100 Books Like The Master Key

I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.

Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.

I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.

I defy any historical fiction reader or detective fiction reader not to love this book as much as I did. It is a classic of the genre: a book that has everything. From the class system to the family superstition, the role of the servants, the treatment of the convicts, and the spooky location, it cannot be faulted. 

I was in the fortunate position of having read the book before I saw any of the films, for I have not seen one that accurately captures the atmosphere. Conan Doyle dabbled with the dark side of superstition in his life, and that interest comes across strongly. 

I have always been a huge fan of PD James’s writing style, and I had the pleasure of meeting her many years ago. She told me one of her earliest memories was hearing the nursery rhyme Humpty Dumpty at the age of three and immediately wondering, ‘Was he pushed?’

This book was her second-to-last whodunit and is a gripping reworking of the ‘murder on an island’ theme. Her detective, Adam Dalgleish, strives to solve the mystery and unravel his own complex feelings towards his life on the mainland. As always with one of her books, I felt in safe hands with a master storyteller who was never afraid to ask difficult questions. 

Dorothy L. Sayers was one of the founding crime writers of the Detection Club, and this book of hers was written in the classic era of detective fiction, when such works followed the Ten Commandments of Detective Fiction, devised by Ronald Knox, a fellow author.

These various constraints allowed the reader a fair chance of solving the puzzle inside a murder mystery. For instance a supernatural solution is not allowed and the criminal should be one of the several characters mentioned reasonably early on in the novel. This permutation of the classic puzzle is disseminated in various documents presented to the reader.

It’s a tribute to the author that this device is so engaging and enrapturing. Every clue is there for the reader to solve. There’s a remote and glorious Devon setting to explore, and tension in every mushroom encountered!

All of the five or six novels of Murakami’s that I’ve read feature an introverted protagonist not quite at home in the world, someone who wonders about reality and latches on to other strange people. Norwegian Wood, named after a song by the Beatles, may be the most accessible and this-worldly of his books.  It’s a coming-of-age story about a Japanese college student who falls in love at the end of the 1960s and never quite resolves his feelings. But after you read Norwegian Wood – assuming you like it – be sure to go on to Murakami’s Kafka on the Shore and IQ84, which I feel is his masterpiece.

This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.

Unforeseen forces, mystery, and time travel in the confines of a coffee shop, what isn’t to like?

I read this book when I was in the middle of moving countries. The book helped me to slow down amongst all the turbulence of movers and then the dreaded Covid vaccination certificates. But with moving, I had to say goodbye to friends, and there was one close friend who did not like the fact I was leaving and, therefore, refused to see me before I left. There are many reasons why people react in certain ways, but I was hurt during that time and hoped that our friendship was more than that. 

This book made me think about what I would say to her in the future—hindsight is a great gift if only we could activate it in the present.

This marvelous history of Tokyo focuses on the transformative 50 years from the end of the Tokugawa (Edo) period in 1867 to the Great Kanto Earthquake in 1923. Translator and Japanologist Seidensticker tells the history like the grand journey it was. His narrative is fascinating, with more insights than facts, and it flows with the skill of someone who translated the great Japanese novelists Junichiro Tanizaki, Kafu Nagai, and Yasunari Kawabata, among others. Seidensticker includes thoughtfully chosen details as Tokyo emerges from a feudal society into a modern, industrial state. Seidensticker’s follow-up Tokyo Rising is also recommended.

This biography by writer and photographer Mansfield is probably the best guide into Tokyo’s vibrantly organic nature. To get a thorough line on the largest city in the world isn’t easy, but Mansfield carefully selects the most relevant, and interesting details. Inevitably, it’s a work of exclusion as much as inclusion, but is magnificent for that. Seeing and understanding Tokyo requires getting past the cascade of small details that keep you from seeing the whole forest. Mansfield keeps his biography flowing with the right balance of telling details and insightful summary. His companion volume, Tokyo, a Cultural History is also excellent, as are his beautifully photographed books on Japanese gardens.

Old ground soldiers like me tend to think the airmen have it good—three hot meals a day, clean sheets at night, and only a few hours of war a day. James M. Scott’s Black Snow sure taught me otherwise. The 1945 American firebombing of Japan proved horrific for both the bombers and the bombed, and Scott tells the full awful story from both the American and Japanese sides. Major General Curtis LeMay was not some cigar-chewing caricature from Dr. Strangelove, but a young commander trying to break the will of a brave, stalwart people who had never lost a war in their country’s centuries of history. LeMay’s bomber crews won, but at a terrible price that resonates to this day.