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The Life and Death of Pretty Boy Floyd.
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I’m a former psychology professor, and I find that in both my reading and writing, I wonder about individuals’ backgrounds and motivations for their actions. I particularly enjoy novels that take a deep dive into what makes individuals behave as they do. And criminal behavior, with its violations of norms and laws, offers an especially rich opportunity for writers to delve into the reasons people resort to criminality. This is why I was drawn to the characters Celia and Ed Cooney and decided to write a novel about their crime spree.
Everyone knows how the story of Bonnie and Clyde ends, but I loved how this novel delved into Bonnie’s background and life both before and after she met Clyde.
Bonnie grew up in a chaotic home, and when she met Clyde her whole life changed. She was so smitten with the charming Clyde that she just wanted to be with him—and that included tagging along on robberies and other ill-fated capers.
This novel doesn’t romanticize Bonnie and Clyde. It left me reflecting on the differences between male and female criminals—and the reasons they resort to crime.
“Absorbing...poignant, often heartbreaking...Schwarz is a vivid storyteller.” –The New York Times Book Review
The #1 New York Times bestselling author of Drowning Ruth vividly evokes the perennially fascinating true crime love affair of Bonnie and Clyde in this suspenseful, gorgeously detailed fictional portrait of Bonnie Parker, one of America's most enigmatic women.
Born in a small town in the desolate reaches of western Texas and shaped by her girlhood in an industrial wasteland on the outskirts of Dallas, Bonnie Parker was a natural performer and a star student. She dreamed of being a movie star or a singer or a…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Matthew Stokoe has been translated and published around the world, his books have set new boundaries in urban horror and gritty, pull-no-punches noir. After Cows, Stokoe turned his sights on Hollywood, producing the now-famous High Life – both a page-turning mystery and one of the most brutal critiques of Tinsel Town ever committed to fiction. Stokoe has continued to explore his uniquely dark view of lives lived in the modern world, and in 2014 was nominated for the Grand Prix de Littérature Policière – France’s most prestigious crime writing award – for his novel, Empty Mile. Colony of Whores, is his latest novel.
Algren has been called a proletarian writer. Working primarily in Chicago from the 1930s to the 1950s, he was intensely concerned with the plight of the common man. His milieux were the gambling dens, the sawdust bars, the decaying hooker-prowled streets, the beat-down police stations, the shooting galleries, the slums, the cheap walk-up flats where broken men and women fought each other in desperate battles to survive one more miserable day. His characters were the poor, the ignorant, the addicted, tramps, bums, card sharps, petty crims, accidental murderers... But in all of them he found something human, something that might have been good, might have been worthy of a decent life – if only it had been given half a chance.
The Man with the Golden Arm tells the story of Frankie Machine, the golden arm dealer at a back street Chicago gambling den. Frankie reckons he's a tough guy in the Chicago underworld but finds that he's not tough enough to kick his heroin addiction. With consummate skill and a finely-tuned ear for the authentic dialogue of the backstreets, Algren lays bare the tragedy and humour of Frankie's world.
Features the first UK publication of a foreword by Kurt Vonnegut and an afterword by Studs Terkel.
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Stagolee, the bad man who will not back down, is an icon of African American mythology. His defining moment, the Christmas night murder of Billy Lyons is the subject of folk and blues songs from the turn of the twentieth century to the present day. Though many know the story, before Cecil Brown’s book, most did not realize that the story was true. On Christmas night, 1895, in St. Louis, “Stack” Lee Shelton shot Billy Lyons in a fight over a Stetson hat. Stagolee Shot Billy documents the events leading to the murder while shining a light on the culture, attitudes, and politics of the St. Louis black community in the 1890s. The shooting of Billy Lyons is a Gilded Age murder that continues to resonate.
Although his story has been told countless times - by performers from Ma Rainey, Cab Calloway and the Isley brothers to Ike and Tina Turner, James Brown and Taj Mahal - no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan", Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
Fiona Rule is a writer, researcher, and historian specialising in the history of London.
She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London.
A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.
In a series of interviews, Arthur Harding tells us of his life as an East End rogue at the turn of the century. The characters he encountered are a “Who’s Who” of the underworld at that time and his descriptions of Spitalfields were very useful to me during research for The Worst Street In London.
