Here are 100 books that Out of My Depth fans have personally recommended if you like
Out of My Depth.
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I didnât sit down to write Carried Away with a personal sermon in my back pocket. No buried lessons or hidden curriculumâit was just a story I wanted to tell. But stories have a way of outsmarting you.Â
So when I chose these books, I wasnât looking for perfect comparisonsâI was looking for echoes. Some of these books will drag you through POW camps or strand you on a lifeboat with a tiger; others will lean in and whisper that youâve been running a program and calling it personality. A few say the quiet part out loudâabout grit, meaning, and purpose. Others ring you up with fable, abstractions, or science, but they leave their mark just the same.Â
This book hit me as both tragic and strangely hopeful.
Chris McCandless walked into the Alaskan wilderness with little more than a backpack and a stubborn streak, and people have argued ever since: was he brave, reckless, or just plain stupid? But his compulsion isnât as rare as we might think. In my book, Cole feels the same tugâescape the sterile shoebox apartment and the $8 lattes. This canât be all there is.
What drew me in wasnât the verdict but his hunger for something realâstripping away every layer of artifice most of us cling to. Krakauer tells it with empathy and curiosity, letting you wrestle with the questions instead of handing you neatly typed answers. I recommend it because it forces you to stare down your own compromises: freedom versus responsibility, idealism versus pragmatism.
Admire Chris or dismiss him, you wonât forget him. And the story lingers like aâŠ
Krakauerâs page-turning bestseller explores a famed missing person mystery while unraveling the larger riddles it holds: the profound pull of the American wilderness on our imagination; the allure of high-risk activities to young men of a certain cast of mind; the complex, charged bond between fathers and sons.
"Terrifying... Eloquent... A heart-rending drama of human yearning." âNew York Times
In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned allâŠ
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesâall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueâŠ
My academic writing is focused on leadership, and leading mutinies is probably the most dangerous thing any leader can do: the chances of success are slim and the likelihood of the leaders surviving even a successful mutiny are negligible. So why do it? The book suggests an answer through a typology of dissent that is rooted in the environment mutineers find themselves in, but that still doesnât explain by very similar conditions generate very different outcomes. To explain that I turned to two ideas: the importance of the moral economy and the role of the puer robustus â the inveterate recalcitrant who takes it upon themselves to resolve the despotic situation.
If ever there was a mutiny that road roughshod over the romantic assumptions that mutineers were the âbetter angelsâ of these events, then the mutiny on the Bataviais it. In 1628 the largest ship owned by the Dutch East India Company during the Golden Age of the Netherlands is shipwrecked and taken over by Jeronimus Cornelisz and his gang of mutineers. They then establish a dystopian world on a deserted island and systematically murder many of those who survive before the last survivors are rescued. You need a strong stomach to read this, but it is an important warning for idealists and romantics.
From the bestselling author of Tulipomania comes Bataviaâs Graveyard, the spellbinding true story of mutiny, shipwreck, murder, and survival.
It was the autumn of 1628, and the Batavia, the Dutch East India Companyâs flagship, was loaded with a kingâs ransom in gold, silver, and gems for her maiden voyage to Java. The Batavia was the pride of the Companyâs fleet, a tangible symbol of the worldâs richest and most powerful commercial monopoly. She set sail with great fanfare, but the Batavia and her gold would never reach Java, for the Company had also sent along a new employee, Jeronimus Corneliszoon,âŠ
Jane Finch lives in Norfolk, England and is married with one son. Jane has travelled extensively and has also lived in Canada, Spain, and the Caribbean. Having spent over twenty-five years working in English Law, Jane decided to try her hand at writing crime thrillers. Her first novel, Due Process, is based in her hometown in Norfolk. Her book, The Black Widows, published by Solstice Publishing, reached the top ten of Amazonâs crime thriller list. Jane is a member of International Thriller Writers Inc. Now retired, Jane is free to write full-time, when inspired to do so, although she says, âNone of my friends tell me anything anymore because they know Iâll write about it!â
A mystery that confounds the world. How can a flight completely disappear? There are several conspiracy theories and ideas but the truth is â no one really knows what happened and probably never will. This book sets out the facts and leaves the reader to decide and it will have you mulling over the endless possibilities. The facts are troubling and the theories continue. Every time I board a plane I think of Flight MH370 and what those passengers must have endured. Bad enough as fiction but to realise itâs true is devastating.
