Here are 95 books that The Late Mrs. Willoughby fans have personally recommended if you like
The Late Mrs. Willoughby.
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Iâve always had a passion for wounded heroes and strong heroines. My earliest memories are reading books where the heroine saves the day. Iâve never wanted the heroine to need the hero in order to make her life complete. Even as a child, when my dad read me books at nightâone of my favorite memoriesâI preferred stories where the heroine saved the day. As an adult, Iâve loved to read stories where the hero is brave enough to show his vulnerable side, and when I decided to become a writer, those were the books I wanted to write.
I adored this book! This is what happens if all of the characters from Jane Austenâs books got together for a house party, and one of them murders Mr. Wickham, a universally despised character.
The mystery reminds me of Agatha Christieâs mysteries, and the multiple character POVâs are terrific! Plus, the relatively modern twist of empowering the young (and slightly odd) characters was fantastic to watch.
A summer house party turns into a thrilling whodunit when Jane Austen's Mr. Wickhamâone of literatureâs most notorious villainsâmeets a sudden and suspicious end in this brilliantly imagined mystery featuring Austenâs leading literary characters.
âHad Jane Austen sat down to write a country house murder mystery, this is exactly the book she would have written.â âAlexander McCall Smith
     The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintancesâcharacters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an evenâŚ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŚ
All my life I loved her novels and often reread them, but in secret. My friendsâin the 1960sâscoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Figes argues that although women novelists did not directly challenge the rules of a patriarchal society, they challenged its assumptions by protesting the restrictions on womenâs lives and severely criticizing the clergymen, enablers of the patriarchy. My favorite section of the book is her interpretation of the Gothic novels, which she calls the female equivalent of picaresque novels. Women, she points out, were not permitted to roam the world like Tom Jones, having adventures. Instead, these novels presented women, who, through no fault of their own, are imprisoned by evil men. Their adventures, as they find their way to safety in foreign lands, prove their courage and intelligence.
Jane Austen now dominates my teaching and research. This was not always so. I was trained in the writers that came before Austen and was happily teaching classes on them when someone at my university asked me to teach a class on Jane Austen. At first, I refused to switch. I countered, âShe does not need yet another class.â But I agreed, and soon, I was hooked on her humor and her deft responses to those earlier writers. While the new graphic novel is my third book about Jane, I have not exhausted the things to research! The more I know, the more I admire her writings and her life.
Effectively, this is a meticulous stalkerâs record of Jane Austenâs family, listing what everyone was doing (and where) for every single day of her life.
I know of nothing quite like this biographical resource (for any writer). Admittedly, the book is more like an Excel spreadsheet than a narrativeâand something Iâve only gratefully consulted rather than read straight through from end to end. But for hardcore Janeites, this day-by-day listing of events in her life is indispensable. Â
For more than thirty years Deirdre Le Faye, one of the world's leading authorities on Jane Austen, has been gathering and organising every single piece of information available about the Austen family before, during and after Jane's lifetime. Her unique chronology, containing some ten thousand entries, is now available in paperback. For the first time, those interested in Jane Austen can discover where she was and what she was doing at many precise moments of her life. The entries, many taken from hitherto unexplored and unpublished documents, are presented in a clear and readable form and each item of informationâŚ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŚ
I stumbled across Jane Austenâs Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasnât enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolmâs List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austenâs work.
Clare Darcyâs books were published in the 1970s, and she was billed as the âbest Regency novelist since Georgette Heyer,â which was probably an accurate statement at the timeâand might still be. I do enjoy her funny, witty Regency novels, and this one, with its ensemble cast of unique characters, is a particular favorite.Â
I stumbled across Jane Austenâs Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasnât enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolmâs List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austenâs work.
This was the first book I read by Joan Aiken, and I found after reading some of her backlist that this was the only one I liked. Some of the other historical fiction she wrote is much darker, but this book, while it does have a mystery subplot, is lighthearted and fun with a sweet romance.
It is a delightfully convoluted tale that will keep you guessing up until the very end when its downtrodden, capable heroine saves the day and gets her man.Â
Desperate to help her ailing mother, Delphie Carteret agrees to a sham wedding ceremony to her cousin, Gareth. Her mother will be guaranteed annuity for life, and Gareth's obligation to marry before his sick uncle passes is fulfilled. The plan is perfect.
But perfect plans usually go awry. Not only is the marriage ceremony valid, but Gareth's dying uncle makes a miraculous recovery. An imposter is threatening Delphie's identity and her life, and the whole family is on the brink of scandal.
I grew up surrounded by a library of dusty vintage novels, so perhaps it wasnât that surprising that I went on to write my own gaslamp fantasy influenced by English folklore and Victorian heroines. I love historical novels that provoke wonder, and magical novels that are rich with history, and (blame it on being an only child?) most of all I love a female protagonist Iâd want to have tea with.
I have fallen in love with the sweet chaos of Emmaâs ongoing journals, chronicling her life in the daft parish of St Crispianâs in an off-kilter version of 1880s London. Emma lives in the tiny garret of her house because her mad Cousin Archibald has stolen the rest of the house.
