100 Books Like The Wedding Veil

While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!

While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!

While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!

While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!

Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not just in Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).

I’m a Sydney, Australia born sociologist and writer and back in 1990 I hitchhiked through the UK, travelled in Europe and arrived in Turkey just as the Gulf War was starting. After three months in the country I was hooked. I now live in Istanbul and write about the people, culture, and history. Using my less than perfect Turkish language skills I uncover the everyday extraordinary of life in modern Istanbul and throughout the country, even though it means I’ve accidentally asked a random stranger to give me a hug and left a butcher convinced I think Turkish sheep are born with their heads on upside down.

DeAnne Blanton retired from the National Archives in Washington, DC after 31 years of service as a reference archivist specializing in 18th and 19th century U.S. Army records. She was recognized within the National Archives as well as in the historical and genealogical communities as a leading authority on the American Civil War; 19th century women’s history; and the history of American women in the military.

I am a writer and avid reader of “domestic horror”: stories about the uncomfortable, inhospitable spaces that women inhabit in everyday life. In the past, I worked as a crime victim’s advocate for a national nonprofit. I became a writer because I believe in the power of expression and truth as healing agents. I am passionate about the issues of trauma and taboo, mental illness and motherhood, and the institutional power structures that constrict us all. My short stories, poetry, and essays have been published in many journals and literary magazines, including Witness, Ninth Letter, Identity Theory, Epiphany, Literary Mama, NonBinary Review, and elsewhere. 

I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry book A Terrible Thing reinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.

I am a black female writer who instinctively understood that in becoming an African American writer of stories (and essays), I would need to write from a long tradition of African American culture and history, as well as to learn everything I could from the amazing list of African American female writers who came before me. I embraced that notion, and as I began to place my own words on the page, I paid close attention to how those women writers had carefully chosen their own. These are the five books by African American women writers who have inspired me and helped me become the best writer I can be.