Here are 100 books that The Incal fans have personally recommended if you like
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From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.
Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoet mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
I absolutely adore Miyazaki’s art in Nausicaa. Although dealing in themes of plague and pollution, the artwork really feels like it comes from a place of love. His creature and vehicle designs exude his adoration of nature and science. And everything is rendered in a soft, effortless chiaroscuro that makes reading an endless pleasure.
But maybe the single most endearing attribute is the character, Nausicaa, herself. It seems to me, that more often than not, a hero story asks its protagonist to go through some sort of reluctant change to become a hero. But not Nausicaa. She comes to us fully formed, full of virtue and ambition. And so the story is centered on her choices. The story doesn’t happen to her, she drives it herself.
Nausicaa, a young princess who has an empathic bond with the giant Ohmu insects and animals of every creed. She fights to create tolerance, understanding and patience among empires that are fighting over the world's remaining precious natural resources.
I believe comics are one of the very best storytelling mediums for stories with big imagination. Prose and film are amazing, but comics have artwork for every single moment of the story, artwork not bound by space, time, or budget. I’ve written and drawn 5 graphic novels published in 11 different languages. I’ve dedicated my entire life to the pursuit of imagination. The books I’ve recommended have given me endless enjoyment and inspiration, I hope they can do the same for you too.
In a post-apocalyptic world run by an oppressive American empire, we find Little Bird hiding in a hole. Though her mother was a great leader of the rebellion, Little Bird has found herself very lost, in a very cruel world - and she just might be the last chance that the freethinking people of the Western world have.
I love that this story takes familiar forces and fears of our modern life and cranks them up to eleven. With that in mind, the star of the show must be Ian Bertram’s artwork. All the huge ideas and themes created by Darcy are elevated to a startling degree by the way Ian is able to build this world visually. The iconography, the violence, the characterizations, it slaps you in the face page after page.
With the limitless scope of Star Wars and EAST OF WEST
paired with the sociopolitical explorations of A Handmaid's Tale and MONSTRESS,
LITTLE BIRD tells the story of a young resistance fighter battling against an
oppressive American Empire while searching for her own identity in a world on
fire. A gorgeously illustrated epic from Award-winning filmmaker DARCY VAN
POELGEEST and Angouleme-nominated artist IAN BERTRAM in which one girl
risks everything to save her people, their land, and the freedom they so
desperately deserve.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
Although I write Fantasy, I’m a Cyberpunk enthusiast who mentally lives in the high-tech effed-up future authors and artists imagined in the ‘80s. My imagination has been so influenced by Cyberpunk since I watched (and eventually read) Akira as a kid that I ended up creating a Fantasy world with a retro-futuristic, low-life/high-tech vibe, and a lot of motorcycles. An awful lot. I’m also a rebel by heart and a queer person, hence my stories always feature a fight against society and LGBTQ+ characters. I like reading about dystopias, morally grey characters, and dark content. This is what I read, and this is what I write about.
Akira is a must-read manga masterpiece, a deep analysis of government corruption, political upheaval, criminality, and decay of society. Apart from the breathtaking art, what caught my attention was the complex story and the nihilistic, harsh, and hopeless world Akira shows. There are virtually no good characters in this story and it fits the apocalyptic, decadent reality they face and live. Expect a lot of psychic abilities and motorcycles, along with gritty, graphic violence.
Akira 1 introduces readers to a gritty Neo-Tokyo, built on the ashes of a Tokyo annihilated by a blast of unknown origin that triggered World War III. The lives of two streetwise teenage friends, Tetsuo and Kaneda, change forever when paranormal abilities begin to waken in Tetsuo, making him a target for a shadowy agency that will stop at nothing to prevent another catastrophe like the one that levelled Tokyo. At the core of the agency's motivation is a raw, all-consuming fear of an unthinkable, monstrous power known only as Akira.
I’m primarily a science fiction writer and reader, but mystery is my first literary love, and I was the editor-in-chief of the mystery magazine, Plan B. So, I doubly love it when a mystery story takes place in a science fictional world. In my own work, certain themes keep showing up even when I don’t intend them to because I love them as much as I love a juicy mystery: using technology to change our bodies and environments, the struggle that wealth and corporate greed create, how we can learn to understand someone who is radically different from ourselves. These five books hit all those marks for me.
This book treads ground common to books I love to read and write—vivid characters living in a world that is bisected by wealth—in a lushly atmospheric, but emotionally brutal, short read. Jewel is not a detective by trade—she is a courtesan working in one of the high-end houses. When her friend Winfield is murdered by a rich and powerful client, but mysteriously comes back to life—only different—Jewel needs answers. I loved the complex relationships between the characters and their society, and especially loved how the feeling of the world is prioritized, making the setting and its inhabitants richer.