This witty and scapegrace young womanâs coming-of-age story will give you all the found-family and deeply cozy platonic friendships you could ask for, along with an amazing community of fans.
âIâve arrived in London without incident. There are few triumphs in my recent life, but I count this as one. My existence of the last three years has been nothing but incident.â
The Year is 1883 and Emma M. Lion has returned to her London neighborhood of St. Crispianâs. But Emmaâs plans for a charmed and studious life are sabotaged by her eccentric Cousin Archibald, her formidable Aunt Eugenia, and the slightly odd denizens of St. Crispianâs.
Emma M. Lion offers up her Unselected Journals, however self-incriminating they may be. Armed with wit and a sideways amusement, Emma documents theâŚ
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŚ
I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennetâsheâs witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
Jane Austen wrote and revised most of her novels in a cottage lent to her by her brother in Chawton, England. This book is a fictional account of a group of individuals in post-World War II Chawton who are all lostâor have experienced great loss. They band together in an attempt to save Jane Austenâs home from destruction. I loved getting to experience the story from each of the characterâs perspectives, and the authorâs prose is delightful. This novel is a testament to how people from all walks of life have been changed by Jane Austen, and how reading Jane Austen can save us.
'A wonderful book, a wonderful read' Karen Joy Fowler, bestselling author of The Jane Austen Book Club
Only a few months after the end of the Second World War, a new battle is beginning in the little village of Chawton. Once the final home of Jane Austen, the Chawton estate is dwindling, and the last piece of Austen's heritage is at risk of being sold to the highest bidder...
Drawn together by their love of her novels, eight very different people - from a local farmer to a glamorous film star - must unite to attempt somethingâŚ
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naĂŻvetĂŠand caprice. You might say it would lose its raison dâĂŞtreâŚMy first book was the history of a single French phrase, the je-ne-sais-quoi, which names a âcertain somethingâ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topicâand more besidesâas I was writing ĂmigrĂŠs.
Ennuiis a hidden gem of a novel. I admire the way it deftly weaves together personal lives and political histories on either side of the Irish Sea. I have come to feel strongly that the author, Maria Edgeworth, is unjustly overlooked by literary history in favour of Jane Austen. Yet Austen drew inspiration from her older contemporary. In this novel,Edgeworth draws on French words and ideas to tell the tale of an over-entitled English lounge lizard who is cured of his fashionable afflictionâthe ennui of the titleâby his travels and travails in Ireland. The result is a cosmopolitan novel crackling with invention and implication.
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
This was a modern-day retelling of Persuasion. Iâll admit, Persuasion has long been my least favorite Jane Austen novel. But Staci Hart finally made me fall in love with it. The story is told in first person, alternating between the perspectives of the hero and heroine, which made me feel that I was given a glimpse into their minds and hearts, something that the original novel failed to do. The added complication of the heroâs father being terminally ill really added depth and emotion to the story. I was completely wreckedâin the best way, of course!âby the end of this book. Read it with a box of tissues!
Heâs home for his father, not me, that much is painfully clear. But I barely recognize the man heâs become, though I can still see a glimmer of the boy who asked me to be his forever, the boy I walked away from when I was young and afraid.
Maybe if heâd come home under better circumstances, he could speak to me without anger in his voice. Maybe if Iâd said yes all those years ago, heâd look at me without the weight of rejection in hisâŚ
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŚ
I am a science journalist and magazine editor. I feel really lucky to be a bioscience specialist â it really is at the forefront of solving some of the great challenges of our time, from making sustainable fuels and materials, to climate change mitigation, age-related disease, pandemics, food security, habitat restorationâŚplus thereâs an incredible diversity of life on our planet still to be discovered. I always try to relate scientific progress to our everyday lives: itâs not just about creating new knowledge, it is about how that knowledge might improve our health, change our outlook, transform society, or protect the planet.
Iâve dipped into books about writing, storytelling, and scriptwriting before, and Iâve always found them to be utterly uninspiring, and in fact quite depressing â little more than a set of formulas to ensure your storyâs structure is like other stories.
But Will Storrâs excellent book uses insights from evolutionary biology and psychology to help you get to understand why human minds love stories, and what it is about great stories that keeps readers turning the pages. His advice is powerful, simple â primal, even.
Iâve used this excellent book to help improve my writing and ensure my first book was a real page-turner. But The Science of Storytelling has also left a huge mark on me in terms of thinking about how and why we communicate. Itâs for our own survival, after all.Â
'If you want to write a novel or a script, read this book' Sunday Times
'The best book on the craft of storytelling I've ever read' Matt Haig
'Rarely has a book engrossed me more, and forced me to question everything I've ever read, seen or written. A masterpiece' Adam Rutherford
Who would we be without stories?
Stories mould who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions, and shape our politics and beliefs. We use them to construct our relationships, to keep order in ourâŚ