Here are 100 books that The Lonesome Gods fans have personally recommended if you like
The Lonesome Gods.
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I have always loved history, which is why I love to read historical fiction. I’m fascinated by it. Historical fiction has a ability to make connections between the past and the present. It’s almost like bringing people out of history and setting them at a table beside you. Even after we know some facts of history, we feel moved by what happened if we read another account of it.
This book has amazing characterization. Also, the voice of the narration is spectacular. And the chemistry between the love interests is palpable. They are tough characters. Loving and smart and honest. You want to keep them around. Please read it. I can’t say enough good things about it.
Sarah Agnes Prine begins her diary in 1881 when her father decides to move the whole family - and their horse ranch - from Arizona Territory to Texas, where life will be easier. Sarah, at seventeen, is a tomboy: though she longs to be educated, gracious and beautiful like other women. But when the family sets out on the wagon trail and disasters strike in rapid succession, Sarah turns out to be the only thing that keeps them from certain death.
Sarah stays brave, strong and determined through everything that befalls her. But she longs to be loved, like any…
Embark on a harrowing trek across the rugged American frontier in 1850. Your wagon awaits and the windswept wilderness calls. This epic western adventure will test the mettle of even the bravest souls.
Dorcas Moon wants to get her family safely to Oregon. Her daughter imagines ghosts at every twist…
I am a child sexual abuse survivor who struggled for years with the help of therapy to become the person I am today. My sister, my mother, and I suffered years of emotional abuse by my father. When I was a child, my best friend (who also suffered abuse by her brother) and I made up stories that helped us navigate the situations in our families. I read, hiked, backpacked, and traveled alone for years in order to take
risks and develop strength before attempting to write at age sixty-one. I love books that put me solidly in time and place and deeply empathize with characters who struggle and grow to become their genuine selves.
I love this book because the protagonist—gritty, hard-talking heart-of-gold Ruby Fortune—is a lady as tough as the Arizona land she comes from and loves. She cusses and shoots, rides horses, entertains and cooks, and takes no guff from men. But first, she must rid herself of an abusive husband in order to save herself and her young boys.
I am partial to a cast of characters in what I read, and a remarkable cast joins her in this exquisitely written story. Her father Big Burl, her chosen mother who’s a madame, the Shakespeare-quoting drunk she puts up in her barn, the law man, and the black miner with whom she secretly falls in love.
Arizona Territory, 1899. Ruby Fortune faces an untenable choice: murder her abusive husband or continue to live with bruises that never heal. One bullet is all it takes. Once known as “Girl Wonder” on the Wild West circuit, Ruby is now a single mother of four boys in her hometown of Jericho, an end-of-the-world mining town north of Tucson. Here, Ruby opens a roadside inn to make ends meet. Drifters, grifters, con men, and prostitutes plow through the hotel’s doors, and their escapades pepper the local newspaper like buckshot.…
The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
Simply put, Ms. Miller never fails to entertain me. She always gives a strong plot. I can count her to present strong women, and men who can appreciate them, even though they bug the hell out of them.
The purpose and goals of her characters are right up front in her stories. I like that, too; it keeps me turning the pages. Also, she places her stories in familiar territory. I can see myself there, among the citizens of her towns, her people. It’s relatable. I’m at home when I read her stories.
First Drive is a classic, coming of age, cattle drive western adventure.
It’s 1868. Grab your hat, step into your boots, and strap on those spurs. Your cow pony is saddled up and ready to ride the Chisholm Trail. A brand-new outfit drives its first herd to market. The trail…
Being a lifelong fan of fantasy and horror, I've always embraced stories of creepy monsters and vainglorious gods, especially novels that mash-up genres, like Stephen King's Gunslinger, Neil Gaiman's American Gods, and Mary Doria Russell's The Sparrow. But my fascination always circles back to the supernatural, especially sorcerers who raise the dead. After writing my dark fantasy Shackled Verities series, I decided to venture into the Old West with a twist—monsters, magic, and mayhem, featuring, of course, a necromancer gnome. So let me present a spellbinding list of stories about these doers of the dark arts that span genres, from spine-chilling to lighthearted—because who says raising the dead has to be serious?
