Here are 100 books that The Maniac fans have personally recommended if you like
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As an engineer, scientist, and historian, I’ve always been fascinated by how science has always served the political goals of nations and empires. Today, we look at the Space Race to land a person on the Moon as a part of the Cold War effort to establish the intellectual and cultural dominance of the United States and the Soviet Union, even as it created new technologies and completely changed our understanding of the world. When I came across the Geodesic Mission to the Equator 1735-1744, I realized that even in the 18th century, voyages of discovery could do more than simply find new lands to conquer and exploit–they could, and did extend our knowledge of nature and mankind.
Alexander von Humboldt’s name is synonymous with scientific discovery today–the Humboldt Current, the Humboldt Redwoods State Park, and countless species named for him. Humboldt revolutionized our modern understanding of the natural sciences–geology, biology, meteorology, and much else–with his epic five-year voyage that set off in 1799 and brought him through the Amazon, the Caribbean, and North and South America.
Like Malaspina before him, Humboldt studied not only the flora and fauna of these regions but also their peoples and the political turmoil that was building towards revolution. He met with the leaders of the time–Thomas Jefferson and Simón Bolívar among them–and opened their eyes to the richness of their lands. Unlike Malaspina, Humboldt’s works were published to wide acclaim and established the idea that all nature, including human nature, is interconnected.
WINNER OF THE ROYAL SOCIETY SCIENCE BOOK PRIZE 2016
'A thrilling adventure story' Bill Bryson
'Dazzling' Literary Review
'Brilliant' Sunday Express
'Extraordinary and gripping' New Scientist
'A superb biography' The Economist
'An exhilarating armchair voyage' GILES MILTON, Mail on Sunday
Alexander von Humboldt (1769-1859) is the great lost scientist - more things are named after him than anyone else. There are towns, rivers, mountain ranges, the ocean current that runs along the South American coast, there's a penguin, a giant squid - even the Mare Humboldtianum on the moon.
Beginning with a chance encounter in 1985, an unnamed narrator embarks on a physical and spiritual sojourn over four decades.
From a one-night stand in Paris with the troubled and enigmatic Louis, to Montreal, through a divided Europe, and into the Iranian desert with the sick yet determined Yuri, and…
I know a book can change a person’s life because one of my early life-changing events was reading Thomas Kuhn’s The Structure of Scientific Revolutions. From it, I took away the idea of how a fact is made, not discovered, and how facts, even those as “objective” as those in science, are different in different ages. It’s less a matter of one age being wrong about “Nature,” for example, than it is that a concept like “Nature” emerges out of a scrum of attitudes, technologies, conventions, etc.
Usually, when I think of the Romantic Age, I think of the art and literature of the time. But I love how this book depicts its science as a wide-open activity, full of the wonder, false starts, pleasures, and pitfalls of any creative activity.
I think every scientist in this book also wrote poetry; the vast majority of them took as a given the fact that aliens lived on other planets; scientific lectures were a form of popular entertainment, as were many discoveries: e.g., laughing gas, the first anesthesia, was used at parties to get high before it was used in medicine.
I love to think of the discoveries of the past in the context of today, as when the race between England and France to develop a steerable hot-air balloon was, in effect, the first “space race.”
Shortlisted for the Samuel Johnson Prize and winner of the Royal Society Prize for Science Books, Richard Holmes's dazzling portrait of the age of great scientific discovery is a groundbreaking achievement.
The book opens with Joseph Banks, botanist on Captain Cook's first Endeavour voyage, who stepped onto a Tahitian beach in 1769 fully expecting to have located Paradise. Back in Britain, the same Romantic revolution that had inspired Banks was spurring other great thinkers on to their own voyages of artistic and scientific discovery - astronomical, chemical, poetical, philosophical - that together made up the 'age of wonder'.
I spent most of my life as a professor of mathematics at the University of Vienna, faithful to my first boyish infatuation. Yet, I always had an eye for the dangerous charms of philosophy. In the end, I succumbed and wrote The Waltz of Reason, convinced that the countless interactions of mathematics and philosophy provide the greatest adventure stories of reason, the scientific sagas which will remain as the most enduring and the most romantic account of humanity’s progress.
This book is a novel, unabashedly. It describes the lives of our old friend Humboldt and the math genius Karl Friedrich Gauss, culminating in their 1828 encounter in Berlin.
This meeting is a well-documented fact. Not everything else is. Daniel Kehlmann takes his liberties with history. He even boasts of his leger-de-main, like Alexandre Dumas.
The overall outcome is splendidly funny and uncannily wise. The cap-stone irony is that the most implausible episodes of the book are not the ones that the author invented.
Measuring the World recreates the parallel but contrasting lives of two geniuses of the German Enlightenment - the naturalist and explorer Alexander von Humboldt and the mathematician and physicist Carl Friedrich Gauss. Towards the end of the 18th century, these two brilliant young Germans set out to measure the world.