On 8 March, 00:41, Malaysia Airlines Flight MH370 took off from Kuala Lumpur International Airport. At 01:19, the pilot bid air traffic control 'good night'. Two minutes later, the plane and its 227 passengers vanished from the skies. No trace has been found. The disappearance of flight MH370 has horrified people across the globe. In an age where a stolen smartphone can be pinpointed to any location on earth, the vanishing of a cruise liner and 227 passengers is the greatest mystery since the Mary Celeste. Experienced author and journalist Nigel Cawthorne has researched the case with incredible thoroughness, revealingâŠ
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicitâŠ
I am a novelist who loves stories that express deep emotions and life-changing experiences, suspenseful stories that explore how humankind responds to tragedy, to heartache, and to joy, so that is what I write. My stories donât come from me; they come through me. I often listen to scene-setting music full blast over and over again as scenes form in my head and the words pour onto the page. I donât write my stories in order. I usually know the beginning and end, but I write whatever scene I âseeâ and then arrange them in the right order when Iâm done.
I loved The Waltons, the closeness of the family, and how they solved typical family squabbles. As an adult, I watched every episode again with my kids, so I was thrilled when I actually met The Homecoming author Earl Hamner, Jr. (the real John-Boy Walton/Clay-Boy Spencer) in an online writersâ group way back when the internet was first invented. We became great online friends. His John-Boy character inspired the character in my book, a good-hearted teen who, despite living in modern times, traverses his small southern town on a horse, just as John-Boy rode Blue, his mule.
A young man searches for his missing father on Christmas Eve in this sequel to Spencerâs Mountain, the novel that inspired The Waltons.  Itâs the night before Christmas, but Clay Spencer has failed to return home. Leaving his worried family to keep watch at the homestead, his son, Clay-Boy, takes to the snowy Virginia hills in search of his father. Along the way, he will meet an irate deer, a threatening county sheriff, a congregation of African American churchgoers, and two elderly women who happen to be bootleggersâin this tale filled with warmth, humor, and emotion.  Along withâŠ
Writing narrative nonfiction books is, for me, quite an adventure. My quest is to discover remarkable stories of deep significance and find answers to long-lingering questions, such as why a spy was never caught. For my six books, I have travelled worldwide to interview key players, dig through archives, and see first-hand the storiesâ settings. With masterâs degrees in journalism (Columbia University) and library science (University of Michigan), I use the research skills of both professions. Designing the best story structure is my passion because thatâs the bridge writers must construct to artfully deliver true stories to readers. And I am inspired by reading excellent books.
I have read several John Le Carre novels, but I chose this one because of its ingenious depiction of the psychological traps of spydom.
Itâs a satire, and as it moves through a mire of lies and deceit, it digs deeply into the twists and turns of the life of a tailor seemingly forced by bribery and blackmail to be a spy. His only freedom is to release his creativity into a vast new domain of endless deceit, in which, among other things, he drenches his handler with lies.
The story is brimming with surprises, including the fact that thereâs no violence, which is one of the reasons I liked it so much. I read this one twice, years ago, and both times, I could barely take a break.
Charmer, fabulist and tailor to Panama's rich and powerful, Harry Pendel loves to tell stories. But when the British spy Andrew Osnard - a man of large appetites, for women, information and above all money - walks into his shop, Harry's fantastical inventions take on a life of their own. Soon he finds himself out of his depth in an international game he can never hope to win.
Le Carre's savage satire on the espionage trade is set in a corrupt universe without heroes or honour, where the innocent are collateral damage andâŠ
In 1999, I followed my childhood dreams and enlisted in the French Foreign Legion. In 2005, I published my first work, Legion of the Lost, which chronicles my swashbuckling experience serving in the French Foreign Legion. This is my story.
This tome was the size of a phone book but it has relevance even today. It's one of the slightly obscure classics but it speaks to the profound spiritual questions that transcend time. Parris was an idealist Englishman who served in the legion in the early 90s. but this was not a story of glory and medals. Parris saw action in Chad and had to spill blood. This chilling act never left him and he was haunted by his actions for years to come. The author passed from illness but dedicated the book to his son.