First published in 1981, this book examines the life of Arthur Harding, a well-known figure in the East End underworld during the first half of the twentieth century. The first five chapters survey his life in the 'Jago' slum between 1887 and 1896, offering a different view of an often vilified district. The subsequent phases of his life as a cabinet-maker, street trader and wardrobe dealer reflect the changing fortunes of the East End from hand-to-mouth conditions in the late-nineteenth century to comparative security in the 1930s.
The reader is introduced to some of the major features of East End…
I began my freelance career as a travel writer, though I now also write about drinks. While living in London I worked for a while at the men’s magazine, Mayfair, and around that time went out for several months with a woman who was a stripper. I didn’t know that when we met, so judged her by her personality not her profession. One of the magazine’s models was murdered, and one of the staff questioned by police. He was totally innocent. I wanted to write the kind of book I like reading, bringing together those two storylines to create a fictional version of a very real part of London life.
I knew the author when I worked for his literary agent in London, and this is a fascinating and frightening look at the London crime world of the Kray Twins. They ruthlessly ruled parts of London, including the East End, and was an essential background re-read when I wrote my own London crime novel. I was trying to show behind the scenes of the world of striptease, but this book is a reminder of what’s behind even that behind-the-scenes world. I used to send a 6-monthly royalty cheque to their mother as their share for co-operating with the book, which is why it’s so authentic.
The classic, bestselling account of the infamous Kray twins, now a major film, starring Tom Hardy.
Reggie and Ronnie Kray ruled London's gangland during the 60s with a ruthlessness and viciousness that shocks even now. Building an empire of organised crime that has never been matched, the brothers swindled, extorted and terrorised - while enjoying a glittering celebrity status at the heart of the swinging 60s scene, until their downfall and imprisonment for life.
Growing up in a house filled with books – my father was a publisher – meant that I fell in love with the written word at an early age. Growing up in apartheid South Africa and witnessing the brutal regime at work meant that I was sensitised to issues of injustice and racial prejudice at an early age too, issues which would come to inform much of my writing. I’ve always been drawn to the underdog’s story and often write to shine a light on the lives of the marginalised. My first literary heroes were brave authors such as Nadine Gordimer, Athol Fugard, and Alan Paton, who used their pens to provoke change.
Having grown up in South Africa during apartheid and witnessed how the appalling regime destroyed so many lives, I was profoundly affected by this read. It takes place in the sprawling black township of Soweto at the height of apartheid, where survival was a daily battle for the oppressed and marginalised inhabitants. To this end, Tsoti, an apparently heartless young township thug, lives a life of brutal crime. That is until he unwittingly kidnaps a baby during a bungled carjacking. Forced to care for the infant, Tsotsi gradually rediscovers his own humanity. The reader can’t help but be moved from a place of horror to one of deep understanding and empathy for the main character – a remarkable feat for any author. A compelling story of hope.
Tsotsi is an angry young gang leader in the South African township of Sophiatown. A man without a past, he exists only to kill and steal. But when he captures a woman one night in a moonlit grove of bluegum trees, she shoves a shoebox into his arms: the box contains a baby and his life is inexorably changed. He begins to remember his childhood and rediscover the self he left behind.
Tsotsi's raw power and rare humanity show how decency and compassion can survive against the odds.
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
Richard Vetere’s screenplay Caravaggio won The Golden Palm for the Best Screenplay at the 2021 Beverly Hills Film Festival. He co-wroteThe Third Miraclescreenplay adaptation of his own novel. The movie was produced by Francis Ford Coppola, starring Ed Harris and Anne Heche and directed by Agnieszka Holland released by Sony Pictures Classics. His teleplay adaptation of his stage playThe Marriage Foolstarring Walter Matthau and Carol Burnett is the most viewed CBS movie ever and is currently running on Amazon. He also wrote the cult classic film Vigilantecalled by BAM as one of the “best indies of the 1980s.”
