100 Books Like Men Like Gods

I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.

The beauty of time travel stories is that under the tech, or the supernatural, they can be anything. And for me, they are everything. Paradoxes, puzzles, that oh-so-delicate space-time continuum: an infinite blank canvas for exploring human emotion, psychology, and choices. Just like everyone else, I have regrets, big and small, things that I wish I could change, sliding doors that may have taken me down the wrong fork in the road. With these books, each deeply personal and therapeutic in their own way, you may be able to see your own life choices anew, just like I did. Enjoy!

I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.

I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.

I come from a reservation town in Wisconsin, and make my livelihood as a horticulturist in the water-strapped state of Colorado. I’m mix-race and LGBT. These influences have shaped what I look for in stories. I write and seek to read about communities in which the person creating medicine and the person growing food is just as important as the fighter, because let me tell you: if you don’t have the means to make food and heal wounds, all the guns in the world won’t save you. I particularly appreciate stories that explore ecology, agriculture, and plant science in innovative ways. These make my little horticulture-geek heart sing.

When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.

As an avid explorer having thrice traveled around the world, living and working in over 40 countries, my inspirations as so originally science fiction have found grounding. I looked to level my imagination in the real world and filtered out the impossible from the unnecessary on a path to utopia. Sharing our ideas, exposing misgivings too, all contribute to a shared realization of human potential. This is much of the reason for who I am as a founder of business platforms I designed to achieve things that I envisage as helpful, necessary, and constructive contributions to our world. Those software endeavours underway in 2022, and a longtime coming still, are Horoscorpio and De Democracy.

I was introduced to the paranormal and unknown by my father. He was open to all possibilities. I loved being shocked, awed, and traumatized by the depths of dystopia and the heights of Utopian Imagination! I think, because we all live somewhere in between, flowing up and down as life experiences us, riding us ever onward!

I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.

As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.