Here are 100 books that She Rides Shotgun fans have personally recommended if you like
She Rides Shotgun.
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I lived vicariously through Nancy Drew when I was young. I was naturally observant and curious, and my mom was known to tail a car through our neighborhood if she thought the driver looked suspicious. So, it’s not surprising that I developed a love for all things thrilling. While working in the oil and gas industry for fifteen years, I spent some time focused on a foreign deal that served as inspiration for my first novel. I worked with people seeking power; negotiations bordered on nefarious; the workplace became toxic. If you ever ponder the moral implications behind the pursuit of power, you’ll enjoy the books on this list!
I tell everyone I know that if they want a book with incredible character development, read The Girl with a Dragon Tattoo.
This book is highly atmospheric. You can feel the biting cold, the fear, the pain. It also has characters with questionable ethics. It made me question how I feel about vengeance and retribution. Some of the content is very dark, yet it doesn’t feel sensationalized.
This is also a thriller with hints of a happy ending—at least, for some people—while also leaving some things uncertain or unresolved. I prefer a thriller to leave me hanging a little . . .
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m a 23-year city cop who spends a fair amount of time around hard cases, from veteran co-workers to repeat felons. I’ve always been fascinated by formidable fictional heroes who succeed despite overwhelming odds. It’s an art to create a protagonist who is memorably and realistically resilient. I strove for this in my debut novel. The authors above delivered and then some.
This book takes place in Boston during the broiling hot summer of ‘74. The protagonist of Lehane’s sublime novel is Mary Pat Fennessy, a hard-bitten mother from the Southie projects who took a look at this list of tough guys, chuckled, punched the #5 guy in the throat, and took over his spot.
Mary Pat’s teen daughter is missing, the Irish mob may know more about it than they’re letting on, and all the while, the desegregation of the public schools has turned the city into a violent racial hotbox. In Small Mercies, Mary Pat navigates searing issues of loyalty and justice. Race and grief, and as intense pressures converge on both her and the city, she responds the only way she knows how—by coming out swinging.
“Small Mercies is thought provoking, engaging, enraging, and can’t-put-it-down entertainment.” — Stephen King
The acclaimed New York Times bestselling writer returns with a masterpiece to rival Mystic River—an all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.
In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessy is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the housing projects of “Southie,” the Irish American enclave that stubbornly adheres to…
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
Brian is a fellow Georgia author and a friend. I was gobsmacked by his first novel, Bull Mountain, so when he asked if I would blurb the sequel, Like Lions, I didn’t hesitate a nanosecond.
There are evildoings galore: violent criminals, drug-running, revenge killings, and a hunt for buried millions. But our hero Sheriff Clayton Burroughs is a damaged soul, dependent on alcohol and painkillers, so three powerful female characters step up to the plate.
I loved Clayton’s wife Kate, fiercely loyal and protective of her family. Vanessa is a shadowy outsider, both deadly and compassionate. And Twyla Viner is the aging matriarch of another criminal family that has a bone or two to pick with Clayton. The lions in this book are the women, and they rule this jungle.
"A book filled with unforgettable characters and a tension that heightens with every chapter." ―The Wall Street Journal
A powerful follow up to multiple award-winning debut Bull Mountain.
Brian Panowich burst onto the crime fiction scene in 2015, winning awards and accolades from readers and critics alike for his smoldering debut, Bull Mountain. Now with Like Lions, he cements his place as one of the outstanding new voices in crime fiction.
Clayton Burroughs is a small-town Georgia sheriff, a new father, and, improbably, the heir apparent of Bull Mountain’s most notorious criminal family.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
Amanda Kyle Williams quit school at sixteen, was diagnosed with dyslexia at twenty-two, and read her first book at twenty-three. She overcame addiction and wrote while working odd jobs, becoming a best-seller with her Keye Street series.
My wife heard Amanda speak at a dyslexia conference and told her about her husband who wanted to write books; later when I met Amanda at the Decatur Book Festival, she smiled and said, “Oh, yeah, you’re the writer.”
I love her protagonist Keye, a private investigator in Atlanta and former FBI profiler. She’s funny and gutsy and wrestles with her own demons. Don’t Talk to Strangers, the third in the series, is as good as the first two. Amanda died of cancer in 2018, but she left behind a tremendously inspiring legacy in both Keye and her own incredible story.
If you like Karin Slaughter you'll love Amanda Kyle Williams...Two girls tied in death. Found next to each other in shallow graves in the remote wilderness outside Whisper, Georgia. One has lain there for a decade. One for only sixty days. Now their bodies have been uncovered and there is only one person who can help the local law enforcement find their killer. Former FBI profiler, bond enforcement officer and private detective. Keye Street. Her experience lets her see clues others can't find and now she is going to have to use all her skills if she is to stop…
When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us. I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.
A brilliant hypnotic novel that almost no one read. Albert French was the victim of a publishing nightmare—his editor and his publisher, both of whom had primed his novel for a major publicity push, left for new jobs before the pub date, after which his book was orphaned and abandoned. For anyone not in the book business, it might seem hard to believe that a terrific novel would be left to languish, but, sadly, such an event is not uncommon in American publishing.
