100 Books Like Entrepreneurial Families

Having long wondered about how our world has been shaped by such commodities as tea, coffee, and sugar, I was fascinated by this carefully researched study of how cotton has shaped our world since the first cotton clothing 5,000 years ago in (what is now called) Pakistan.

The great thing about this book is its global reach, following cotton around the world as folks learned how to use it. While this is serious academic research, the author’s ability to relate local lives and key individuals to the broader forces shaping the globalizing cotton market keeps the story humming along.

I learned how British military power was key to Britain’s ability to relocate the global heart of cotton textile production from India to Manchester, boosting European wealth by deindustrializing India—a reminder that who wins and loses crucially depends on political power, not just market forces.

It has been broadly recognised in recent years that the traditional perception of early-modern Atlantic business as a male-dominated space is outmoded and inaccurate. In this superb book, Ellen Hartigan-O’Connor shows that the women who participated in commerce – from all ranks of society – were not exceptions in exclusively male-dominated markets but were ‘quintessential market participants’. Appealing strongly to my own approach to business history, Hartigan-O’Connor marries social and economic history, providing an updated view of who the commercial players were in eighteenth-century America.

Sheryllynne Haggerty is not the first to consider the issues of risk, obligation, and reputation in early-modern business – I might have chosen Craig Muldrew’s earlier The Economy of Obligation, for instance – but what marks this book apart is its interdisciplinary approach to business culture. Throughout, Haggerty skillfully interweaves the broad range of primary material she uses – including merchants’ letters, accounts, state papers, newspapers, and trade directories – with a theoretical framework drawing explicitly on socio-economic theory. The use of fascinating case studies and an engaging writing style makes this, despite being an excellent example of a scholarly monograph, accessible to a broader audience.

I have included a work of fiction in this list both because it is an extraordinary example of period fiction and because it highlights the potential richness of many of the stories we tell as historians. Several of the books I’ve highlighted in this list, as well as my own work, draw on the records of specific people – often merchants, but also consumers and manufacturers – to explore issues surrounding business history. Imogen Hermes Gowar’s Jonah Hancock exemplifies the risk and uncertainty navigated by early-modern merchants as well as the potential cost of their ambition and expertly navigates the ways in which information spread through the streets and in the coffee-houses of eighteenth-century London. This novel was well-deservedly shortlisted for the Women’s Prize for Fiction in 2018.

As someone perpetually in search of a good romcom, I found this story of three sisters who have inherited their family’s wedding planning business delightful.

While there is no shortage of spats and disagreements as each sister attempts to define her role within the business and family, when disaster strikes, it’s lovely to see them rally together and help each other find her own happily ever after. 

I loved this book for its blend of suspense, family dynamics, and coming-of-age. Set in 1970s Atlantic City, we meet 13-year-old Joey Goodman, who spends the summer at his family’s hotel on the boardwalk. When he gets caught up with a group of mobsters, Joey faces new challenges and temptations that test his morals and courage.

Nockowitz beautifully captures Joey’s struggle between loyalty to his family and the allure of adventure and independence. He portrays the competing values of family and self-determination, all focused around Ski-Ball as a central metaphor. The novel’s historical setting is vividly brought to life, making Joey’s journey feel like a trip in time—to a nostalgic yesteryear many young readers won’t know but soon will fall in love with.

This novel, set in sixteenth-century Venice, reminds us that the Italian Renaissance was a great time to be a devotee of the pictorial arts. And it does so without getting caught up in the scandals surrounding the Borgias, who are almost as overdone as the Tudors. Luca Vianello is the heir to Venice’s premier gondola maker, until tragedy sends him off on a journey through poverty and hard work that ends when he becomes the personal boatman of the painter Trevisan. Morelli, who trained as an art historian, is intimately acquainted with the former Italian city-states, and like the other novels on my list, hers immerses you in Renaissance everyday life at a very personal level.

That’s right—Charles Dickens! I laughed, I cried, I stomped my feet.

I’ve been in a Dickens reading group since the pandemic and am constantly amazed by how funny he is. His scenes are so colorful and alive that they play like brilliant movies in your brain. In other works, Dickens has some saccharine father-daughter pairs who can induce an eye roll, but in this book his bone-chilling father made me sit up. 

The icy-hearted Paul Dombey dotes on his sweet but feeble young son while completely ignoring his adorable and kind little daughter, who barely gets any scraps of his affection. We daughters read on, waiting for the Scrooge-like Dombey to learn his lesson over the course of the novel. Don’t ignore your daughters, dammit!—Oh, did I say that aloud?

There simply aren’t enough romances that focus on older main characters, so I particularly loved that this funny, Shakespeare-inspired love story had a 60-year-old divorced heroine and an equally mature widower hero. The protagonists are rival florists in Boston, and their families have been embroiled in a feud that has spanned several generations. Watching the way this novel played out—especially with so many meddling family members!—was great fun. And if, like me, you always wished the original Romeo and Juliet could have, maybe, been transformed into a comedy with a happier ending, Jeanne Ray’s light, modern romance just might be for you.

This was a feel-good read about a 3-generation rivalry between two sisters in a small town involving fried chicken. (You cannot go wrong with southern food in a novel, I’m just saying.)

What I thoroughly enjoyed about this book was how the plot got thicker and thicker, revealing the backstory throughout the story in a way that made me #TeamAmanda one minute and #TeamMae the next. I like digging deep into a character’s life, and this one did so in a way that made me sympathetic to both sisters, rooting for their reunion until the very end.

I’m trying my best not to give away the ending…suffice it to say; it helped me reframe my thinking around getting to the heart of a long feud that started before you even got here.