Richard Condon shows the mob as a family of degenerates, violent felons who are still human beings who also fall in love. The focus on the novel is how a hit man, looking to embellish his career, dates a big mob guy’s daughter, only to fall in love with another killer who is a woman. She has been hired to kill him but she also is in love with him. Published in 1982 , the novel captures the entanglements of a soap opera with real bite. The movie with Jack Nicholson is also top rate.
A darkly funny novel of mobsters, murder, and marriage: “The surprise ending will knock your reading glasses off.” —The New York Times
Charley Partanna works as a hitman for the Prizzis, New York’s most dangerous crime family. When he meets Irene Walker, an LA-based tax consultant, it’s pretty much love at first sight.
But Irene also moonlights as a hit woman—and had a hand in a big-money heist in Vegas. Now Charley has been told that she’s got to go. Faced with divided loyalties, he must make a choice—between the only family he’s ever known and the woman he loves.…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Few scholars have done more to demystify the nature of crime in Mexico than Pablo Piccato. His book City of Suspectsis a nuanced history that reveals that the very meaning of crime was contested in early twentieth-century Mexico City. While Mexican elites tried to define criminals as a social class, the urban poor, who experienced crime as a part of their everyday lives, saw crime as an individual phenomenon. This book, like the others on this list, is also a story about the ways people used and thought about public space. At a time when Mexico’s government sought to transform the capital into a modern metropolis along the lines of Paris or New York, the poor resisted efforts to exclude them from that future.
In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners' letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system. By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing…
I first became fascinated by the portrayal of female criminals when I wrote a novel, The Ghost of Lily Painter, based on the first women to be executed at Holloway Prison in London in 1903. Holloway was the most infamous female jail in Europe and shortly before it closed down in 2016, I was given access to the prison archives. That led to Bad Girls, nominated for the Orwell Prize, and it also led to the discovery of a forgotten criminal aristocracy - the women who were once so notorious they were Public Enemy No.1.
This is a rollicking read about the criminal adventures of Doris Payne, jewel thief extraordinaire who started her career in the United States in the 1950s. She saw herself as a crusader, and stealing diamonds as an act of retribution against a racist world. Doris continued her career until 2017, often updating and refining the methods once used by her Victorian forebears.
"Doris Payne is an unapologetic badass." - Tessa Thompson, Actress
This is the sensational and compelling memoir of the world's most notorious jewel thief - a woman who defied society's prejudices and norms to carve her own path, and live out her dreams.
She stole diamonds from the people who underestimated her, she exploited the men who tried to domesticate her, and she consistently defied society's assumptions and prejudices to create a new life for herself. For fans of Catch Me If You Can, The Wolf of Wall Street and Molly's Game, this is the newest must-read crime autobiography.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I have loved Algeria since I lived there for 3 years from 2007. The experiences of the 20th century, particularly the War of Independence, make Algeria such an important country. The anti-colonial War overturned an entrenched colonialism, not only in Algeria, but set in train a movement for freedom across an entire continent. I have written extensively on the growth of civil society associations and how these helped people recover from tragedies; and more recently, the developments that sprung from the Algerian Hirak of 2019. This saw millions of protesters march peacefully, for over a year, to bring about significant changes and new understandings of citizenship in the 21st century.
One of Algeria’s greatest writers, Assia Djebar, deserves far greater recognition in the English-speaking world.
Her book, Algerian White, gives a painful account of the loss of three important Algerian intellectuals, against the backdrop of the Black Decade, and offers an eloquent and moving account of Algeria’s trauma of the 1990s.
Her analysis of Algerian society, culture, and language offers us a powerful reflection on the difficulties of nation-building and identity, in the post-colonial period and in challenging times.
In Algerian White, Assia Djebar weaves a tapestry of the epic and bloody ongoing struggle in her country between Islamic fundamentalism and the post-colonial civil society. Many Algerian writers and intellectuals have died tragically and violently since the 1956 struggle for independence. They include three beloved friends of Djebar: Mahfoud Boucebi, a psychiatrist; M'Hamed Boukhobza, a sociologist; and Abdelkader Alloula, a dramatist; as well as Albert Camus. In Algerian White, Djebar finds a way to meld the personal and the political by describing in intimate detail the final days and hours of these and other Algerian men and women, many…