91 Books Like Scottish Folk Tales for Children

This book is packed with Taffy Thomas's best riddle tales.

Taffy has been storytelling for many years and is brilliant at it. He knows just how to keep a story short and exciting. Each tale has at least one and often more riddles to be solved by the reader or listener. The expertly drawn pictures are humorous and help you solve the riddles.

It's also great for storytellers, parents, and teachers who want to keep their audience actively engaged. I tell these riddle tales when I want my listeners to join in and be part of the fun. Taffy tells us where and who he learned the riddles from – an enjoyable insight into his extraordinary life as a teller of tales.

This is a one-story picture book from another great storyteller, Eric Maddern, with fantastic illustrations by Paul Hess.

I love this clever, funny folktale and have often told it to festival and school audiences. The text is elegant and easy to read for ages 7 plus, but younger children will enjoy having it read to them. The humour in the tale is brilliantly portrayed in Paul Hess's colourful, amusing pictures. Look out for the three blind mice.

As with most folk stories, the meaning or moral of the tale is shown through clever wit and riddle-like logic. This story has a particularly surprising and satisfying end.

This is a fabulous selection of stories from all over the globe. The tales are often funny, thought-provoking and entertaining.

Chris Smith clearly knows how to adapt traditional tales to encourage compelling storytelling. He keeps the stories short and manageable for the family to enjoy. You will find well-crafted retellings of old classics like The Princess and the Pea, Jack and the Beanstalk, Rumpelstiltskin, and Cinderella. And they are not sweetened for the faint-hearted - blood is spilt, and toes are chopped off!

There are also lesser-known stories like Fox's Sack and The Talking Skull that will enthral children from all cultures and their adults. An excellent book for mixed ages and professional teachers and storytellers. The source notes are outstanding, highlighting recorded/audio versions too.

This magical picture book presents seven of the best folk stories from around the world.

Retold by Hugh Lupton, a veteran of storytelling and an inspirational writer. Some stories are deliriously funny, and others contain golden nuggets of universal truth. I've repeatedly told these stories, and they enthrall and delight audiences. They come with a CD of Hugh telling the tales orally, which is fantastic for non-readers, busy families, and people learning English.

Niamh Sharkey's beautiful bold pictures take this book of tales to another level of enjoyment. It's a visual and rhythmical feast of storytelling that can be shared with ages six up to seniors. If I had to choose one favourite book of stories for oral telling, then this is it.

I love this book because it takes me to the far north (where I used to live).

It takes me back to the wide skies, jagged cliffs, pounding waves, miles of rough open land, and seals gazing at you from every bay and cove. I love reading old traditional tales because, as a writer, they feed me, and give me ideas for new stories.

The best way to learn a new place is to read its folk tales. Muir’s curated collection not only gives a sense of the community values found throughout the wide spread of Orkney islands, but also of magic and wonder that pervades the place. You can easily take a tour to the specific locations mentioned in the stories, and I can assure you that rereading the stories in those places, with Muir’s charming, poetic prose, makes them come to life in fascinating new ways.

I picked up this book for its Scottish setting and gothic vibes (which did not disappoint!), but I devoured the book because of the characters who I was rooting for from page one.

It’s such a surprise and pleasure to read a large cast of (queer) women, each uniquely-drawn and with their own distinct desires and personalities. The setting of the book is brilliant as well–I cannot resist a book set in a Scottish forest. The story is threaded through with folklore, adding another layer to the gothic atmosphere. 

I was initially drawn to this title because I am fascinated by the Orkney islands north of Scotland, and Amy Sackville’s descriptions of the sea and shore made me feel like I was there!

The novel swept me away with its immersive imagery, and although the characters are sometimes disturbing, they are also compelling. A sixty-year-old literature professor brings his young, unnamed wife (a former student) to Orkney for their honeymoon. He watches her, obsessively, as she stares out at the sea.

I was both repelled by narrator and attracted to his poetic voice, and I loved the way selkie stories framed this tale of psychological drama. Layered with folklore and dreams, this novel made me contemplate the darker side of selkie-human unions.

12-year-old Talorca is a Pictish girl living in northeast Scotland in 799 AD. When Gaelic-speaking Dalriadans arrive in her village, her world is turned upside down. Her only friend is the mythical Pictish Beast, who has been injured by the Dalriadans. Talorca decides to take a stand against the intruders and hatches a plan to drive them out. But she can only do that with the help of the wild beast on the broch…

With a loyal and endearing heroine, a beast steeped in mystery, and a wonderful cast of characters, this tale of adventures is grips the reader all the way to the end.

The queen of histromcoms (yup, that's historical romcoms) Caroline Lee has a hilarious series that makes me laugh literally out loud - and so far, I've actually cried with laughter twice.

This is another governess story but this time with a Scottish laird, outrageous twins, and assassin mystery to boot. You shouldn't say no to this book.