Humboldt, a Prussian aristocrat schooled for greatness, negotiates savannah and jungle, climbs the highest mountain then known to man, counts head lice on the heads of the natives, and explores every hole in the ground.
Gauss, a man born in poverty who will be recognised as the greatest mathematician since…
From Pulitzer Finalist Laurie Sheck (A Monster's Notes), a new speculative literary fiction in the spirit of Italo Calvino, Umberto Ecco and Donna Haraway's Cyborg Manifesto that enacts an incisive and moving exploration into what it means to be human in the age of AI and increasing inhumanism.
I spent most of my life as a professor of mathematics at the University of Vienna, faithful to my first boyish infatuation. Yet, I always had an eye for the dangerous charms of philosophy. In the end, I succumbed and wrote The Waltz of Reason, convinced that the countless interactions of mathematics and philosophy provide the greatest adventure stories of reason, the scientific sagas which will remain as the most enduring and the most romantic account of humanity’s progress.
Towards the end of the eighteenth century, two astronomers set out from Paris, one due north towards Dunkerque, the other south towards Barcelona. Their task was to measure the length of the meridian arc between these two towns and, ultimately, to determine the precise length of the new-fangled meter, meant to serve as a unit of measurement “for all people, for all time.”
This may appear to be a humdrum task. It was anything but. At that time, royal heads fell, armies sprung from the ground, and money went into hiding. The author is as painstaking about historical detail as his protagonists were about their measurements. He left out no provincial archive and no calculation scribbled on a margin.
The outcome reads like a novel, splendidly conveying the quixotic flavor of the enterprise and the Sisyphus-like dedication of its protagonists.
In June 1792, amidst the chaos of the French Revolution, two intrepid astronomers set out in opposite directions on an extraordinary journey. Starting in Paris, Jean-Baptiste-Joseph Delambre would make his way north to Dunkirk, while Pierre-François-André Méchain voyaged south to Barcelona. Their mission was to measure the world, and their findings would help define the meter as one ten-millionth of the distance between the pole and the equator—a standard that would be used “for all people, for all time.”
The Measure of All Things is the astonishing tale of one of history’s greatest scientific adventures. Yet behind the public…
My graduating class in high school once designated me as “the most likely to start a feminist revolution.” That was a lot to live up to, but I’ve made a very small stab at it by writing about women who have changed our world. I love to bring awareness about the contributions great women have made in history, but I also want modern women to see themselves in these struggles. I always say that Historical Fiction is an exercise of empathy, and I hope my work encourages women today to get involved and make a difference in the world, too.
As the daughter of one of the last children to contract polio before the vaccines, I knew this was going to be an important book even before I opened it.
But it was also a page-turning chronicle of Dr. Dorothy Horstmann, a pioneer in the battle to eradicate polio. I was often infuriated by what she faced as a woman in science during the 1950s; it was a very good read that brought much-needed attention to this extraordinary woman’s gifts to medical science.
"Huge applause... women have always been in science—despite those who would pretend otherwise.” --Bonnie Garmus, New York Times bestselling author of Lessons in Chemistry
She gave up everything — and changed the world.
A riveting novel based on the true story of the woman who stopped a pandemic, from the bestselling author of Mrs. Poe.
In 1940s and ’50s America, polio is as dreaded as the atomic bomb. No one’s life is untouched by this disease that kills or paralyzes its victims, particularly children. Outbreaks of the virus across the country regularly put American cities in lockdown. Some…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
A bit of a curveball entry, but go with it. One of the subplots in Smith’s impressively sprawling historical novel involves do-gooder Baptists who really are doing good! They’re in Anglican England to agitate for the end of slavery in the British colonies—and they’re ahead of their time in other ways, too.
They help to platform the voices of freedmen and escaped slaves, acting as allies, essentially. It’s in the main character of Eliza that the larger novel takes up this search for a liberatory truth, nominally Christian but really entrusted to anyone who can see the suffering of others and refuse to look away.
From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and who gets to be believed
It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years.
Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of…
True confession: I’m not a baker, but I love it when other people bake. It’s riveting to watch how they transform the humblest of ingredients into desserts that are beautiful and delicious. I get super excited to see this creative process unfold, which is why I adore The Great British Baking Show and other competitive reality baking programs. They inspired me to write Marvelous Jackson because my main character desperately wants to snag a coveted audition spot on The Marvelous Midwest Kids Baking Championship. He relishes the frenetic energy and noise of a kitchen packed with ambitious and talented people—just like I do!
Janowitz’s romp of a story centers on twelve-year-old Tristan, who loves reading cookbooks and making desserts. Life is sweet—until Tristan’s parents announce they’re leaving New York City and moving to the middle of nowhere. When he learns there are zero bakeries in his new town, Tristan pledges to bring back the famous Petersville chocolate cream doughnut, which sets him on an unexpected and entertaining adventure. He learns how to craft a business plan, buy ingredients in bulk, and manage demanding customers.
