100 Books Like The Last Book Party

This book includes so many of my favorite things: an inn on the coast of Italy, a young innkeeper with outsized dreams, movie stars, an almost-romance, and a chance for rekindled love.

I clung to every page as the story moved back and forth from the 1960s to the present day, from the set of Cleopatra in Rome to Hollywood backlots. This book is like a vacation full of interesting people you want to know better, the kind of vacation you never want to end.

I read this novel just as I was starting to write in earnest, and before I fully understood how hard it is to pull off a feat of complex storytelling as elegantly as Walter does in this novel. It’s a marvel.

A friend recommended this book to me, the beginning of an eight-book series. I enjoyed it immensely. 

I felt as though I was traveling with the main character, Maia, on her journey, full of mystery and romance, to Rio de Janeiro in Brazil. The historical aspect of the story in 1800s Paris led to my fascination with the creation and building of the famous Christo statue. I have since done additional reading about Christ the Redeemer.

Have your tissues ready!

Alexis, a present-day heroine, travels to her mother’s childhood home in Greece, intent upon learning the family’s hidden story. Arriving there, she spies the island of Spinalonga, once an actual leper colony. Hislop then switches time periods, taking the reader to the mid-twentieth century, when leprosy and war tore families apart.

I found Hislop’s writing gentle yet wrenching, and I was heartbroken by scenes between mothers and children who had to separate forever due to illness. But I was moved, too, by the strength, resilience, and capacity for love shown by many of the characters.

I enjoy novels that are based on history, with protagonists who are tested to their very limits. I won’t soon forget this book, and I bet you won’t either!

Full disclosure—I’m a former New Yorker who adores the Big Apple.

So how could I not include a book set on the vibrant, unpredictable island of Manhattan? Anna Quindlen has long been one of my go-to writers, and this is my favorite of her novels – sophisticated, subtle, and thought-provoking.

It revolves around a series of characters—some earnest, some quirky, but all flawed—who live in an apartment building rocked by a disturbing act of violence. I love this book because of all the questions it raises about family, loyalty, and community—and I love the way the building becomes a kind of island itself.

To me, Quindlen is a top-notch chronicler of contemporary motherhood, marriage, and family—and with this story, she is at her best.

This is one of those books I am in awe of. Deeply immersive, I had to be pried away from this story once I began. The writing is spectacular and an absolute masterclass on writing chemistry between characters and writing young love.

This book falls on nearly any top-five list of mine. It is truly stunning and heartbreaking in turn. (Sorry, this isn’t a very light list, is it??) But to me, what makes love stories powerful is all the ways that love can be lost, the truth that love can be fleeting, impossible to hold onto forever, even if you have spent a lifetime with the one you love, at some point we all have to say goodbye. This is what makes love so beautiful.

This tale of Arturo Bandini, a young would-be writer living on the edge in 1930s Los Angeles, is the book that Charles Bukowski discovered in a local library and was purportedly his inspiration for becoming a writer himself. Like Henry Chinaski in Buk’s autobiographical works, Bandini is a stand-in for Fante, and his personal disasters are mined for their comic gold. He falls in love with a waitress named Camilla, only to watch her fall in love with another man and eventually suffer a nervous breakdown. In the end, Bandini realizes he can't help Camilla and must focus on his writing instead—a conclusion that I, as a young writer, totally identified with.

George Orwell is rightly famous for 1984 and Animal Farm. But I heartily recommend this book for its witty, gritty trudge through the social treacle of 1930s Britain. Orwell’s tale of Gordon Comstock, a young writer who embraces poverty in order to defeat the ‘money-god’, also foreshadows key themes of his later work.

Comstock has chucked in a well-paid job as a copywriter so he can write poetry. His disdain for the copywriter’s art allows Orwell to explore the emptiness of words yoked to advertising. ‘Vitamalt’, ‘Truweet’ and ‘Bovex’ are my favourites! Orwell, the journalist-novelist, is reliably strong on those under-the-skin details, from cheap cigarettes to the cost of lodgings in seedier parts of London.

I love that our heroine Chloe had a backbone and was able to put our hero Eli in his place and not take his crap. I also like how their road trip adventure to bring Chloe to an important ballet audition starts off with Eli blackmailing her into bringing him, and his dog, along. Eli was another flawed male lead I loved, there were moments where he’s so close to being adorable and perfect, but then he’d be clueless and frustrate Chloe—and me! I really enjoyed that Chloe was ready to forge forward on her own and Eli had to whip himself into shape to earn her!! 

This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.

What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny. 

From the first chapter, as I read Charlie’s letter to a friend, I wished I could meet the man this teenager would become. The magic of this book is that it is related entirely through journal-like letters. Charlie writes with so much authenticity, curiosity, and vulnerability that I’m glad he has three friends who hold him with love as he faces his demons and comes of age.

I found the ways he makes sense of the world fascinating, humourous, and admirable, and at other times heartbreaking. I sincerely admire Charlie’s strength as he manages to sustain vulnerability and a constant rope of connection to himself, even though it gets very thin at times.