Set in an African American section of Pittsburgh in 1950,I Can’t Wait on God evokes both the day-to-day lives of ordinary people and the striving and hopelessness of African Americans trying to escape the doomed existence to which so many are condemned. French weaves a tale that is starkly realistic, yet with a mystical overtone that creates a sort of intoxicating haze. The narrative seems straightforward,…
The crowded joys and familiar despair of poor, back-alley life in 1950 Pittsburgh have a hold on most people there, but there are those who need to escape. Jeremiah Henderson and his woman, Willet Mercer, set their sights on New York City - but making good is easier said than done. Left with no choice but to give in to the pimp who'd like to try Willet on for size before selling her to his clientele, Jeremiah and Willet try to focus on the future. But just before the pimp has his way with her, Willet balks, stabbing him to…
I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.
Best known for Helter Skelter--his classic 1975 true crime memoir on prosecuting the Manson family, former Los Angeles deputy DA Vincent Bugliosi wrote this book later about a complicated but lesser-known double-homicide case he tried in 1966, three years before the Manson murders occurred. As the prosecutor on these cases, Bugliosi boasted access to background details that only an insider can share, merging psychological analysis with trial strategy concerns. Echoing themes of the noir thriller Double Indemnity, this true account unveils the plot of two lovers to murder their respective spouses and explains the complex police work required to catch them.
On December 11, 1966, a mysterious assassin shot Henry Stockton to death, set his house on fire, and left the scene without a trace. A year later, when a woman was found brutally killed, shreds of evidence suggested a connection between the two murders.
In the Palliko-Stockton trial, prosecutor Vincent Bugliosi offered a brilliant summation that synthesized for the jury the many inferences and shades of meaning in the testimony, fitting all the pieces together in a mosaic of guilt. But will the jury be persuaded?
I don’t think I’m alone in considering cults and those who join cults fascinating, but I’ve also always found it frustrating when non-fiction accounts or documentaries focus on the logistics of how the communes operate rather than finding out the why. Why do people join a cult, why do they stay, why do they follow increasingly erratic and dangerous instruction? For me, researching cults for my new novel The Sleepless – about a commune whose disciples believe that sleep is a social construct – was about finding out about the characters, the individuals, who are drawn into organisations which often ask you to relinquish that self-same sense of individuality.
It wasn’t until I picked up this book that I realised how little I actually knew about Charles Manson and his followers.
Sure, it had filtered down to me – through a variety of popular culture – that he was a notorious murderer and that his female followers were truly brainwashed, but how had that come to be and was there any way of making sense of his seemingly senseless violence and crimes? Guinn’s meticulously-researched book has the answers.
After more than forty years, Charles Manson continues to mystify and fascinate us. One of the most notorious criminals in American history, Manson and members of his mostly female commune killed nine people, including pregnant actress Sharon Tate. Now, drawing on new information, bestselling author Jeff Guinn tells the definitive story of how this ordinary delinquent became a murderer.
Mansonhelps us understand what obsessed him and, most terrifying of all, how he managed to persuade others to kill. Guinn interviewed Manson's sister and cousin, neither of whom has ever previously cooperated with an author. Childhood friends, cellmates, and even some…
Dr. Samantha Battams is an Associate Professor and has been a university lecturer, researcher, policy professional, community development worker, advocate, health service administrator, and management consultant. Samantha resides in Adelaide, South Australia, is widely travelled, and has lived and worked in Switzerland in global health. She has published academic articles and book chapters in the fields of public health and global health, social policy, and sociology. She has a passion for history and writing and has written a self-published family history and three non-fiction books.
Thoroughly enjoyed reading about the various fates of a shipload full of convict women who at the time were barely more than chattels of men. Susannah Watson was one of many women who stole in England to feed her starving children and found herself transported for 14 years (which in reality became a lifetime). These survivor women were inspiring and resilient in a pioneering time.
Intrigued to discover a convict ancestor in her family tree, Babette Smith decided to investigate her life and the lives of the 99 women who were transported with her on the ship Princess Royal in 1829.Piece by piece she reveals the story of her ancestor the indomitable Susannah Watson who, trapped in the crowded filthy slums of Nottingham, stole because she could not bear to see her children starving'. Separated forever from her husband and four children, she was transported to Australia for 14 years. She endured the convict system at its worst, yet emerged triumphant to die in her…
Growing up in a house filled with books – my father was a publisher – meant that I fell in love with the written word at an early age. Growing up in apartheid South Africa and witnessing the brutal regime at work meant that I was sensitised to issues of injustice and racial prejudice at an early age too, issues which would come to inform much of my writing. I’ve always been drawn to the underdog’s story and often write to shine a light on the lives of the marginalised. My first literary heroes were brave authors such as Nadine Gordimer, Athol Fugard, and Alan Paton, who used their pens to provoke change.
Having grown up in South Africa during apartheid and witnessed how the appalling regime destroyed so many lives, I was profoundly affected by this read. It takes place in the sprawling black township of Soweto at the height of apartheid, where survival was a daily battle for the oppressed and marginalised inhabitants. To this end, Tsoti, an apparently heartless young township thug, lives a life of brutal crime. That is until he unwittingly kidnaps a baby during a bungled carjacking. Forced to care for the infant, Tsotsi gradually rediscovers his own humanity. The reader can’t help but be moved from a place of horror to one of deep understanding and empathy for the main character – a remarkable feat for any author. A compelling story of hope.
Tsotsi is an angry young gang leader in the South African township of Sophiatown. A man without a past, he exists only to kill and steal. But when he captures a woman one night in a moonlit grove of bluegum trees, she shoves a shoebox into his arms: the box contains a baby and his life is inexorably changed. He begins to remember his childhood and rediscover the self he left behind.
Tsotsi's raw power and rare humanity show how decency and compassion can survive against the odds.
