Here are 100 books that Yiddish for Pirates fans have personally recommended if you like
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Why do I love books set in cemeteries? Maybe it’s because I grew up living right next to one and still do. I spent hours as a child wandering around and even playing hide and seek among the tombstones. It’s a place where the living and dead meet, a place of mourning, memories, and peace. Cemeteries have so many superstitions and lore surrounding them. The stories written about them can be spooky, mysterious, sad, heartfelt, and any number of things, so the ideas are endless.
This was one of the strangest, most beautiful books I’ve ever read. At first, the format can throw you off. A chorus of dead voices, snippets of historical and imagined texts? But once I got into the rhythm, it felt like something sacred. The cemetery setting becomes a limbo space where spirits cling to their stories, fears, and unfinished business.
I found myself unexpectedly emotional, especially in how it portrayed grief—Lincoln’s grief, yes, but also the collective grief of the dead. It made me think about what we leave behind and how love can echo even after death. It was haunting in the best way.
WINNER OF THE MAN BOOKER PRIZE 2017
A STORY OF LOVE AFTER DEATH
'A masterpiece' Zadie Smith
'Extraordinary' Daily Mail
'Breathtaking' Observer
'A tour de force' The Sunday Times
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a writer and also a history nerd. I love historical fiction—learning about the past through a story just makes the world come alive in a way that non-fiction doesn’t. As I child, I was entranced by middle-grade historical novels like The True Confessions of Charlotte Doyle and The Shakespeare Stealer. But I also love fantasy novels and how they use magic to make the truths of our world bigger and bolder, turning the elephant in the room into a dragon that can’t be ignored. Mixing history and fantasy together is my book version of peanut butter and chocolate.
This book gave me shivers, both from the monsters and the evil that humans are capable of.
This novella from P. Djeli Clark manages to be action-packed while still dealing with heavy topics like racism and slavery. It’s the 1920s, and Maryse Boudreaux is a Black woman living in the deep south of the United States. Maryse and her friends have formed a militia to fight the ‘Ku Kluxes,’ monsters who take the form of Ku Klux Klan members to spread hate further.
There are points in this book where it seems like all is lost, which makes it all the more satisfying when the heroes rally.
Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns with Ring Shout, a dark fantasy historical novella that gives a supernatural twist to the Ku Klux Klan's reign of terror
“A fantastical, brutal and thrilling triumph of the imagination...Clark’s combination of historical and political reimagining is cathartic, exhilarating and fresh.” ―The New York Times
A 2021 Nebula Award Winner A 2021 Locus Award Winner
A New York Times Editor's Choice Pick! A Booklist Editor's Choice Pick!
A 2021 Hugo Award Finalist A 2021 World Fantasy Award Finalist A 2021 Ignyte Award Finalist A 2021 Shirley Jackson Award Finalist A 2021…
A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
Early in this book, a character uses his kitchen oven to dry out some psychedelic mushrooms harvested from the rooftop garden at his flat in World War II London. Dosing the characters (and somehow the reader) with Amanita Muscaria is an appropriate way to set the tone of this book.
Mushroom experiences are fun and giggly and clever, at times, but they can also open the mind to the evils mankind is capable of and the intricate conspiracies seemingly hiding in plain sight. Which is what I love about Gravity’s Rainbow – Pynchon’s writing is hilarious, but then he’ll hit you with a gut punch so poignant it will linger in your mind for decades.
Hailed by many as the major experimental nov el of the post-war period, Gravity''s Rainbow is a bizarre co mic masterpiece in which linguistic virtuosity creates a who le other world. '
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m the child of immigrants and grew up imagining a second self—me, if my parents had never left India. Then, when I became a writer, doubles kept showing up in odd ways in my work. In my first play, House of Sacred Cows, I had identical twins played, farcically, by the same actor. My latest novel features two South Asian women: one, slightly wimpy, married to an unsympathetic guy called Mac, and another, in a permanent state of outrage, married to a nice man called Mat. My current project is a novel about mixed-race twins born in India but separated at birth.
