Here are 100 books that Dueling fans have personally recommended if you like
Dueling.
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I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
This is one of the books that inspired and provided source material for the musical Hamilton. Freeman is a Pulitzer prize-winning historian of post-1776 United States. This masterful history of the early American republic shows how dueling needs to be understood as politics by other means, as part of the mad scramble for power and prestige in the context of never-ending “paper wars” in the partisan press. They say you can’t judge a book by its cover, but I’ll never forget how much the cover art captured my imagination, and how brilliantly it reflects what you will find inside.
This book is not just about duels; it also covers political alliances, gossip, insults, and elections. But that is Freeman’s whole point, that they are all interconnected, and dueling is just one piece of a larger picture.
A major reassessment of American political culture in the days of Jefferson, Hamilton, and Burr
"[A] landmark study of Hamilton and the founders."-Jeff Sharlet, Chronicle of Higher Education
"Demands the attention of everyone with a serious interest in the history of American politics."-Pauline Maier, Washington Post
In this extraordinary book, Joanne Freeman offers a major reassessment of political culture in the early years of the American republic. By exploring both the public actions and private papers of key figures such as Thomas Jefferson, Aaron Burr, and Alexander Hamilton, Freeman reveals an alien and profoundly unstable political world grounded on the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
This study of Italian dueling from 1860s unification to 1930s Fascism makes a convincing case that the duel was not some holdover from an aristocratic past, but a modern phenomenon that arose out of liberal politics and a free press. The book covers Italy’s long and active debate about how to curb a practice that clearly violated the law but was rarely ever punished in practice. When I first read this book I was in the middle of my own research, and Hughes was the first writer who seemed to get everything right, or at least to have discovered for Italy the same things that I was finding for South America. A great window into dueling and an even better window into liberal Italy and its politics.
Following its creation as a country in 1861, Italy experienced a wave of dueling that led commentators to bemoan a national “duellomania” evidenced by the sad spectacle of a duel a day. Pamphlets with titles like “Down with the Duel” and “The Shame of the Duel” all communicated the passion of those who could not believe that a people supposedly just returned to the path of progress and civilization had wholeheartedly embraced such a “barbaric” custom. Yet these critics were consistently countered by sober-minded men of rank and influence who felt that the duel was necessary for the very health…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
A recognized classic, and one of the first books to bring gender theory, masculinity studies, and the new cultural history to the academic study of dueling. Nye looks at French dueling in the nineteenth and early twentieth centuries as a manifestation of evolving ideals and norms of masculine honor, at a time when France was becoming less aristocratic and more bourgeois. This is the book that first convinced me that dueling could be a legitimate topic for serious historical research, and not just some quirky random sideshow.
After a decade of works on women's history, historians are becoming aware of the dearth of literature on men's history. Professor Nye addresses this gap in a study of evolving definitions of masculinity in France since the eighteenth century. He examines specifically the aristocratic ethos of male honour, rooted in a society of landlords, hunters, and warriors, adapted to a society motivated by utilitarian values, urban life, and rational law. He focuses on the cultural practices and mentality of middle and upper class men and the appeal of their codes to men throughout French society.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a social and legal historian of late 19th and early 20th Century Latin America, and the majority of my work is about the emergence of the middle class. I first got interested in researching dueling because I had the idea that the duel probably played a role in creating and enforcing a social dividing line between the upper elite and the middle class. But once I got immersed in the historical documents I realized how wrong my initial hypothesis had been, how little dueling had to do with social class, and how much it was about maintaining—or sometimes gaming for advantage—the norms of decorum in politics and the press.
Covers some of the same ground as Joanne Freeman, regarding dueling, reputation, politics, and the press in the antebellum U.S.A. But what I really like about this book is how it makes those historical issues relatable to our contemporary era by drawing parallels and connections between the politicized press of the 19th century and present-day debates about free speech in social media. If modern Twitter warriors had lived in the 1800s, they would have needed to know how to handle a sword.
This book argues that dueling should be looked at as a fundamental part of the history of journalism. By examining the nineteenth century Code Duello, the accepted standards under which a duel could be conducted, the author examines the causes of combative responses between journalists. Each chapter examines an aspect of this relationship from the nineteenth century until the present, including the connections between the ritualized aggression of the nineteenth century and the feuding among blog journalists today. A comprehensive bibliography as well as an overview of accepted practices under the Code of Honor as faced by nineteenth century journalists…
When I find a big story that has not come out, which has massive relevance for history and for the entire world, I go all out to bring it to light, as I have done with this book. Most of the books I have written have been devoted to telling big, unknown stories that concern the world. (Examples: alien intelligence, the origins of ancient civilisations, the Chinese contribution to the history of inventions, the existence of optical technology in antiquity, who were the people who tried and executed King Charles I and why did they do it.) I simply had to expose this information to the public.
This crucial book was originally published by Putnam’s, New York, in 1941.
Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.
Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.
Total Espionage was first published shortly before Pearl Harbor and is fresh in its style, retaining immediacy unpolluted by the knowledge of subsequent events. It tells how the whole apparatus of the Nazi state was geared towards war by its systematic gathering of information and dissemination of disinformation. The author, a Berlin journalist, went into exile in 1933 and eventually settled in Manhattan in where he wrote for the Saturday Evening Post. He maintained a network of contacts throughout Europe and from inside the regime to garner his facts. The Nazis made use of many people and organizations: officers' associations…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.
