Here are 85 books that Sargent's Daughters fans have personally recommended if you like
Sargent's Daughters.
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I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Nell Painter’s biography of Sojourner Truth breaks new ground in a different way. Sojourner Truth is famous, an iconic freedom fighter and advocate for Black and female suffrage. Weall know her demand for recognition, “Ain’t I a woman?” Or do we? Painter’s research reveals a much more complicated woman and investigates why history has reduced a fascinating life story to that one simple question, which might never have been asked, at least in those precise words. Read this book to find out the true story of Sojourner Truth.
Sojourner Truth first gained prominence at an 1851 Akron, Ohio, women's rights conference, saying, "Dat man over dar say dat woman needs to be helped into carriages, and lifted over ditches. . . . Nobody eber helps me into carriages, or ober mud-puddles . . . and ar'n't I a woman?"
Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women--indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Alice Jameschanged my life as a writer. It completely opened up the field of biography and pointed the way to the work I’ve been doing for almost four decades: writing women’s lives. Before Alice James, biographies had to be of famous people, usually men. Here was a book about the little sister of the great novelist Henry James and the eminent philosopher William James, a woman who had essentially done nothing with her own talent and brilliance except—luckily!—keep a diary. Jean Strouse read that diary and used it as the entry point for a whole book about the dynamics of an extraordinary family, about women’s choices in 19th century America, about invalidism and suppressed ambition. It’s a riveting psychological tale full of poignance and unexpected heroism.
Alice James was the youngest child and only girl in a family that produced two of the most brilliant individuals in 19th-century America. Her elder brother, William, became the foremost psychologist of his time and her second brother, Henry, its greatest novelist. Her story reveals a troubled, highly intelligent woman who struggled to extract a sense of meaning and self from a life that had every outward appearance of failure. She was articulate, politically radical, funny, wise, difficult and intensely involved with her brothers and friends. This portrait sheds new light on the history of women, on the nature of…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Stacy Schiff is a master biographer. Any subject she chooses (Cleopatra, Benjamin Franklin, Antoine de St. Exupéry, the accused witches of Salem) is elevated by the passion and persistence she brings to research and writing. Her Pulitzer Prize-winning biography of Véra Nabokov, the wife of Vladimir, is another pioneering work that proves you don’t have to be at center stage to be worthy of a book. What did Véra do for Vladimir, and he for her? This is no take-down, not the kind of exposé that reveals the great man’s wife as the true genius, exploited and forgotten. It’s a love story of equals, two against (and for) the world.
WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • NEW YORK TIMES BESTSELLER • From the award–winning author of The Revolutionary and The Witches comes “an elegantly nuanced portrait of [Vladimir Nabokov’s] wife, showing us just how pivotal Nabokov’s marriage was to his hermetic existence and how it indelibly shaped his work.”—Michiko Kakutani, The New York Times
ONE OF ESQUIRE’S 50 BEST BIOGRAPHIES OF ALL TIME
“Monumental.”—The Boston Globe “Utterly romantic.”—New York magazine “Deeply moving.”—The Seattle Times
Stacy Schiff brings to shimmering life one of the greatest literary love stories of our time: Vladimir Nabokov, émigré author of Lolita; Pale Fire;…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Janice Nimura has uncovered a marvelous and strange tale of five Japanese girls selected by the Meiji Restoration government to travel to the United States to learn Western ways during a period of modernization. Three of them remained through their school years, their lives entwining with host families and new friends as they overcame prejudice and proved themselves bright, eager learners. Yet they returned with their new knowledge to a Japan once again suspicious of outside influence, their lives forever altered by their time away as the human subjects of a grand social experiment with unintended consequences. I loved getting to know these girls as they grew into womanhood, striving to realize their hopes and dreams as the world changed around them.
In 1871, five young girls were sent by the Japanese government to the United States. Their mission: learn Western ways and return to help nurture a new generation of enlightened men to lead Japan.
Raised in traditional samurai households during the turmoil of civil war, three of these unusual ambassadors-Sutematsu Yamakawa, Shige Nagai, and Ume Tsuda-grew up as typical American schoolgirls. Upon their arrival in San Francisco they became celebrities, their travels and traditional clothing exclaimed over by newspapers across the nation. As they learned English and Western customs, their American friends grew to love them for their high spirits…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
I’ve been intrigued all my life by the women on my mother’s side of my family who were artists and writers. How did I fit into that familial line, and what could I learn from them?
Honor Moore’s investigation into her artist grandmother’s life drew me into her own examination of that question, and I was deeply moved by her mission of reviving her beautiful, brilliant grandmother’s reputation as an artist while offering an honest assessment of how societal pressures affected her mental health and problems with alcohol abuse.
Margarett Sargent was an icon of avant-garde art in the 1920s. In an evocative weave of biography and memoir, her granddaughter unearths for the first time the life of a spirited and gifted woman committed at all costs to self-expression.
While I write Appalachian historical fiction, I’ve spent my non-writing career in marketing and fundraising. That includes a dream job in the public relations department at Biltmore Estate from 2000-2006. It was a thrill for me to spend time in America’s largest privately owned home, learning about and sharing the estate’s amazing history. And while you just can’t beat the actual history, who wouldn’t have fun building a story around a French chateau in the Appalachian mountains? In writing my own Biltmore novel, I read others set there as well and found some true gems!
This is the story behind the story of Biltmore Estate.