In a far future city, where you can fall to a government cull for a single mistake, And What Can We Offer You Tonight tells the story of Jewel, established courtesan in a luxurious House. Jewel's world is shaken when her friend is murdered by a client, but somehow comes back to life. To get revenge, they will both have to confront the limits of loyalty, guilt, and justice.
I grew up in a small community surrounded by mountains and vast public land. I learned to ride a horse before riding a bike, and my dad taught me about recreating in remote areas. I didn’t think of those lessons as survival training, but in my novels, the skills I learned as a kid often save the characters’ lives. All the books on this list feature ordinary people doing extraordinary things to survive and, in some cases, protecting those they love. I hope you enjoy the books on this list as much as I have!
I love to be surprised. Poster Girl started a bit slow, but as the story unfolded, the web of connections made this dystopian book much more interesting than I thought it would be.
The story began after a revolution. Many considered patriots by the former government were either killed or imprisoned. As the new government tries to paint itself as the liberator from oppression, similarities between the new and old regimes are exposed.
As with any good dystopian story, it shows what people will do to survive in a dangerous and unfamiliar world and how they navigate relationships within a new set of social rules.
A fallen regime. A missing child. A chance at freedom.
Ten years ago, Sonya was the face of an oppressive regime. Then it was toppled by rebels and she was thrown into prison - where she has been locked up ever since.
When an old enemy comes to her with a deal, it seems too good to be true: find a missing girl who was stolen from her parents, and earn her freedom.
But as Sonya hunts for the child, she is forced to dig deeper into the past - and her family's dark secrets - than she ever bargained…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
I picked up this book thinking I’d skim a few chapters—and resurfaced days later, rattled and amazed.
The claustrophobic atmosphere, the paranoia, the emotional depth—it’s dystopian storytelling at its sharpest. It influenced how I write tension: close, quiet, and always just about to blow. Avis wants to read it too, which means it’s canon.
This Omnibus Edition collects the five Wool books into a single volume.The first Wool story was released as a standalone short in July of 2011. Due to reviewer demand, the rest of the story was released over the next six months. My thanks go out to those reviewers who clamored for more. Without you, none of this would exist. Your demand created this as much as I did.This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always…
After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.
The Settlement describes a dystopian world set not in the future, but in the past. The 1830s, to be precise.
The misguided evangelist George Augustus Robinson sets himself the task of rounding up the last remaining original inhabitants of Van Diemen’s Land, now known as Tasmania, to save them from slaughter. Under his care, they are convinced to surrender and are relocated to desolate Flinders Island in the Bass Strait.
This is a finely-wrought historical novel of great compassion that brings to life the extinction of a race.
On the windswept point of an island at the edge of van Diemen’s Land, the Commandant huddles with a small force of white men and women.
He has gathered together, under varying degrees of coercion and duress, the last of the Tasmanians, or so he believes. His purpose is to save them—from a number of things, but most pressingly from the murderous intent of the pastoral settlers on their country.
The orphans Whelk and Pipi, fighting for their survival against the malevolent old man they know as the Catechist, watch as almost everything about this situation proves resistant to the…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
I love this book because it’s a classic and engaging sci-fi thriller with an original twist that kept me on my toes, a remarkable main character, and a compelling supporting cast. The dystopian element kept me hooked throughout, and the masterful storytelling often made me forget I was reading.
It is not only gripping but thought-provoking, with commentary on societal issues, much like YA dystopian novels from my childhood. What’s most frightening about this book is that it's easy to see that this sort of thing could happen today.
"Echoes of One Flew over the Cuckoo's Nest reverberate through this cinematic tale...readers looking for an adrenaline-inducing resistance plot will find this worth their time." --Publishers Weekly
From award-winning author J. Michael Straczynski, The Glass Box is a hard-hitting, fast-paced sci-fi novel about the choices we make and the ramifications we face.
Riley Diaz was born to fight back.
When she's incarcerated under the authority of a shadowy new defense act, Riley is sent to one of a growing number of American Renewal Centers (ARCs)--institutions modeled after psychiatric facilities--for mandatory reeducation.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
I have adored my next pick for its long narrative threads ever since I read it in my youth. It is the first book of a trilogy, but its ideas about human dignity and honor transcended the first book and pulled me into reading the second and third.
E. P. Dutton, 1973. Trade paperback. This 1971 novel is the first book in "The Exiles" series, which also includes "Flight of Exiles" (1972) and "End of Exile" (1975). The three novels were later collected as "The Exiles Trilogy."
