Here are 100 books that Plasmas fans have personally recommended if you like
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During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Unlike those of Richard Matheson, the stories of Italo Calvino are rarely adapted for stage or screen, his estate holding a heavy hand on the rights (I know—I’ve tried).
One of my favorite writers, Calvino specializes in eccentric, surreal stories as funny as they are moving.
Cosmicomics is a linked collection, each tale an imaginative fiction about the origins of a scientific idea, from the Big Bang (the narrator lives in a crazily cramped space with his family during the explosion) to evolution (his embarrassing old uncle still lives in the sea and refuses to make the trip to land). These stories combine whimsicality and gravity as few others do.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Twelve enchanting and fantastical stories about the evolution of the universe from the giant of Italian literature,…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Speaking of movies, as I’m afraid I often am, it’s not just the novels of Daphne du Maurier (like Rebecca) that have made great films; her short stories have inspired them, too. And they’re weirder and darker than her full-length works.
Don’t Look Now and Other Stories is a recent collection curated by Patrick McGrath, another excellent horror-adjacent author. It features the title story, source of Nicolas Roeg’s famously frightening 1973 film, and “The Birds,” on which Hitchcock based his notoriously gory (for 1963) film.
While the movies are swell, these brief, insidious, and ambiguous tales can make them seem a little lumbering and obvious by comparison.
John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Despite some people’s fears, watching a lot of TV as a kid was a gateway to reading for me, not a deterrent. Seeing reruns of old horror anthology series and TV movies made me curious about who had written the stories on which the shows were based.
I discovered Richard Matheson, whose works were among the most adapted by The Twilight Zone and others. This collection features some of his classic imaginative tales that also became classic TV, including “Nightmare at 20,000 Feet” (pre-Star Trek William Shatner saw a demon on an airplane wing on The Twilight Zone), “Duel” (Dennis Weaver was menaced by a killer truck in Steven Spielberg’s famous 1976 TV movie) and “Prey” (Karen Black fought a demon doll in one of the Trilogy of Terror).
Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, the stories in Nightmare at 20,000 feet more than demonstrate why Matheson's regarded as one of our most influential horror writers.
Featuring the story "Duel," a nail-biting tale of man versus machines that inspired Steven Spielberg's first film.
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
As well as featuring kick-ass female lead characters, all the books listed delve into why people do what they do – and this has always fascinated me; it’s why I became a journalist. Talking to victims of crime, I was always struck by their strength (and that was never more true than when I fronted an award-winning campaign for victims of domestic abuse). Prior to that, I worked at a high-security men’s prison, and getting to know the prisoners had a profound impact on me. Now, whether reading or writing a book, I love to get under the skin of characters and find their ‘why.’
What’s better than a strong female lead character? A whole cast of them! A group of servants gang together to pull off the ultimate heist, clearing an entire house during a party. How audacious is that?! As soon as I read that premise, I had to find out how on earth they would pull it off.
Rather like an Edwardian, all-women Ocean’s Eleven, the plot has clever twists and turns that kept me turning the pages. I really enjoyed getting to know each one of the gang, too, as they’re all so different, and the book as a whole was such a refreshing take on both historical fiction and the heist genre.
The night of London's grandest ball, a bold group of women downstairs plot a daring revenge heist against Mayfair society in this dazzling historical novel about power, gender, and class
Named a Best Book of Summer by The Washington Post * Good Housekeeping * Harper's Bazaar * Reader's Digest
“Rollicking fun and entirely original... Anyone who relishes a good party gone wrong will devour this.” —Sarah Penner, New York Times bestselling author of The Lost Apothecary
Mrs. King is no ordinary housekeeper. Born into a world of con artists and thieves, she’s made herself respectable, running the grandest home in…
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
This novel takes an absurd premise (everyone magically receives a string whose length reflects how long they will live) and spins it into a profound thought experiment. I loved it for its complete indifference to the scientific credibility that I tried to build into my novel, which is in part about knowing (if you want) exactly how long you have to live.
I found it liberating to learn that, as a writer, I could have it both ways: be extremely thoughtful and nuanced about the consequences of your premise while being completely arbitrary and absurdist about the premise itself. I don’t have that kind of nerve, so I fell back on mere science for my premise, but I love Erlich’s gall.
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I have always been drawn to the idea of a friendship turning into lasting love. When two people are friends first, they can be vulnerable with each other, support each other, and develop a tender intimacy before the fireworks. My young adult years as a tomboy and outdoor education instructor meant I was often the only girl among many guys, and I developed some very deep and meaningful friendships. My first love was also a tender friend first, and I’ll never forget the power of our bond. Writing friends to lovers stories always feels like home to me. Enjoy these five friends to lovers “must-reads”!
