Here are 100 books that The Incal fans have personally recommended if you like
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From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.
Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoet mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
I absolutely adore Miyazaki’s art in Nausicaa. Although dealing in themes of plague and pollution, the artwork really feels like it comes from a place of love. His creature and vehicle designs exude his adoration of nature and science. And everything is rendered in a soft, effortless chiaroscuro that makes reading an endless pleasure.
But maybe the single most endearing attribute is the character, Nausicaa, herself. It seems to me, that more often than not, a hero story asks its protagonist to go through some sort of reluctant change to become a hero. But not Nausicaa. She comes to us fully formed, full of virtue and ambition. And so the story is centered on her choices. The story doesn’t happen to her, she drives it herself.
Nausicaa, a young princess who has an empathic bond with the giant Ohmu insects and animals of every creed. She fights to create tolerance, understanding and patience among empires that are fighting over the world's remaining precious natural resources.
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have.
I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.
With the limitless scope of Star Wars and EAST OF WEST paired with the sociopolitical explorations of A Handmaid's Tale and MONSTRESS, LITTLE BIRD tells the story of a young resistance fighter battling against an oppressive American Empire while searching for her own identity in a world on fire. A gorgeously illustrated epic from Award-winning filmmaker DARCY VAN POELGEEST and Angouleme-nominated artist IAN BERTRAM in which one girl risks everything to save her people, their land, and the freedom they so desperately deserve.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
Although I write Fantasy, I’m a Cyberpunk enthusiast who mentally lives in the high-tech effed-up future authors and artists imagined in the ‘80s. My imagination has been so influenced by Cyberpunk since I watched (and eventually read) Akira as a kid that I ended up creating a Fantasy world with a retro-futuristic, low-life/high-tech vibe, and a lot of motorcycles. An awful lot. I’m also a rebel by heart and a queer person, hence my stories always feature a fight against society and LGBTQ+ characters. I like reading about dystopias, morally grey characters, and dark content. This is what I read, and this is what I write about.
Akira is a must-read manga masterpiece, a deep analysis of government corruption, political upheaval, criminality, and decay of society. Apart from the breathtaking art, what caught my attention was the complex story and the nihilistic, harsh, and hopeless world Akira shows. There are virtually no good characters in this story and it fits the apocalyptic, decadent reality they face and live. Expect a lot of psychic abilities and motorcycles, along with gritty, graphic violence.
Akira 1 introduces readers to a gritty Neo-Tokyo, built on the ashes of a Tokyo annihilated by a blast of unknown origin that triggered World War III. The lives of two streetwise teenage friends, Tetsuo and Kaneda, change forever when paranormal abilities begin to waken in Tetsuo, making him a target for a shadowy agency that will stop at nothing to prevent another catastrophe like the one that levelled Tokyo. At the core of the agency's motivation is a raw, all-consuming fear of an unthinkable, monstrous power known only as Akira.
I’m primarily a science fiction writer and reader, but mystery is my first literary love, and I was the editor-in-chief of the mystery magazine, Plan B. So, I doubly love it when a mystery story takes place in a science fictional world. In my own work, certain themes keep showing up even when I don’t intend them to because I love them as much as I love a juicy mystery: using technology to change our bodies and environments, the struggle that wealth and corporate greed create, how we can learn to understand someone who is radically different from ourselves. These five books hit all those marks for me.
This book treads ground common to books I love to read and write—vivid characters living in a world that is bisected by wealth—in a lushly atmospheric, but emotionally brutal, short read. Jewel is not a detective by trade—she is a courtesan working in one of the high-end houses. When her friend Winfield is murdered by a rich and powerful client, but mysteriously comes back to life—only different—Jewel needs answers. I loved the complex relationships between the characters and their society, and especially loved how the feeling of the world is prioritized, making the setting and its inhabitants richer.
In a far future city, where you can fall to a government cull for a single mistake, And What Can We Offer You Tonight tells the story of Jewel, established courtesan in a luxurious House. Jewel's world is shaken when her friend is murdered by a client, but somehow comes back to life. To get revenge, they will both have to confront the limits of loyalty, guilt, and justice.
I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.
In a list of dystopian futures, Mackintosh’s book sits a little unsurely. It’s a dreamy, otherworldly novel, and we’re never quite sure when or where it’s taking place. Three sisters live in isolation with their parents, avoiding an outside world ravaged by contagion – but is the threat real or imagined?
I love this book for its strangeness: it’s an uncanny fairy tale, partly set in some kind of decrepit Victorian seaside retreat for lady hysterics, partly set in the woods where wolves (or men) may prowl.
Mackintosh builds layered dystopias, where both the diseased, brutal world of male violence and the claustrophobic, emotionally manipulative "care" of home and family threaten the sisters’ security. This hazy fever-dream of a book stayed with me for a long time after I finished it.