This rollicking set of whip-smart short stories through a supernatural Wild West is guaranteed to engage readers, with tales ranging from uncannily magical cards to steampunk bordellos to undead outlaws.
Delivering chaotic gunslinger fun from start to finish, Dead Man's Hand explores the intersecting worlds of the living and undead in many delightful and unforeseen ways. As a supernatural storyteller myself, I couldn't stop turning the pages to see what new fantastical creature or magical spell the authors would envision next.
It was my faithful companion through many late nights crafting my own novel, inspiring me with its spirited inventiveness of mysterious beings and magical mayhem.
HOW THE WEST WAS WEIRD! From a kill-or-be-killed gunfight with a vampire to an encounter in a steampunk bordello, the weird western is a dark, gritty tale where the protagonist might be playing poker with a sorcerous deck of cards, or facing an alien on the streets of a dusty frontier town. Here are twenty-three original tales - stories of the Old West infused with elements of the fantastic - produced specifically for this volume by many of today's finest writers. Included are Orson Scott Card's first "Alvin Maker" story in a decade, and an original adventure by Fred Van…
I am a teacher of Native American skills in the mountains of north Georgia. Each day when I leave my house to enter the forest, I am keenly aware that I am stepping on land that once “belonged” to the Cherokee. Everything around me in the forest was intimately known and used by the original people, and these same items have become the critical tools in my own life. I know the Cherokee history, and I know the white man’s history. I believe the clash of these two cultures deserves to be told in full.
I have always wished I could have grown up knowing an American Indian who could help me to know the forest as intimately as his people did. This book might be the best example of a real-life relationship that was forged between two grown men, one red, one white.
This involved Cochise of the Apache and Tom Jeffords, a scout and liaison for the U.S. Army. The strength of their friendship has laid down for me the best guidelines for creating my own bonds with anyone of any race.
A classic of Southwestern literature and the basis for the highly acclaimed 1950 film, Broken Arrow, Blood Brother is "a history in fiction form, of the Southwest, from the time of the Gadsden Purchase in 1856 until the end of the Indian wars, about 1870. The author has translated matter-of-fact historical incidents into thrilling episodes, following the adventures of Cochise, noted chief of the Chiricahua Apaches, and Tom Jeffords, famous peace maker and Indian agent, with great detail.."-Library Journal "Elliott Arnold has written a historical novel about the Apache Indians.with a knowledge truly astonishing for its comprehensiveness...[It is] authentic history,…
I was never a fan of superheroes, not even as a child. My heroes had to be credible, human, acceptably flawed yet redeemable by a personal moral code that ultimately defined their actions. The heroes in my favorite books are of this ilk, determined to pursue the right thing, regardless of how life challenges them. It speaks to how I’ve tried to live my life–and still do.
An atypical Western, I loved its unusual, yet believable plot.
A drifter, George Briggs, is hired to bring four women, maddened by the bleakness of the Nebraska plains, east to civilizational care.
Briggs fulfills his contract, guiding them through the threat of Indian attacks and other challenges to safety. A feeling pervaded the story that Briggs had been given one shot at elevating himself above an otherwise unremarkable life and he came through. This is a feature that I love in almost any story–the idea of redemption.
I love to believe that potential exists within me.
The Homesman opens in the 1850s, when early pioneers are doing anything they can to survive dreadful conditions. Women especially struggle with broken hearts and minds as they face bitter hardships: One nineteen-year-old mother loses her three children to diphtheria in three days; another woman left alone for two nights is forced to shoot wolves to protect herself. The situation calls for a "homesman"-a person charged with taking these women, driven mad by the conditions of rural life, to asylums in the East. Not exactly a job people are lining up for, it falls to Mary Bee Cuddy, an ex-teacher…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this book because of its unique plot. After the American Civil War, ex-trooper and sharp shooter Valdez is working as a part-time small town sheriff. He gets on the bad side of a wealthy rancher who has a gang beat him up and leave him for dead out in the desert.
But after this excellent opening, I love what happens next. Valdez is a survivor: he returns to face off against incredible odds, to regain his honor and see that justice prevails.
No writer chronicles the battles of misfits, underdogs and renegades like Elmore Leonard ...
