Here are 100 books that The Light of the World fans have personally recommended if you like
The Light of the World.
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My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Brenda Miller, a former professor of mine, was one of the first people whose work opened up for me the endless possibilities in creative nonfiction and memoir. Season of the Body is a sumptuous collection of lyric essays that can teach the close reader how to come at a subject “sideways”. A flash essay offered by Creative Nonfiction magazine had a subtitle that reminds me of the genius of Miller’s book, “Distill experiences, big or small, into their purest essence.” Whether she’s writing about heartbreak or meditation, Miller’s poetic attention to detail and philosophical tone act as distiller.
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
I have not read a book like Melissa Valentine's The Names of All the Flowers, which is a beautiful, painful, and exquisitely written narrative about her brother Junior, who was gunned down on the streets of Oakland when he was 19. "Say his name, say her name," we chant when yet another one of our brothers or sisters is killed. In this memoir, Valentine gives us not only Junior's name but an intimate look into his head, his heart, his fears, his dreams, his joy.
Set in rapidly gentrifying 1990s Oakland, this memoir—"poignant, painful, and gorgeous" (Alicia Garza)—explores siblinghood, adolescence, and grief in a family shattered by loss.
Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I am a professor emeritus of History and Arctic & Northern Studies at the University of Alaska Fairbanks. A mostly lifelong Alaskan, my research interest has been northern, especially Alaska, history. I’m deeply interested in northern peoples and cultures and both their resilience and adaptation in the face of rapid socio-economic and cultural change. As I write, I strive to create a narrative that will fascinate and inspire; that will resonate deeply, so the reader continues to think about the book well after finishing it. Such narratives attract me as a reader.
Terese Marie Mailhot’s raw account of her traumatic childhood and its enduring consequences took my breath away. A nearly lifelong Alaskan, I am acutely aware of the social problems afflicting Indigenous communities; in fact, I’ve done research on the topic.
Yet, I have never read a more honest, painful, and beautifully written testimonial by an Indigenous person about her experience with childhood poverty and neglect, substance abuse in the home, sexual abuse, and resulting poor self-esteem and self-doubt. Mailhot, who was raised on Seabird Island in British Columbia, began writing her memoir as mental health therapy and it became a process of self-discovery.
Her experience highlights the effects of historical trauma on Indigenous individuals and communities, as well as the prevalence of maltreatment of Indigenous women.
A NEW YORK TIMES BESTSELLER Winner of the Whiting Award for Non-Fiction Selected by Emma Watson as an Our Shared Shelf Book Club Pick
'I loved it' Kate Tempest 'Astounding' Roxane Gay 'A sledgehammer' New York Times
Heart Berries is a powerful, poetic memoir of a woman's coming of age on an Indian Reservation in the Pacific Northwest. Having survived a profoundly dysfunctional upbringing only to find herself hospitalised and facing a dual diagnosis of post-traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma.
My life was turned upside down because of a devastating divorce, becoming an empty nester, and my job as a theology professor ending. The identity crisis was real because the doing that gave me purpose was gone, yet God had a lesson and a purpose. I realized that what was left was more than what left me, and I understand that the key to resilience is your spiritual foundation. I believe the crown you wear is the treasure; elevation begins head first. Today, I empower women to live life confidently, on their terms, with peace and financial security. I help women reframe their stories, reinvent themselves, and reimagine their future.
At some time in our lives, we all go through losing a loved one. I was introduced to this book after my mother died. I love the honesty of what others would say and the grace suggested to get through difficult seasons. Don’t be fooled that this is just a story to comfort.
This book helps you do the heart work to understand your feelings. I love the timeline and the fact that recovery is the main point of this book. It’s not you hiding behind work, school, or substances. It helps you see the triggers and gives you tools to actually recover.
Updated to commemorate its 20th anniversary, this classic resource further explores the effects of grief and sheds new light on how to begin to take effective actions to complete the grieving process and work towards recovery and happiness.
Incomplete recovery from grief can have a lifelong negative effect on the capacity for happiness. Drawing from their own histories as well as from others', the authors illustrate how it is possible to recover from grief and regain energy and spontaneity.
Based on a proven program, The Grief Recovery Handbook offers grievers the specific actions needed to move beyond loss. New material…
My first memory is of my father telling me about the cosmos, the Big Bang, and how the sun would burn out one day, expanding so big it would swallow the Earth. This memory haunted my dreams and waking hours, instilling a fascination with the life and death cycles of everything. Now I’m an artist, writer, educator and somatic coach devoted to helping people talk about and honor the things western culture doesn’t create space for–big emotions, messy love and the gifts of dying.
This book taught me that I don’t always have to show up “right” or “well.” I can just show up, and that is often enough–to death or any other difficult situation. I walked away from this book with the assurance that there is no way to fully prepare for death because every person is different, every death is different and grief is a bit of a trickster (you never know how it's going to show up).
The mix of personal stories and practical direction has lasted with me over the years and is now a part of how I hold space as a friend, family member, coach, spiritual guide, lover, and partner in life and death.