I was so impressed with Denise Kiernan’s research and her engaging way of presenting the facts. While this isn’t a novel, I found it read like one, offering deep insight into the people and circumstances that helped shape America’s largest privately owned home.
A New York Times bestseller with an “engaging narrative and array of detail” (The Wall Street Journal), the “intimate and sweeping” (Raleigh News & Observer) untold true story of the Biltmore Estate—the largest private home in America—and the remarkable woman who helped ensure its survival.
The story of Biltmore spans World Wars, the Jazz Age, the Depression, and generations of the famous Vanderbilt family, and features a captivating cast of real-life characters including F. Scott Fitzgerald, Thomas Wolfe, Teddy Roosevelt, John Singer Sargent, James Whistler, Henry James, and Edith Wharton.
Orphaned at a young age, Edith Stuyvesant Dresser claimed lineage…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
It’s hard to praise this work too highly. It’s a lovely volume, lavishly illustrated. But what I like best about American Visions is Hughes’s singular voice.
Hughes's judgments are sure-footed and well-researched, and his tone is conversational. He is a guide you can rely on from the painters of the colonial period through the installations of the 1990s.
Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of art in America.
The intense relationship between the American people and their surroundings has been the source of a rich artistic tradition. American Visions is a consistently revealing demonstration of the many ways in which artists have expressed this pervasive connection. In nine eloquent chapters, which span the whole range of events, movements, and personalities of more than three…
I’m not entirely sure how to describe myself other than as a committed writer and a devoted reader. Mine has been a fairly unconventional career. It has moved me from one spot on the globe to another and has placed me on both ends of the publishing equation—first, as a book publisher, and, next, as the author of a variety of books. I’m certain of a single shared fact: that no matter whether fiction or non-fiction, regardless of the subject, a story always rests on the success of engaging the reader.
The subject of this book is featured in a large portrait by John Singer Sargent, painted in 1881 and entitled “Dr. Pozzi at home.” It would be an understatement to say that the good doctor cut a fascinating figure. Julian Barnes does a wonderful job regaling us with Pozzi’s escapades and explaining how, by the time Pozzi died of a gunshot wound inflicted by a crazed patient, his fame had become international. Barnes is a wonderful raconteur, and he invites us into Pozzi’s colourful life with infectious charm, while offering his own erudite first-person ruminations.
'A bravura performance, highly entertaining' Evening Standard
The Booker Prize-winning author of The Sense of an Ending takes us on a rich, witty tour of Belle Epoque Paris, via the life story of the pioneering surgeon Samuel Pozzi.
In the summer of 1885, three Frenchmen arrived in London for a few days' shopping. One was a Prince, one was a Count, and the third was a commoner, who four years earlier had been the subject of one of John Singer Sargent's greatest portraits. The commoner was Samuel Pozzi, society doctor, pioneer gynaecologist and…
Denise Kiernan is a multiple New York Times bestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. Throughout her career as a journalist and an author, she has explored underrepresented stories and characters and the impact they have had on history. These stories of the unsung offer fresh perspectives on historical tales we think we already know. At the heart of many of Kiernan’s nonfiction explorations are women from a variety of different backgrounds and time periods.
There are many ways to approach history. Donna Lucey brilliantly chose to usher readers into the world of the Gilded Age via the captivating canvases of that era’s most sought-after portraitist, John Singer Sargent. There are always more stories lurking behind Sargent’s luxurious depictions of his subjects, and Lucey gets beneath the paint and the posing to give us her own picture of four very real women whose lives are far more nuanced than any portrait sitting can convey.
With unprecedented access to newly discovered sources, Donna M. Lucey illuminates the lives of four women painted by the society portraitist John Singer Sargent. With uncanny clairvoyance, Sargent's portraits hint at the mysteries, passions and tragedies that unfolded in his subjects' lives. Elsie Palmer carried on a labyrinthine love life in a Rocky Mountain castle; Elizabeth Chanler stepped into a maze of infidelity with her best friend's husband; as the veiled image of Sally Fairchild emerged on the canvas, her sister was lured into an ill-fated life in art; and shrewd Isabella Stewart Gardner collected both art and young men.…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
After the literature of Paris, the painting of Paris. T. J. Clark’s The Painting of Modern Life studies the ways in which the artists he calls “painters of modern life” created canvases that attempted to focus attention on a subsequent transformation of Paris, in the nineteenth century. Clark considers the depictions by painters such as Manet, Degas, and Seurat of Paris as it evolved and of Parisians interacting with their changing city. The depictions of Parisians experiencing the boulevards, cafés, and parks of Paris that Clark analyzes are perhaps the greatest tradition ever of city painting. No one has ever attempted such a study of the many paintings of Paris as it was transformed in the seventeenth and eighteenth centuries. When they do so, Clark’s book can provide a model.
The Paris of the 1860s and 1870s was supposedly a brand-new city, equipped with boulevards, cafes, parks, and suburban pleasure grounds--the birthplace of those habits of commerce and leisure that constitute "modern life." Questioning those who view Impressionism solely in terms of artistic technique, T. J. Clark describes the painting of Manet, Degas, Seurat, and others as an attempt to give form to that modernity and seek out its typical representatives--be they bar-maids, boaters, prostitutes, sightseers, or petits bourgeois lunching on the grass. The central question of The Painting of Modern Life is this: did modern painting as it came…