My mother is a member of the exact same generation as Rushdie, kids born at the moment when India gained independence, so I grew up in the shadow of that legacy—the optimism, the violence, the huge historical question mark. But when I picked up Rushdie’s magical-realist novel, it was the prose that spoke to me first: vivid, exaggerated, a cacophony, evoking India itself.
Our narrator, Saleem Sinai, was switched at birth with another child, and throughout the novel, images and phrases recur in different contexts. Often, these are puns that, by the second or third time they appear, have accumulated the weight of metaphor. I’ve read this book half a dozen times, and find more to enjoy with each reading.
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
Hussein Fancy is a Professor of History at Yale University where he teaches medieval history with a particular focus on medieval Spain and North Africa. His research, writing, and teaching focus on the entwined histories of not only Jews, Christians, and Muslims but also Latin and Arabic in the Middle Ages. He has traveled and lived extensively in Europe, North Africa, and the Middle East.
Among the wonders of medieval Spain is the appearance of the first Hebrew secular poetry since Biblical times. In this masterful and unparalleled set of translations by Peter Cole, we witness the profound, pious, chauvinistic, and indeed, sensual traditions of secular poetry over centuries. A fusion of Arabic and Hebrew traditions, in and of themselves, these poems stand as a metaphor for the Jewish community itself as well as its dynamism and endurance under Muslim and then, Christian rule.
Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including…
I’m a historian of Muslim – non-Muslim relations in medieval Islam. In all of my publications I've been concerned with the social intersections of different religious communities in the medieval Islamic world, whether through human agency or via institutional arrangements. My goal has been to de-center Islamic history by approaching it from its margins. Hence the choice to study the role of women as agents of religious change in my last monograph Female Power and Religious Change in the Medieval Near East. In this book I address two historical questions which I've always been passionate about, namely the Islamization of the Near East and the place of women in pre-modern Near Eastern societies.
Krakowski's Coming of Age in Medieval Egypt offers not only offers a sophisticated critique of scholarship on medieval kinship arrangements, but also casts light on the social agency of young women during the few years between the age of their formal maturity and their matrimonial engagement.
Krakowski's wonderful achievement is made possible thanks to her exceptional familiarity with the documents of the Cairo Geniza and her ability to take a step back and observe the broad social picture they reflect.
Much of what we know about life in the medieval Islamic Middle East comes from texts written to impart religious ideals or to chronicle the movements of great men. How did women participate in the societies these texts describe? What about non-Muslims, whose own religious traditions descended partly from pre-Islamic late antiquity?
Coming of Age in Medieval Egypt approaches these questions through Jewish women's adolescence in Fatimid and Ayyubid Egypt and Syria (c. 969-1250). Using hundreds of everyday papers preserved in the Cairo Geniza, Eve Krakowski follows the lives of girls from different social classes-rich and poor, secluded and physically…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am the author of over fifty books for young readers including the Zapato Power series, the Sofia Martinez series, Duck for Turkey Day, Unite or Die: How Thirteen States Became a Nation, Never Say a Mean Word Again, Tag Your Dreams: Poems of Play and Persistence, and The Porridge-Pot Goblin.Many of my books were inspired by my students during my days as a school librarian. Other books were inspired by my work as a Jewish educator in synagogue settings. I read voraciously and review for the Sydney Taylor Shmooze, an online blog about Jewish books.
When her parents decide to renovate a run-down motel in upstate New York, eleven-year-old Miriam must begin her life anew in a community unfamiliar with Jewish people.
She is befriended by her Catholic neighbor, Kate, and together they scheme to save two businesses in financial trouble. I loved the way this book built interfaith bonds between people, respecting everyone’s traditions. Readers will enjoy watching Miriam as she learns new strengths and interacts with family.
With the help of her Catholic friend, an eleven-year-old Jewish girl creates a provocative local tourist attraction to save her family's failing motel.
