100 Books Like The Maiden Ship

I loved the high-seas, pirate vibe of this incredible book. The heroine's story starts in a harsh and tragic setting that I couldn’t help but get sucked into. And it was impossible for me not to admire Fable’s backbone, perseverance, and determination. She was so impressive!

I was immediately sucked into this story and rooting so hard for Fable. And the romantic tension that builds between her and one of the ship captains puts a perfect cherry on top of this lovely tale. 

Pirates! I absolutely love a good pirate book, and this one by Vanessa delivered. We follow the story of Declan, a broody and mysterious captain, and Aoife, an heir who flees her kingdom. This book fulfilled all my enemies to lovers wants and told a very engaging story with a plot full of twists that kept you turning the page. Not to mention the world building was fantastic! It’s a new release and I’ve already pre-ordered the sequel. The best part of this book was supporting Vanessa Rasanen who is also an indie author. 

This book can be described in one word: Fun. From a ship crewed by female pirates to a quest for treasure, it has all the witty dialogue and adventure to match the Pirates of the Caribbean franchise, but instead features a fierce, female captain named Alosa who has mad skills and a way of looking at the world that will make you laugh out loud and cheer her on. 

This is the first in a duology, so it’s also not too much of a commitment to read, unlike some longer series. Both books are equally fast-paced and enjoyable. If you’re like me, you’ll be ready to grab your pirate hat and strap on your sword by the end of this book.

This book is positively overflowing with witty banter. Hilarious witty banter between the love interests who won’t admit they’re madly in love and spectacular witty banter between the various sibling POVs we also get to read. My favorite character besides the FMC and MMC is Finn, a brother of one of the characters whose sense of humor is second to none. His undercover vigilante work, which his family misunderstood as laziness and lack of direction, made me respect and feel for him more, which balances out his apparent inability to take anything seriously well.

This book has the classic mutual pining I love so much and enjoy reading from both love interests’ perspectives, and the incredible sibling banter adds richness to the story I rarely find. This is my most recent read actually and I’m already running for the rest of the series right now!

I’ve been assigning The World Don’t Owe Me Nothing in Southern Studies classes at Ole Miss for the past twenty years; the incarcerated students in my blues lit class at Parchman said this was their favorite book. 

Honeyboy, born in 1915, grew up in the bad old Mississippi Delta, back when cottonfield sharecropping, lynching, and prison farms were the givens. The blues were his way out. He learned his trade, rambled widely, took his pleasures where he found them.

“I had three ways of making it,” he writes. “Women, my guitar, and the dice.” He knew all the great bluesmen, and gigged with most of them: Charley Patton, Robert Johnson, Little Walter. An unforgettable Delta blues autobiography.

Completing a trifecta with Deep Blues and Sound of the City, Honkers and Shouters is a definitive examination of the evolution of rural blues into urban rhythm-and-blues, the “big beat” that made African-American-based popular music into one of America’s greatest, and most lucrative, cultural exports. 

Shaw, a former music executive, focuses on how the music found its way from the artists to the ears and wallets of the consumers. It was a tough, exploitative business that provided a way for entrepreneurs excluded from more traditional careers by race or ethnicity to find their fortune, if often at the expense of the artists themselves. The rough saga of lives in the music business makes us appreciate the magical results even more. Listen while you read.

When Brooks says “ballade” or “blues” she speaks with the authority of one who can hear—can allude to music without needing to copy it.

Composing the sounds before the record-keeping act of merely writing the words. She doesn’t need the added music of actual song: she embodies the music in the sentence-sounds. (And the harmonies and discords and rhythms of speech.)

Howard was a top Los Angeles session guitarist (one of the fabled Wrecking Crew), jazz stylist, and brilliant visionary who combined his skills to create the Guitar Institute of Technology, an innovative, intensive program that trained thousands of professionals and transformed guitar education.

The Guitar Compendium is the result of Howard’s decades of research into learning theory and information flow applied to the guitar. It’s not a standard guitar method (and not designed for raw beginners), but rather a collection of practical, thought-provoking solutions to the universal challenges of learning and playing the instrument, from developing technique to breaking through creative roadblocks. If you’re an aspiring, curious, and perhaps frustrated guitarist, The Praxis System is a unique source of wisdom and inspiration from one of the greatest.

When I started playing rock guitar in the ‘60s I had no idea that it was built on the innovations of African-American blues and Gospel artists. Sound of the City traces how those innovations evolved into the dominant strains of ‘50s rock & roll, including artists like Bill Haley, New Orleans dance music, Memphis rockabilly, Chicago R&B, and vocal (“doo-wop”) groups. 

Gillette creates an extraordinarily detailed and very readable account of the music and musicians as well as a booming, often corrupt, and highly segregated music industry within a turbulent American social landscape. If you want to learn about American music in all its variety, this book is a must. Like Deep Blues, read it within reach of a music streaming service.

The story of American music is laid out in a fascinating series of stories by musicologist and former New York Times music critic Robert Palmer. Palmer used interviews with Muddy Waters and many other bluesmen to explain how this music traveled from Africa to the American South and then up to Chicago, Detroit, and other northern cities.

It is an in-depth look at the stories and myths of the South and the people who made their escape from the brutal cotton fields and racial segregation of the times. This book is a must for anyone wanting to know the beginnings and significance of American music.