Here are 100 books that Ennui fans have personally recommended if you like
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I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is cultural history with a difference and of a difference. It teaches you a lot about the reputation for fashionable culture that France enjoyed for centuries all over the world and continues to enjoy to this day. How much of all that is already packed into the book’s subtitle! The rest of the book is just as accessible and lively and unwilling ever to take itself too seriously.
What makes fashionistas willing to pay a small fortune for a particular designer accessory? Why does a special occasion only become really special when a champagne cork pops? Why are diamonds the status symbol gemstone, instantly signifying wealth, power, and even emotional commitment? Writing with great elan, one of the foremost authorities on seventeenth-century French culture provides the answer to these and other fascinating questions in her account of how, at one glittering moment in history, the French under Louis XIV set the standards of sophistication, style, and glamour that still rule our lives today. Joan DeJean takes us back…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a sparklingly funny play. I love its contemporary freshness, its fleetness of foot, and its irreverence. It satirizes the fashion for all things French among London’s social climbers. It sugars the pill of all that satire by bringing a fast-paced plot to a comic ending of marriage and reconciliation. It taught me that writers in seventeenth-century England like the play’s author, John Dryden, were importing words and ideas from France as they sought to trace a middle way between a servile mimicry of French culture and an insular rejection of it.
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.
What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a bittersweet comedy of manners in which John le Carré ventures way beyond the spy novels for which he is more famous. For lovers of spy novels—and I am one such—there is much here to savour. Le Carré draws upon the French concept of the naïve – as paired with the sentimental by the German essayist Friedrich Schiller—to inform and enliven the telling of a tale about a love triangle in middle England. Underlying the comic idiom of the novel is an acid dissection of the causes of British failure to be a part of Europe and to help lead Europe out of her darkness. A tale, perhaps, for our times.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; The Spy Who Came in from the Cold; and The Night Manager, now a television series starring Tom Hiddleston.
"I have visited bohemia and got away unscathed."
Aldo Cassidy is an entrepreneurial genius. At thirty-nine, he dominates the baby pram market and rewards his success with a custom Bentley. But Aldo's bourgeois life is upended by a chance encounter with Shamus-a charismatic writer whose first and only novel blazoned across the firmament twenty years earlier. The two develop a passionate friendship that draws Aldo-smitten also with his…
When I was a little girl, my parents bought me a children’s edition of Pride and Prejudice. Ever since, I have loved Jane Austen’s works. As I grew older, I really enjoyed learning about her, and researching the history of her times. I hope you will enjoy reading these books as much as I did!
Jane Austen was a clergyman’s daughter, and two of her brothers were clergymen. Her novels abound with clerical characters like the snobby Mr. Elton (Emma) and awkward Mr. Collins (Pride and Prejudice).
This lively book is essential for understanding how the life of a country parish and its resident clergy inspired Jane’s writing and impacted on her daily life. Her father’s and brother’s livings depended on a system of patronage; the value of such livings determined whether a clergyman was an eligible match or as poor as the proverbial church mouse.
Collins illustrates the background to Austen’s life with stories from the lives of contemporary clergymen like Parson James Woodforde.
Jane Austen was the daughter of a clergyman, the sister of two others and the cousin of four more. Her principal acquaintances were clergymen and their families, whose social, intellectual and religious attitudes she shared. Yet while clergymen feature in all her novels, often in major roles, there has been little recognition of their significance. To many readers their status and profession is a mystery, as they appear simply to be a sub-species of gentlemen and never seem to perform any duties. Mr Collins in "Pride and Prejudice" is often regarded as little more than a figure of fun. This…
I love Jane Austen’s novels. I first read Pride and Prejudice when I was about 14, but it’s far too long ago to remember when I first read the others, and I’ve now read them all many times. I’ve also always been a singer, and I learned the piano when I was young, so I immediately noticed the music in the novels. I started writing about it seriously in the 1990s, but it wasn’t until 2007 that I realized that her music collection was still around and started making concert programs out of it. The new book brings all these things together.