Penniless, divorced and AWOL from the British forces, Bill Parris volunteered for the French Foreign Legion in the early 1980s. Unlike many British volunteers to the Legion, Bill did not desert. He endured a horrendous training regime and, despite a fear of heights (!) joined the elite Foreign Legion Parachute Regiment. He discovered how women from all over the world flock to Corsica where the Legion is based - so his R&R was almost as exhausting as the jungle warfare school he was later sent to. This is more than a war story - it is a personal journey too,âŠ
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.Â
Iâve loved the theater ever since I first stepped on stage in a high school production of You Canât Take It With You. I had one line and was hooked! And as for ShakespeareâI fell in love with the Bard when I was 13 and saw Franco Zeffirelliâs Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when Iâm not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.
Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main characterâs fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swiftâs novels and credit them with inspiring me to write my own novels based on women in the arts.
Perfect for fans of Philippa Gregory, Alison Weir, Anne O'Brien and Elizabeth Chadwick, Deborah Swift brings a unique period in history to vivid, fascinating life in her acclaimed Pepys trilogy.
'A remarkably beguiling read. It transported me to the glitter and filth of seventeenth century London' Martine Bailey, author of The Almanack
'The fusion of historical facts and fiction is so flawless that it is hard to know where reality ends and fiction begins' Readers' Favorite
London, 1666. Elizabeth 'Bird' Carpenter has a wonderful singing voice, and music is her chief passion. When her father persuades her to marry horse-dealerâŠ
I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didnât stand a chance and caught on fire. Later, I chose history as a career path with research as the jobâwhich is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinsterâs Fortune and Campbellâs Boy.
This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!
Some houses hold secrets that are meant to be kept forever...
When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.
Not long into their marriage, Eliza fears that she should haveâŠ
I write romantic historical fiction and am a lifelong lover of the works of Jane Austen. I am English, love historical novels but dislike books that give you âgreat lumps of factsâ that slow up the storyline. I like stories and characters that capture your attention and your heart. Plots and backgrounds that make you think about what it might really have been like to live in those times.
A glimpse into medieval times. Itâs a sumptuous tale of passion and danger.
Katherine comes to the court of Edward III aged fifteen and turns the head of the Kingâs favourite son, John of Gaunt. But their paths in life pull them apart until their love forces them back together. This is a wonderful book by a writer who manages to make you experience life as it was then, but without trying to teach you, and asks, âhow much would you give up for love?â
"Exhilarating, exuberant, and rich," Katherine is an epic novel of a love affair that changed historyâthat of Katherine Swynford and John of Gaunt, Duke of Lancaster, the ancestors of most of the British royal family (Austin Chronicle).
Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent PlantagenetsâEdward III, the Black Prince, and Richard IIâwho rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the kingâs son, falls passionately in love with the already-married Katherine.âŠ
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, heâs lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, aâŠ
My fascination with intelligence studies is tied to my previous experience as a practitioner. While serving as a military officer and CIA officer, I became curious about how two organizations with a shared history could be so different. Exploring the âwhyâ of the CIA/DoD differences led me to the broader interplay of organizational cultures, individuals, and missions in influencing the evolution of intelligence, its purpose, and its role. These five books will provide the reader a broader appreciation of how intelligence was used to help policymakers understand reality and how intelligence organizations have been used to try to change reality. You will not merely learn something about intelligence but will be entertained and engaged while doing so.
I am fascinated by how different countries approach intelligence, both from how they organize intelligence activities and how intelligence informs policymaking. These various approaches highlight there is not a common approach to intelligence and help explain why simple definitions of intelligence are insufficient at capturing various intelligence activities and organizations. The Black Door looks at how British Prime Ministers have used intelligence and their relationships with intelligence organizations over the past century. A well-written account by two thoughtful and prolific scholars, the reader will appreciate how British Prime Ministers have used intelligence to not only understand the world but to also act. Â
The Black Door explores the evolving relationship between successive British prime ministers and the intelligence agencies, from Asquith's Secret Service Bureau to Cameron's National Security Council.
Intelligence can do a prime minister's dirty work. For more than a century, secret wars have been waged directly from Number 10. They have staved off conflict, defeats and British decline through fancy footwork, often deceiving friend and foe alike. Yet as the birth of the modern British secret service in 1909, prime ministers were strangers to the secret world - sometimes with disastrous consequences. During the Second World War, Winston Churchill oversawâŠ
