Books like Anathem — picked by fans

This is, in my humble view, the best science fiction novel ever written. I have read it no less than ten times so far and intend to keep rereading it. What nowadays seems incredible is that it was written back in 1961, when most science fiction was still in its age of innocence, full of naïve assumptions about extraterrestrials and their malevolent ambitions.

It will be many years before the first ideas of benevolent aliens appear and even more before we fully realize Lem's wisdom from Solaris: there isn't going to be any First Contact because Others are neither bad nor good, but indifferent, as it is the planetary intelligent ocean on Solaris. We aren't still mature enough even for contacts with ourselves, let alone Others.

First published in Italy in 1972, it arrived in English two years later and is now regarded as a classic. It is based on a fiction journey by Kublai Khan to over fifty cities, each with particular features and qualities: they are all fictional. However, they all in some way reflect the character of Venice.

What makes it one of my favorite books is the way its evocative language animates a world of imagination. What unfolds is fantastic rather than fantasy. It has inspired my own writing, and I have recently written a companion work—Disappearing Cities. It also is a collection of short stories engaging around fifty imaginary cities. It is now with my publisher. Besides the influence of Calvino, it was also prompted by two books mentioned above: Amitav Ghosh fusion of climate change and fiction, and Ailton Krenak evocation of stories that postpone the end of… show more.

The book offers an in-depth exploration of how an anarchist, anti-capitalist society without money or government would work and juxtaposes it against a more familiar, wasteful, capitalist world. It's thought-provoking and can be a great tool for self-exploration because this world isn’t easy to live in and has its own challenges.
Even though it took me a long time to get into the story, once I did, I was fascinated by all the details. It's unlike other stories. It offers ideas that don't often get explored in speculative fiction, and it left me with a lot to think about.

Nausea does not rely on the extreme or outlandish scenarios of science fiction to explore philosophical themes. Rather, this novel is about a person’s growing malaise over his conscious relationship to objects, people, and ultimately himself. It reaches into some very fundamental aspects of our relationship to the world, and asks you to look at the mere structure of existence after all particularities (names, shapes, colors, history, etc.) are wiped away, and then asks you how you feel about it. Through an existentialist lens, it also explores certain political questions. And for those more technically interested in philosophy, the novel does a better job of showing existentialism’s relationship to phenomenology than many academic papers. 

This is a cyberpunk classic, but what I really love about it is the combination of modern computer technology with Sumerian mythology, the Tower of Babel myth, and how well Stephenson is able to integrate them, so we have hackers throwing around Sumerian terms like 'me' and 'nam-shub'.

And for me, I love that there’s just a lot of cool stuff happening here, like a biker with an atomic bomb on a deadman switch, a nuclear-powered needle gun. And our lead character is named Hiro Protagonist. But probably the biggest point for me is that despite the dystopian setting, there really is more hope in this story than one would think.

This is the book I reach for when I want the war for the soul told without shortcuts.

Dostoevsky takes me straight into the collision of faith and doubt, love and cruelty, repentance and self-justification—and he refuses to flatter any of it. The “Grand Inquisitor” sequence alone sharpened how I think about coercion dressed up as righteousness, which is a chillingly modern spiritual danger.

When I’m writing redemption, I want it to cost something—and this novel taught me how suffering, freely offered, can become a doorway instead of a sentence.

About WWII codebreaking, the reason this makes my ‘Best 5’ is that, besides being constantly inventive and informative, it’s also very funny. (I’m that shallow.)

There are similarities, I think, with Catch 22, in the plot’s intelligence, absurdity, and dreamlike turns.

I think Stephenson’s character Bobbie Shaftoe, a soldier who carries out counterintelligence deceptions, is hilarious. Also, Stephenson’s use of real historical characters–he presents believable portraits of Alan Turing, Douglas MacArthur, Karl Dönitz, and Hermann Göring, with a walk-on appearance by Albert  Einstein–gave me license to do so in my own fiction.

In 1989, Salman Rushdie he had to go into hiding because of the fatwa against his life. In trying to explain this decision to his young son, Rushdie spins a magical tale of a storyteller who decides to stop telling stories.

The hero, Haroun, always wondered where his father's stories came from. His father always said “I drink from the ocean of stories. They install a spigot in the wall for me to drink from.” (Yeah, right.) Until, on that one fateful day, Haroun catches the water genie uninstalling the spigot.

On his way to save the ocean of stories, Haroun finds wonderful friends and the power of teamwork. The moral contrast between the Guppees (who argue all the time, but in the end work together) and the Chupwalas (who never disagree because they live in fear, but are so unable to work together, they fight with their own shadows)… show more.

One of Stephenson’s most recent novels, Termination Shock is a present-day story about an eccentric billionaire who takes on climate change. As the former lead energy and transportation economist for the White House Council of Economic Advisers who helped craft a lot of the legislation that governs climate change policy today, I’m often annoyed at how often writers are wrong about both the science and the economics of climate change. This novel is one of the more accurate representations of both the urgency and scope of the climate problem that avoids the fearmongering, while still telling a fun adventure story about princesses and queens and surprising true stories about feral hogs and rock-throwing Indian and Chinese martial artists fighting a real war recorded by social media.

The best description of sainthood I have ever found. In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes. 

In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, “like a mule being whipped up the mountain pass”), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult. 

Warning: This book contains scenes and situations not suitable for children.