of her medieval setting, one is her endearing protagonist, one is her exceptional plotting. This particular title has a most intriguing plot and a thoroughly satisfying resolution.
I chose the book (which I have reread many times) with a satisfied smile. And finally, the books are set in the England I so love, even if her setting is 11 centuries ago.
In the year of our Lord 1141, August comes in golden as a lion, and two monks ride into the Benedictine abbey of Saint Peter and Saint Paul bringing with them disturbing news of war- and a mystery. The strangers tell how the strife between the Empress Maud and King Stephen has destroyed the town of Winchester and their priory. Now Brother Humilis, who is handsome, gaunt and very ill, and Brother Fidelis, youthful, comely- and mute- must seek refuge at Shrewsbury.
From the moment he meets them, Brother Cadfael senses that they are bound by something deeper than their…
