Here are 74 books that Season of the Body fans have personally recommended if you like
Season of the Body.
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My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
I absolutely love when poets write memoirs. They bring their vision and facility for sparse and exact language to the task, and Alexander’s memoir about the loss of her beloved husband is a shining example of a story that is both full and tightly woven with imagery, emotion, and action. Her words and sentences slay you, then, like a battery, or rather, lightning, shock the stunned thing in your chest back to life again. How can we write beautifully about grief and pain in a way that also heals by the sheer power of language and deep reflection? This. This is how.
In THE LIGHT OF THE WORLD, Elizabeth Alexander finds herself at an existential crossroads after the sudden death of her husband. Reflecting with gratitude on the exquisite beauty of the intimacy they shared, grappling with the resulting void, and finding solace in caring for her two teenage sons, Alexander channels her poetic sensibilities into rich, lucid prose that universalizes a very personal quest for meaning and acceptance in the wake of loss. THE LIGHT OF THE WORLD is both an endlessly compelling memoir and a deeply felt meditation on the blessings of love, family, art, and community. For those who…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
I have not read a book like Melissa Valentine's The Names of All the Flowers, which is a beautiful, painful, and exquisitely written narrative about her brother Junior, who was gunned down on the streets of Oakland when he was 19. "Say his name, say her name," we chant when yet another one of our brothers or sisters is killed. In this memoir, Valentine gives us not only Junior's name but an intimate look into his head, his heart, his fears, his dreams, his joy.
Set in rapidly gentrifying 1990s Oakland, this memoir—"poignant, painful, and gorgeous" (Alicia Garza)—explores siblinghood, adolescence, and grief in a family shattered by loss.
Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I am a professor emeritus of History and Arctic & Northern Studies at the University of Alaska Fairbanks. A mostly lifelong Alaskan, my research interest has been northern, especially Alaska, history. I’m deeply interested in northern peoples and cultures and both their resilience and adaptation in the face of rapid socio-economic and cultural change. As I write, I strive to create a narrative that will fascinate and inspire; that will resonate deeply, so the reader continues to think about the book well after finishing it. Such narratives attract me as a reader.
Terese Marie Mailhot’s raw account of her traumatic childhood and its enduring consequences took my breath away. A nearly lifelong Alaskan, I am acutely aware of the social problems afflicting Indigenous communities; in fact, I’ve done research on the topic.
Yet, I have never read a more honest, painful, and beautifully written testimonial by an Indigenous person about her experience with childhood poverty and neglect, substance abuse in the home, sexual abuse, and resulting poor self-esteem and self-doubt. Mailhot, who was raised on Seabird Island in British Columbia, began writing her memoir as mental health therapy and it became a process of self-discovery.
Her experience highlights the effects of historical trauma on Indigenous individuals and communities, as well as the prevalence of maltreatment of Indigenous women.
A NEW YORK TIMES BESTSELLER Winner of the Whiting Award for Non-Fiction Selected by Emma Watson as an Our Shared Shelf Book Club Pick
'I loved it' Kate Tempest 'Astounding' Roxane Gay 'A sledgehammer' New York Times
Heart Berries is a powerful, poetic memoir of a woman's coming of age on an Indian Reservation in the Pacific Northwest. Having survived a profoundly dysfunctional upbringing only to find herself hospitalised and facing a dual diagnosis of post-traumatic stress disorder and bipolar II disorder, Terese Marie Mailhot is given a notebook and begins to write her way out of trauma.
Mahmoud Elsayed has always been interested in finding rational answers to the big existential questions. This could clearly be noticed in his writings and philosophy. He has also worked in various and somehow diverse fields of engineering and science which allowed him to smoothly, flexibly, and knowledgeably jump from a field of expertise to another in order to make his philosophical arguments comprehensive.
Whether you are religious or not, whether you like it or not, religions and God/Gods have been a part of the human civilizations as far as we started documenting, writing, and recording history and perhaps even as far as we existed. To understand the part that religion played in our history and how it had and still could have a significant effect on how we perceive the world and reality in general, it may be crucial to understand the history of religions and how they originated. Raza Aslan gives a wonderful presentation on that in this book.
"Timely, riveting, enlightening and necessary." (Huffington Post)
In God, Reza Aslan sheds new light on mankind's relationship with the divine and challenges our perspective on faith and the birth of religion.
From the origins of spiritual thought to the concept of an active, engaged, divine presence that underlies all creation, Aslan examines how the idea of god arose in human evolution, was gradually personalized, endowed with human traits and emotions, and eventually transformed into a single Divine Personality: the God known today by such names as Yahweh, Father, and Allah.
I'm a 24-year-old, 1st time Author with big plans to call for major changes within our current social system, to bring the taboo subject of child abuse, to conversation. My own story, yes is an extreme case, but isn’t an uncommon occurrence and affects many. My book, The Girl In The Pink Shoes, was written not only for my own self-help but to also help many others to know they are not alone and someone is fighting their corner. I hope my book will open the right doors to raise awareness and make my charity, Your Voice UK, a success and help bring a brighter future to children who have suffered abuse.
I first heard about Elizabeth Smart while writing my own book and have since followed her journey. She was kidnapped at the age of fourteen, from her house, at knifepoint and forced to live in the woods with her abuser for nine months. The abuse she suffered was horrendous, but she somehow managed to keep a level head throughout her ordeal.
