13 Books Like The Ingenious Gentleman Don Quixote of La Mancha

I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.

I write because I want to tell stories–and I also want to share great stories with others. An avid reader and writer of fantasy and speculative fiction, I have a love of the fantastic, the remarkable and the supernatural, which I have managed to sustain and develop alongside a successful working life in government and social administration. If you want to know about power–and what you need to wield it and control it, just give me a call. Great fantasy should tell universal truths, and sometimes, more difficult messages can be told more effectively using a supernatural metaphor. Telling those stories is what I do. 

I am a professional historian and have published both nonfiction and fiction. I present research in my academic books and spin that research into stories in my novels, but sometimes I wonder whether it doesn’t come out to the same thing–I interpret the evidence in light of my own experiences and look at it through the narrow lens of contemporary values. Is that so very different from making it up? That’s why I like to write (and read) novels that inquire into the nature of our conceptions and raise the question of whether there is such a thing as Truth with a capital T. 

I am a Western Canadian nerd, and when I got to university, I knew that I had “found my people,” and I spent half my adult life studying and then teaching on various campuses. Universities are often as large as small cities, and each has its own particular atmosphere. What some folks don’t realize is that campuses have such a wide variety of niches and specialties that you could write a whole series featuring new facets of post-secondary life in each book. And, of course, that is what I did with my first detective series, the Randy Craig Mysteries.

Long before I started my career in journalism I was a voracious reader of historical novels. I devoured epic adventure about medieval Europe and eventually got involved in European martial arts: fighting in full armour in tournaments and melees. My love of history finally won out over my day job of defence reporting and I began penning novels. The books I most enjoy are more than just battle tales, they’re about people. Good historical fiction isn’t just about the history. It needs more than volleys of arrows and swinging swords, it needs characters you care about. These books combine authenticity with passionate, compelling writing and unique characters you won’t soon forget.

I’ve always had a soft spot for pirates. The romanticized version, of course. They epitomize everything I want in a story: adventure, romance, humor, drama, and danger.  As for my life story, I’ve traveled around the world (22 countries in 3 months), am married (got it right the second time), find something to laugh at every day (myself, usually), have a five-year-old (plenty of drama), and the most danger I’ve ever been in was climbing into the bed of a pick-up truck to avoid a grizzly bear and her cub at 3:00 A.M. in Alaska.  

I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.

I’ve been heavily immersed in the fantasy and sci-fi world since the age of nine, across fiction novels, role-playing games, tabletop miniature gaming, and movies. My first love was fantasy, and that’s one of the reasons why the post-apocalyptic genre particularly appeals to me when it comes to sci-fi. It plays in that dark, gritty place between futuristic, sci-fi, technology, and dark-age style fantasy. In addition, I’ve always felt socially conscious and value writing that highlights themes that are relevant today. This is another place that the post-apocalyptic genre slides comfortably into. And, of course, there’s the zombies. Another fantasy element that works beautifully in post-apocalyptic, sci-fi settings.

I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.

I’ve always been somewhat of an idiot optimist coming up with new and frivolous ideas. Yet, despite trying to inject my last three books with humour representative of myself, I feel a certain sense of seriousness in them. The fantasy genre has helped me shirk that feeling, allowing me to write uninhibited by regular boundaries. Without becoming captivated by George R.R. Martin and Terry Pratchett, I’d probably still be stuck trying to carve out a place in literary fiction—how serious. Fantasy works better for me—I like to make things up, and I like light-hearted books.