VALDEZ IS COMING is a stunning stale of morality and justice in which a simple, honest man is transformed into a killer - and begins a long journey of revenge against those who scarred his soul for ever.
Elmore Leonard's Western novels stand as some of the most vivid writing of his career. With all of his trademark sharp dialogue and set against a beautifully evoked landscape, this is a classic work that captures the wild and glorious spirit of the American West.
I’m an amalgam of all of my varied interests and varied employments from actress and singer to corporate paralegal at a movie studio. Since my teenage years, I’ve loved to research. That joy leads into writing factually-accurate historical fiction set in the West. Delving into the private lives of both the fictional and the real people gives the reader a better understanding of the characters’ designated paths leading to the events upon which my novel is based. My recommendations for the best books set in the West with in-depth characters have qualities I’ve employed in my novel. Some of these books also delve into characters from differing races, reflecting most towns in the Old West.
Perhaps Arizona’s most widely recognized event, the thirty seconds of gunfight at O.K. Corral in Tombstone isn’t the main emphasis in Epitaph. That belongs to Russell’s engrossing depictions of the intensely personal relationships between the Earp brothers, their girlfriends and wives, their routines, and addictions.
As I found out in researching for my novel, if you get the accurate facts about the personalities and actions of the good and the bad people, who actually lived in the Old West, you’re well on the way to writing a novel.
John Philip Clum started the newspaper in Tombstone and called it Epitaph, because “No tombstone is complete without its epitaph.” To complete your reading about the Old West, include Epitaph.
Mary Doria Russell, the bestselling, award-winning author of The Sparrow, returns with Epitaph. An American Iliad, this richly detailed and meticulously researched historical novel continues the story she began in Doc, following Wyatt Earp and Doc Holliday to Tombstone, Arizona, and to the gunfight at the O.K. Corral.
A deeply divided nation. Vicious politics. A shamelessly partisan media. A president loathed by half the populace. Smuggling and gang warfare along the Mexican border. Armed citizens willing to stand their ground and take law into their own hands. . . .
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
The first time I finished reading this book, I felt ambushed. The description is breathtaking and the dialogue is hilarious.
So much of the book is surreal: The main character hunts for a runaway girlfriend who’s absconded with his electric razor (which is useless; it has no cord). A woman at a bar blows smoke rings without a cigarette. A guy known only as “airplane man” winds up nabbed, with a large plush bear, by the FBI—and the main character’s major epiphany is sparked by a horse fart. Then, suddenly, near the end, I cried so hard the words blurred. And the final scene is perfection.
Funny, heartbreaking, absurd, and poignant at once.
A contemporary classic from a major writer of the Native American renaissance — "Brilliant, brutal and, in my opinion, Welch's best work." —Tommy Orange, The Washington Post
During his life, James Welch came to be regarded as a master of American prose, and his first novel, Winter in the Blood, is one of his most enduring works. The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by…
I have read adventure, crime, and thriller books all my life. Reading is a huge relaxation for me and a good novel will transport me from the stresses and strains of daily life into another place in my head. A place where I feel involved with the characters and the environment, a place where I can imagine I could be. A good storyteller is different from a crime writer. They take the reader on a journey that might be through history or different continents. A journey that the reader wants to travel as well. I try to emulate this in my writing.
Based in the late nineteenth and early twentieth century, the story follows the Wolfe family in war-torn Mexico. During these tumultuous events in American and Mexican history, the Wolfes grow rich and forge a violent history of their own, spawning a fearsome legacy that will lead them to a climactic reckoning at the Río Grande.
I found this to be a page-turning epic story about a nineteenth-century crime family spanning three generations. Apparently loosely based on Blake’s own ancestors, this made the storytelling even more realistic for me.
A page-turning epic about the making of a borderland crime family, Country of the Bad Wolfes will appeal both to aficionados of family sagas and to fans of hard-knuckled crime novels by the likes of Donald Pollack, Elmore Leonard, James Lee Burke and James Ellroy.
Basing the novel partly on his own ancestors, Blake presents the story of the Wolfe family spanning three generations, centering on two sets of identical twins and the women they love, and ranging from New England to the heart of Mexico before arriving at its powerful climax at the Rio Grande.
