Here are 100 books that Going Postal fans have personally recommended if you like
Going Postal.
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When I was young, I used to ask every new person I met if they believed in magic. No caveats, no explanation of what I meant by that. Their response – generally either an unequivocal no, a tentative what does that mean, or a delighted yes, cemented the direction of our relationship.
One of my favorite quotes is Yeats’ statement that “the world is full of magic things, patiently waiting for our senses to grow sharper.” This conviction fuels my writing and my life. Whatever genre I write is informed first by magic, and there is no higher form of magic than the natural world and the science that explores it.
First of all, how could anyone not love a book with an author’s name like that?
This book was on display mere inches from me while I was signing books at an exceptionally enchanting indie bookstore called Sudden Fiction in Castle Rock, Colorado. I couldn’t wait for the signing to be over so I could get a copy for myself. And it did not disappoint, the contents being as beguiling as the cover.
Sheldrake describes not only the incredible and seemingly irrepressible capacity fungi have for survival and thrival (yep, I made that word up), but also encourages us to practice the same spells. I may have to become a mycologist in my next iteration – it’s good to remake oneself every few months, I think.
NEW YORK TIMES BESTSELLER • A “brilliant [and] entrancing” (The Guardian) journey into the hidden lives of fungi—the great connectors of the living world—and their astonishing and intimate roles in human life, with the power to heal our bodies, expand our minds, and help us address our most urgent environmental problems.
“Grand and dizzying in how thoroughly it recalibrates our understanding of the natural world.”—Ed Yong, author of I Contain Multitudes
ONE OF THE BEST BOOKS OF THE YEAR—Time, BBC Science Focus, The Daily Mail, Geographical, The Times, The Telegraph, New Statesman, London Evening Standard, Science Friday
Millions watch on live stream as Brit battlemage Daxx and his teammates, Asian-American twin-blade sword-dancer Qrysta and heavily-armored Aussie Orc warrior Grell, triumph in the World Championship of Sword and Sorcery.
The next thing he knows, Daxx is in the middle of a wilderness he’s never seen before. And he’s…
I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
I never thought I’d cheer for a crippled torturer, but somehow Abercrombie makes me do it.
The characters in The Blade Itself feel raw and jagged, like real people rather than fantasy archetypes. What I loved most was how no one is truly heroic—everyone’s broken, desperate, or scheming, yet still magnetic. The dialogue crackles with wit, and the shifting perspectives kept me hooked.
It’s grimdark, yes, but never bleak for the sake of it. Instead, it reveals how ugly and fascinating people can be when survival and ambition collide.
Inquisitor Glokta, a crippled and increasingly bitter relic of the last war, former fencing champion turned torturer extraordinaire, is trapped in a twisted and broken body - not that he allows it to distract him from his daily routine of torturing smugglers.
Nobleman, dashing officer and would-be fencing champion Captain Jezal dan Luthar is living a life of ease by cheating his friends at cards. Vain, shallow, selfish and self-obsessed, the biggest blot on his horizon is having to get out of bed in the morning to train with obsessive and boring old men.
Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
When I first encountered Harry Dresden, a professional wizard solving a double homicide in Chicago, I was instantly hooked by its noir, fantasy, and traditional mystery with dollops of humor. This novel—the first in The Dresden File series—kept me engaged the entire time with a fast-moving plot and interesting characters.
I could see in my mind’s eye Chicago’s skyscrapers and their reflection in Lake Michigan as Harry dug deeper into the crimes and the supernatural world. This was my first urban fantasy read, and Butcher’s ability to blend a private investigator story with the supernatural ensured it was not my last.
In the first novel in the #1 New York Times bestselling Dresden Files series, Harry Dresden’s investigation of a grisly double murder pulls him into the darkest depths of magical Chicago…
As a professional wizard, Harry Dresden knows firsthand that the “everyday” world is actually full of strange and magical things—and most of them don’t play well with humans. And those that do enjoy playing with humans far too much. He also knows he’s the best at what he does. Technically, he’s the only at what he does. But even though Harry is the only game in town, business—to put…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like…
Stories that have stayed with me the longest are ones I can relate to. I like being able to put myself in others' shoes and feel the world they do. Even in the most crazy imagined places I like when the writer brings us along them in their journeys. Whether it's books or stories, I like seeing worlds from different perspectives. It's also the same approach I try to use while writing, thinking about how someone would handle something, but another character would handle it a different way. I've always been good at adapting to any situation, and now I can show it while telling a story through different eyes.