The strength Elizabeth has drawn from her ordeal is truly incredible and she now campaigns for awareness for child abuse. This is a very powerful book and Elizabeth proves that even after everything she went through you can come out the other side, as a survivor.
If anyone is going through or has been through abuse, this book may help with your own journey’s and it might also be worth checking out some of the work Elizabeth is doing, as I believe it may help.
On June 5, 2002, fourteen-year-old Elizabeth Smart, the daughter of a close-knit Mormon family, was taken from her home in the middle of the night by religious fanatic, Brian David Mitchell and his wife, Wanda Barzee. She was kept chained, dressed in disguise, repeatedly raped, and told she and her family would be killed if she tried to escape. After her rescue on March 12, 2003, she rejoined her family and worked to pick up the pieces of her life. In My Story she tells, for the first time, of the constant fear she endured every hour, her courageous determination…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I’ve had a passion for weirdness in mundane settings since my childhood days watchingThe Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushidointroduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrunnovels.
Wizard is one of Seattle’s homeless magicians, a seer who tells the truth to those who need it, haunted by a nebulous menace and hiding from his past. Apart from its (often ambiguous) fantasy elements, it’s a beautifully-written guide to urban survival and to downtown Seattle (as well as the setting for my latest novels).
The fifth book in the Megan Lindholm (Robin Hobb) backlist.
Seattle: a place as magical as the Emerald City.
Subtle magic seeps through the cracks in the paving stones of the sprawling metropolis. But only the inhabitants who possess special gifts are open to the city's consciousness; finding portents in the graffiti, reading messages in the rubbish or listening to warnings in the skipping-rope chants of children.
Wizard is bound to Seattle and her magic. His gift is the Knowing - a powerful enchantment allowing him to know the truth of things; to hear the life-stories of ancient mummies locked…
I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish.
Originally intended as a screenplay, this is rife with vivid imagery and fast-paced action. From the jump, I was hooked, staying up all night to finish the book. It is set in the aftermath of the apocalypse in Seattle, WA.
I loved the developing romance between Beth and Ryker and how Myhre threw us for a few loops along the way. It has heart-pounding action, vibrant interpersonal relationships, and a great atmosphere. If I were at the end of the world, I’d want Beth and Ryker on my team! Fans of other post-apocalyptic indie authors, Harley Tate, Kyla Stone, and Nate Johnson, will enjoy this fast-paced post-apocalyptic romantic thriller.
Was it love at first sight? Fate had other plans. At the dawn of the apocalypse, a naïve, but resourceful woman must fight her way through nature, humankind and herself to reunite with her family.
Beth has cocooned herself in routine after a devastating family tragedy upended her world years ago, but a chance encounter with a Marine named Ryker sends ripples through her carefully guarded world. He is smitten. She is unsure.
The city is thrown into chaos when a missile strikes near Spokane, testing Beth's newfound optimism. As strife escalates, Beth must lead her friends on a perilous…
Austen-inspired works are nothing new (think the movie Clueless or "The Lizzie Bennet Diaries" vlog) but unless you’re walking around the Austen fan world, you might not realize just how many books are out there. I became immersed in that world around 2006, and since then, I’ve written four Austen retellings, one Austen-inspired original novel, and several short stories. I’ve read countless other works (both published and on the internet,) and now run a little website called Austen Through the Ages. Below I list 5 Pride & Prejudice-inspired novels that ring true for me—they bring Austen’s themes and characters into modern settings, each putting a unique spin on the classic tale.
Audrey Ryan’s debut novel joyfully leaps off the page, shouting, “I wanna tell you a story about some Millennials!”—in all the best ways. I’m always up for a well-written coming-of-age story, and this one made me, a jaded GenXer, once again feel the bittersweet hope (and fear) of figuring out your life on your own terms.
Lizzie Venetidis is confident in her decisions. Moving to Seattle with her sister Jane after she graduated from Stanford, for instance, was a no‑brainer. Adult life, however, turns out to be more difficult to navigate than she expected. What career should she pursue with a bachelor’s degree in art history and no marketable experience amongst a tech-heavy job market? How responsible is it to drink that fourth cocktail while out with friends? And what should she do about Darcy — the aloof yet captivating guy she met her first night in town? "All the Things I Know" is a one-mistake-at-a-time…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
Europe’s finest masterpieces drew me from Seattle, Washington to the Netherlands, where I earned a master’s degree in art history. During my study, the restitution of artwork that had been looted during WWII was a hot topic, and one that deeply fascinated me. Ultimately, my classes and work for several Dutch cultural institutions inspired me to write my series of art history mysteries.
No list about mysteries involving missing art can exclude Aaron Elkins! He is the author of several art history mystery novels revolving around a museum professional searching for artwork lost during World War II. Old Scores is no exception. This borderline cozy mystery novel is a clever art history mystery about forgeries, the worth and perception of art, and what some will do to 'make it' in the art world.
A notorious French art dealer is murdered in this "thoroughly entertaining" mystery by the Edgar Award-winning author of the Gideon Oliver series (Kirkus Reviews).
It is a headline-making story: the discovery of a previously unknown Rembrandt. Rene Vachey, the iconoclastic art dealer who claims to have uncovered it, wants to make a gift of it to the Seattle Art Museum, but curator Chris Norgren is wary. Vachey is notorious in art circles for perpetrating scandalous shams; not for profit but for the sheer fun of embarrassing the elite and snobbish "experts" of the art establishment. And thanks to the web…
