Here are 100 books that The Lost Rainforests of Britain fans have personally recommended if you like
The Lost Rainforests of Britain.
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I was brought up in a farming landscape; the little patches of woodland were exciting because they were different, full of birds and flowers not seen elsewhere. This led to me wanting to be a forester, and hence my undergraduate degree, post-graduate research, and subsequent career with the conservation agencies in Britain. I enjoyed working with colleagues on issues as varied as how to select and manage woodland reserves, to what the government should be doing in its reviews of national forest policy. Now retired, I still spend time following the changes in the woodland flora and trying to encourage others to conserve and expand our native woodland.
I was lucky enough to visit Isabella Tree’s farm, just after she and her husband had started their rewilding project. I have followed its progress over the next two decades as described here.
I am inspired by the hopeful conservation message it sends – as the trees and scrub have spread, so wildlife has thrived. Others have followed their example, and I see new ways of looking at what we want and can realistically achieve for conservation across the farmlands of Britain.
'A poignant, practical and moving story of how to fix our broken land, this should be conservation's salvation; this should be its future; this is a new hope' - Chris Packham
In Wilding, Isabella Tree tells the story of the 'Knepp experiment', a pioneering rewilding project in West Sussex, using free-roaming grazing animals to create new habitats for wildlife. Part gripping memoir, part fascinating account of the ecology of our countryside, Wilding is, above all, an inspiring story of hope.
Winner of the Richard Jefferies Society and White Horse Book Shop Literary Prize.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a practicing pagan, and nature writer, I write books about how to reconnect to nature, how to rediscover and connect to your inner self, and your sense of spirituality. I grew up in the wilds of a large national park (Dartmoor) and have found that this colours and shapes everything I do. I spent thirty years living and working in London, and missed Dartmoor every day I was away. Whilst living in the city I had to learn ways to connect to nature, which is how I discovered my spiritual path. I was lucky enough to stage an escape and return home at forty-seven, and have been writing about it ever since.
I loved this book as it follows the author’s quest to reconnect with nature and rediscover a sense of enchantment following the challenges of the COVID lockdowns.
Split into the four elements – earth, air, fire, and water – the author describes her explorations of each element in her life and how if leads her back to herself. I love the book as it enabled me to see nature through the author’s eyes, and with a perspective that is in some ways almost entirely different to my own, and in others, in harmony with my own thoughts and feelings. It was indeed an enchanting read.
'It will do your soul good to read this.' NIGELLA LAWSON
A balm for our times from the internationally bestselling author of Wintering.
Our sense of enchantment is not only sparked by grand things. The awe-inspiring, the numinous, is all around us, all the time. It is transformed by our deliberate attention. The magic is of our own conjuring.
'A total joy . . . Thoughtful, patient and beautifully written, like walking with a friend as dusk settles, this is the book your soul needs right now.' CARIAD LLOYD
As a practicing pagan, and nature writer, I write books about how to reconnect to nature, how to rediscover and connect to your inner self, and your sense of spirituality. I grew up in the wilds of a large national park (Dartmoor) and have found that this colours and shapes everything I do. I spent thirty years living and working in London, and missed Dartmoor every day I was away. Whilst living in the city I had to learn ways to connect to nature, which is how I discovered my spiritual path. I was lucky enough to stage an escape and return home at forty-seven, and have been writing about it ever since.
I love this book because it is like a gentle meander through the woods with the author. You get a real sense of what details draw him in, what his fascinations are, and his discoveries through the turning seasons.
It is often said that in order to really get to know a place, it is good to walk the same route in nature every day, and that was the sense I got with this book. The author knows the landscape of the woods so well, it is like he is visiting an old friend.
When I was stuck indoors a lot during the COVID lockdown, it really helped me to remember why nature is so healing, and also inspired my own walks at this time which were spent in a small area of woodland in London.
'BRITAIN'S FINEST LIVING NATURE WRITER' - THE TIMES
A SUNDAY TIMES BESTSELLER and BBC Radio 4 'Book of the Week' from 'indisputably, one of the best nature-writers of his generation' (Country Life)
Written in diary format, The Wood is the story of English woodlands as they change with the seasons. Lyrical and informative, steeped in poetry and folklore, The Wood inhabits the mind and touches the soul.
For four years John Lewis-Stempel managed Cockshutt wood, a particular wood - three and half acres of mixed woodland in south west Herefordshire - that stands as exemplar for all the small woods…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
As a practicing pagan, and nature writer, I write books about how to reconnect to nature, how to rediscover and connect to your inner self, and your sense of spirituality. I grew up in the wilds of a large national park (Dartmoor) and have found that this colours and shapes everything I do. I spent thirty years living and working in London, and missed Dartmoor every day I was away. Whilst living in the city I had to learn ways to connect to nature, which is how I discovered my spiritual path. I was lucky enough to stage an escape and return home at forty-seven, and have been writing about it ever since.
I love this book as I used it as a road map of swimming adventures when I moved back home to the West Country after thirty years of living in the city.
I was faced with the challenge of not knowing where to swim, as we didn’t really go in the water when I was a child. The author visits a plethora of favourite swimming spots with a group of friends, and I felt like I was accompanying them on their trips.
I was able to use the book as a guide, to go and visit all the spots Lynne Roper mentions in her diaries, safe in the knowledge I was visiting places that people have swum in for years.
