Here are 100 books that Ennui fans have personally recommended if you like
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I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is cultural history with a difference and of a difference. It teaches you a lot about the reputation for fashionable culture that France enjoyed for centuries all over the world and continues to enjoy to this day. How much of all that is already packed into the book’s subtitle! The rest of the book is just as accessible and lively and unwilling ever to take itself too seriously.
What makes fashionistas willing to pay a small fortune for a particular designer accessory? Why does a special occasion only become really special when a champagne cork pops? Why are diamonds the status symbol gemstone, instantly signifying wealth, power, and even emotional commitment? Writing with great elan, one of the foremost authorities on seventeenth-century French culture provides the answer to these and other fascinating questions in her account of how, at one glittering moment in history, the French under Louis XIV set the standards of sophistication, style, and glamour that still rule our lives today. Joan DeJean takes us back…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a sparklingly funny play. I love its contemporary freshness, its fleetness of foot, and its irreverence. It satirizes the fashion for all things French among London’s social climbers. It sugars the pill of all that satire by bringing a fast-paced plot to a comic ending of marriage and reconciliation. It taught me that writers in seventeenth-century England like the play’s author, John Dryden, were importing words and ideas from France as they sought to trace a middle way between a servile mimicry of French culture and an insular rejection of it.
Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.
What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a bittersweet comedy of manners in which John le Carré ventures way beyond the spy novels for which he is more famous. For lovers of spy novels—and I am one such—there is much here to savour. Le Carré draws upon the French concept of the naïve – as paired with the sentimental by the German essayist Friedrich Schiller—to inform and enliven the telling of a tale about a love triangle in middle England. Underlying the comic idiom of the novel is an acid dissection of the causes of British failure to be a part of Europe and to help lead Europe out of her darkness. A tale, perhaps, for our times.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; The Spy Who Came in from the Cold; and The Night Manager, now a television series starring Tom Hiddleston.
"I have visited bohemia and got away unscathed."
Aldo Cassidy is an entrepreneurial genius. At thirty-nine, he dominates the baby pram market and rewards his success with a custom Bentley. But Aldo's bourgeois life is upended by a chance encounter with Shamus-a charismatic writer whose first and only novel blazoned across the firmament twenty years earlier. The two develop a passionate friendship that draws Aldo-smitten also with his…
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
This was the first book I read by Joan Aiken, and I found after reading some of her backlist that this was the only one I liked. Some of the other historical fiction she wrote is much darker, but this book, while it does have a mystery subplot, is lighthearted and fun with a sweet romance.
It is a delightfully convoluted tale that will keep you guessing up until the very end when its downtrodden, capable heroine saves the day and gets her man.
Desperate to help her ailing mother, Delphie Carteret agrees to a sham wedding ceremony to her cousin, Gareth. Her mother will be guaranteed annuity for life, and Gareth's obligation to marry before his sick uncle passes is fulfilled. The plan is perfect.
But perfect plans usually go awry. Not only is the marriage ceremony valid, but Gareth's dying uncle makes a miraculous recovery. An imposter is threatening Delphie's identity and her life, and the whole family is on the brink of scandal.
I stumbled across Jane Austen’s Pride and Prejudice when I was twelve years old and fell in love with her humorous, witty writing and quirky characters. I saved my allowance and bought an omnibus of her complete works, but it wasn’t enough: I was hooked and wanted to read more books like hers. A decade later, I started to write books like hers, and my first Regency-set romantic comedy was published in 2001. The movie Mr. Malcolm’s List, based on my novel, was released in theaters in 2022, and I had the pleasure of hearing people laughing as they watched it, as I had so often laughed while reading Austen’s work.
Clare Darcy’s books were published in the 1970s, and she was billed as the “best Regency novelist since Georgette Heyer,” which was probably an accurate statement at the time–and might still be. I do enjoy her funny, witty Regency novels, and this one, with its ensemble cast of unique characters, is a particular favorite.
