Here are 45 books that The Lives of the Artists fans have personally recommended if you like
The Lives of the Artists.
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A part of me is reluctant to recommend books on art. The same part of me is reluctant to write books on art. After all, a work of art should speak for itself. Then I remembered that for most contemporary art shows, a catalog is produced, and that catalog typically features an explanatory essay by some sympathetic scholar or critic. If the art of today requires verbal elaboration, how much more will the art of the past—especially the remote past—require such commentary? These recommendations are a selection of some favorite texts about how art comes into being—and is part of our being.
Not much in common between Gombrich and Berger, ideologically—so I would presume. Yet Berger’s social history of Western art, woven into the rise of capitalism, advertising, and mass media, is similarly direct in style.
It irritates me; it’s supposed to irritate. Given its radical energy, the book seems surprisingly undated. First published in 1972, it also still seems adventurous in design—the art book as a work of art.
"Seeing comes before words. The child looks and recognizes before it can speak.""But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."John Berger's "Ways of Seeing" is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A part of me is reluctant to recommend books on art. The same part of me is reluctant to write books on art. After all, a work of art should speak for itself. Then I remembered that for most contemporary art shows, a catalog is produced, and that catalog typically features an explanatory essay by some sympathetic scholar or critic. If the art of today requires verbal elaboration, how much more will the art of the past—especially the remote past—require such commentary? These recommendations are a selection of some favorite texts about how art comes into being—and is part of our being.
In the late 1990s, when I was writing a short history of the Phaidon Press–a pioneer imprint of art books both affordable and beautiful—I used to visit Gombrich at his home in north London. His own career as art historian was entwined with Phaidon’s fortunes. I asked him if it were true that he used to get an adolescent to read his texts to check for clarity of expression.
The legend was exaggerated, of course. But Gombrich’s prose still strikes me as admirably free of academic obfuscation, and this book is filled with lucid discussion of what is happening, perceptually and psychologically, when artists invite viewers into their ‘worlds’.
Considered a great classic by all who seek for a meeting ground between science and the humanities, Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition. In testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks, and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the…
A part of me is reluctant to recommend books on art. The same part of me is reluctant to write books on art. After all, a work of art should speak for itself. Then I remembered that for most contemporary art shows, a catalog is produced, and that catalog typically features an explanatory essay by some sympathetic scholar or critic. If the art of today requires verbal elaboration, how much more will the art of the past—especially the remote past—require such commentary? These recommendations are a selection of some favorite texts about how art comes into being—and is part of our being.
Martin is a pal. Even if he weren’t I would recommend this unusual meditation on how a work of art gets made. Imagine you have volunteered to sit for a portrait by a highly distinguished artist (here, Lucien Freud).
This entails many hours, stretching over many months—of sitting in exactly the same position, effectively doing nothing. Not only are you stuck with the situation. You can’t even be sure that the artist, let alone you, will be happy with the result. From this agony comes an essay on the process of a ‘masterpiece’ that is patient, tender, good-natured—and filled with telling anecdotes.
Lucian Freud, perhaps the world's leading portrait painter, spent seven months painting a portrait of the art critic Martin Gayford. Gayford describes the process chronologically, from the day he arrived for the first sitting through to his meeting with the couple who bought the finished painting. As Freud creates a portrait of Gayford, so the art critic produces his own portrait of the notoriously private artist, recounting their wide-ranging conversations and giving a rare insight into Freud's working practice. The book is illustrated throughout with photographs by David Dawson of Freud at work, with paintings by Freud from the 1940s…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
A part of me is reluctant to recommend books on art. The same part of me is reluctant to write books on art. After all, a work of art should speak for itself. Then I remembered that for most contemporary art shows, a catalog is produced, and that catalog typically features an explanatory essay by some sympathetic scholar or critic. If the art of today requires verbal elaboration, how much more will the art of the past—especially the remote past—require such commentary? These recommendations are a selection of some favorite texts about how art comes into being—and is part of our being.
I pity current practitioners of academic anthropology. Is there any human society today without the smartphone? It is then all the more valuable to read accounts of art-making derived from fieldwork among pre-industrial, pre-tech communities.
Ellen Dissanayake’s work, seasoned by (pre-phone) research experience in Asia, Africa, and Papua New Guinea, argues urgently for art as a common human necessity.
Every human society displays some form of behavior that can be called "art," and in most societies other than our own the arts play an integral part in social life. Those who wish to understand art in its broadest sense, as a universal human endowment, need to go beyond modern Western elitist notions that disregard other cultures and ignore the human species' four-million-year evolutionary history.
