Books like The Mermaid and Mrs. Hancock — picked by fans

Having long wondered about how our world has been shaped by such commodities as tea, coffee, and sugar, I was fascinated by this carefully researched study of how cotton has shaped our world since the first cotton clothing 5,000 years ago in (what is now called) Pakistan.

The great thing about this book is its global reach, following cotton around the world as folks learned how to use it. While this is serious academic research, the author’s ability to relate local lives and key individuals to the broader forces shaping the globalizing cotton market keeps the story humming along.

I learned how British military power was key to Britain’s ability to relocate the global heart of cotton textile production from India to Manchester, boosting European wealth by deindustrializing India—a reminder that who wins and loses crucially depends on political power, not just market forces.

While perhaps a little late to be truly classed as ‘early-modern’, Andrew Popp’s Entrepreneurial Families is one of the books that sparked my own interest in a social approach to business history. Revitalising the exploration of the role of families in business after Davidoff and Hall’s seminal 1987 study Family Fortunes, this micro-study primarily employs correspondence as its source. This not only allows Popp to explore the validity of this approach, but it also helps him to realise his aim to ‘re-humanise the economic’. The focus on family makes this work appealing not only to those interested in business history, but to those interested in debates about the public/private spheres, gender history, and kinship.

It has been broadly recognised in recent years that the traditional perception of early-modern Atlantic business as a male-dominated space is outmoded and inaccurate. In this superb book, Ellen Hartigan-O’Connor shows that the women who participated in commerce – from all ranks of society – were not exceptions in exclusively male-dominated markets but were ‘quintessential market participants’. Appealing strongly to my own approach to business history, Hartigan-O’Connor marries social and economic history, providing an updated view of who the commercial players were in eighteenth-century America.

Sheryllynne Haggerty is not the first to consider the issues of risk, obligation, and reputation in early-modern business – I might have chosen Craig Muldrew’s earlier The Economy of Obligation, for instance – but what marks this book apart is its interdisciplinary approach to business culture. Throughout, Haggerty skillfully interweaves the broad range of primary material she uses – including merchants’ letters, accounts, state papers, newspapers, and trade directories – with a theoretical framework drawing explicitly on socio-economic theory. The use of fascinating case studies and an engaging writing style makes this, despite being an excellent example of a scholarly monograph, accessible to a broader audience.

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

The Alex Versus series's world-building, magic, and plots are very complex and layered. This is some seriously well thought out urban fantasy. 

The main character, Alex, is basically an instant seer, able to see multiple consequences of diving left versus right, shooting someone, running, etc. He doesn’t always have time to evaluate his choices before having to make a decision. And often, there’s no out without loss or a high price to be paid. 

The back story is cleverly woven into the plot and is never boring. This series has one of my favorite side characters ever written—an arachnid with startling insight and wisdom. 

This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.

Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.

This is a gorgeous book to be savoured slowly.

It is suffused with music throughout (and the nerd within me loves the reoccurring literary motifs and phrases that definitely lend a musical quality to the book) and took me back to lazy summer days as a teenager when I first moved to London and the city felt wide open with excitement and possibility.

This is another love story, but one about community, family and the first loves that we learn from our parents.

I had a ‘property tycoons’ itch that I needed to scratch, and this book by Rosa Lucas was exactly what I needed.

I adored this enemies to lovers high stakes romance, and the witty heroine was someone I was rooting for from the very instant I met her. With a dash of CEO/employee and a whole host of fire, this book needs to be on your ereader.

Before settling into the chronicle of the title character, this first entry in the Undertaker series (from the author of the much longer-running Edge books as well) follows a circuitous course involving an unfaithful wife and a vengeful husband. I won’t spoil the surprises along the way, but the Undertaker himself pushes the Western antihero to its limit. He’s all but emotionless, very nearly a sociopath, but with a certain competence and honor that gives him an appeal. (Even though he’s further saddled by the lame catchphrase ‘Bye-bye.’) I actually find his semi-autistic callousness more bearable than Steele’s more willful nastiness, since it seems the Undertaker was simply born the way he is, rather than choosing it.

You’ll recognize certain plot points from these books remixed into my book, though I found the Undertaker’s continued lack of character development a bit grating from one book to the next. That’s the… show more.