20 Books Like Pale Fire

When I was younger, I wanted to read all the classic dystopies that are there, and this is, of course, one of them.

So I did expect a dystopie—what I didn‘t expect was the emotional impact this book would have on me. I absolutely fell in love with Guy Montag, one of the best protagonists, in my opinion, telling us his story; and there‘s a whole range of side characters that will stick with you long after the ending.

And the ending—don‘t worry, no spoilers here—is something that really stuck with me. Unlike other dystopian stories, this novel leaves the reader on a hopeful note. It might be a dark and bad world, but it‘s not the end, and there is hope.

Such a powerful note to end the book.

My favorite fantasy novels are those that take place in real and recognizable worlds because they allow me to imagine more clearly what it could be like if the marvelous, the magical, and the mythical were just as real as the kitchen sink and the laundry basket.

Susanna Clark’s iconic first novel, set against the turmoil of the Napoleonic Wars, is built upon a recognizable and very credibly created backdrop of social and economic unrest, bloody conflict, and international politics—at the heart of which is the quest of the eponymous Strange and Norrell to bring real magic back to the world. 

The two magicians are the only people able to make the magic work—and as they become more successful in their endeavors, they become the most famous men of their day—helping the Duke of Wellington to defeat Napoleon and setting the country on its heels with their… show more.

I’ve always been fascinated by the “dreaming spires” of Oxford University and enjoy Gaudy Night because it immerses me in the world of a (fictional) women’s college set in 1930s Oxford.

As a former professor, I’m intrigued by the internecine political and personal battles in the Senior Common Room (SCR), or college faculty lounge, as well as the friction between those professors devoted entirely to an academic career versus those trying to maintain the challenging balance of work and family, the same issues women struggle with today, nearly one hundred years later.

Sayers weaves together these tensions with a mysterious “poltergeist” who torments the college with poison-pen letters, pranks, vandalism, and violence into a compelling mystery under the dreaming spires.

The 400+ year-old urtext of metafiction, Cervantes’ masterpiece is directly responsible for my own novel. But its influence on literature is incalculable. The story of a man driven mad by the spellbinding power of romantic books about knights and the women they serve, Don Quixote is more than just a comedy. While serving up one misadventure after another, Cervantes pokes fun at books about chivalry, poetry, authorial ego, and the very process of writing a book. Subjects that still consume us today, from book burning to censorship to plagiarism, also get their time in the spotlight. One note of caution: many readers find Don Quixote too long. Open it up and start reading anywhere, it is a bible of another sort.  

Percival Everett’s book speaks to me because it challenges the trite rule that a black author must write about the (stereotypical) black life–so, by extension, I must write about white women?

It’s a concept that goes against the very definition of a novel and denies a writer’s ability to be creative. Everett’s perfect satire of a writer’s life ridicules this bogus concept of authenticity. It’s a serious topic, but I couldn’t stop laughing.

This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.

Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values… show more.

I am pretty sure every woman writer of a certain age in Canada is a writer because of this book. I know it’s what motivated me. Morag, the heroine, is so open and vulnerable and intelligent and naïve, but Laurence has her grow and become formidable in front of us.

If you want to really understand the ways in which power dynamics work in a relationship (and why professors shouldn’t date their students), you read it here first. In my mind, this is the great Canadian novel. Forever and always.

Almost everyone I know read this risque novel about the supposed sexual experiment of a school creating not just coed dorms, but coed roommates. I think any book one remembers vividly from having read it back in high school deserves some sort of kudos, even if it might be just that it was so wildly salacious that it just stuck there.

However, I think it had something going for it in its ability to convey adolescent lust along with clinical overlay. Whatever the case, the combination offers up a truer vision of the undergraduate experience than most novels of its time. 

This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.

Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.

His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable. 

Stacy Schiff is a master biographer. Any subject she chooses (Cleopatra, Benjamin Franklin, Antoine de St. Exupéry, the accused witches of Salem) is elevated by the passion and persistence she brings to research and writing. Her Pulitzer Prize-winning biography of Véra Nabokov, the wife of Vladimir, is another pioneering work that proves you don’t have to be at center stage to be worthy of a book. What did Véra do for Vladimir, and he for her? This is no take-down, not the kind of exposé that reveals the great man’s wife as the true genius, exploited and forgotten. It’s a love story of equals, two against (and for) the world.