Here are 100 books that Plasmas fans have personally recommended if you like
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During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Unlike those of Richard Matheson, the stories of Italo Calvino are rarely adapted for stage or screen, his estate holding a heavy hand on the rights (I know—I’ve tried).
One of my favorite writers, Calvino specializes in eccentric, surreal stories as funny as they are moving.
Cosmicomics is a linked collection, each tale an imaginative fiction about the origins of a scientific idea, from the Big Bang (the narrator lives in a crazily cramped space with his family during the explosion) to evolution (his embarrassing old uncle still lives in the sea and refuses to make the trip to land). These stories combine whimsicality and gravity as few others do.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Twelve enchanting and fantastical stories about the evolution of the universe from the giant of Italian literature,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Speaking of movies, as I’m afraid I often am, it’s not just the novels of Daphne du Maurier (like Rebecca) that have made great films; her short stories have inspired them, too. And they’re weirder and darker than her full-length works.
Don’t Look Now and Other Stories is a recent collection curated by Patrick McGrath, another excellent horror-adjacent author. It features the title story, source of Nicolas Roeg’s famously frightening 1973 film, and “The Birds,” on which Hitchcock based his notoriously gory (for 1963) film.
While the movies are swell, these brief, insidious, and ambiguous tales can make them seem a little lumbering and obvious by comparison.
John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Despite some people’s fears, watching a lot of TV as a kid was a gateway to reading for me, not a deterrent. Seeing reruns of old horror anthology series and TV movies made me curious about who had written the stories on which the shows were based.
I discovered Richard Matheson, whose works were among the most adapted by The Twilight Zone and others. This collection features some of his classic imaginative tales that also became classic TV, including “Nightmare at 20,000 Feet” (pre-Star Trek William Shatner saw a demon on an airplane wing on The Twilight Zone), “Duel” (Dennis Weaver was menaced by a killer truck in Steven Spielberg’s famous 1976 TV movie) and “Prey” (Karen Black fought a demon doll in one of the Trilogy of Terror).
Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, the stories in Nightmare at 20,000 feet more than demonstrate why Matheson's regarded as one of our most influential horror writers.
Featuring the story "Duel," a nail-biting tale of man versus machines that inspired Steven Spielberg's first film.
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
The stars aligned to ignite my passion for magic-realism romance after a few things had happened. 1) I got heavily into the idea of the multiverse and alternate realities in high school, having been inspired by my physics teacher. 2) I read and fell in love with The Time Traveler’s Wife (see list!). 3) I binge-watched the incredible sci-fi show Fringe, which deals with parallel universes and time jumps. 4) I decided to write my first multiverse romance, inspired by all the above factors and more besides. Since then, I’ve focused most of my reading on romantic novels, with those that share a magic realism twist being auto-reads—of course!
I loved everything about this book: the dreamy New York co-op apartment setting, the relatable main female character Clementine (a book publicist!), the lovable main male character Iwan (a chef!), and the fact that they lived seven years apart. I found it had the perfect balance of witty banter, romantic yearning, depth of feeling, and a sense of place. It also deals with tougher issues, such as grief in Clementine’s loss of her beloved aunt and a sense of self in Clementine’s search for her future path and the aunt’s own background.
And, like every true romance novel should have, that incandescently happy ending! This is my favorite book I’ve read so far this year.
"A gorgeous love story from one of the finest romance writers out there." —Carley Fortune, New York Times bestselling author of Every Summer After
A Most Anticipated Book by Entertainment Weekly ∙ Harper's Bazaar ∙ PopSugar ∙ Real Simple ∙ BookRiot ∙ and more!
An overworked book publicist with a perfectly planned future hits a snag when she falls in love with her temporary roommate…only to discover he lives seven years in the past, in this witty and wise new novel from the New York Times bestselling author of The Dead Romantics.
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
This is one of the very few novels that managed to conquer me in every aspect—the plot, the characters, the settings, and the writing. All credits go to the author, of course. But—as I now see her as a living person rather than a fictional character—I think I owe a special tribute to Big Ammachi, the female protagonist of this family saga.
She grabs the scene on page one, and although there comes a moment when she leaves (the story spans some eighty years), her profound sense of humanity keeps lingering throughout the book. More than that—she continues to linger now, even two months after I finished reading. And I suspect she will stay with me forever.
OPRAH’S BOOK CLUB PICK • INSTANT NEW YORK TIMES BESTSELLER • SUBJECT OF A SIX-PART SUPER SOUL PODCAST SERIES HOSTED BY OPRAH WINFREY
From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret
“One of the best books I’ve read in my entire life. It’s epic. It’s transportive . . . It was unputdownable!”—Oprah Winfrey, OprahDaily.com
The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
A decade ago, we could not have imagined a world where democracy would be in existential crisis. Perhaps it’s overly dramatic to think that way – I hope so – but it does seem realistic at this moment. That is why I am so passionate about wanting to defend democracy and the kind of society it makes possible and why I am so drawn to works that express that passion through artful writing and story-telling. With authoritarian and totalitarian regimes dangerously on the rise, books that demonstrate the profound inhumanity and injustice of such regimes and how they extinguish democracy and human rights are needed now more than ever.