A hospital chaplain reflects on grief and loss, mindfulness and healing, in this “beautifully written” meditation on the spiritual, emotional, and philosophical implications of end-of-life care (Jan Chozen Bays, author of Mindfulness on the Go)
As a hospital chaplain, Amy Wright Glenn has been present with those suffering from suicide, trauma, disease, and unforeseen accidents and has been witness to the intense grief and powerful insights that so often accompany loss. She weaves together memoir, philosophical inquiry, and cutting-edge research on death/dying to chronicle how we, as individuals and as a culture, handle everything from grief to mortality.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
My name is Jeannie Reed. I was an executive for many years and, for many years, an editor and a professional psychic in concurrent full-time careers. Eight years ago, a spirit started making itself known in my apartment in New York City. He's still here. This spirit's presence is not unusual. What is unusual is that he communicates by drawing. Drawings anybody can see. This man died in 1920. I had zero interest in him until now, though I had heard of him, a great artist, Amedeo Modigliani. I am not soft-minded. I doubted this whole thing for a year. Until finally, it was unavoidable.
Dr. Moody spent many years researching near-death experiences. This book is a classic on the subject. It discusses death, after-death, and attitudes about dying...all from the most positive point of view. If, in a near-death experience, people report seeing and talking to long-deceased loved ones, and all in the same way, how can life simply stop at the grave?
Dr. Moody's courageous research helped launch an entire movement. So much is known now that wasn't known before about death, no longer the ultimate experience. Just a quick stop on an enormous journey!
In this smash bestseller that has sold more than 14 million copies around the world, Dr Moody reveals his ground-breaking study of people who experienced 'clinical death' - and were revived. Their amazing testimonies and surprising descriptions of 'death' and 'beyond' are so strikingly similar, so vivid and so overwhelmingly positive they have changed the way we view life and death, and the spiritual hereafter. Introducing the revolutionary concepts of the NDE (Near Death Experience), the bright light and the tunnel, Life After Life has shaped countless reader's notions about the meaning of the death and offered essential reassurance to…
Maybe it’s because I come from a family that expresses conflict, shall we say, indirectly, but nothing fascinates me the way relationships do. What do we desire, what do we offer? And how much more do we care about friendships and family bonds than world peace? I also love stories about passions we pursue professionally, and ever since I fell in love with the food and wine world, that’s the world I’ve written about and the world in which my characters’ intense relationships play out. Real drama plays out over a drink or at a dinner table, and of course a glass of wine only unleashes a little more.
I know I have those lost friendships I still wonder about—we worked together, lived together, traveled to beach towns together, drank tequila together! We went to very bad bars and made very bad decisions together! How’d we lose touch?—and thank God these brilliant writers do too.
Schappell and Offill gather a cocktail party’s worth of lost platonic loves, reminding me that I’m not alone and giving meaningful thought to the monumental importance of friendship and the pain of losing it.
Losing a friend can be as painful and as agonizing as a divorce or the end of a love affair, yet it is rarely written about or even discussed. THE FRIEND WHO GOT AWAY is the first book to address this near-universal experience, bringing together the brave, eloquent voices of writers like Francine Prose, Katie Roiphe, Dorothy Allison, Elizabeth Strout, Ann Hood, Diana Abu Jabar, Vivian Gornick, Helen Schulman, and many others. Some write of friends who have drifted away, others of sudden breakups that took them by surprise. Some even celebrate their liberation from unhealthy or destructive relationships. Yet…
A poet for fifty years, I'm proud to say that nobody's ever said, "I didn't understand your poem." The rhythms, images, and words in these books are in plain English. They have feeling and authenticity in common. They make connections. After a reading once, a woman said, "I feel as if I know your whole family." I feel the same about the authors of these books. I'm also interested in my quirky kind of American Jewishness at a time when it's in the news but complicated and misunderstood. Some of the books I chose reflect that.
I loved this anthology of poems for its authenticity and depth of feeling.
It was written by and for widows—of all genders and ages, in all kinds of committed relationships. The anthology demonstrates that there are an infinite number of ways to grieve and survive.
I have given this book as a gift to a number of friends dealing with the loss of a spouse or partner (not necessarily right away!), and they have told me they got a lot of comfort from it.
I think the quality of the poems and how different from every other every voice and experience described is give the book as a whole enormous power. It says, "This is something we all go through, we can each find our own way to grieve, and we are not alone."
The Widows' Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one's partner is "a loss like no other.",
The Widows' Handbook is a collection of poetry from…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I grew up with a scientist dad who often discussed bits of research or new discoveries around the dinner table. I didn’t follow in his footsteps and get a Ph.D., but I did develop a fascination with scientific happenings, particularly of the weird or unexplained variety. In college, I worked as the science reporter for my university’s newspaper, where I wrote on topics like nanotech tweezers, poultry farm pollution, and the nighttime habits of spiders and snakes. I’m also the author of two science fiction books for young readers.
I loved how original this book was. Stella’s obsessed with space, and when she pays a visit to NASA, a lonely black hole follows her home.
At first, it’s great. The black hole sucks up all the things she doesn’t want around anymore—the stinky school hamster, ugly clothes, and, most importantly, all the sad memories of her recently deceased dad.
One thing I appreciated about this story was that the black hole had its own unique personality. Stella even names it—Larry, short for singularity. Larry is sucking everything into himself to try and take away his emptiness. I found this story touching and sweet, but it also made me laugh. I especially enjoyed the bits where Stella tries to train Larry to be a good black hole, but it’s a big job!
"So wait," said Cosmo. "If we go in that door, we might exit on the other side of the galaxy?"' "I don't know," I said. "But we currently live in a tub in a black hole, so what do we have to lose?"
When eleven-year-old space mad Stella Rodriguez shows up at NASA to request that her recording be included in Carl Sagan's Golden Record, something unexpected happens: A black hole follows her home, and sets out to live in her house as a pet. The black hole swallows everything he touches, which is challenging to say the least -…
