Here are 100 books that The Light of the World fans have personally recommended if you like
The Light of the World.
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My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Brenda Miller, a former professor of mine, was one of the first people whose work opened up for me the endless possibilities in creative nonfiction and memoir. Season of the Body is a sumptuous collection of lyric essays that can teach the close reader how to come at a subject “sideways”. A flash essay offered by Creative Nonfiction magazine had a subtitle that reminds me of the genius of Miller’s book, “Distill experiences, big or small, into their purest essence.” Whether she’s writing about heartbreak or meditation, Miller’s poetic attention to detail and philosophical tone act as distiller.
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
I have not read a book like Melissa Valentine's The Names of All the Flowers, which is a beautiful, painful, and exquisitely written narrative about her brother Junior, who was gunned down on the streets of Oakland when he was 19. "Say his name, say her name," we chant when yet another one of our brothers or sisters is killed. In this memoir, Valentine gives us not only Junior's name but an intimate look into his head, his heart, his fears, his dreams, his joy.
Set in rapidly gentrifying 1990s Oakland, this memoir—"poignant, painful, and gorgeous" (Alicia Garza)—explores siblinghood, adolescence, and grief in a family shattered by loss.
Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I am a professor emeritus of History and Arctic & Northern Studies at the University of Alaska Fairbanks. A mostly lifelong Alaskan, my research interest has been northern, especially Alaska, history. I’m deeply interested in northern peoples and cultures and both their resilience and adaptation in the face of rapid socio-economic and cultural change. As I write, I strive to create a narrative that will fascinate and inspire; that will resonate deeply, so the reader continues to think about the book well after finishing it. Such narratives attract me as a reader.
Terese Marie Mailhot’s raw account of her traumatic childhood and its enduring consequences took my breath away. A nearly lifelong Alaskan, I am acutely aware of the social problems afflicting Indigenous communities; in fact, I’ve done research on the topic.
Yet, I have never read a more honest, painful, and beautifully written testimonial by an Indigenous person about her experience with childhood poverty and neglect, substance abuse in the home, sexual abuse, and resulting poor self-esteem and self-doubt. Mailhot, who was raised on Seabird Island in British Columbia, began writing her memoir as mental health therapy and it became a process of self-discovery.
Her experience highlights the effects of historical trauma on Indigenous individuals and communities, as well as the prevalence of maltreatment of Indigenous women.
A NEW YORK TIMES BESTSELLER Winner of the Whiting Award for Non-Fiction Selected by Emma Watson as an Our Shared Shelf Book Club Pick
'I loved it' Kate Tempest 'Astounding' Roxane Gay 'A sledgehammer' New York Times
Heart Berries is a powerful, poetic memoir of a woman's coming of age on an Indian Reservation in the Pacific Northwest. Having survived a profoundly dysfunctional upbringing only to find herself hospitalised and facing a dual diagnosis of post-traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma.
I adore heroes and stories that inspire me to live a life of virtue. As a child, I would stay up late reading about noble nights and the sins of evil. I believe every person is endowed with a yearning for all that is Good, True, and Beautiful. In a time when the zeitgeist is muddled with grimdark determinism, I’ve noticed wounds and cries for a life of virtue. Stories can inspire the good in us; thus, I am passionate about tales that fan flames of light in the hearts of their readers.
I tend to enjoy a pallet cleanser between the various epics that color the fantasy landscape. This book is the perfect remedy.
The novella is a quick read that is an inspiration of love. Its protagonist delights in the small things, and you see the world of wonder through the eyes of someone who is neurodivergent. Yes, this tale also deals with a tortured and troubled soul, yet it does not leave the world a darker place.
Discover #1 New York Times-bestselling Patrick Rothfuss' epic fantasy universe of The Kingkiller Chronicle, in this illustrated companion novella, The Slow Regard of Silent Things.
"I just love the world of Patrick Rothfuss." -Lin-Manuel Miranda
Deep below the University, there is a dark place. Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place.
I have always wanted to be a writer. I love reading and am inspired by authors of character-driven novels—Anne Tyler, Elizabeth Berg, Colm Toibin, Anna Quindlen, and others—who take time to explore the inner thoughts and motivations of their protagonists. The novels I picked take the reader deep into the interior thoughts of their protagonists. As they explore the complexities of relationships amid the texture of ordinary life, they reveal the fragility and strength of the characters as we discover what simmers beneath the surface of their relationships. Long after reading them, I remember the characters and the time I spent with them.
Nancy Reisman brings her characters to life in this portrait of a family that begins after the tragic death of one of their children. Four-year-old Molly is killed by a truck while dashing across a street in Rome during a family vacation. In an instant, their lives change.
We follow the family in the aftermath of the accident and over two decades. Reisman chronicles the birth of two more children and the slow dissolution of the Murphy’s marriage. The loss of Molly reverberates throughout the novel. Through varying points of view,we observe the guilt, regret, longing, and despair that affect each member of the family.
Set against a backdrop of Rome, Renaissance artworks, and images of Mary Magdalene, Trompe l'Oeil portrays the ripple effects of a family tragedy and the ways in which its members perceive and misperceive themselves and each other.
