15 Books Like The Light of All That Falls

This is one of those books I haven't read since high school and am in a better position to appreciate now, particularly as I've been thinking a lot for my own purposes about the nature of trauma and how battlefield (and similar) experiences can affect different kinds of people. The way the protagonist and others change over the course of the story says less about them as individuals, I think, than it does about inherent human fears and drives that can be triggered equally easily, given the right circumstances.

On the whole, I found the world-building and plot construction to be careful and very clever; if you've read some Plato or any of a number of philosophers, you'll have plenty of "aha!" moments. To an extent, that actually frustrated me: why bother creating a parallel universe if you're going to populate it with figures and events from our world (but with different names)? It turns out that there is a reason for that, and you just don't find out until about 800 pages in. Maybe a more sensitive or attentive reader would have anticipated that reason sooner than I did.

The core cast of characters is small, distinctive, and likeable, and the writing flows easily even when the subject is something like quantum mechanics. The plot expands far beyond what you might be expecting at the outset; perhaps for that reason, I found the ending abrupt and disappointing. The… show more.

This was the first fantasy book that made me afraid for its characters and helped me understand that fantasy is allowed to feel realistic.

Up until this point, the types of books I was reading were very paint-by-numbers, but here the stakes felt real because no one was safe... not even the ones who seemed typical fantasy rules were untouchable.

What stuck with me wasn’t the true-to-form fantasy bits (dragons/battles), but how human the characters felt. In this world, loyalty is a death sentence... love is dangerous, and power always comes with a price.

This one is the lighter of the bunch. It felt like stepping into familiar territory: A classic fantasy trilogy with echoes of Sanderson, and maybe even a serving of Orson Scott Card(?).

The magic system is layered, but nowhere near as intricate as something Sanderson would write, and that’s okay. What stood out to me was how it handled memory and moral complexity without leaning into grimdark or soul-crushing despair.

It struck a good middle ground. Not too light. Not too bleak. Just a well-written, accessible epic that still has emotional weight without overwhelming you.

The character development is phenomenal.

I’ve read The Name of the Wind twice, and each time it feels like sitting down to hear a bard weave his life into song.

Kvothe isn’t perfect—he’s brilliant, arrogant, reckless—but that’s why I believe him. Rothfuss’s prose has a rhythm that lingers in my head like music. What struck me most wasn’t the magic or mystery, but the small human moments: playing the lute for coins, hungering for knowledge, fumbling through mistakes.

For me, it was less about answers and more about the act of telling one’s story, flaws and all.

I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.

It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.

What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.

If you’ve read all of the books on this list and are looking for something new, this book is the story of Robin Hood with all the backstabbing, politicking, and civil unrest of A Game of Thrones. Though not “Fantasy” (there is no magic, second-world, divine intervention, etc), this historical fiction novel was no less epic, and I would be remiss to leave it off this list.

As someone who exclusively reads fantasy and some sci-fi, I find this story (and its sequel, Lionhearts) to fit right into my reading list. The use of character perspective was so powerful because despite there being six primary POV characters who are diametrically opposed to one another in different ways, I somehow found myself rooting for all of them. Each character was so convincing in their justifications and righteousness that every chapter constantly reflected on who was in the right.

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This book is written with razor-sharp prose that's as immersive as it is devastating. Every page carries with it tension and purpose, making it impossible to put down. While it did drag a little in the middle for me, the beginning and ending of the book made this a 5-star read for me. The characters are complex and constantly evolving, blurring the line between right and wrong in the most compelling way. This book is a masterclass in storytelling that grips you from the first word to the last.

I am in awe of this book! I think it’s close to perfect, if not perfect. The detective here is Meyer Landsman, who “only has two moods: working and dead.” The novel is set in an alternate history that imagines Sitka, Alaska as a sprawling, Yiddish-speaking metropolis where all the Jews have fled after World War II.

The dead body is a mysterious young drug addict with connections to Sitka’s seedy underbelly. The story is a page-turner, but the sentences are truly incredible. It’s also very funny. I keep returning to this book year after year and every time it blows me away.