What I found most appealing about The Gunslinger was the thrill of exploring a new world.
Roland himself was cool as he tried to figure out who he was; I was with him, wondering how he fit into this world. King doesn't explain everything upfront. He leaves tiny details everywhere and lets the reader discover through imagination.
The book also showed me the many different styles he has as a writer. What especially gets me is the little easter eggs he leaves connecting stories; it makes rereading fun as you go into it with a new perspective, find connections you may have missed, and it's like a whole new experience in his worlds.
The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
'The man in black fled across the desert, and the gunslinger followed.' The iconic opening line of Stephen King's groundbreaking series, The Dark Tower, introduces one of his most enigmatic and powerful heroes: Roland of Gilead, the Last Gunslinger.
Roland is a haunting figure, a loner, on a spellbinding journey toward the mysterious Dark Tower, in a desolate world which frighteningly echoes our own.
On his quest, Roland begins a friendship with a kid from New York named Jake, encounters an alluring woman and faces…
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
I will remain forever astonished at the epic feat of world-building in The Arrival. It thoroughly pulls me into an immersive experience where I am learning along with the main character how to navigate the new world into which he has immigrated. As he learns, we learn. I find myself so emotionally involved with his success in his hopeful new reality. The art is amazingly detailed and conveys the complex and richly visual world, yet also sets a strong emotional tone that brings us into the action.
What drives so many to leave everything behind and journey alone to a mysterious country, a place without family or friends, where everything is nameless and the future is unknown. This silent graphic novel is the story of every migrant, every refugee, every displaced person, and a tribute to all those who have made the journey.
THE ARRIVAL has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place.
Sited as No 35 in The Times 100 Best Books of all time. It has sold over…
My greatest passion? Human nature and the endless cycles we repeat, different on the surface yet identical at their core. We build systems, cultures, and rules, destroy them, then rebuild everything in remarkably similar forms, as though we possessed no memory of the past. I have studied human nature throughout my life, but this passion took shape at university through cultural anthropology and comparative theology. Over thirty years, it has guided my work in developing human potential and talent, and has been refined further through working with thousands of people from more than 200 countries and territories. It is now the lens through which I write speculative fiction.
Science fiction can be hilarious without becoming merely ridiculous. It can bend the genre’s conventions without losing its way, and unleash its imagination while still taking sharp aim at human arrogance.
I read this book before it was widely recognized as a classic, and immediately loved its mixture of adventure, unforgettable characters, and jokes so brilliant that they became cultural touchstones around the world.
Most of all, I loved never being able to imagine what would happen on the next page. Few books offer the same combination of speed, adventure, unpredictability, and genuine laughter. Ever since I finished it, I have kept a small towel nearby, just in case the world ends.
This box set contains all five parts of the' trilogy of five' so you can listen to the complete tales of Arthur Dent, Ford Prefect, Zaphod Bebblebrox and Marvin the Paranoid Android! Travel through space, time and parallel universes with the only guide you'll ever need, The Hitchhiker's Guide to the Galaxy.
Read by Stephen Fry, actor, director, author and popular audiobook reader, and Martin Freeman, who played Arthur Dent in film version of The Hitchhiker's Guide to the Galaxy. He is well known as Tim in The Office.
The set also includes a bonus DVD Life, the Universe and…
India Muerte and the Ship of the Dead
by
Set Sytes,
India Muerte and the Ship of the Dead is the first book in a pirate fantasy adventure series, featuring the thrilling exploits of India Muerte in an exotic yet dangerous world.
After a night of misadventure, a roguish street lad from Mexico Island wakes up aboard a legendary ship crewed…
I have loved fantasy and history since I was a child, and a blend of the two creates a new sort of magic! In addition to reading historical fantasy, I’ve been passionate about writing in the genre and bringing new “what if?” questions to life with historical settings and mysticism and magic in my writing, some of which are inspired by ancient traditions around the world. Fantasy can be more than imaginative creation, but a delve into the mysterious side of history as well, and I find that books that delve into this aspect of fantasy really capture my interest when they’re done well.
This was a fun, quirky story with a captivating point-of-view character.
The story seamlessly wove together the magic of djinnis into a historical setting. The magic was interesting, though very simple: all magic came from djinnis, and magicians (humans) only had magic by controlling the djinnis.
Yet the story itself was hardly simple, and the society of djinnis and magicians was creative and brought history to life in a whole new way. One of the point-of-view characters is a djinni, Bartimaeus, and I loved his humorous narration the most.