Isabelle Allende is truly one of the great writers of our time, a strong recommendation in itself. What I found particularly thrilling about this book, however, was the way she shed light on how authoritarianism and fascism are disproportionately devasting for the most vulnerable among us – children.
By weaving together narratives about the displacement of and harm to children during the Nazi holocaust and under the brutal immigration policies of President Trump, Allende provokes outrage and inspires compassion.
THE POWERFUL AND MOVING NEW NOVEL FROM LITERARY LEGEND ISABEL ALLENDE
PRAISE FOR THE AUTHOR
'A grand storyteller' - KHALED HOSSEINI
'A new novel by Isabel Allende is always a treat' - DAILY MAIL
'What a joy it must be to come upon Allende for the first time' - COLUM MCCANN
No, we're not lost.
The wind knows my name.
And yours too.
Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht - the night their family loses everything. As her child's safety seems ever harder to guarantee, Samuel's mother secures a spot for him…
I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topics—New York and women’s history.
I can’t get enough of this novel about a group of young women making their way into the world of publishing in New York City. A window into what it was like to find a career, fall in love, and negotiate life as a single woman in the big city in the 1950s, Rona Jaffe’s book was a watershed when it was published in 1958. I think it should be required reading for all women, regardless of whether they work in publishing, or have ever lived in New York.
Who are you, and why do you have expertise or a passion for the topic/theme/mood of the book list you created?
Rona Jaffe's beloved novel about 1950s NYC women in the workplace that paved the way for the #MeToo movement and iconic cultural touchstones like Sex and the City and Mad Men, now for the first time in Penguin Classics, in a 65th anniversary edition with an introduction by New Yorker staff writer Rachel Syme
A Penguin Classic
When Rona Jaffe’s superb page-turner was first published in 1958, it changed contemporary fiction forever. Some readers were shocked, but millions more were electrified when they saw themselves reflected in its story of five young employees of a New York publishing company. Sixty-five…
Starting at age ten, I loved everything about Superman. I loved his origin story—who wouldn’t root for an alien baby arriving on Earth with superpowers that are eventually used to fight evil? Superman comics were a place for me to escape for entertainment and to dream about becoming something more…maybe something super. I hope kids today will dream about superheroes and, in the end, realize they have superpowers they can use to make their lives and the world a better place. This explains why I connect with the following five books.
I’m a huge Alan Gratz fan, and this book did not disappoint. Like the creators of Superman, Siegel and Schuster, in Heroes, we have a tween writer, Frank, and a tween artist, Stanley, who talk non-stop about superhero comics as they set out to write their own. But this day is December 7, 1947, and the Japanese military attacks the boys’ Pearl Harbor home.
Gratz brings history to life with the stories of life-like characters. Frank was already riddled with fears, even fear of flip flops (you’ll have to read the book), and now the situation is beyond his worst fears. Not many of us will be tested as these boys are tested, but Gratz has the power in his writing to put us in perilous situations in order to examine our own lives.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
In writing character-driven space fantasy, heavily influenced by my training as an electromechanical engineer, I’ve realized a love for stories with a heavy emphasis on moral dilemmas and shifts in thinking. How does a character change direction after realizing much of what they always believed was a lie? When well-trained instincts pull them backward instead of propelling them forward? I love these stories, mirroring my own messy self-discovery journey through life. The settings and stakes are more fantastical, but that makes them more appealing. A way to confront my own trials without becoming burdened by them. If the characters can do it, so can I.
I enjoy a good redemption arc, particularly ones that show more messy mistakes. In this book, Samantha Mills crafts a tight narrative detailing Zenya's fall and redemption as she navigates the complicated choices of her life. The story is told in parallels, each alternate chapter unfolding details of her present or past in complementary ways, revealing Zenya’s character in a way that emphasizes how both have led to her current situation.
It also pulls no punches. Zenya’s relationships are colored by various forms of emotional abuse, ranging from the neglect of her father to the manipulative grooming of her mother figure, in ways that struck home personally. It’s a difficult path, portrayed here with compassion and brutal honesty.
In this gripping debut novel from acclaimed Nebula, Sturgeon, and Locus Award-winning author Samantha Mills, a disgraced soldier fights to make sense of her world and the gods who abandoned it. The Wings Upon Her Back is an action-packed, devastating exploration of the brutal costs of zealous loyalty.
Zenya was a teenager when she ran away to join the mechanically-modified warrior sect. She was determined to earn mechanized wings and protect the people…