During a vacation in Rome, the Murphy family experiences a life-altering tragedy. In the immediate aftermath, James, Nora, and their children find solace in their Massachusetts coast home, but as the years pass the weight of the loss disintegrates the increasingly fragile marriage and leaves its mark on each family member. Trompe l’Oeil seamlessly alternates among several characters’ points of view, capturing the…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I’m a children’s book author who typically centers humor at the heart of my books but who dipped into heartache to tell this specific story. As a former educator with four kiddos of my own, I’ve been able to witness the myriad ways kids cope with grief, everything from hiding out in blanket forts to holding a backyard funeral service for a beloved pet roly-poly. I hope my book, Where is Poppy? offers kids comfort, peace, and preparation for their own unique journeys with loss. I studied creative writing and political science at Stanford University and hold an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.
While books that hit death right on the nose can be a meaningful resource for kids, sometimes stories with a softer touch are what meets the moment.
That’s where the magic of this book comes in. A kid and his grandpa go on one final adventure together to a magical world of their making before the Grandad decides to stay, sending Syd back to the real world alone.
This whimsical storytelling leaves me with that exact right feeling of wonder and heartache that comes with an honest grappling with death. It’s that emotional center that allowed our kids to sit with their own questions: where did Grandad go? Why couldn’t the boy stay there, too? Will they see each other again? Getting to explore these questions in the light instead of keeping them anxiously buried under the surface has been a real gift for our crew.
After the phenomenal success of The Storm Whale and On Sudden Hill, this new book by Benji Davies deals with the emotional topic of losing a grandparent. Subtly told, this beautifully illustrated book tackles a difficult subject with great sensitivity and depth.
At the bottom of Syd's garden, through the gate and past the tree, is Grandad's house. Syd can let himself in any time he likes. But one day when Syd comes to call, Grandad isn't in any of the usual places. He's in the attic, where he ushers Syd through a door, and the two of them journey…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
I couldn’t possibly leave out Danielle Evans’ story collection when the title novella portrays just the kind of cultural erasure and recuperation I’ve been blathering on about. The protagonist, Cassie, is an obscure federal employee charged with correcting historical inaccuracies and omissions in public places and textbooks. Her mission intersects in Wisconsin with that of an old frenemy as both investigate an arson murder from 1937. Throughout the collection, these stories delight me line by line, with beautifully wrought prose, insight, and wit. Evans tackles fake news and current controversies about race, including fissures within the Black community, while always focusing on the personal dilemmas of her vividly alive characters. I am in awe of her talent.
'Sublime short stories of race, grief, and belonging . . . an extraordinary new collection' New Yorker
'Evans's new stories present rich plots reflecting on race relations, grief, and love' New York Times, Editor's Choice
'Brilliant . . . These stories are sly and prescient, a nuanced reflection of the world we are living in' Roxane Gay
Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak…
Grief has been a part of my life since I was very young. My parents died 10 months apart when I was 11, then 12; my only sibling died when I was 20. Years later, after living through the grief of watching my marriage crumble and my 3 children struggle, my eldest son died at 20 in a single-car crash. Now, 26 years later, I read—and write—about navigating grief and uncertainty. I’m passionate about supporting those who grieve all manner of losses, including those that are spoken about and those often shrouded in silence. I hope you enjoy this book list as much as I have creating it.
Like many beautiful memoirs on grief and loss, Campbell tells the story of the catastrophic death of his two teenage children and the ways he and his wife lived through what seems unsurvivable.
But he doesn’t stop there, instead turning what he learned in his darkest times into a guide for grievers. Upending the common wisdom that “we all grieve differently,” he asserts that there are commonalities in grief that can serve as a guide for those walking through their most difficult days.
Finding the Words is organized into chapters addressing central issues in grief, including fear, pain, and guilt, but also community, ritual, and finally, meaning and purpose.
This is the book I wish I’d had when my grief was new. I’m grateful it's in the world.
A powerful account of one father’s journey through unimaginable grief, offering readers a new vision for how to more actively and fully mourn profound loss.
When Colin Campbell’s two teenage children were killed by a drunk driver, Campbell was thrown headlong into a grief so deep he felt he might lose his mind. He found much of the common wisdom about coping with loss—including the ideas that grieving is a private and mysterious process and that the pain is so great that “there are no words”—to be unhelpful. Drawing on what he learned from his own journey, Campbell offers an…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I'm the author of the best-selling books How to Tell Depression to Piss Off: 40 Ways to Get Your Life Back, How to Tell Anxiety to Sod Off: 40 Ways to Get Your Life Back, The Recovery Letters, and What I Do to Get Through. My sixth book will be, How to Smash Stress: 40 Ways to Manage the Unmanageable.
The useful thing about this book is that it breaks down the different types of losses we can experience and examines those. Sibling loss, parental loss, loss of a child, etc. You can connect to your type of grief and learn specifics about how to manage it. It is also filled with compassion and wisdom from one of the grief experts in the world.
'Fascinating. A wise and compassionate book full of insight and understanding that would help anyone experiencing grief, or those surrounding them' Cathy Rentzenbrink
'A wonderfully important and transforming book - lucid, consoling and wise' William Boyd
Grief Works is a compassionate guide that will inform and engage anyone who is grieving, from the 'expected' death of a parent to the sudden unexpected death of a small child, and provide clear advice for those seeking to comfort the bereaved.
Julia Samuel guides you gently through her eight practical pillars of strength - that include the…