Here are 57 books that The Last Castle fans have personally recommended if you like
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While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!
I love a good dual timeline novel, and Pepper Basham has the perfect touch.
Now throw in a bookstore that may have to close, a lost now found love letter, and a trip to England, and I’m absolutely hooked! Oh, and did I mention that the 1915 timeline characters flirt via notes left in books in the library at Biltmore House? Swoon.
Uncover the Story Behind a One-Hundred-Year-Old Love Letter
Walk through Doors to the Past via a new series of historical stories of romance and adventure. Clara Blackwell helps her mother manage a struggling one-hundred-year old family bookshop in Asheville, North Carolina, but the discovery of a forgotten letter opens a mystery of a long-lost romance and undiscovered inheritance which could save its future. Forced to step outside of her predictable world, Clara embarks on an adventure with only the name Oliver as a hint of the man's identity in her great-great-grandmother's letter. From the nearby grand estate of the Vanderbilts,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!
In my time working at Biltmore, I often thought visitors tended to overlook Edith Vanderbilt. I love how Kristy Woodson Harvey celebrates Edith’s intelligence, tenacity, and determination in this novel.
Of course, I’m also a sucker for a family heirloom, and the veil passed down through the generations is the perfect hook for this fun and entertaining story.
This "masterfully woven...literary home run" (New York Journal of Books) follows four women across generations, bound by a beautiful wedding veil and a connection to the famous Vanderbilt family from the New York Times bestselling author of the Peachtree Bluff series.
Four women. One family heirloom. A secret connection that will change their lives-and history as they know it.
Present Day: Julia Baxter's wedding veil, bequeathed to her great-grandmother by a mysterious woman on a train in the 1930s, has passed through generations of her family as a symbol of a happy marriage. But on the morning of her wedding…
While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!
Reading this book is like going on a guided, behind-the-scenes tour of Biltmore—led by an actual member of the staff!
I so enjoyed this authentic look at the “downstairs” side of Biltmore House. It’s a fun, light romance with just enough twists and turns to keep me turning pages even though I was reasonably certain it was all going to work out in the end ;)
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!
When I worked at Biltmore, I was intrigued by a photograph showing the chateau under construction with a ramshackle house still standing in the foreground.
Who lived in that house? Were they still there? How did George Vanderbilt go about acquiring that property? Joy Jordan-Lake digs into a variation on that theme with this story of a young woman called home to Appalachia from the big city to help her family—one of the last hold-outs as Vanderbilt scoops up land.
I found Jordan-Lake’s exploration of the people around the construction of Biltmore fascinating and engaging.
"Crawdads meets the Crawleys...Threaded through with a meticulously researched, well-crafted mystery, this is historical fiction at its best." -Fiona Davis, nationally bestselling author of The Lions of Fifth Avenue
From the bestselling author of A Tangled Mercy comes an enthralling novel of secrets, a tumultuous war of ideas, and murder as classes collide in the shadow of Biltmore House.
Biltmore House, a palatial mansion being built by the Vanderbilts, American "royalty," is in its final stages of construction in North Carolina. The country's grandest example of privilege, it symbolizes the aspirations of its owner and the dreams of a girl,…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Anyone who admires the portraits of John Singer Sargent is sure to know his gorgeous Daughters of Edward Darley Boit, the exquisite grouping of four girls in white pinafores emerging from the shadowy rooms of an elegant Parisian apartment. But do you know the girls, and how Sargent came to paint them? And what became of them all? Erica Hirshler, a curator at Boston’s Museum of Fine Arts, where the painting is on permanent exhibition, has written a book that reveals all in a stylish and richly nuanced historical detective story.
John Singer Sargent’s renowned portrait “The Daughters of Edward Darley Boit” is examined in an aesthetic, philosophical, and personal tour de force that has been called “thoroughly absorbing” (New York Times Book Review); “brilliant and insightful”?(Wall Street Journal); “an attractive, well-illustrated scholarly book, further enlivened by the author’s warm and friendly tone” (Times Literary Supplement); “a uniquely crafted history” (The Magazine Antiques); “a brilliant work of criticism, without a word of jargon in it” (Maine Antique Digest); “sensitive and penetrating” (Choice); and “a meticulously researched account of [the Boits’] milieu, their eccentric lifestyle, its unintended effects on their daughters, and…
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
It’s hard to praise this work too highly. It’s a lovely volume, lavishly illustrated. But what I like best about American Visions is Hughes’s singular voice.