The novel is the first in a series, and I’ve of course read the other books and would recommend them all!
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
Hi, I’m E.C. Glynn. I love writing stories that tackle the messiness of religious societies and belief systems through a fantasy lens. What qualifies me for such an endeavour? Well, with a Master's in International Relations, a decade as a Recovering Catholic, a career as an Officer in the Army, and an unhealthy fascination with cults, I think that’s not a bad place to start for developing a nuanced and interesting perspective on the topic. I am a very picky reader and need to read books that have beautiful prose, interesting worlds, complex and convoluted concepts, and believable dialogue to enjoy my reading experience.
I have re-bought this book multiple times because I keep giving it away as a gift.
I am OBSESSED with the dynamic between the main male character and the main female character. The tricksy nature of the fae, combined with the forbidden nature of humans in the fae realm, lends such a delicious tapestry to the complicated social dynamics between Jude and Cardan, and indeed the rest of the Fairie Court.
I particularly loved the transition of Jude throughout this book – she hardens as Cardan softens, and in a dangerous world, it’s just the perfect combination.
"Lush, dangerous, a dark jewel of a book . . . intoxicating" - Leigh Bardugo, #1 New York Times bestselling author of Six of Crows
Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
One terrible morning, Jude and her sisters see their parents murdered in front of them. The terrifying assassin abducts all three…
I've enjoyed being frightened my whole life. From childhood, when I watched old monster movies on TV and read forbidden comic books by flashlight, I have always been a fan of scary films and books. To me, horror is one of the essential human emotions by which we interact with the world. The vampire has always been my favorite monster to fear. But over the years, I have watched bloodsuckers shift from monster to anti-hero and, finally, to sexy companion. Personally, I still prefer the old-school vampires of literature—nasty, mean, with blood-covered fangs and a cold, dead heart. Luckily, the scary OG vamps can still be found. Here are some of my favorites.
Kostova took Stoker’s Dracula and made him a universal symbol of evil—an evil that is reflected in mankind’s history and religions. The plot is a merging of a travelogue, a mystery, a family tragedy, and a philosophical examination of generational wickedness.
As a history buff, I was enthralled by the idea of historians as vampire hunters. And I was rocked by the imagery of Dracula as a timeless monster whose spirit can haunt the ages. You don’t get up close and personal with the vampire in this book, because he is more than just a monster—he is life itself! You see the vampire not through description of the beast, but by seeing the effects of his reign.
This novel carries a real weight often missing in the horror genre.
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters addressed ominously to 'My dear and unfortunate successor'. Her discovery plunges her into a world she never dreamed of - a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an evil hidden in the depths of history. In those few quiet moments, she unwittingly assumes a quest she will discover is her birthright - a hunt for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of…
Everything you know about Santa Claus is a lie. And that’s just the way she likes it.
She remembers nothing of her real parents. She was abducted by fairies who taught her all she knows. Everyone calls her Key, but no one can tell her why.
If my parents are to be believed, then my longest held obsession has been with vampires; which could explain my interest in stories about life after death. But with age my definitions for things got a little blurry, death is no longer restricted to ‘shuffling off of this mortal coil’. The catalyst for so many great stories is the death of a character, and there are so many options for how that death takes place. In a traditional sense, it could be murder mysteries. In horror, we could follow the path of destruction left by vampires, zombies, or ghosts. Lately, however, I’ve been into the concept of a metaphorical death which ultimately leads a character to growth.
There are two reasons I picked up this book. Firstly, that title. I’m a happy sucker for oxymorons. Secondly, and embarrassingly, more importantly, someone I really fancied recommended this book to me. And I have no regrets.
Anyone with a more sensitive constitution is easily offended and can’t find humour in darker subject matters is kindly invited to stay away. This book hilariously tackles the moral quandary of how to deal with someone you -- and the world -- thought dead. Worse still when they are an awful roommate who you desperately want out of your house.
Possibly the funniest novel of the decade' Sunday Times, Books of the Decade 2010-2019
Solomon Kugel has had enough of the past and its burdens. So, in the hope of starting afresh, he moved his family to a small rural town where nothing of import has ever happened.
Sadly, Kugel's life isn't that simple. His family soon find themselves threatened by a local arsonist and his ailing mother won't stop reminiscing about the Nazi concentration camps she didn't actually suffer through. And when, one night, Kugel discovers a living, breathing, thought-to-be-dead specimen of history hiding in his attic, bad very…