Spoiler alert number one: l like that even though Tristan nails the renowned doughnut, he puts his own delicious spin on things. Spoiler alert number two: this book will make you very hungry. Prepare accordingly.
Superfudge meets The Lemonade War in this funny, heartwarming book about change, adventure, family, and of course, doughnuts. Tristan isn't Gifted or Talented like his sister Jeanine, and he's always been okay with that because he can make a perfect chocolate chip cookie and he lives in the greatest city in the world. But his life takes a turn for the worse when his parents decide to move to middle-of-nowhere Petersville-a town with one street and no restaurants. It's like suddenly they're supposed to be this other family, one that can survive without bagels and movie theaters. His suspicions about…
I grew up in a family of writers; my parents and three sisters were all successful writers, and I was the odd one out with a passion for teaching. I love to simplify, diagram, and make the complex graspable. And what’s not to like about a career in which people listen to you tell them what to do? I began writing after years of teaching, and my first novel was a mystery—a genre that no one in my family had yet written and which I’d been loving since my first Nancy Drew and Agatha Christie. Now, I combine the two: teaching and writing. Playing to both strengths and passing along what I’ve learned.
Another book that focuses on story structure, and explains the difference between literary and commercial fiction without talking down to those of us who aspire to the latter. I found it full of illuminating visuals, excellent examples, and exercises to help me immediately apply his advice. And above all, remember that advice weeks later as I write more and more pages.
It works because he does more than expound. He *engages* the reader–mentally and physically. Reading the book is like taking a master class.
How does plot influence story structure? What's the difference between plotting for commercial and literary fiction? How do you revise a plot or structure that's gone off course?
With Write Great Fiction: Plot & Structure, you'll discover the answers to these questions and more. Award-winning author James Scott Bell offers clear, concise information that will help you create a believable and memorable plot, including:
• Techniques for crafting strong beginnings, middles, and ends • Easy-to-understand plotting diagrams and charts • Brainstorming techniques for original plot ideas • Thought-provoking exercises at the end of each chapter •…
I’ve always been fascinated by the influence technology and science on culture and our lives, especially women’s lives. The history of women’s rights, in many ways, is a story of science and technology’s influence on women’s evolution towards having more freedom (and now less) to control our bodies. As a science writer, these themes influence many of the stories that I choose to read and tell, including both my books, In Her Own Sweet Time: Unexpected Adventures in Finding Love, Commitment and Motherhood and Reconceptions: Modern Relationships, Reproductive Science and the Unfolding Future of Family. I also love to read both fictional and non-fiction stories about the nuances of personal identity.
This novel tells the story of Maise, a devoted wife and mother of four children.
It takes place over the course of a single day in October that begins with Maise nursing her infant and leads to a family outing to an orchard the following afternoon. It beautifully captures the daily emotions that a mother feels, ranging from anxiety to grief to deep love, and explores the feelings around the unpaid labor of motherhood and the financial anxiety that being a parent brings to us all.
A novel about womanhood, modern family, and the interior landscape of maternal life, as seen through the life of a young wife and mother on a single day.
At night, Maisie Moore dreams that her life is perfect: the looming mortgages and credit card debt have magically vanished, and she can raise her four children, including newborn Esme, on an undulating current of maternal bliss, by turns oceanic and overwhelming, but awash in awe and wonder. Then she jolts awake and, after checking that her husband and baby are asleep beside her, remembers the real-world money problems to be resolved…
It’s not my fault! My foremothers were strong, capable, compassionate women. I have been passionate about restoring the voices and contributions of women to history and culture. While a voracious reader of history, I enjoy historical fiction (when it’s done well). History tells us what happened; historical fiction tells us what it was like to live through events. I love author’s notes and/or historical notes where the author explains what is real and what is imagined; and resources to learn more about the subject of the novel.
I loved meeting Johanna Bonger, Vincent van Gogh's sister-in-law. What a gutsy, courageous woman. I loved her courage in the face of adversity. A widow with a baby in early 1800s France, she inherited van Gogh’s paintings, which were worthless at the time. But through perseverance, she “introduced” him to the world. And yet she was a person in her own right—with her own struggles and dreams.
I loved her compassion toward her brother-in-law. The settings are realistic and the characterizations are great. Another good example of historical fiction.
"This book draws all the emotions out of you. I went from tears to snorting with laughter. It was both lighthearted and heart breaking, yet it inspires me to live my best life! " Michelle Cox
When Hollywood auctioneer Emsley Wilson finds her famous grandmother's diary while cleaning out her New York brownstone, the pages are full of surprises. The first surprise is, the diary isn't her grandmother's. It belongs to Johanna Bonger, Vincent van Gogh's sister-in-law.
Johanna inherited Vincent van Gogh's paintings. They were all she had, and they weren't worth anything. She was a 28 year old widow…