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I’ve always had a passion for wounded heroes and strong heroines. My earliest memories are reading books where the heroine saves the day. I’ve never wanted the heroine to need the hero in order to make her life complete. Even as a child, when my dad read me books at night—one of my favorite memories—I preferred stories where the heroine saved the day. As an adult, I’ve loved to read stories where the hero is brave enough to show his vulnerable side, and when I decided to become a writer, those were the books I wanted to write.
I adored this book! This is what happens if all of the characters from Jane Austen’s books got together for a house party, and one of them murders Mr. Wickham, a universally despised character.
The mystery reminds me of Agatha Christie’s mysteries, and the multiple character POV’s are terrific! Plus, the relatively modern twist of empowering the young (and slightly odd) characters was fantastic to watch.
A summer house party turns into a thrilling whodunit when Jane Austen's Mr. Wickham—one of literature’s most notorious villains—meets a sudden and suspicious end in this brilliantly imagined mystery featuring Austen’s leading literary characters.
“Had Jane Austen sat down to write a country house murder mystery, this is exactly the book she would have written.” —Alexander McCall Smith
The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even…
I've been hooked on Jane Austen ever since my mom took me to see the movie Pride and Prejudice in theaters.After watching the movie, I bought all of her books and devoured them. I still wanted more, but what do you do when your favorite author has been dead for over 200 years? Well, you turn to fanfiction! After reading numerous sequels, twists, and retellings of my favorite novels, I began writing my own stories. As a stay-at-home mom of three kids, I've been blessed to be able to pursue my passion for storytelling while raising a family. Jane Austen continues to be my primary source of inspiration for my historical and contemporary romances.
I would have to say, hands down, that this is the best Jane Austen variation I have read so far. The story begins with Elizabeth Bennet having a near-death experience. The description of Heaven during this experience was so striking and poignant, it brought tears to my eyes and made me think that this was exactly how Heaven ought to be. Throughout the story, Ms. Ellsworth’s message of hope and purpose was inspirational. For me, personally, it was a wonderful reminder of the hope that I have in God and the plans that He has for my life. The story is incredibly romantic, and a very unique approach to the Darcy and Elizabeth drama which I have not seen in any other novel. I also liked that she gave alternate outcomes for Lydia and Charlotte than the fate that Austen originally gave them. A must-read for fans of Regency-era variations…
Still shaken from his horrible proposal, Elizabeth Bennet falls ill at the Rosings Parsonage upon reading Fitzwilliam Darcy’s letter. In her increasingly delirious state, unfathomable influences inspire her to write an impulsive response. The letter gives Mr. Darcy hope in a way that nothing else could.
As her illness progresses, Darcy is there at her side, crossing boundaries he has never crossed, declaring things he has never declared. A unique experience bridges them over their earlier misunderstandings, and they start to work out their differences. That is, until Elizabeth begins to recover.
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
I never saw any of these puzzles before I read Mullan’s book. By solving them, he goes deep into Austen’s novels, examining her miniature world as if with a microscope, offering the reader insights into the subtleties of her art: how people inadvertently reveal through their words what they would prefer to keep hidden or how Captain Benwick, a major minor character in Persuasion, comes across as a solid human being without the reader’s hearing him utter a word. The aspiring novelist can learn much from her tricks.
Is there any sex in Austen? What do the characters call each other, and why? What are the right and wrong ways to propose marriage? And which important Austen characters never speak? In What Matters in Austen, John Mullan shows that you can best appreciate Jane Austen's brilliance by looking at the intriguing quirks and intricacies of her fiction - by asking and answering some very specific questions about what goes on in her novels, he reveals their devilish cleverness.
In twenty-one short chapters, each of which answers a question prompted by Jane Austen's novels, Mullan illuminates the themes that…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
Keats, beloved of English majors and ordinary readers everywhere, died at 25.
No other writer – not Shakespeare, Chaucer, Milton, George Eliot, Jane Austen – would be remembered today if he or she had died at that age.
W.J. Bate was a magisterial Harvard scholar. His two sympathetic biographies, of Keats, and of Samuel Johnson, both won Pulitzer prizes and are still readable and important. They breathe life into their subjects and deeply humanize them.
The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography--the first full-length life of Keats in almost forty years--the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is…