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
I picked up this book thinking I’d skim a few chapters—and resurfaced days later, rattled and amazed.
The claustrophobic atmosphere, the paranoia, the emotional depth—it’s dystopian storytelling at its sharpest. It influenced how I write tension: close, quiet, and always just about to blow. Avis wants to read it too, which means it’s canon.
This Omnibus Edition collects the five Wool books into a single volume.The first Wool story was released as a standalone short in July of 2011. Due to reviewer demand, the rest of the story was released over the next six months. My thanks go out to those reviewers who clamored for more. Without you, none of this would exist. Your demand created this as much as I did.This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always…
I grew up in the ‘60s, when women were not in charge of anything much. I’ve always been fascinated by strong women. Amelia Earhart was a particular favorite, as were the suffragettes, Michelle Obama, and others. The strongest thing I’ve done in my life is to seize opportunities when they arise. I forged a second career that way, taking more than one leap of faith to do what I’ve always known I could do, be a writer. During and after my first career as a dental hygienist I took opportunities to be a newspaper wire editor, then a columnist, a magazine writer, an indexer, a nonfiction writer, and a novelist.
This is a new dystopian matriarchal novel, first in a series, that I’ve just discovered. Interestingly, it’s been described as the opposite of The Handmaid’s Tale.
The story is of a female-controlled society in which men are kept imprisoned and used as breeders. Neen, a female scientist who is interviewing men for their potential as sperm donors, begins to question the status quo when some of the men she meets don’t fit her preconceptions.
I was attracted to the book because its story is comparable to my book, but the tone and world-building are completely different. I loved the plot twists and the focus on ethical dilemmas.
" (...) The author outdid herself with this novel which is both entertaining and thought-provoking." Readers' Favorite ★★★★★
A genetically enhanced female. A male breeder fighting for his life in the Arena Dome. A world ruled by five clans of super-women. What could possibly be wrong with such a well-designed world?
When Neen and Tem's paths cross they uncover a web of lies spun so deep, that the truth seems like a mere illusion.
In the near-future propaganda-driven dystopian society of EVE, women control the world.
Young brilliant scientist, Neen Salvek of genetically enhanced Clan Triverser is assigned to screen…
I grew up in a small community surrounded by mountains and vast public land. I learned to ride a horse before riding a bike, and my dad taught me about recreating in remote areas. I didn’t think of those lessons as survival training, but in my novels, the skills I learned as a kid often save the characters’ lives. All the books on this list feature ordinary people doing extraordinary things to survive and, in some cases, protecting those they love. I hope you enjoy the books on this list as much as I have!
I love to be surprised. Poster Girl started a bit slow, but as the story unfolded, the web of connections made this dystopian book much more interesting than I thought it would be.
The story began after a revolution. Many considered patriots by the former government were either killed or imprisoned. As the new government tries to paint itself as the liberator from oppression, similarities between the new and old regimes are exposed.
As with any good dystopian story, it shows what people will do to survive in a dangerous and unfamiliar world and how they navigate relationships within a new set of social rules.
A fallen regime. A missing child. A chance at freedom.
Ten years ago, Sonya was the face of an oppressive regime. Then it was toppled by rebels and she was thrown into prison - where she has been locked up ever since.
When an old enemy comes to her with a deal, it seems too good to be true: find a missing girl who was stolen from her parents, and earn her freedom.
But as Sonya hunts for the child, she is forced to dig deeper into the past - and her family's dark secrets - than she ever bargained…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I have always loved fictional works that explore deep truths of humanity and existence. As a teen struggling to understand my purpose and beliefs, I grew fond of dystopian books with subtle, hope-filled messages pointing to God as our salvation amid chaos. I loved the genre so much that I began writing a Christian dystopian novel of my own and self-published it at 19, weaving pieces of my testimony throughout the main character's inner journey. For me, a book is only as good as its characters, no matter how gripping the plot is. So, the books on this list contain some of the genre's most authentic, intricately written souls.
A Time to Die is a gritty dystopian book with many unexpected twists and a unique, intricate world that transported me right into it from the first chapter. I loved how genuine and transparent the main character is in her approach to every new circumstance and her newfound relationship with God.
Each chapter is fast-paced, intense, and almost always ends on a cliffhanger. It is one of the most thrilling, raw survival stories I have read, and I recommend it to anyone looking for a book that will keep them engaged and begging for more when it is over.
Parvin Blackwater believes she has wasted her life. At only seventeen, she has one year left according to the Clock by her bedside. In a last-ditch effort to make a difference, she tries to rescue Radicals from the government's crooked justice system.
But when the authorities find out about her illegal activity, they cast her through the Wall -- her people's death sentence. What she finds on the other side about the world, about eternity, and about herself changes Parvin forever and might just save her people. But her…