Here are 100 books that Plasmas fans have personally recommended if you like
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During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Unlike those of Richard Matheson, the stories of Italo Calvino are rarely adapted for stage or screen, his estate holding a heavy hand on the rights (I know—I’ve tried).
One of my favorite writers, Calvino specializes in eccentric, surreal stories as funny as they are moving.
Cosmicomics is a linked collection, each tale an imaginative fiction about the origins of a scientific idea, from the Big Bang (the narrator lives in a crazily cramped space with his family during the explosion) to evolution (his embarrassing old uncle still lives in the sea and refuses to make the trip to land). These stories combine whimsicality and gravity as few others do.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Twelve enchanting and fantastical stories about the evolution of the universe from the giant of Italian literature,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Speaking of movies, as I’m afraid I often am, it’s not just the novels of Daphne du Maurier (like Rebecca) that have made great films; her short stories have inspired them, too. And they’re weirder and darker than her full-length works.
Don’t Look Now and Other Stories is a recent collection curated by Patrick McGrath, another excellent horror-adjacent author. It features the title story, source of Nicolas Roeg’s famously frightening 1973 film, and “The Birds,” on which Hitchcock based his notoriously gory (for 1963) film.
While the movies are swell, these brief, insidious, and ambiguous tales can make them seem a little lumbering and obvious by comparison.
John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Despite some people’s fears, watching a lot of TV as a kid was a gateway to reading for me, not a deterrent. Seeing reruns of old horror anthology series and TV movies made me curious about who had written the stories on which the shows were based.
I discovered Richard Matheson, whose works were among the most adapted by The Twilight Zone and others. This collection features some of his classic imaginative tales that also became classic TV, including “Nightmare at 20,000 Feet” (pre-Star Trek William Shatner saw a demon on an airplane wing on The Twilight Zone), “Duel” (Dennis Weaver was menaced by a killer truck in Steven Spielberg’s famous 1976 TV movie) and “Prey” (Karen Black fought a demon doll in one of the Trilogy of Terror).
Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, the stories in Nightmare at 20,000 feet more than demonstrate why Matheson's regarded as one of our most influential horror writers.
Featuring the story "Duel," a nail-biting tale of man versus machines that inspired Steven Spielberg's first film.
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
Assassins are always compelling characters. They fit within that archetype of the gunslinger and the private eye and the ronin samurai, highly-skilled characters with a strict moral code who take the law into their own hands to deliver justice in an unjust world. But more than that, they’re fantastic vehicles for exploring the moral gray areas of the world. As a concept, it’s pretty straightforward: kill someone and collect a paycheck. But I’m always looking for books that do something new and special with the genre.
This book is a unique spin on the classic assassin story. It follows four women in their 60s, retired from their careers as killers, who are now targeted and trying to survive.
Raybourn’s book is funny and action-packed, but it does incredible work with the characters. It explores a traditionally macho genre from a female perspective, which offers a whole host of new opportunities and insights.
Older women often feel invisible, but sometimes that's their secret weapon.
Billie, Mary Alice, Helen and Natalie have worked for the Museum, an elite network of assassins, for forty years. But now their talents are considered old-school and no one appreciates their real-world resourcefulness in an age of technology.
When the foursome is sent on an all-expenses-paid trip to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realise they've been marked for death.
In writing character-driven space fantasy, heavily influenced by my training as an electromechanical engineer, I’ve realized a love for stories with a heavy emphasis on moral dilemmas and shifts in thinking. How does a character change direction after realizing much of what they always believed was a lie? When well-trained instincts pull them backward instead of propelling them forward? I love these stories, mirroring my own messy self-discovery journey through life. The settings and stakes are more fantastical, but that makes them more appealing. A way to confront my own trials without becoming burdened by them. If the characters can do it, so can I.
I enjoy a good redemption arc, particularly ones that show more messy mistakes. In this book, Samantha Mills crafts a tight narrative detailing Zenya's fall and redemption as she navigates the complicated choices of her life. The story is told in parallels, each alternate chapter unfolding details of her present or past in complementary ways, revealing Zenya’s character in a way that emphasizes how both have led to her current situation.
It also pulls no punches. Zenya’s relationships are colored by various forms of emotional abuse, ranging from the neglect of her father to the manipulative grooming of her mother figure, in ways that struck home personally. It’s a difficult path, portrayed here with compassion and brutal honesty.
In this gripping debut novel from acclaimed Nebula, Sturgeon, and Locus Award-winning author Samantha Mills, a disgraced soldier fights to make sense of her world and the gods who abandoned it. The Wings Upon Her Back is an action-packed, devastating exploration of the brutal costs of zealous loyalty.
Zenya was a teenager when she ran away to join the mechanically-modified warrior sect. She was determined to earn mechanized wings and protect the people…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
This is one of the very few novels that managed to conquer me in every aspect—the plot, the characters, the settings, and the writing. All credits go to the author, of course. But—as I now see her as a living person rather than a fictional character—I think I owe a special tribute to Big Ammachi, the female protagonist of this family saga.