As a practicing pagan, and nature writer, I write books about how to reconnect to nature, how to rediscover and connect to your inner self, and your sense of spirituality. I grew up in the wilds of a large national park (Dartmoor) and have found that this colours and shapes everything I do. I spent thirty years living and working in London, and missed Dartmoor every day I was away. Whilst living in the city I had to learn ways to connect to nature, which is how I discovered my spiritual path. I was lucky enough to stage an escape and return home at forty-seven, and have been writing about it ever since.
I first fell in love with this book as a teenager. I first discovered it when the BBC did a fabulous adaptation of the novel and I was compelled to go and read the novel.
The book follows the story of Prudence Sarn, a woman living with a facial disfigurement at the time of the Corn Laws and the Napoleonic Wars. Her brother decides to make his fortune growing corn on the family farm, and promises Pru a cure for her facial scars if she helps him, however, his obsession with money soon turns them towards disaster, and the local community turn on Pru, accusing her of being a witch.
Returning to academic study in my forties, I wrote my PhD novel and thesis on the life of Mary Webb, a nature mystic, and it just served to make me love the novel even more. Webb’s descriptions of rural Shropshire…
I was brought up in a farming landscape; the little patches of woodland were exciting because they were different, full of birds and flowers not seen elsewhere. This led to me wanting to be a forester, and hence my undergraduate degree, post-graduate research, and subsequent career with the conservation agencies in Britain. I enjoyed working with colleagues on issues as varied as how to select and manage woodland reserves, to what the government should be doing in its reviews of national forest policy. Now retired, I still spend time following the changes in the woodland flora and trying to encourage others to conserve and expand our native woodland.
Rackham led me into the woods in England as they were 500 to 1000 years ago—part of village life, being cut for firewood or cartwheels, and perhaps occasionally to supply beams for the local church, manor house, or even a cathedral.
I look at the flowers growing, the shapes of trees, and the patterns of the forest floor differently now—a legacy of human activity as well as nature. Their conservation takes on a different dimension.
Odette Lefebvre is a serial killer stalking the shadows of Nazi-occupied Paris and must confront both the evils of those she murders and the darkness of her own past.
This young woman's childhood trauma shapes her complex journey through World War II France, where she walks a razor's edge…
I was brought up in a farming landscape; the little patches of woodland were exciting because they were different, full of birds and flowers not seen elsewhere. This led to me wanting to be a forester, and hence my undergraduate degree, post-graduate research, and subsequent career with the conservation agencies in Britain. I enjoyed working with colleagues on issues as varied as how to select and manage woodland reserves, to what the government should be doing in its reviews of national forest policy. Now retired, I still spend time following the changes in the woodland flora and trying to encourage others to conserve and expand our native woodland.
The idea of the "wildwood," the prehistoric forests that might once have covered the landscape, has appealed to me since I was a child, but Peterken eloquently describes one version of what that idea might have meant in different places and times.
I can follow how a patch of trees might have grown and matured, to then be battered by gales, consumed by fire, or succumb to fungal or beetle attack. But even as the dead logs decay, new saplings shoot up around them. We have lost the wildwood in Britain, but perhaps we can allow some areas to start to recover at least part of their wildness.
Natural Woodland describes how woodlands grow, die and regenerate in the absence of human influence, and the structures and range of habitats found in natural woods. The underlying theme is that natural woodlands should form a basis for forest management, policies and practices. George Peterken compares the ecology of both North American and European forests, to produce a fascinating account of woodland natural history for all those concerned with woodland management and ecology.
I was brought up in a farming landscape; the little patches of woodland were exciting because they were different, full of birds and flowers not seen elsewhere. This led to me wanting to be a forester, and hence my undergraduate degree, post-graduate research, and subsequent career with the conservation agencies in Britain. I enjoyed working with colleagues on issues as varied as how to select and manage woodland reserves, to what the government should be doing in its reviews of national forest policy. Now retired, I still spend time following the changes in the woodland flora and trying to encourage others to conserve and expand our native woodland.
This book challenged my thinking and kept me sane during a 6hr delay stuck on a train.
I don’t agree with all the arguments, but I admire the way it has opened up a different way of looking at what natural landscapes look like, and how wild horses, bison, and wild ox might have shaped the wildwood.
I have seen how the ideas have inspired landowners to manage their farms and estates in a different way to conventional conservation, with great benefits to biodiversity.
It is a widely held belief that a climax vegetation of closed forest systems covered the lowlands of Central and Western Europe before humans intervened in prehistoric times to develop agriculture. If this intervention had not taken place, it would still be there and so if left, the grassland vegetation and fields we see today would revert to its natural closed forest state, although with a reduced number of wild species. This book challenges this view, using examples from history, pollen analyses and studies on the ecology of tree and shrub species such as oak and hazel. It tests the…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
Can a free-spirited country girl navigate the world of intrigue, illicit affairs, and power-mongering that is the court of Louis XIV—the Sun King--and still keep her head?
France, 1670. Sixteen-year-old Sylvienne d’Aubert receives an invitation to attend the court of King Louis XIV. She eagerly accepts, unaware of her mother’s…
An avid reader, and a spec-fiction/fantasy reviewer for CM Canada online, I’ve wanted to tell stories for as long as I can remember. I write “pantser-style” and let the characters run loose, looking at their motivation to steer the tale, often starting with little more than an idea and, if lucky, a character or two. My love of history led me to writing mediaeval or historical fantasy, as my first group of published novels attest, but to avoid stagnation added science fiction and a fantasy detective series of novellas. To date have fourteen novels and three anthologies of my novellas published and have appeared on panels at several cons.
A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”
The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.
The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation's carcass, slaughtering and being slaughtered in turn.
This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.
This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.