Born in 1771 as the daughter of a Jewish merchant, Rahel Varnhagen would come to host one of the most prominent salons of the late 18th and early 19th centuries. Hannah Arendt discovered her writings some time in the mid-1920s, and soon began to re-imagine Rachel's inner life and write her biography. Arendt draws a lively and complex portrait of a woman during the period of the Napoleonic wars and the early emancipation of the Jews, a figure who met and corresponded with some of the most celebrated authors, artists, and politicians of her time. She documents Rahel's attempts to…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Humor is based on surprise and the ‘foreign’ is often surprising. As I traveled all over the world for work, I searched out local authors and found myself laughing. It started with At Swim Two Birds and has never stopped.
This short 1962 Austrian novel is a scream, literally and figuratively.
The Austrians don’t really know what to do with Bernhardt, who hated the country so trenchantly and yet is its finest twentieth-century writer. If you enjoy spending time in the S. Beckett’s zip code, you’ll love this book.
LRB BOOKSHOP'S AUTHOR OF THE MONTH ONE OF THE GUARDIAN'S BEST BOOKS OF 2019 WITH A NEW AFTERWORD BY BEN LERNER, AUTHOR OF THE TOPEKA SCHOOL
'If you haven't read Bernhard, you will not know of the most radical advance in fiction since Joyce ... My advice: dive in.' Lucy Ellmann
'I absolutely love Bernhard: he is one of the darkest and funniest writers ... A must read for everybody.' Karl Ove Knausgaard
It is 1967. Two men lie bedridden in separate wings of a Viennese hospital. The narrator, Thomas Bernhard, is stricken with a lung ailment; his friend Paul,…
As a historian at the University of Amsterdam, one of my concerns is to understand why so many Germans supported and participated in Adolf Hitler’s atrocious political project. I am equally interested in the other side: the Nazis’ political opponents and victims. In two decades of researching, writing, and teaching, I have read large numbers of official documents, newspapers, diaries, novels, and memoirs. These contemporary texts have made me vividly aware of how different people lived through the Nazi years, how they envisioned their lives, and how they remembered them after World War II. The questions they faced and the solutions they found continue to challenge and disconcert me.
Prefer to learn about Nazi Germany through literature? Try this novel by Irmgard Keun, who excelled at writing from the perspective of different young women. Here, nineteen-year-old Sanna relates how her life has changed under the Third Reich. She encounters people who express unqualified admiration for Adolf Hitler or at least concede that the Nazis are right about many things, who enjoy denouncing others or adapting to the new rules of the game. With her naïve understanding and unsophisticated language, Sanna lays bare vain pretensions, catchy slogans, and ponderous pseudo-profundities. She can’t understand why she should listen to Nazi speeches and avoid Jews. Contacts with critical friends finally compel her to leave Germany—just like her literary creator, who published her novel in exile in the Netherlands.
Depicting a young woman's life in Nazi Germany, a masterpiece from the author of Child of All Nations
'I cannot think of anything else that conjures up so powerfully the atmosphere of a nation turned insane' Sunday Telegraph
Nineteen-year-old Sanna just wants to drink her beer in peace, but that's difficult when Hitler has come to town and his motorcade is blocking the streets of Frankfurt. What's more, her best friend Gerti is in love with a Jewish boy, her brother writes books that have been blacklisted and her own aunt may denounce her to the authorities at any moment,…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Wilhelm II, the last German emperor, has always been a subject of fascination to me. Often portrayed as a caricature of the archetypical Prussian and blamed single-handedly for the outbreak of the First World War, the man behind the historical figure has remained an enigma. Very little has been written about him in Germany itself. Christopher Clark, who is perhaps better known for his seminal work The Sleepwalkers and his excellent biography of Prussia, Iron Kingdom, has done a great job tackling this delicate subject. Neither tied down by the weight of German memory culture nor by the constraints of academic writing, Clark’s biography of Kaiser Wilhelm is readable, informative and well-balanced. I would highly recommend it to anyone who seeks to understand Germany before and during the First World War.
Christopher Clark's Kaiser Wilhelm II: A Life in Power is a short, fascinating and accessible biography of one of the 20th century's most important figures.
King of Prussia, German Emperor, war leader and defeated exile, Kaiser Wilhelm II was one of the most important - and most controversial - figures in the history of twentieth-century Europe. But how much power did he really have? Christopher Clark, winner of the Wolfson prize for his history of Prussia, Iron Kingdom, follows Kaiser Wilhelm's political career from his youth at the Hohenzollern court through the turbulent decades of the Wilhelmine era into global…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I was immediately captivated by the depth of material and engrossing writing style of this book. Despite being a serious and challenging topic, Helm drew me in from the first page and never let up.
I also learned quite a bit of new information about a topic I thought I knew quite a lot about already.
Months before the outbreak of World War II, Heinrich Himmler—prime architect of the Holocaust—designed a special concentration camp for women, located fifty miles north of Berlin. Only a small number of the prisoners were Jewish. Ravensbrück was primarily a place for the Nazis to hold other inferior beings: Jehovah’s Witnesses, Resistance fighters, lesbians, prostitutes, and aristocrats—even the sister of New York’s Mayor LaGuardia. Over six years the prisoners endured forced labor, torture, starvation, and random execution. In the final months of the war, Ravensbrück became an extermination camp. Estimates of the final death toll have ranged from 30,000 to 90,000.…