This book offers a new and unprecedentedly comprehensive theory of the evolutionary significance of art. Art, meaning not only visual art, but music, poetic language, dance, and performance, is for the first time regarded from…
I grew up on Long Island, New York, got a BA in English from Stanford, then put that hard-earned degree to dubious use in the family packaging business. After a decade of trying to convince myself to think 'inside the box (lots of them), I fled to Vermont where I attempted to regain my sanity by chopping wood and shoveling snow off my roof for 8 years. (Okay, I came down off the roof every once in a while.) Like a fine cocktail, I was by then thoroughly chilled; what could be better after this than no sunshine for 13 years. That's right - Seattle. Since 2006 I have been taking the cure in Arizona, where my skin has darkened to a rich shade of pallid. Here it was that I finally realized, under the heading of hopefully-better-late-than-never, that I needed to return to my first love - writing. I live in Tempe with my wife, Stephany and our daughter, Allison, crowded into close proximity by hundreds of mineral specimens Steph and I have collected while rockhounding. "They're just a bunch of rocks," says Allison. Ouch.
This is as close to the horse’s mouth as we can get, yet it’s still a hundred years after the events of Republican Rome’s demise. Remember the Viet Nam war? It was one of America’s great foreign policy failures. Rome hated failure like a teenager hates acne. Cover it up, deny it, erase it. That is what Plutarch does in this work. I think it speaks to Crassus' towering achievements that Plutarch has anything nice to say about him at all!
The story of Rome's richest man, who died a humiliating desert death in search of military glory
"A perfectly paced biography."-Tom Holland, Times Literary Supplement
Marcus Licinius Crassus (115-53 BCE) was a modern man in an ancient world, a pioneer disrupter of finance and politics, and the richest man of the last years of the Roman republic. Without his catastrophic ambition, this trailblazing tycoon might have quietly entered history as Rome's first modern political financier. Instead, Crassus and his son led an army on an unprovoked campaign against Parthia into what are now the borderlands of Turkey, Syria, and Iraq,…
Chriselda is a multi-genre, prolific author, and speaker, with a background in Business Administration and Chemistry/Microbiology. She speaks 5 languages & has published over 50 books. Her expansive writing covers poetry, horror, thriller, romance, children’s illustration, educational... but she enjoys telling a story in narrative poetry the most. Currently, she is working on her next dark poetry book Me and Him, where she will invoke one of the greatest poets – EA Poe. In her effort to promote more learning, she is also wrapping up the fourth book in her - Sigils, Symbols and Alchemy Series. Her passion for writing, lifelong learning, creativity, and her curiosity all help spark her innovative mindset.
Sappho was an Archaic Greek poet from the island of Lesbos. Best known for her lyric poetry, which was initially written to be sung while accompanied by a lyre. In ancient times, Sappho was widely regarded as one of the greatest poets and referred to as the "Tenth Muse" and "The Poetess". She also was among the canon of Nine Lyric Poets most highly esteemed by scholars of Hellenistic Alexandria.
Though most of her work has been lost, there are still new discoveries being found, giving us an incredible taste of her feelings, tenderness, simplicity, and her interpretation of life as we resonate with it presently, in this day and age. Way ahead of their time, her poems through their versatility give us a sense of her transcendental and emotional views on love in an unassuming yet impactful way. An artist whose themes extend beyond romance and myth, delving into…
A vivid, contemporary translation of the greatest Greek love poet—with a wealth of materials for understanding her work—by a prize-winning poet and translator
Sappho’s thrilling lyric verse has been unremittingly popular for more than 2,600 years—certainly a record for poetry of any kind—and love for her art only increases as time goes on. Though her extant work consists only of a collection of fragments and a handful of complete poems, her mystique endures to be discovered anew by each generation, and to inspire new efforts at bringing the spirit of her Greek words faithfully into English.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a psychiatrist and philosopher who lives and teaches in Oxford, England. I’ve long held that there is much more to mental health than the mere absence of mental disorder. Mental health is not just about surviving, limping from crisis to crisis, but about thriving, about developing and expressing our highest, fullest potential as human beings. The Stoic attitude is a path not just to sanity but to hypersanity, at a time when more than one in five adults are suffering from some form of depression. Unlike many modern interventions, Stoicism is no sticking plaster, but a total and radical reappraisal of our relationship to ourselves and to the world.
Seneca lived through the reigns of all five Julio-Claudian emperors. His writings represent the most important body of primary material for ancient Stoicism. He wrote theLetters to Lucilius in his final years, intending them as his immortal legacy, prior to committing suicide on the order of Nero. The letters are an excellent entry point to Seneca, Stoicism, and philosophy in general. They collectively amount to a course in moral development and become longer and more technical as Lucilius appears to be making philosophical progress. Michel de Montaigne, the “French Seneca”, modelled his Essays upon the Letters, writing in one of them, “I have not devoted myself to any serious work except perhaps Plutarch and Seneca: but upon them, I draw as do the Danaids...”