Buying and moving into the run-down Jewel Motor Inn in upstate New York wasn't eleven-year-old Miriam Brockman's dream, but at least it's an adventure. Miriam befriends Kate, whose grandmother owns the diner next door, and finds comfort in the company of Maria, the motel's housekeeper, and her Uncle Mordy, who comes to help out for the summer. She spends her free time helping Kate's grandmother make her famous grape pies and begins to face her fears by…
I was born in a log house in Alberta, Canada. I was nineteen months old in August 1939 when my parents decided we should visit my grandmother in Germany and thirteen when we returned. I have been deeply affected by the stories of ordinary families and the trauma they experienced after WWII. To this day, like thousands of others, I feel tremendous inherited discomfort from Nazism and the Holocaust. Our parents' generation did not talk about their wartime experiences, so we must preserve this important part of history and help to relieve the guilt many innocent individuals still harbor while raising awareness of this immensely damaging aspect of war.
I like the way the author weaves a unique tale of a Ukrainian family’s escape at the end of WWII with present-day events. The book demonstrates that WWII’s long-lasting impact on families was not limited to Germans and Jews. Like me and my children, the author had no part in the war, yet we are all impacted by it and its aftermath.
What happens when a smart, young stay-at-home mom decides to go back to work and hires her Ukrainian mom to nanny her two kids for 6 years? A witty, brutally honest and true story of freedom, resilience and pivotal moments in life that change the story forever. Get a peek into the life, relationship and influence that grows between grandmother and grandkids when mom decides to grab her briefcase and go back to the working world. Pull up a chair to the kitchen table and witness all the imperfections, idiosyncrasies and bloopers that drive mother and daughter to argue and…
I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell!
A deft, charming re-telling of a Jewish folk tale, and winner of the Ruth Schwartz Award. In this gentle story, young Joseph grows up in a shtetl in a warm and loving home. His grandfather, a tailor, makes him a beautiful blanket at birth. As he grows, the blanket becomes worn, but Grandpa can always rejig the fabric into something new. At last, however, the sad day arrives when nothing is left of the blanket… until Joseph realizes that what’s left is a wonderful story.
I nominate this book as a storyteller’s delight because of its comforting, cyclical nature, and surprise ending. While Gilman’s glowing pictures augment the story perfectly, with their warm, humorous depiction of family life, the story can easily be memorized, told, and enjoyed when no pictures are available.
Phoebe Gilman's beloved classic celebrates its 20th anniversary!
Joseph's grandfather made him a beautiful blanket when he was a baby, but now it's frazzled and worn, and Joseph's mother says it is time to throw it out. Joseph doesn't want to part with his special blanket, and he's sure that his grandfather can fix it. Sure enough, Grandfather miraculously alters the blanket into useful items again and again. But when Joseph loses the final item, even Grandfather can't make something from nothing. But maybe Joseph can?
Based on the Yiddish folktale "Joseph's overcoat," Phoebe Gilman's gorgeous artwork charts the transformation…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story.
Gamm’s book goes beyond just a study of urban Jews to juxtapose Jews and Catholics to figure out the paradox of his title. The book cover, just to drive home his point, shows the entry stairs to a flourishing Catholic church filled with people juxtaposed to the front of a massive, abandoned synagogue. Gamm argues for the significance of religion in shaping Jewish and Catholic practices. From the portability of Torah scrolls and the congregational structure of synagogues, Judaism facilitated mobility. By contrast, parish boundaries and a church hierarchy encouraged rootedness among Catholics. It’s a fascinating and persuasive comparison that illuminates Boston but also helps to make sense of other cities.
Across the country, white ethnics have fled cities for suburbs. But many have stayed in their old neighborhoods. When the busing crisis erupted in Boston in the 1970s, Catholics were in the forefront of resistance. Jews, 70,000 of whom had lived in Roxbury and Dorchester in the early 1950s, were invisible during the crisis. They were silent because they departed the city more quickly and more thoroughly than Boston's Catholics. Only scattered Jews remained in Dorchester and Roxbury by the mid-1970s.
In telling the story of why the Jews left and the Catholics stayed, Gerald Gamm places neighborhood institutions--churches, synagogues,…