John Wiltshire brings a perspective to Jane Austen’s novels that is old and new. I am in awe of how he can take a passage from one of her novels and dive deeply into it, finding worlds of meaning in the familiar text. He writes beautifully and eloquently about these hidden depths.
One of the unusual things about Wiltshire as a literary scholar is that he is also an expert on health and psychology. But he doesn’t psycho-analyze Austen or try to diagnose her at a distance: he uses words and phrases and even punctuation in the novels to look beneath the surface of the narrative at the moods and relationships they reveal.
In this major study, leading Austen scholar John Wiltshire offers new interpretations of Jane Austen's six novels, Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1816), Northanger Abbey and Persuasion (1818). Much recent criticism of Austen has concentrated on the social, historical and intellectual context of her work, but Wiltshire turns attention back to Austen's prose techniques. Arguing that each of Austen's works has its own distinct focus and underlying agenda, he shows how Austen's interest in psychology, and especially her treatment of attention and the various forms of memory, helped shape her narratives. Through a…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
Clare Darcy’s books were published in the 1970s, and she was billed as the “best Regency novelist since Georgette Heyer,” which was probably an accurate statement at the time–and might still be. I do enjoy her funny, witty Regency novels, and this one, with its ensemble cast of unique characters, is a particular favorite.
Jane Austen now dominates my teaching and research. This was not always so. I was trained in the writers that came before Austen and was happily teaching classes on them when someone at my university asked me to teach a class on Jane Austen. At first, I refused to switch. I countered, “She does not need yet another class.” But I agreed, and soon, I was hooked on her humor and her deft responses to those earlier writers. While the new graphic novel is my third book about Jane, I have not exhausted the things to research! The more I know, the more I admire her writings and her life.
I relish the intimacy of reading Austen’s private letters, and this is the best and most complete edition. Although her sister Cassandra notoriously burned many of her letters, the 160-or-so that survive offer plenty of unguarded moments to satisfy curiosity about her daily life.
In fact, I think Austen’s best lines are not from her novels but from her letters to Cassandra. For example, on the fashion for decorating bonnets, she quips “I cannot help thinking that it is more natural to have flowers grow out of the head than fruit.” And in a note about their garden: “I will not say that your Mulberry trees are dead, but I am afraid they are not alive.”
Jane Austen's letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative, they bring alive her family and friends, her surroundings and contemporary events with a freshness unparalleled in biography. Above all we recognize the unmistakable voice of the author of Pride and Prejudice, witty and amusing as she describes the social life of town and country, thoughtful and constructive when writing about the business of literary composition.
R. W. Chapman's ground-breaking edition of the collected Letters first appeared in 1932, and a second edition followed twenty years later. A third edition,…
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Gilbert and Gubar take the reader on an exhilarating ride through women’s literature from Jane Austen to Emily Dickinson. Women writers freed female characters from their stereotypes in novels written by men—angels and monsters, dull virgins, and evil temptresses—to become friends, or people I would choose for friends if only they were real. The book’s title alludes to the first Mrs. Rochester in Jane Eyre, a haunting specter of the thwarted woman author raging at her bars.
"A feminist classic."-Judith Shulevitz, New York Times Book Review
"A pivotal book, one of those after which we will never think the same again."-Carolyn G. Heilbrun, Washington Post Book World
A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
This book also falls into the mystery subgenre of Jane Austen variations. The story takes place as a sequel to Pride and Prejudice, with Elizabeth and Darcy at the center of it. I found this story to be completely chilling, with a surprise twist at the end that I did not see coming. Ms. Jeffers delivered a page-turner that I couldn’t put down!
HAPPILY MARRIED for over a year and more in love than ever, Darcy and Elizabeth can’t imagine anything interrupting their bliss-filled days. Then an intense snowstorm strands a group of travelers at Pemberley, and terrifying accidents and mysterious deaths begin to plague the manor. Everyone seems convinced that it is the work of a phantom—a Shadow Man who is haunting the Darcy family’s grand estate.
Darcy and Elizabeth believe the truth is much more menacing and that someone is attempting to murder them. But Pemberley is filled with family guests as well as the unexpected travelers—any one of whom could…