She grabs the scene on page one, and although there comes a moment when she leaves (the story spans some eighty years), her profound sense of humanity keeps lingering throughout the book. More than that—she continues to linger now, even two months after I finished reading. And I suspect she will stay with me forever.
OPRAH’S BOOK CLUB PICK • INSTANT NEW YORK TIMES BESTSELLER • SUBJECT OF A SIX-PART SUPER SOUL PODCAST SERIES HOSTED BY OPRAH WINFREY
From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret
“One of the best books I’ve read in my entire life. It’s epic. It’s transportive . . . It was unputdownable!”—Oprah Winfrey, OprahDaily.com
The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of…
My graduating class in high school once designated me as “the most likely to start a feminist revolution.” That was a lot to live up to, but I’ve made a very small stab at it by writing about women who have changed our world. I love to bring awareness about the contributions great women have made in history, but I also want modern women to see themselves in these struggles. I always say that Historical Fiction is an exercise of empathy, and I hope my work encourages women today to get involved and make a difference in the world, too.
I loved this tale about the extraordinary Mary Wollstonecraft and her daughter, Mary Shelley.
Thoroughly researched, this novel delves deep into the complex relationship of a daughter who never knew her infamous, trailblazing, rule-breaking, feminist mother and how that same daughter breaks the mold in her own way by inventing the science fiction genre in writing Frankenstein.
From A Vindication of the Rights of Woman to Frankenstein, a tale of two literary legends—a mother and daughter—discovering each other and finding themselves along the way, from USA Today bestselling author Stephanie Marie Thornton.
1792. As a child, Mary Wollstonecraft longed to disappear during her father’s violent rages. Instead, she transforms herself into the radical author of the landmark volume A Vindication of the Rights of Woman, in which she dares to propose that women are equal to men. From conservative England to the blood-drenched streets of revolutionary France, Mary refuses to bow to society’s conventions and instead…
I think I sometimes get in trouble for saying this, but the truth is, I don’t give a shit about the likability of characters, whether I’m reading or writing. I’m here for a good time, not a long time. Because of that, fiction is the most riveting for me when interesting characters start making bad decisions. Any good narrative train wreck must create tension that keeps ratcheting up in its pages, and these are some of the books that do that most expertly, in my opinion. So, grab something to hold onto while you go on some of my favorite wild rides.
This is my most recent “can’t look away” read. The titular Piglet hits rock bottom and keeps digging after her idea of a perfect life with her fiancé Kit goes up in flames. Lottie Hazell really knows how to do a set piece with constant escalating tension. Every food-related meltdown in Piglet proved more anxiety-inducing than the last, particularly a scene of Piglet frantically trying to bake a croquembouche on the day of her disastrous wedding.
I always appreciate a book that refuses to give the reader breathing room and puts you in the scene with its characters. Piglet’s pages and pages of bad decisions–and the empathy Hazell’s narrative still manages to weave in for her characters–make this a gripping, satisfying read.
Discover a deliciously dark and piercing story of food and secrets, a Stylist Best Debut Novel of 2024.
'A sharp, dark, must-read story about appetite, ambition, secrecy and shame' Daily Mail
'If I owned a bookstore, I'd hand-sell Piglet to everyone' New York Times Book Review
'A dark, weird, satisfying tale about greed and desire' i News
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Her life is so full, so why is she hungry?
For Piglet - an unshakable childhood nickname - getting married is her opportunity to reinvent. Together, Kit and Piglet are the picture of domestic bliss - effortless hosts, planning a covetable wedding...
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I started keeping a daily journal when I received one for my ninth birthday, and, as they say, the rest is history. Into my twenties, there was nothing I loved more than sitting down to write and write`. It was a way to understand my feelings, and it was also a way to make sense of the world in all its beauty and bewilderment. There seemed to be magic and attempted connection everywhere! And so I became a lover of writing that focused on humans playing out their lives in a world at once surreal and real in an attempt to make sense of the extraordinary.
This short, dark novel hooked me from the beginning. Its beginning is, in fact, its ending when it is revealed that the protagonist, a young woman named Janet, has just been murdered. The story then jumps back in time to when Janet is born. I was drawn to the sharp, wry narrative voice and the gothic, stormy setting of northern mid-20th century Scottland.
The rest of the novel is an account of Janet’s coming-of-age instead of a typical and dull whodunit, which I loved because it felt fresh, true, and real to me—a revelation, in fact. I was so happy to encounter a young female protagonist who was odd, bookish, intelligent, grumpy, lonely, and highly unpopular.
In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.
Janet lies murdered beneath the castle stairs, attired in her mother’s black lace wedding dress, lamented only by her pet jackdaw…
Author Elspeth Barker masterfully evokes the harsh climate of Scotland in this atmospheric gothic tale that has been compared to the works of the Brontës, Edgar Allan Poe, and Edward Gorey. Immersed in a world of isolation…
