Books like The Light of Days — picked by fans

At the time of writing, this is the last book I read, in the couple of weeks before the 80th anniversary of VE Day. Powerful is the only way to describe it.

I think it’s the ordinariness of the characters, particularly the main protagonists, that makes it so powerful. None of them had any training or expertise that would have helped them to ‘fight’ back, to resist; they are just ordinary people doing extraordinary things, which is what happened during the Second World War, particularly in occupied France.

It’s a reminder that we should never forget our history—even when it isn’t very palatable—and hope that one day we might start to learn from it.

In this remarkable combination of memoir and scholarly work, Philippe Sands, a British lawyer actively engaged in support of human rights, combines the story of his own Eastern European Jewish family with those of two jurists who forged the legal framework for the Nuremberg trials: Hersch Lauterpacht, who developed the concept of “crimes against humanity,” and Raphael Lemkin, who invented the term “genocide” to describe what was taking place. Both men and Sands’s maternal grandfather hailed from Lwów, part of southern Poland before the war, and now Lviv, in Ukraine. 

All had relatives murdered in the Holocaust. They were determined to prosecute those responsible and establish an international framework for the protection of human rights and played an important part in the trials at Nuremberg. 

This book restored the stories of the Soviet women who served in the Second World War (Great Patriotic War in Russian history), which had been ignored in the official histories.

Hundreds of veteran and witness testimonies (the book was first published in the 1980s) build a powerful, if sometimes painful, picture of pilots, snipers, and tank drivers as well as medics on the frontline, and their postwar lives.

This is essentially an oral history giving voice to hundreds of women first drafted, then ignored. Alexievich won the Nobel Prize for Literature in 2015.

This remarkable book shows how it is possible to encapsulate the history of the mass murder of the Jews in the former Soviet Union in a single object, in this case, a photograph that documents the horrific final moments in the life of a Jewish family, one of the nearly 1.5 million Jews shot by the Germans and their collaborators after the Nazi invasion of the Soviet Union.

Wendy Lower was able to locate the killing site and find the identities of the mother and her children and of the killers. I was deeply moved by the way it enables one to put a human face on the millions who were murdered in the Holocaust, and, in particular, the women and children who constituted an important part of the victims.

You can feel the danger lurking behind every day as radio journalist Shirer watched Hitler build on one horror after another.

Reynolds writes in a way you can hear him, in a stye that echoed his broadcasts. Even after the declaration of war, “life here is still quite normal… the theatres and movies, all open and jammed.”

And this item when he went to the front: “At last will get a chance–maybe–to see how this German colossus has been doing it, walking through Belgium, Holland and now, Northern France, so fast.”

What I like about Shirer’s approach is that he takes you along with him on every day’s events. There were so many things he touched on that often got missed in other books. I enjoyed being with him each day and you will, too.

During August 1944, Joe Mower’s P-38 was shot down, and Nazi forces sent him to Buchenwald—the infamous work camp where tens of thousands died of cruelty, medical experiments, and starvation. It’s a story of survival in the worst of situations.

A remarkable novel about Truus Wijsmuller, a very brave woman in the Netherlands, resisting the Nazis by smuggling Jewish children out of Nazi Germany to the nations that will take them. A very moving and true story. The role of women in the resistance movement in the Netherlands has been neglected or underrepresented for way too long, so this story helps to shed light on the active resistance women carried out in WWII. This is exactly what my platform ‘Sophie’s Women of War’ sheds light on. 

In 1940, the historian Emanuel Ringelblum established a clandestine organization in Nazi-occupied Warsaw to study and document all aspects of Jewish life in wartime Poland and to compile an archive that would preserve this history for posterity.

As the Final Solution unfolded, although decimated by murders and deportations, the group persevered in its work until the spring of 1943. Of its more than sixty members, only three survived. Ringelblum and his family and the family hiding them perished in March 1944, when their hiding place outside the ghetto was denounced by a neighbor.

Most of the archive was dug up after the war, and, in my view, it is one of the most important sources for the history of the Jews at this tragic time. 

In April 1944, Rudolf Vrba became the first Jew to escape from Auschwitz—one of only four who ever pulled off that near-impossible feat. His aim was to reveal the truth of the death camp to the world—and to warn the still surviving Jews of his native Czechoslovakia and Hungary and the world of the nature of Nazi policy towards the Jews. 

Sadly, his warnings were not taken sufficiently seriously. The problem was the inability of those to whom he reported to take in the full implications of the ‘final solution.’ Vrba was tormented for the rest of his life (he died in Canada in 2006) by his failure to persuade his interlocutors of what was actually taking place in Auschwitz.

Anita Lasker survived the Holocaust because, as a Berlin teenager, she had enjoyed cello lessons. Lily Mathé’s violin performances had once impressed the man who became the Auschwitz commandant. Alma Rosé, the talented niece of Gustav Mahler, became the conductor who kept these young women and forty others alive through ferocious discipline and determination.

The Women's Orchestra of Auschwitz recounts not only the lives of the women who were once forced to play melodies in the darkest moments of the twentieth century, but also the ethical questions that haunted the survivors.