Books like The Master Key — picked by fans

I was moved and delighted by this highly original novel, which blends murder-mystery with heartfelt philosophical explorations into animal rights, mysticism, existential anxiety, and our own humanity.

Narrator-protagonist Janina, a woman who translates Blake, studies horoscopes and feels a deep connection to the animals around her; she tells the story of what happens one winter when a series of men in her Polish village are murdered by a culprit yet to be found.

I adored this book’s intelligence and blending of tragedy and humor. Its narrative combines a compelling plot with a distinctive first-person voice and deeply thoughtful reflections about the beauty, cruelty, and wonder of life.

I have long held a fascination with the Sherlock Holmes stories, and this one was no exception.

Set in England in the early 1900s, it captures the feel of that period perfectly. I found the story and the mystery to be gripping and compelling, and Holmes was his usual brilliant self, while Watson bumbled along.

I found it a delightful and quick read, and as is often the case, far better than any of the film adaptations because it goes into more depth than a movie ever reasonably could.

I have always been a huge fan of PD James’s writing style, and I had the pleasure of meeting her many years ago. She told me one of her earliest memories was hearing the nursery rhyme Humpty Dumpty at the age of three and immediately wondering, ‘Was he pushed?’

This book was her second-to-last whodunit and is a gripping reworking of the ‘murder on an island’ theme. Her detective, Adam Dalgleish, strives to solve the mystery and unravel his own complex feelings towards his life on the mainland. As always with one of her books, I felt in safe hands with a master storyteller who was never afraid to ask difficult questions. 

Dorothy L. Sayers was one of the founding crime writers of the Detection Club, and this book of hers was written in the classic era of detective fiction, when such works followed the Ten Commandments of Detective Fiction, devised by Ronald Knox, a fellow author.

These various constraints allowed the reader a fair chance of solving the puzzle inside a murder mystery. For instance a supernatural solution is not allowed and the criminal should be one of the several characters mentioned reasonably early on in the novel. This permutation of the classic puzzle is disseminated in various documents presented to the reader.

It’s a tribute to the author that this device is so engaging and enrapturing. Every clue is there for the reader to solve. There’s a remote and glorious Devon setting to explore, and tension in every mushroom encountered!

All of the five or six novels of Murakami’s that I’ve read feature an introverted protagonist not quite at home in the world, someone who wonders about reality and latches on to other strange people. Norwegian Wood, named after a song by the Beatles, may be the most accessible and this-worldly of his books. It’s a coming-of-age story about a Japanese college student who falls in love at the end of the 1960s and never quite resolves his feelings. But after you read Norwegian Wood – assuming you like it – be sure to go on to Murakami’s Kafka on the Shore and IQ84, which I feel is his masterpiece.

This one is different from the others because everyone loves a story, don’t they? Through Keiko, Sayaka Murata explores what it means to find stability within a clearly defined role while showing how quickly systems and social expectations question anything outside the norm. 

There is a terrific, palpable tension: a system that rewards conformity set against an individual making deliberate choices about how to live within or alongside it. I applaud Murata’s deft hand to expose how social pressure can determine identity, labour, and belonging, making Keiko’s small acts feel both radical and painfully ordinary. The novel asks a simple, urgent question: who decides what a meaningful working life looks like?

Unforeseen forces, mystery, and time travel in the confines of a coffee shop, what isn’t to like?

I read this book when I was in the middle of moving countries. The book helped me to slow down amongst all the turbulence of movers and then the dreaded Covid vaccination certificates. But with moving, I had to say goodbye to friends, and there was one close friend who did not like the fact I was leaving and, therefore, refused to see me before I left. There are many reasons why people react in certain ways, but I was hurt during that time and hoped that our friendship was more than that. 

This book made me think about what I would say to her in the future—hindsight is a great gift if only we could activate it in the present.

Set in modern-day Tokyo, this is the first entry in the Reiko Himekawa series about a female detective in the Tokyo Police Department. I enjoyed this book mostly for the plot, which involves Himekawa tracking down a serial killer who tortures victims on a snuff website called “Strawberry Night.” It provides great insights into Japanese culture, both personal and workplace, and the inner details of the Tokyo Police Department.

This pared-back and intense analysis of female isolation in a modern city breaks all the rules of ‘good writing.’ Telling not showing; unrelievedly inward; arguably solipsistic; it charts the descent of a conscientious copywriter into drunken depression. Could an off-beat relationship with a man who seems to care about her, for what she is, possibly haul her back into a functioning life?

In its totally absorbing dramatization of our hopes, desires, disappointments, and perennial insecurities, this book shows our flawed and fragile human selves in remorseless clarity. At the same time, it gives hope in the value of human affection and the kindness of friends.  

Tokyo by Jinnai Hidenobu was influential for me both as a source of information about the history of Tokyo and for its methodology of research. The author discovers the city via walking and traveling across its water routes, an experiential methodology which he first developed in his study of Venice. With the assistance of visuals, both historical and newly drawn based on his field observations, Jinnai explores modern-day Tokyo. His starting point is that Tokyo seems an anomaly when compared with other world cities in its lack of historical structures which is attributed to a series of wars and disasters that radically transformed the city’s physical environment.  

The impressive discovery of this inquiry however is that despite the perceived newness of Tokyo, the spirit of Edo (Tokyo’s name during the Tokugawa period, 1600-1868) has not vanished in today’s modern city. Through this book, we learn that the differences between the… show more.