The Moral Letters to Lucilius is a collection of 124 letters which were written by Seneca the Younger at the end of his life, during his retirement, and written after he had worked for the Emperor Nero for more than ten years. They are addressed to Lucilius, the then procurator of Sicily, although he is known only through Seneca's writings. Regardless of how Seneca and Lucilius actually corresponded, it is clear that Seneca crafted the letters with a broad readership in mind. The letters often begin with an observation on daily life before proceeding to an issue or principle that…
I made my first visit to Pompeii at age seven. That day, I told my parents that I had been there before. It was all very familiar. And that sense of déjà vu has never left me. I feel it whenever I go back to Pompeii, Herculaneum, and the Roman Forum. I don’t believe in reincarnation, but... As an adult, I’ve returned many times to those places and visited others featured in my books: the Etruscan necropolis at Caere, which was already 1,000 years old at the time of my novels; Athens; and the ancient ports of Piraeus in Greece and Itanos in Crete. I earned a Ph.D. at Northwestern University, taught for many years, and enjoyed a million marvelous experiences, but my lifelong love of ancient Rome is the direct result of that long-ago visit to Pompeii with my parents.
The Civil War of 69 AD — aka “The Year of Four Emperors” — was a complex, pivotal moment in the history of the Roman Empire. Since it took place at a key moment in my trilogy’s timeline, and since so many of my characters were active participants, I had to understand it. Morgan expertly clarifies an interrelated series of historical threads that I needed to follow to make my three-part fictional story both historically accurate and novelistically intriguing.
The Year of Four Emperors, so the ancient sources assure us, was one of the most chaotic, violent and frightening periods in all Roman history: a time of assassinations and civil wars, of armies so out of control that they had no qualms about occupying the city of Rome, and of ambitious men who seized power only to lose it, one after another. In 69 AD, Gwyn Morgan offers a fresh look at this period, based on two considerations to which insufficient attention has been paid in the past. First, that we need to unravel rather than cherry-pick between the…
I've been fascinated by the commanders, campaigns, and capabilities of the Roman Army since I studied Latin at school and watched the Hollywood epic Spartacus.At that time, my parents bought me a copy of Peter Connolly’s Roman Army for Christmas, but I discovered where they had hidden it and I secretly read it before Christmas Day. I have retained that passion with a library of books collected over a lifetime to prove it. Now, as a historian and the author of eight books of my own, and as the news editor of Ancient History and Ancient Warfare magazines, I eagerly share the latest discoveries and insights with my readers.
Adrian Keith Goldsworthy could be said to be the gold standard in histories of the Roman Empire in English. He has written several books about ancient commanders and campaigns. This thought-provoking book about the Roman Army was his PhD thesis at Oxford University.
As a writer on Roman military matters myself, I have frequently referred to Goldsworthy’s study. Inspired by John Keegan's revisionist landmark book Face of Battle, Goldsworthy draws upon Classical sources covering 300 years—Julius Caesar, Tacitus, Polybius, Plutarch, Flavius Josephus—to present his interpretation of how the Roman army actually “waged war”. The extensive footnotes point to other writers and evidence for further personal study.
This detailed examination of the way in which the Roman army operated during a war and how it fought a battle breaks away from existing studies, which mostly concentrate on the army in peacetime, and attempts to understand the army as an institution whose ultimate purpose was to wage war. Adrian Goldsworthy explores the influence to the Roman army's organization on its behaviour during a campaign, emphasizing its great flexibility in comparison to most of its opponents. He considers the factors determining the result of a conflict and proposes, contrary to orthodox opinion, that the Roman army was able to…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
In my series on Ways of the World, my aim is to let the founder of each way tell us of their way in their words: the destination that they suggest we all seek; the directions that they offer to help us to reach the destination, and the strategies that they offer to help us to successfully follow their directions. I find it marvelous that we can listen to people, such as Epictetus, who lived thousands of years ago; people whose words can help us to improve our ways. You would be right if you have guessed that the books I recommend are primary sources.
This book not only provides excellent texts of early Stoicism, but also provides texts of Epicureanism, and Scepticism, the other dominant philosophies at the time, and thus places Stoicism in the context of the time.
This new edition of Hellenistic Philosophy --including nearly 100 pages of additional materia--offers the first English translation of the account of Stoic ethics by Arius Didymus, substantial new sources on Epicureanism, Stoicism, and Scepticism, expanded representation of Plutarch and Cicero, and a fuller presentation of papyrological evidence. Inwood and Gerson maintain the standard of consistency and accuracy that distinguished their translations in the first edition, while regrouping some material into larger, more thematically connected passages. This edition is further enhanced by a new, more spacious page design.