I am a sucker for lifelong friends to lovers with a bit of the taboo, and this book delivered!
Our hero is a sexy hockey player with a dark past, and our heroine is a dancer with an overprotective and controlling family. When, on her wedding day, she learns the jerk she’s being forced to marry has been cheating on her, she runs right into the arms of her childhood crush and friend Jasper, who offers to whisk her away so she can figure out what to do and how to face her parents.
Jasper and Sloane were made for each other from page one, and I loved rooting for them! Add in the delightful small-town vibes, the belonging that comes from being part of an amazing, tight-knit family, and some steamy times, and it’s a recipe for an all-nighter (reading, that is).
Two childhood friends. Two broken hearts. One impromptu road trip to get away from everything. That's all this was supposed to be.
To Jasper Gervais's fans, he's the handsome, talented hockey heartthrob on TV. But to Sloane, he'll always be the lost boy with the sad eyes and a heart of gold.
The man she's loved in secret all her life.
So when her life falls apart on the day she's supposed to marry someone else, it only makes sense that he's the one to swoop in and save her. And when his world comes crashing down around him, she's…
I grew up hearing stories about my grandfather, who was the blacksmith in Saratoga, California, from the 1920s to the 1940s, and I wanted to write a novel about him. As I began to research his life, a world opened up to me. I learned how the suburbs I’d grown up in were built on one of the world’s greatest fruit-growing regions, and the story about my grandfather grew into a story about the profound changes we’ve wrought upon the land. That novel, The Blossom Festival, was the beginning of my lifelong engagement with the peoples and places of my home state that I’ve carried through in all the books I’ve written.
Set in the inland regions of Southern California, far from glamor, this novel contains a cross section of characters from California’s past, present, and future, all connected by blood, by place, by history. It begins with an act of violence committed to disrupt a sexual assault, and that act has consequences that echo through decades. The landscape, beautiful and treacherous and fire-prone, acts like one more character.
The novel ends with a standoff between the characters we’ve grown to know and love and ICE agents—a haunting and newly relevant image. A tremendous work of art.
One of The Washington Post's Ten Best Books of 2022. Finalist for the 2022 Kirkus Prize and the 2023 Dayton Literary Peace Prize. One of the New York Times' 10 Best California Books of 2022 and one of NPR's Best Books of 2022. A New York Times Book Review Editors' Choice.
"A wide and deep view of a dynamic, multiethnic Southern California . . . Susan Straight is an essential voice in American writing and in writing of the West." ―The New York Times Book Review
From the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing…
I’ve heard many stories from friends who, as adults, discovered that the person they always believed to be their mother or father was not, and saw what it did to their sense of self. I became fascinated by the how and why a family would perpetuate such a lie, and it made me wonder about the difference between a secret and a lie, and if there is one. This set me off writing novels about family secrets, and reading many more. I enjoy exploring what such devastating news does to a person, and to the entire family, once the secret is discovered.
This story grabbed my heart, sometimes clutching it in pain, sometimes bursting with pleasure.
This is a family saga I will long remember. I love a book with gorgeous prose that makes me stop and re-read. Napolitano’s sentences and phrases, metaphors, and similes did that. I wanted to savor the words, like rich dark chocolate, on my tongue.
From the New York Times bestselling author of Dear Edward comes a poignant and engrossing family story that asks: Can love make a broken person whole?
“Hello Beautiful is exactly that: beautiful, perceptive, wistful. It’s a story of family and friendship, of how the people we are bound to can also set us free. I loved it.”—Miranda Cowley Heller, author of The Paper Palace
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I’m an animal person. A lot of my writing, for readers ages 10 and up, features animals. I am intrigued by the intersection of research-based reality and fiction. When I speak at schools, I love sharing ways students can make their voices and actions count. They can make the world better. I believe some of our best human traits are brought out when we interact with animals. They connect us to the natural world while sharing so many human qualities. Between the lines in these books about animals, we can discover strength and the inspiration to be the best humans we can be.
How often do I get to learn about preparing skeletons for museum displays, Civil War history, one of the greatest racehorses ever, and the legacy of racism in the U.S.? I love this novel because Brooks intertwines modern and historic times, horse racing, art, and science in the story of a majestic horse and the people who dedicated their lives to him.
I loved learning more about the legendary Thoroughbred, Lexington. I admire the way this book echoes and reflects how racism is still embedded in our culture. It entertained me but also left me with a lot to think about. A great read.
"Brooks' chronological and cross-disciplinary leaps are thrilling." -The New York Times Book Review
"Horse isn't just an animal story-it's a moving narrative about race and art." -TIME
A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history
Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an…