Hughes's judgments are sure-footed and well-researched, and his tone is conversational. He is a guide you can rely on from the painters of the colonial period through the installations of the 1990s.
Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America.
The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’m not entirely sure how to describe myself other than as a committed writer and a devoted reader. Mine has been a fairly unconventional career. It has moved me from one spot on the globe to another and has placed me on both ends of the publishing equation—first, as a book publisher, and, next, as the author of a variety of books. I’m certain of a single shared fact: that no matter whether fiction or non-fiction, regardless of the subject, a story always rests on the success of engaging the reader.
The subject of this book is featured in a large portrait by John Singer Sargent, painted in 1881 and entitled “Dr. Pozzi at home.” It would be an understatement to say that the good doctor cut a fascinating figure. Julian Barnes does a wonderful job regaling us with Pozzi’s escapades and explaining how, by the time Pozzi died of a gunshot wound inflicted by a crazed patient, his fame had become international. Barnes is a wonderful raconteur, and he invites us into Pozzi’s colourful life with infectious charm, while offering his own erudite first-person ruminations.
'A bravura performance, highly entertaining' Evening Standard
The Booker Prize-winning author of The Sense of an Ending takes us on a rich, witty tour of Belle Epoque Paris, via the life story of the pioneering surgeon Samuel Pozzi.
In the summer of 1885, three Frenchmen arrived in London for a few days' shopping. One was a Prince, one was a Count, and the third was a commoner, who four years earlier had been the subject of one of John Singer Sargent's greatest portraits. The commoner was Samuel Pozzi, society doctor, pioneer gynaecologist and…
Denise Kiernan is a multiple New York Times bestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. Throughout her career as a journalist and an author, she has explored underrepresented stories and characters and the impact they have had on history. These stories of the unsung offer fresh perspectives on historical tales we think we already know. At the heart of many of Kiernan’s nonfiction explorations are women from a variety of different backgrounds and time periods.
There are many ways to approach history. Donna Lucey brilliantly chose to usher readers into the world of the Gilded Age via the captivating canvases of that era’s most sought-after portraitist, John Singer Sargent. There are always more stories lurking behind Sargent’s luxurious depictions of his subjects, and Lucey gets beneath the paint and the posing to give us her own picture of four very real women whose lives are far more nuanced than any portrait sitting can convey.
With unprecedented access to newly discovered sources, Donna M. Lucey illuminates the lives of four women painted by the society portraitist John Singer Sargent. With uncanny clairvoyance, Sargent's portraits hint at the mysteries, passions and tragedies that unfolded in his subjects' lives. Elsie Palmer carried on a labyrinthine love life in a Rocky Mountain castle; Elizabeth Chanler stepped into a maze of infidelity with her best friend's husband; as the veiled image of Sally Fairchild emerged on the canvas, her sister was lured into an ill-fated life in art; and shrewd Isabella Stewart Gardner collected both art and young men.…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I’ve been intrigued all my life by the women on my mother’s side of my family who were artists and writers. How did I fit into that familial line, and what could I learn from them?
Honor Moore’s investigation into her artist grandmother’s life drew me into her own examination of that question, and I was deeply moved by her mission of reviving her beautiful, brilliant grandmother’s reputation as an artist while offering an honest assessment of how societal pressures affected her mental health and problems with alcohol abuse.
Margarett Sargent was an icon of avant-garde art in the 1920s. In an evocative weave of biography and memoir, her granddaughter unearths for the first time the life of a spirited and gifted woman committed at all costs to self-expression.
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
When Cornelius Vanderbilt died in 1877, he was the richest man in America. Two generations later, the family parlayed their wealth into social status in the city's newly defined class structure.
Anderson Cooper, CNN news anchor, and his co-author trace the city's social history, beginning with Anderson's ancestor who emigrated to the small Dutch colony at the tip of Manhattan as an indentured servant. The story ends with Anderson's mother Gloria, the last Vanderbilt to have known the family at the peak of its wealth and social clout before lavish spending took its toll.
Most affecting are Anderson’s memories of his mother that have nothing to do with money and everything to do with sharing life with someone we love.
New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty-his mother's family, the Vanderbilts.
One of the Washington Post's Notable Works of Nonfiction of 2021
When eleven-year-old Cornelius Vanderbilt began to work on his father's small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires-one in shipping and another in railroads-that would…